It absolutely was so different from everything else in late 92.anyone who rubbishes goldie cos hes a celebrity.is either ignorant or dosent realisr the history of the music and the part he played .
Shouts to fabio,grooverider,randall,kenny ken and doc scott too.who all contributed to the darkside sounds of 93.that then turned into jungle and drum and bass.the rest is history.
Goldie changed everything with this and why he got noticed as raver to end up owning the biggest dnb label there is. This is another form of classical music
@@reecednbfamilyofficial Yes I have digged through the darkcore era, but couldn't tell anything since I am a millenial with no one telling me the history, at least I am a fan of Face Records :-P
@@jomak9 don’t worry I doubt anyone in the scene could put the finger on who was “the first” you could ask Micky Finn doc Scott would they even know? Probably not. I’m saying this only on knowledge and experience from the past I would say Micky Finns some justice on urban shakedown 1991/92 was the first to use that jungle sound as many know and Micky Finn was in the lineup at Coventry for the first ever rave of that sound. I’m not sure why many people seem to put that innovative trophy on goldies shoulders apart from being the first to do a live orchestral version of an album which was timeless and an historic event and be the best album ever also a legend..don’t get me wrong Metalheadz is a fantastic label and always will be. I have never doubted the record label it has a huge place in my heart forever
Lost the plot to this at Exodus in Luton after buying a few snowballs off a midget sat on the back of a massive dreadlocked dude dressed as a copper. Great days.
Absolutely timeless, amazing! I can only imagine how people reacted when they heard these sounds for the first time, like a whole new universe unfolding and opening up in front of their eyes
@@InternalMind I'd say it's close to the borderpoint. That was the moment when most Breakbeat Hardcore acts shifted towards early Jungle. It wasn't uncommon for folks to mix both genres together in clubs anyway.
Never forget the first time I heard this in Fibre Optic, Leamington Spa. Up at the counter with the big boys, Fallout putting the tunes on. Got talking to the bloke next to me and he couldn't stop going on about this track, which obviously he'd already heard and bought (along with everyone else in there). Another mate told me later it was Ray Keith but I don't know what he'd be doing up in Leamington, haha. Anyway whoever it was he got Fallout to put it on for me and that was that. Mind absolutely blown. Some of those 92 tunes are great but sound dated now; this still cuts through in 2024. Unbelievable. I genuinely think you can talk about Terminator in the same way people talk about A Day In The Life or Anarchy In The UK. Complete game changer, 100% genius.
"Listen, and understand! That Terminator is out there! It can't be bargained with. It can't be reasoned with It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead." --Kyle Reese
Tried listening to the new stuff today, but it all very much the same, remixes of chart music and it just bores me to tears. I think this stuff was/is so good, it just cant be matched tbh.
to be fair a good amount of hardcore and jungle from this time period were remixes of popular music as well. it was just. it was all brand new and fresh at the time.
@@binxthehyperist2563 not true.using samples of popular tunes isnt remixing.hardcore was the freshest and most innovative music to come from this country.giving birth to jungle and drum and bass.
This is one of the tunes that began to split the Hardcore scene from the happy stuff to the more sinister tunes... Like the tune Sinister on this same record...
who else was doing this stuff? I think it later evolved into Drill 'n' bass, but I know very little of the early uk hardcore that was kinda "aggressive" like this, without going ragga hahaha I love this music and how it evolved into things like Squarepusher, The Squire Of Gothos, bye2, Golemm, System ST91, strxwberrymilk, or Kaizo Slumber
@@Harmonia-Bristol i wasn't aware of Moving Shadow Records, I really like some of its artists like 2 Bad Mice, Omni Trio, and Blame, but I didn't know their were part of the label. thank you so much for the directions!
@@kaneda_shotaro glad I could help! U should check out early Doc Scott stuff on reinforced records too (like the 92 original, Here Come the Drumz) - its got early traces of the futuristic darkside sound ... another 92 fave is Manix' Hardcore Junglism :)
I remember when I first heard this as a kid at secondary school, blew me away nothing at that time sounded close to this, so experimental and futuristic. Absolutely loved it, had it on max on the Walkman
Atmoics Maidstone Kent, Devious D played this tune on both turntables and looped the time stretch break in this tune, I was rushing my nuts off, first "chemistry" experience and remember it like it was yesterday, absolute tune👍
You known it's a classic when so many can remember where they were when they first heard it. Was at the Astoria for me, off my nuts, and the crowd response to the intro was off the scale.
@@jonnybravo3055 After 96 your correct all D&B no originality I'd say this is a mixture of both hardcore and Jungle but more airing on the hardcore side
100% missed the boat on all of this, was 6 when this came out. We used to get excited about clubbing in school but it was all about drinking when we got out+mobile phones. Apparently rave was so popular that it had began to affect alcohol sales and worry people and its reckoned that contributed to the harshness of the crackdown. Snidey if so. Anyway I just got drunk and hated everything for years. When I think back there were embers of the rave scene, djs at house party's, small scale raves, super club raves but you had to be able to travel I think and then it became like church and exclusive. Fundamentally raves spirit was about unity accross the board. Everyone's bored of their life and wants to get down and dance ultimately. Honestly I think if enough people want to dance they can and rave sort of was a beautiful natural convergence of post industry, warehouses and ecstacy which I completely missed. If it exists in some form point me in the right direction, if not then what's gone wrong
free parties, warehouse parties, hippies - they are still exist my man. Not the cultural revolution they once were but amazing places to dance till dawn with hippies etc. I was FIVE when this came out bro but by the time I was 16 I was clubbing every weekend or going to raves in fields etc - didn't truly 'die out' till like 2005/6
Nicky BlackMarkets shop Goldie walks in tells Nicky to put this dub on in the shop , shop went nuts ! ..... A.W.O.L it gets dropped place erupts ! ! ... man your talking about things we aint even done yet . #Memories big uP !
Apparently the pitched drum effect at 2:27 was an Eventide H300 pitchshifting the drum break. Similar but distinctly different to using pitchshift on older Akai samplers.
@@CerealKiller yes! It's the same in the cave of dark past you go through to get to Giygas. I've heard that sample used in vaporwave too. EarthBound was ahead of its time!
I’m sure I got a copy of this at slammin vinyl records in Kingston upon Thames. Or what the shop was called in 1992. Can’t remember if it was called slammin vinyl or not. If anyone can help me. It was in the Apple market in Kingston town centre.
Aged like wine, still absolutely kills
when i first heard this - late '92 - no-one knew what the fuck was going on - it was such a different sound
utterly groundbreaking
It absolutely was so different from everything else in late 92.anyone who rubbishes goldie cos hes a celebrity.is either ignorant or dosent realisr the history of the music and the part he played .
Shouts to fabio,grooverider,randall,kenny ken and doc scott too.who all contributed to the darkside sounds of 93.that then turned into jungle and drum and bass.the rest is history.
Yeah man, 92 was when jungle left the hardcore
I still don't know wtf us going on
Lazerdrome Peckham rye knew what ...was going on innersense crew👍😁
Found this record in my dads vinyl collection I can’t stop listening there’s nothing else like it
yeah boi
oh dude, you're journey is just beginning. welcome to the family
Nice one! I heard it on a pirate in 92 for the first time and it blew me away.
Your dad is cool as fuck!
Your dad's got great taste!
This is the absolute bollocks!! Released 28 years ago and still sounds as fresh as if it came out yesterday.
Init its crazy
100%
im not sure how anyone can hear a mentasm stab and think it sounds modern. Unless they have never heard any electronic music in their life.
I can't believe this is from 1992; it still absolutely slays in 2022
92 was such an epic year for music
You can play this after a song produced yesterday and no one will tell the original year!
So much going on in this track. From break beats to heavy synths to Jungle rewinds to heavy bass lines. Absolutely enormous!
Goldie and co made it while smashed on E. Goldie rang up Randal to come over to the studio at 6am to check it out lol
Also Sarah Conor samples
This is like the blueprint of jungle music.
No, this is a blackprint.
Goldie changed everything with this and why he got noticed as raver to end up owning the biggest dnb label there is. This is another form of classical music
I hate to be the one to tell you but edrush was pioneering this darkcore sound before goldie with look what they’ve done 1991/92
@@reecednbfamilyofficial Yes I have digged through the darkcore era, but couldn't tell anything since I am a millenial with no one telling me the history, at least I am a fan of Face Records :-P
@@jomak9 don’t worry I doubt anyone in the scene could put the finger on who was “the first” you could ask Micky Finn doc Scott would they even know? Probably not. I’m saying this only on knowledge and experience from the past I would say Micky Finns some justice on urban shakedown 1991/92 was the first to use that jungle sound as many know and Micky Finn was in the lineup at Coventry for the first ever rave of that sound. I’m not sure why many people seem to put that innovative trophy on goldies shoulders apart from being the first to do a live orchestral version of an album which was timeless and an historic event and be the best album ever also a legend..don’t get me wrong Metalheadz is a fantastic label and always will be. I have never doubted the record label it has a huge place in my heart forever
30 years old, such a classic
I feel old ...sigh 😔
This come out in winter 1993.
this is timeless and filled with hope. the rockets, gadgets, and aliens may change but the SOUND of the future is assured.....
first time hearing it right now. what the actual fuck
@@Oscuros it came out in 1992. I remember buying it in Virgin Megastores.
Lost the plot to this at Exodus in Luton after buying a few snowballs off a midget sat on the back of a massive dreadlocked dude dressed as a copper. Great days.
That midget used to fuck everyone up
Knowing Luton in the 90s. There’s a good chance that was a genuine copper. 😀
😂😂brilliant memory mate really don’t think many people could top that.....thanks for sharing 👍🏻
Credible Mulk haha! I remember I went to the Exodus rave next to the M1, great days.
This is a scene from a movie I really want to see
I was 15 when this dropped , still sounds fresh as fuck now I’m 45 👌🏻😎
I’m currently 15 listening to this masterpiece 29 years later
Same here!
@@georgeespley9177 Big up!
@@georgeespley9177 lmao im 15 as well. 90s dnb is sure beautiful
17
This has got that atypical hardcore sound, of that era...
What a blast from the past !!!
@@filevans Ye man... 😎👍🏻🙏🏻👌🏻
Absolutely timeless, amazing! I can only imagine how people reacted when they heard these sounds for the first time, like a whole new universe unfolding and opening up in front of their eyes
Can remember being up a radio station in 92 and hearing this, such a tune, wtf has happened to the years they have literally flown by, 2023 now 😮
I prefer the original over any remix. This track was truly ahead of its time and I think it still is.
Game changer in jungle....Dont even contest
@@justinwindle4324 This is breakbeat hardcore ... not jungle..
@@InternalMind I'd say it's close to the borderpoint. That was the moment when most Breakbeat Hardcore acts shifted towards early Jungle. It wasn't uncommon for folks to mix both genres together in clubs anyway.
@@InternalMind it’s jungle bro badman nah Mek no funny ‘core’ genre this is jungle rudeboi
@@InternalMind This is literally the blueprint to jungle as we know it, give ya head a wobble!!
Never forget the first time I heard this in Fibre Optic, Leamington Spa. Up at the counter with the big boys, Fallout putting the tunes on. Got talking to the bloke next to me and he couldn't stop going on about this track, which obviously he'd already heard and bought (along with everyone else in there). Another mate told me later it was Ray Keith but I don't know what he'd be doing up in Leamington, haha. Anyway whoever it was he got Fallout to put it on for me and that was that. Mind absolutely blown. Some of those 92 tunes are great but sound dated now; this still cuts through in 2024. Unbelievable. I genuinely think you can talk about Terminator in the same way people talk about A Day In The Life or Anarchy In The UK. Complete game changer, 100% genius.
This really was the sound of the future back then. Classic.
@Pete Testube ??
Too much to name i think.
@@nathandyer7256 Looks like there's nothing to name at all
@@ofacid3439 ??
@@nathandyer7256 There's no real new sound these days. Either old stuff revisited/shitty remixed or a TikTok dance crap
and I'm 13 again, riding to school on my bike with big headphones from a Sony walkman. Spooky af.
Your talking about things that I haven’t done yet 🤖
Im 49 this year remember this one absolutely love itttt🔥🔥🔥🔥🔥🔥🤘❤❤❤❤
Grooverider dropped this this in June 1992 at the Book of Love. It blew my mind! What a tune!
"Listen, and understand! That Terminator is out there! It can't be bargained with. It can't be reasoned with It doesn't feel pity, or remorse, or fear. And it absolutely will not stop, ever, until you are dead." --Kyle Reese
listen to perturbator humans are such easy prey.
Dude makes such a great use of that sample
Yes man, I know that track!
I love Perturbator. I've been on a bit of a synthwave binge for a while now.
Anyone can make good use of any sample these days... not like in 1992... when you had to do it all manually.. doesnt compare one bit..
the terminator is God
“It’ll reach down her throat and rip her fucking heart out!” - also Kyle Reese.
Such a tune - never gets old 🔥🔥
First heard this in The Lazerdrome in Peckham and nearly soiled myself
Innersense 😁👍💖
Tried listening to the new stuff today, but it all very much the same, remixes of chart music and it just bores me to tears. I think this stuff was/is so good, it just cant be matched tbh.
look deeper!
Check out some stuff from London Elektricity, like their song "tape loops"
to be fair a good amount of hardcore and jungle from this time period were remixes of popular music as well. it was just. it was all brand new and fresh at the time.
sewerslvt
@@binxthehyperist2563 not true.using samples of popular tunes isnt remixing.hardcore was the freshest and most innovative music to come from this country.giving birth to jungle and drum and bass.
Thanks for the great love of break beat hardcore.. Junglist.. trust me you know .. TrulyOne...x
Goldie a true Pioneer of D&B and Jungle way ahead of his time ...🤩
Very clever tune...that sample from Sarah Connor is just brilliant..
Every thing from 91 to 94 was fucking class
And then it went fucking shit 😂
Spot on! I'm glad I was raving then. I still do now, but you'll never beat the 90s!
This was a great tune to mix back in the day. Next level beats and sounds just needs to drop with Scottie!
This is one of the tunes that began to split the Hardcore scene from the happy stuff to the more sinister tunes... Like the tune Sinister on this same record...
That sinister scene was shyte, after the all loved up scene.
who else was doing this stuff? I think it later evolved into Drill 'n' bass, but I know very little of the early uk hardcore that was kinda "aggressive" like this, without going ragga hahaha I love this music and how it evolved into things like Squarepusher, The Squire Of Gothos, bye2, Golemm, System ST91, strxwberrymilk, or Kaizo Slumber
@@kaneda_shotaro 92 moving shadow stuff is not dissimilar to this according to luna-c :)
@@Harmonia-Bristol i wasn't aware of Moving Shadow Records, I really like some of its artists like 2 Bad Mice, Omni Trio, and Blame, but I didn't know their were part of the label. thank you so much for the directions!
@@kaneda_shotaro glad I could help! U should check out early Doc Scott stuff on reinforced records too (like the 92 original, Here Come the Drumz) - its got early traces of the futuristic darkside sound ... another 92 fave is Manix' Hardcore Junglism :)
crusty cuts, passing synth plongs, the black-lady sample, sci-fi and oldiskool !! This age was great (1989 .1996 ) Things were unpredictable!!
I remember when I first heard this as a kid at secondary school, blew me away nothing at that time sounded close to this, so experimental and futuristic. Absolutely loved it, had it on max on the Walkman
Like any good poison, this never goes bad and always kills.
Atmoics Maidstone Kent, Devious D played this tune on both turntables and looped the time stretch break in this tune, I was rushing my nuts off, first "chemistry" experience and remember it like it was yesterday, absolute tune👍
Do you have recording of that set?
Hi. We could pick up tapes at the end of the night. This was my first rave so I don't recall of I picked up a copy or not .
Atomics 👍💖
Another remarkable track from a remarkable era.
heard it a few years after it came out (1997) but was BLOWN AWAY!!!!
What a belter..
I feel 30 years late to the party lol
Looking for this for a long long time , my older brother used to play this all the time .....loved it ...finally found it ....fucking amazing 👏
What a tune and it still sounds fresh 30 years later! This is proper old-school dnb vibes from the better days of life 🔉🔊🔈📢📢📢🥰🥰🥰🥳🥳🥳
you're talking about things I havent done yet
I got this On a White from DJ Randall at De Underground records in Forest Gate. Dropped it at the Berwick Manor. The Roof Came Off
Berwick Manor, Legendary.
Got my white label from Ray Keith at Black Market on one of my weekly visits
Dam that white would be worth a few quid nowadays
@@jlagden What a sad way to name drop... Get a life !!!
@@vanman757 completely in context to the original comment.
Goldie knew wat he did when he made this tune cor believe it's still massive to this day love it
I actually think this shit goes very deep😮
Brings back memories of London Astoria , what a tune !!!! Metal heads didn’t release anything but bangers 👌
Orange at the Astoria was my first proper rave
I was born in 92. Thank you!
You known it's a classic when so many can remember where they were when they first heard it. Was at the Astoria for me, off my nuts, and the crowd response to the intro was off the scale.
Still relevant! DnB is so timeless like Raggea, and Jazz
Thankfully,I was awake and aware,when this was released.Good job its on a Grooverider tape,forever.
Goldie!
my favourite drum and bass tune ever
Good old days 🖤
ion think ill ever get tired of this one hits every time
This masterpiece Brings me back to the days of Christmas 93 listening on Life FM 89.2 Athens.... 💕
Drum and bass will never fucking die!!! Big up!
When Goldie took DnB to the next level
This predates DnB, this is hardcore.
I'd class this as Jungle. 1992 to 1995/ 96 there after I'd say D&B.
@@jonnybravo3055 After 96 your correct all D&B no originality
I'd say this is a mixture of both hardcore and Jungle but more airing on the hardcore side
This changed d&b. It ripped bass bins apart. Thx for posting.
Keep looking for those hidden gems not Heard this one in a long time almost 30 years olh my that make me feel old still can't beet the classic
Best jungle hardcore tune ever made. Fact
Update....which I now.proudly own!!
@@The_Knackered_Raver Niceee
100% missed the boat on all of this, was 6 when this came out. We used to get excited about clubbing in school but it was all about drinking when we got out+mobile phones. Apparently rave was so popular that it had began to affect alcohol sales and worry people and its reckoned that contributed to the harshness of the crackdown. Snidey if so. Anyway I just got drunk and hated everything for years. When I think back there were embers of the rave scene, djs at house party's, small scale raves, super club raves but you had to be able to travel I think and then it became like church and exclusive. Fundamentally raves spirit was about unity accross the board. Everyone's bored of their life and wants to get down and dance ultimately. Honestly I think if enough people want to dance they can and rave sort of was a beautiful natural convergence of post industry, warehouses and ecstacy which I completely missed. If it exists in some form point me in the right direction, if not then what's gone wrong
free parties, warehouse parties, hippies - they are still exist my man. Not the cultural revolution they once were but amazing places to dance till dawn with hippies etc. I was FIVE when this came out bro but by the time I was 16 I was clubbing every weekend or going to raves in fields etc - didn't truly 'die out' till like 2005/6
30 years ago I was 20 bloody hell this was when I started to get into d&b
One of the best 12's ever! Every track a banger. Knowledge is the one, though!
My favourite old skool track, the DNA of DNB x
“YOU’RE TALKING ABOUT THINGS I HAVEN’T DONE YET, IN THE PAST TENSE.” - SARAH CONNOR
Nicky BlackMarkets shop Goldie walks in tells Nicky to put this dub on in the shop , shop went nuts ! ..... A.W.O.L it gets dropped place erupts ! ! ... man your talking about things we aint even done yet . #Memories big uP !
Apparently the pitched drum effect at 2:27 was an Eventide H300 pitchshifting the drum break. Similar but distinctly different to using pitchshift on older Akai samplers.
Isn't that one of the most expensive hardware fx processors out there?
More geek shit talk 💩💩💩😆👎🏻🖕🏻
back in the day :)
First tune to use extreme timestretching from the Akai sampler if I remember correctly?
Where does it actually time stretch?
@@funkbro2 The beats and bass at 2:30 ;)
Eventide H3000 not Akai doing the time stretching.
He used a guitar pitch shifter if I'm not mistaken.
Greatest track alive even 22 years later!! It was way ahead of its time!! Blinda!!! Goldie you genius!
32 years
@Niallistical thats what I ment haha 😄 😆 I must been sniffed up not concentrating and chatting at the same time haha
@@bennybrinsdon217 hahaha fair shout
Still ahead of its time
Biggin up tha91/92 mandy crew.👍💯💥
Love this tune. Didn't used to it's when I found out it's actually quite a important song in this genre. Time looping or something.
Classic will never be beaten
had this on cd - appreciating the vinyl rip - mad props and memories x love wardrobe
As a 9/10 year old hearing this - blew my mind
He made this end if summer 1991. What a freak.
Goldie prob didn't even make it
@@Manna515 how so...?
@@urbanwarrior3470 coz he's dodgy asf
@urbanwarrior3470 oh wow they removed my comment 😂 says it all then
merci beaucoup
I'm in love with this song
This still sounds so unbelievably fresh. It's fucking ridiculous.
Back to the 90 💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚💚
First heard this in paradise club, what an absolute tune 👍
A.W.O.L 👍😁💖
This banger has a special part in my soul. ❤❤❤
Blew the roof off any room awesome 😎
Terminator is out there 👌
That intro reminds so much of Giygas theme
I thought the same thing! I wonder if EarthBound's composers had this in mind. It reminds me of the music from the dark version of Fourside city too.
@@CerealKiller yes! It's the same in the cave of dark past you go through to get to Giygas. I've heard that sample used in vaporwave too. EarthBound was ahead of its time!
this is when Goldie discovered timestretching, by modifying a HF Harmonizer and putting the funky drummer breakbeat into it.
Its called pitching and no its been around since the 70s.
@@arqelf9505i meant it as in a technique in electronic music. also, back then it was very granular and limited.
Yeah goldie discovered it then, but other junglists had done it before ;)
reminds me of tearin about the estate in a Allegro estate blastin the tunes early 90s,
Bloody brill classic ❤😊😊😊😊😊😊😊
Oldskool heaven
ooohh, cant remember how many times i've danced to this, high up up there on my list of Drum 'n' Bass.Classic.
No1 always will be
I never considered this as the first jungle/drum and bass tunes, it was another step in the progression, but a damn important one
And almost overnight, everyone producing hardcore/DnB is trying to copy this for the next 2 years. Goldie changed everything with this EP
Swing 92 red October. This tune blue my mind. There were 2 shiny robots in the crowd Avin it Large. At least I think they were lol. ❤
Rocket Holloway rd🔥🔥🔥
Was there back when this was pumping
I’m sure I got a copy of this at slammin vinyl records in Kingston upon Thames. Or what the shop was called in 1992. Can’t remember if it was called slammin vinyl or not. If anyone can help me. It was in the Apple market in Kingston town centre.
this would be an absolute jam in silent hill XD those lil riffs man
Exodus days SWEET MEMORIES!!!🤪
Madness
And now all I can think about are 3D racing video games from the 90’s… 😊
and ps1 demo disks
THAT TERMINATOR IS OUT THERE😀😀😀
Any 1 for a double dove 🕊!
❤❤
make mine speckled so I can sleep later ;-)
Just follow the Micro dots😅
If you’re buying I’m in!! 🤣🤣
Speckled like a hen egg 🐔🐣🥚🍳