This jawn is Craaaaazy!!!! I love this format bro, please keep it coming! I have a MPC Retro, 404, and 303, and I'm gonna get the 202 at some point this year, so this is an amazing tutorial ALSO dope visuals! Loving it bro!!🙏🏾✊🏾🔥🔥🔥🔥
That sample is buttery af! You always seem to know where your samples are gonna go and what to grab, I thought you might be remaking beats you had already made in a DAW before.
Haha you give me too much credit, I assure it’s pretty luck driven...didn’t have a plan but usually when I just focus on making a bass line out of the chops the other stuff like the sax figure themselves out...def not always tho
@@Nonjuror Real pro's make it look easy! get what your saying about the bass, Ive had good experiences when starting from just the bassline and then building from there in the past
Esp with jazz, I like to chop at the start of each bass note and once I stitch it together there’s always like a piano on something now doing something fresh
I’ve been figuring out best way to sample as I’m keen to get into it and was wondering why you sample into the 202 and then from 202 into the 303? Thanks
The 202 has 4 different sampling rates that I like the sound of and I like to use the 202 to change the pitch of my samples coz its way better than what the 303/404 can do.
@@dbone4293 hmmm...the cable is probably small stereo jack to RCA. When you're recording it's usually better to have the phone at full volume so you're using less rec level on the 303 (less noisy) - however, some phones may have extra compression on their output which makes 100% sound a little dirty / distorted - if it sounds like that back it off to about 80%. The red light on the 303 is usually okay to be lit just a little (flashing on when the kick / snare hits in the sample - if there's no hard drums in the sample turn it up until just before the red light blinks). Last thing, one of my favourite things about the 303 is the "LONG" record mode, it's at 22kHz sample rate and I think it sounds smoother and warmer that the HI-FI setting (closer to that old school MC60 / SP12 type sound). Hope that helps!
![100% FROM WAX | Part 3: Pattern Sequencer [Vinyl → SP-202 → SP-303 Beat Making Workflow]](http://i.ytimg.com/vi/p23fxJ3F7Qo/mqdefault.jpg)
![100% FROM WAX | Part 3: Pattern Sequencer [Vinyl → SP-202 → SP-303 Beat Making Workflow]](/img/tr.png)
i love that in 1998 the Hi-Fi setting still sounds lofi af
Yeah man, hifi for the Boss engineers was still below cd quality
Me and my friends genuinely are amazed at how small you are for the skill u have, big up to you
Thanks heaps man, much appreciate! Cheers! 🍺🍺🍺🍺
This was in my recommended feed!!
Ha! Dope! Good to know it’s still catching some waves, cheers man!
This jawn is Craaaaazy!!!! I love this format bro, please keep it coming! I have a MPC Retro, 404, and 303, and I'm gonna get the 202 at some point this year, so this is an amazing tutorial ALSO dope visuals! Loving it bro!!🙏🏾✊🏾🔥🔥🔥🔥
Thanks heap mate, 202 was def a game changer for me, was my first sp. How’s that shoulder going?
@@Nonjuror Still painful, but better than it was. Appreciate you for asking my friend!🙏🏾✊🏾
Damn that’s taking it’s time, wolverine up man!
I love this video and that beat is fire 🔥
Thanks heaps man! Glad you dig it, I got lucky with those samples working together pitch-wise...
@@Nonjuror Great job 👏
That sample is buttery af! You always seem to know where your samples are gonna go and what to grab, I thought you might be remaking beats you had already made in a DAW before.
Haha you give me too much credit, I assure it’s pretty luck driven...didn’t have a plan but usually when I just focus on making a bass line out of the chops the other stuff like the sax figure themselves out...def not always tho
@@Nonjuror Real pro's make it look easy! get what your saying about the bass, Ive had good experiences when starting from just the bassline and then building from there in the past
Esp with jazz, I like to chop at the start of each bass note and once I stitch it together there’s always like a piano on something now doing something fresh
Nice work 💪
Cheers man! I see you’ve been keeping up on that 100 day challenge, hella prolific. Respect. 👊
@@Nonjuror much thanks! Yeah it's gonna be a long journey.
Haha yes indeed it will be!
Was that a Jurassic 5 record?
This is inspiring. I recently dug a bunch of old wax out of my closet. I need to start flipping.
About the same era, it’s All City’s The Actual, ‘98 which is about when I think J5 dropped the self titled album. Cheers for checking it out man!
🔥
Cheers!
I'm in class teacher 🙇♂️
Haha cheers my dude! 🍺🍺🍺🍺
I’ve been figuring out best way to sample as I’m keen to get into it and was wondering why you sample into the 202 and then from 202 into the 303?
Thanks
The 202 has 4 different sampling rates that I like the sound of and I like to use the 202 to change the pitch of my samples coz its way better than what the 303/404 can do.
@@Nonjuror thanks!
No worries man, 202 was a game changer for me more than any other machine. I still use it even if I’m making a beat in a DAW coz of it’s sound.
@@Nonjuror Good to know! Any tips on sampling from a song out of a phone/computer onto the 303?
@@dbone4293 hmmm...the cable is probably small stereo jack to RCA.
When you're recording it's usually better to have the phone at full volume so you're using less rec level on the 303 (less noisy) - however, some phones may have extra compression on their output which makes 100% sound a little dirty / distorted - if it sounds like that back it off to about 80%.
The red light on the 303 is usually okay to be lit just a little (flashing on when the kick / snare hits in the sample - if there's no hard drums in the sample turn it up until just before the red light blinks).
Last thing, one of my favourite things about the 303 is the "LONG" record mode, it's at 22kHz sample rate and I think it sounds smoother and warmer that the HI-FI setting (closer to that old school MC60 / SP12 type sound). Hope that helps!
oro