Douglas Maia Me too Doug, I could watch this all the time if they could do it.But not everyone is doing dailys these days unless it's Andertons or Troglys show.
Guitar solo in Jethro Tull Aqualung, Leslie West with Mountain, Pete Townshend "Live At Leeds" and i believe Santana Live at Woodstock all used p90 equipped Gibsons.
I'm going to save this to watch in the morning, but wanted to tell you how very lovely it is to see you again. Really curious about the fellow who aims to build the Vox SRT clones.... Hope he can get those into production so we mortals (po' folk) can share in the goodness.
Hey Guys I have a suggestion, Epiphone Les Paul Special 1 with P-90's from Musicians Friend ,(I'm serious) I think you will be really surprised at just how good these are ! Great show bye the way ! Glad you are back ! :-)
Wow! Found this at just the right time. Sat down this morning to do some P 90 research for a project guitar, and found you guys. Nice to see some well done demos, especially by guys who look like me! Definitely gonna keep following your channel. I've watched both shootouts, and honestly, you could have just quit after the '54 LP. There was an openness to the tone on that thing that none of the others had. All were good sounding pups, but I heard that, and the heavens opened up, and the angels sang to me. To my ears, the Sanfords were the closest to that. There was a constriction to the tone (especially in the lower mids) on most of the others. Anyway, great demos guys, I'll be back! Oh, BTW, The TV Yellow was beautiful, but that Red '95 really spoke to me!
"...the heavens opened up, and the angels sang to me." Ha ha ha..! Ain't that the way... when it happens with music; especially for me with guitar music. I'm no preacher, but Psalm33 is worth a glance..!
I think the old 1956 pickups sound better than the new fancy handmade ones. They didn’t worry about the same stuff modern people do. They just put pickups in the guitar, and the special was a student model. Interesting points you all make. I’ve never bothered to measure the resistance of any pickups in any of my guitars, going back to my first cheap Japanese tiescos in 1964. I always manage to get my favorite tones out of almost all my guitars. Not always, but most of the time.
Just love this show and I just love my P90s. I have an Epiphone Casino Coupe (smaller than the Casino). I had the pickups rebuilt by Craig Vineham from Newfoundland, Canada. Original pups were 12.1k/11.6k A5s. New ones are 8.3K/7.6k A4s. Night and Day. Night and Day. This guy's prices are crazy good - then you realize the prices are in Canadian - even better. Also have Fender Jaguar Blackout HH - have a set of Tone Emporium HB size P90s that are going in - don't if these guys build them though. Prices are great, and in Cdn funds too.
The Melody Maker's had the short magnets placed vertical so the magnet field is very narrow vs a P-90 which has two magnets placed horizontally. The wider magnetic field "see's" more string vibrations= bigger sound.
Seth Lover was quoted as saying he was trying to copy the tone of the P-90 when he created the Gibson humbucker. That’s why especially the early ‘57 PAF’s sound more like a P-90.
I had that same 1963 Melody Maker double cut. I bought it in 1998 - 99 for about $600. I sold it to some dude in England somewhere in the early 2k's. I remember he sent me cash USD AND in sequential bills that smelled like they were hot off the press and crispy. Customs had opened the mailer, but not one dollar was missing. It was a fun guitar, but it was a righty and I'm a lefty. I think I even had the el-cheapo case too.
I really liked the Organics and Reilanders. If I were in the market for a set I'd get an Organic neck and a Reilander bridge. I've got an early '70s Gibson weirdo, the SG-250. Made for a year or so. Melody Maker pickups, thickish SG shaped body. The pickups are killer!
Thanks for your comment David. Please check our webiste to know more about us www.organicpickups.com We will be at Summer Namm in Nashville in a few days.
Pat is shy, and possibly has RSD (repetitive stress disorder), like me...? But I play again thanks to holistic medicine, quitting hard drugs and alcohol (medicinal cannabis excepted), and slide... John Lee Hooker had to quit playing because of "Old Uncle Arthur" (Arthritis), but he never learned to play slide, because his cousin, Earl Hooker, was too good already - couldn't play like him. I can't play like Earl Hooker either, in face I probably sound like crap, but I keep the volume down, and play for my own enjoyment. Pat may be like me.....?
love your show guys, but could I offer a suggestion: could you do a bit of post-production to the spoken audio, raise the db to match the guitar playing volume. constantly having to adjust the volume gets old fast! love your work, best regards to you both
Another great video. It's aways a treat to get the notification of a new D&P show. Those Onamacs sound fantastic to me in that guitar. They've got the bark and growl that I love in P90s. The Organics sounded really good, too; nice clarity, but they could benefit from a little more output. The ThroBaks surprised with their brittleness, while the Reilanders sound great, but are a little too "gritty" for my tastes. They're all good, and as always, it boils down to taste, playing style, amps, speakers. Speaking of Melody Makers, I've got a 62 with original pickups. Noisy and anemic isn't the best combination, but that's exactly what it is. Just like your example, the pickups aren't loud enough to rise much above the hum floor. When I got it, someone had mounted a second magnet on the bridge pickup to boost its output. It definitely made it louder, but not really better.
Depends on what you are looking for in sound. P90's have a "greasy" sound, but you guys demonstrated variations on that kind of tone. "Greasy" is good, if that is what you are looking for. The '56 Les Paul Special had the mojo for me. Maybe it wasn't as clear or as hot as the others, but it gave the kind of distortion that gave me the "Oh wow" moment.
Besides the ‘56 p-90s, which are clearly the best, the Thro-bak sounded pretty good. A bit of microphony is a must for me on a good p-90 to pick up that extra sizzle.
FWIW, I'm going with Wolfetone "mean" and "meaner" for my used Epiphone Casino Coupe (2014), in natural, with dark rosewood 'board. It was the first year in 2014, so they probably wanted to get a good rep going-on? The neck isn't my favorite, but totally playable - I think it's good for your hand to play on different size necks, to avoid RSS (repetitive stress syndrome). As for my Casino Coupe: I may go with the Wolfetone bridge humbucker in a P-90 "dog ear" mount, laser cut perfectly. I like the idea of having a humbucker in the bridge position, and awaiting Wolfe's response about his opinion on the matter. A "mean" and "meaner" are what many recommend for the Casino Coupe, but the bridge humbucker option, which is really a MINI-humbucker considering the spacing, might be the way to go. I assume a firebird pickup would fit in their too, like Neil Young - eh"? No, not for me...I'm old, don't like distortion as much anymore, prefer clean, beautiful sounds now. Sue me!
Another awesome shootout video guys! Any chance you could do a Firebird pickup shootout sometime? Lots of Mini Humbuckers out there but, I heard Vintage Firebird pickup coils are wrapped over the top like Lipsticks. Love to get some clarity on that. Cheers
I noticed you giving advice to the companies. Here's a little advice for you. It would be very nice if you would tell prices for the U. S. for different pickups and other gear. Of coarse I'm sure you get them free. Thanks. The organic sounded the best but, too expensive if it was 93 dollars a piece.
How about adding contemporary Gibson p-90's to the mix? Hardly surprising that the 56 sounded amazing, but what about a brand new Les Paul Special? IMHO, boutique pickups are a psychological advantage over stock more than anything real, but I'm willing to be convinced otherwise. Great show as always.
Thanks for your comment Bob. Check our website www.organicpickups.com to know a little more about us. We will be at Summer NAMM this year in Nashville.
Damned this KZ90 Throbak set does not exist in his catalogue. I think it is a Custom set... the neck sounds less dark than his std 55-56 set alnico 2 neck, and it’s a good thing. So Jon, you have to do something with this alnico 2 neck that is too dark, and i think it will also be a great thing to have a 60s inspired set with alnico 5...😊
Another great show. I'm playing a LP Junior and loving it. I wouldn't trade the P90 for a humbucker ever. I love it. On another off topic, where can I get the hats you both are wearing? I recently had surgery and need to wear hats.
Thanks for another great show! At 27:49 you mentioned that you said you could feel that it was underwound and I am assuming it had less volume. Were you able to adjust the screws in the pickup closer to the strings to gain more volume?
Hey Guys, I know you very rarely answer to questions, but I have a try.... What potis and what caps did you use in the test guitar? Thanks a lot from Germany!
Could you do a demo/shootout of guitars with the Kay Gold Kay (also known as "Kleenex Box") pickups? They are constructed somewhat like P-90s, but sound totally different -- but interesting. By comparison they sound dry, kind of spiky, and lack the middy roundness some P-90s have. Fairly high output. Barney Kessel had a signature deal with Kay for a couple of years, with Kleenex box pickups in the models he endorsed. He was quoted as saying, "Those were awful guitars" or something similar. Just a thought.
About time you posted another video! What do you old guys do in your retirement?? Don't tell us you actually have a life outside of all things guitar?!!
I got turned off to the SD antiquity p90 when playing 2 1956 ES295s , one with original pickups and the other with antiquity pickups. The SD sounded ok until I played the original and then they sounded cold and flat in comparison, it was drastic.
Man. Something about the TV yellow special just calls to me. Maybe it's because I saw it in a guitar history book when I first started playing guitar at 13, and then I saw Dean DeLeo of STP playing the snot out of one on three different records and multiple music videos. It just looks like a classic car, and screams Rock and roll to me.
Them're some nice soundin' pups... but I fear a certain someone's playing makes a Chinese reject sound cool. Now, wot about a P-90 with slug magnets a la old Jazzmaster pickups (?) ...that is Alnico rods (?)
What do you mean about underwound pus just raise them up? Your missing it. Just turn your amp up, Golden era les pauls with underwound Pus sound the best because they are underwound and have also have lost magnetism.. Thats the trick . Duane Allmans Pus are under wound. Just turn the amp up. That and the wiring harness is the trick. Your volume does not depend on the DC of your stupid Pus.To keep clarity, have low wound Pus, and a great harness, great caps, and great pots.. Everything else depends on how loud you turn up your amp. That old bullshit about having a JB in the bridge, and vintage in your neck is the biggest joke of all time.
Agree on the underwinding. I've a couple of Yamaha SGs that I've had since the '80s. Both have underwound p/ups, by PAF standards, AND in both cases the lower 'DC' is in the bridge - one of them really nails 'that' Peter Green sound without any modifications. That said, the magnet stuff... there's no pattern to it. I've a Strat that'll be 40yo next week. The magnet poles in those are still at the maximum charge possible for their dimensions. The Yamahas, as well, while I don't know what they started at, they are still double the typical reading for a 'vintage spec' PAF replica pickup. All AlNiCo V pickups. Whilst I agree that an aged/degaussed magnet usually sounds better, they don't weaken naturally with age, though they can be affected by climatic conditions over time.
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8:34 1956 Gibson Les Paul Special
13:49 Onamac Windery
19:08 ThroBak KZ-90 Soap Bar MXV
23:32 Organic (From Chile)
30:10 Reilander RP9G "Grit"
36:20 1963 Gibson Melody Maker
Always a blast when I get the notification of a new video from you guys! Love your show, keep them coming :)
Douglas Maia Me too Doug, I could watch this all the time if they could do it.But not everyone is doing dailys these days unless it's Andertons or Troglys show.
bob bitchen 🤘
OH MY GOD DOUG PLAYED ON THE MIDDLE SWITCH POSITION... MY DREAMS HAVE FINALLY COME TRUE!!!!!!!
I think no matter what pups a guitar has in them, Pat will make it sound great. The magic is in the hands!
Guitar solo in Jethro Tull Aqualung, Leslie West with Mountain, Pete Townshend "Live At Leeds" and i believe Santana Live at Woodstock all used p90 equipped Gibsons.
I always thought that Aqualung solo had some bite. Very cool :).
Happy to see you guys back! Great video!
I'm going to save this to watch in the morning, but wanted to tell you how very lovely it is to see you again.
Really curious about the fellow who aims to build the Vox SRT clones.... Hope he can get those into production so we mortals (po' folk) can share in the goodness.
Thank U for the posting..extremely informative n always a pleasure watching u guys!
Hey Guys I have a suggestion, Epiphone Les Paul Special 1 with P-90's from Musicians Friend ,(I'm serious) I think you will be really surprised at just how good these are ! Great show bye the way ! Glad you are back ! :-)
Wow! Found this at just the right time. Sat down this morning to do some P 90 research for a project guitar, and found you guys. Nice to see some well done demos, especially by guys who look like me! Definitely gonna keep following your channel. I've watched both shootouts, and honestly, you could have just quit after the '54 LP. There was an openness to the tone on that thing that none of the others had. All were good sounding pups, but I heard that, and the heavens opened up, and the angels sang to me. To my ears, the Sanfords were the closest to that. There was a constriction to the tone (especially in the lower mids) on most of the others. Anyway, great demos guys, I'll be back! Oh, BTW, The TV Yellow was beautiful, but that Red '95 really spoke to me!
"...the heavens opened up, and the angels sang to me."
Ha ha ha..! Ain't that the way... when it happens with music; especially for me with guitar music. I'm no preacher, but Psalm33 is worth a glance..!
wicked sounding Melody Maker. It wins the vintage tone contest for me.
Love your videos. The winding converts the magnetic charge into electricity. Two mags means more mag flux -more power -more output. More fun!
Love. You guys. Just mulling over some new p90s good timing
I think the Throbaks were the best of the bunch; even better than the vintage ones. They were more dynamic, had better clarity and were more musical.
I think the old 1956 pickups sound better than the new fancy handmade ones. They didn’t worry about the same stuff modern people do. They just put pickups in the guitar, and the special was a student model. Interesting points you all make. I’ve never bothered to measure the resistance of any pickups in any of my guitars, going back to my first cheap Japanese tiescos in 1964. I always manage to get my favorite tones out of almost all my guitars. Not always, but most of the time.
Huh 9.5 to 44s eh? Interesting. Those are HOT pick ups on the cherry special👍 I think I like the Throback best
WOO HOO a new video by my favorite RUclipsrs !!! Another great video !!
I liked the Organics the most. Great Shootout! Love P90s
Hey! Thanks for the thumbs up for our pickups! Check our website if you like www.organicpickups.com
We will be at Summer NAMM this year.
Damn about time, you guys sitting back sipping tea for months, you can't do that to us, glad your back!
Throback neck sounds killer
Just love this show and I just love my P90s. I have an Epiphone Casino Coupe (smaller than the Casino). I had the pickups rebuilt by Craig Vineham from Newfoundland, Canada. Original pups were 12.1k/11.6k A5s. New ones are 8.3K/7.6k A4s. Night and Day. Night and Day. This guy's prices are crazy good - then you realize the prices are in Canadian - even better. Also have Fender Jaguar Blackout HH - have a set of Tone Emporium HB size P90s that are going in - don't if these guys build them though. Prices are great, and in Cdn funds too.
The Melody Maker's had the short magnets placed vertical so the magnet field is very narrow vs a P-90 which has two magnets placed horizontally. The wider magnetic field "see's" more string vibrations= bigger sound.
Wow Marshall good ol England my town bring it on fellas can’t wait
Great show great humour love it fellas
Just had my les Paul special set up by a great luthier and nice guy, I cannot stop playing it !
Seth Lover was quoted as saying he was trying to copy the tone of the P-90 when he created the Gibson humbucker. That’s why especially the early ‘57 PAF’s sound more like a P-90.
Really great pickups gentlemen. And as always great and fun video to watch. 👍🏼
I had that same 1963 Melody Maker double cut. I bought it in 1998 - 99 for about $600. I sold it to some dude in England somewhere in the early 2k's. I remember he sent me cash USD AND in sequential bills that smelled like they were hot off the press and crispy. Customs had opened the mailer, but not one dollar was missing. It was a fun guitar, but it was a righty and I'm a lefty. I think I even had the el-cheapo case too.
Great sounds. Keep up your excellent show. Greetings from Central Europe.
Your map of South America really cracked me up - nosotros!
All great sounding pups, I like how even the necks have some bite.
I think they made the necks thicker on the newer Gibson USA models. More in line with the Custom Shop necks on the specials.
Tongue in cheek... but Danny K underwrote all the good things Peter did with P90's.
Lots of work and again great comparison.
I really liked the Organics and Reilanders. If I were in the market for a set I'd get an Organic neck and a Reilander bridge.
I've got an early '70s Gibson weirdo, the SG-250. Made for a year or so. Melody Maker pickups, thickish SG shaped body. The pickups are killer!
Thanks for your comment David. Please check our webiste to know more about us www.organicpickups.com We will be at Summer Namm in Nashville in a few days.
The Organics were really nice! Not too harsh, but still focussed and have bite, plus nice overall tone.
Love this show! When is Pat gonna show us what he can do?
Pat is shy, and possibly has RSD (repetitive stress disorder), like me...? But I play again thanks to holistic medicine, quitting hard drugs and alcohol (medicinal cannabis excepted), and slide... John Lee Hooker had to quit playing because of "Old Uncle Arthur" (Arthritis), but he never learned to play slide, because his cousin, Earl Hooker, was too good already - couldn't play like him. I can't play like Earl Hooker either, in face I probably sound like crap, but I keep the volume down, and play for my own enjoyment. Pat may be like me.....?
love your show guys, but could I offer a suggestion: could you do a bit of post-production to the spoken audio, raise the db to match the guitar playing volume. constantly having to adjust the volume gets old fast! love your work, best regards to you both
agree with a lot of comments before me, miss you guys, always great.
10:16 LP Special Bridge
15:40 Onomac Bridge
20:57 Throbak Bridge
25:30 Organic Bridge
31:40 Reilander Bridge
Nothing is better than the original unfortunately!
Another great video. It's aways a treat to get the notification of a new D&P show.
Those Onamacs sound fantastic to me in that guitar. They've got the bark and growl that I love in P90s. The Organics sounded really good, too; nice clarity, but they could benefit from a little more output. The ThroBaks surprised with their brittleness, while the Reilanders sound great, but are a little too "gritty" for my tastes. They're all good, and as always, it boils down to taste, playing style, amps, speakers.
Speaking of Melody Makers, I've got a 62 with original pickups. Noisy and anemic isn't the best combination, but that's exactly what it is. Just like your example, the pickups aren't loud enough to rise much above the hum floor. When I got it, someone had mounted a second magnet on the bridge pickup to boost its output. It definitely made it louder, but not really better.
Thanks for you comments Gregory. We will be at Summer NAMM this year if you can come by. www.organicpickups.com
Depends on what you are looking for in sound. P90's have a "greasy" sound, but you guys demonstrated variations on that kind of tone. "Greasy" is good, if that is what you are looking for. The '56 Les Paul Special had the mojo for me. Maybe it wasn't as clear or as hot as the others, but it gave the kind of distortion that gave me the "Oh wow" moment.
Besides the ‘56 p-90s, which are clearly the best, the Thro-bak sounded pretty good. A bit of microphony is a must for me on a good p-90 to pick up that extra sizzle.
thank you gentlemen ....love those axes
I judge pickups by their clean sounds...gained out, they all sound decent.
Hahaha! It's folked up! That got me cracking :)
Douglas Maia they don’t folk around!
I believe he said "folksed up".
Liked the Organic set the best
FWIW, I'm going with Wolfetone "mean" and "meaner" for my used Epiphone Casino Coupe (2014), in natural, with dark rosewood 'board. It was the first year in 2014, so they probably wanted to get a good rep going-on? The neck isn't my favorite, but totally playable - I think it's good for your hand to play on different size necks, to avoid RSS (repetitive stress syndrome). As for my Casino Coupe: I may go with the Wolfetone bridge humbucker in a P-90 "dog ear" mount, laser cut perfectly. I like the idea of having a humbucker in the bridge position, and awaiting Wolfe's response about his opinion on the matter. A "mean" and "meaner" are what many recommend for the Casino Coupe, but the bridge humbucker option, which is really a MINI-humbucker considering the spacing, might be the way to go. I assume a firebird pickup would fit in their too, like Neil Young - eh"? No, not for me...I'm old, don't like distortion as much anymore, prefer clean, beautiful sounds now. Sue me!
I am unable to find any listing for P90’s on the organic pickups website. I suppose they’ve stopped making them.
Another awesome shootout video guys! Any chance you could do a Firebird pickup shootout sometime? Lots of Mini Humbuckers out there but, I heard Vintage Firebird pickup coils are wrapped over the top like Lipsticks. Love to get some clarity on that. Cheers
Throbacks were my favorite
I noticed you giving advice to the companies. Here's a little advice for you. It would be very nice if you would tell prices for the U. S. for different pickups and other gear. Of coarse I'm sure you get them free. Thanks. The organic sounded the best but, too expensive if it was 93 dollars a piece.
Thanks for your comment Lil' john. We will be at Summer NAMM this year if you wanna come by and check us out
www.organicpickups.com
How about adding contemporary Gibson p-90's to the mix? Hardly surprising that the 56 sounded amazing, but what about a brand new Les Paul Special? IMHO, boutique pickups are a psychological advantage over stock more than anything real, but I'm willing to be convinced otherwise. Great show as always.
The Organics sound incredibly shrill to me. They don't seem to have any P-90 qualities to them.
Great sounding pickups ,and to think their making them in Chile too!!!.And they say the guitar is dead,kiss my grits.
How ya doin', Bob?
David Kieltyka Bitchen
Thanks for your comment Bob. Check our website www.organicpickups.com to know a little more about us.
We will be at Summer NAMM this year in Nashville.
Damned this KZ90 Throbak set does not exist in his catalogue. I think it is a Custom set... the neck sounds less dark than his std 55-56 set alnico 2 neck, and it’s a good thing. So Jon, you have to do something with this alnico 2 neck that is too dark, and i think it will also be a great thing to have a 60s inspired set with alnico 5...😊
That Melody Maker.. Reminds me of a little Fogerty..
Another great show. I'm playing a LP Junior and loving it. I wouldn't trade the P90 for a humbucker ever. I love it.
On another off topic, where can I get the hats you both are wearing? I recently had surgery and need to wear hats.
Thanks for another great show! At 27:49 you mentioned that you said you could feel that it was underwound and I am assuming it had less volume. Were you able to adjust the screws in the pickup closer to the strings to gain more volume?
Hey Guys, I know you very rarely answer to questions, but I have a try.... What potis and what caps did you use in the test guitar?
Thanks a lot from Germany!
That melody maker sounds pretty great imo.
Could you do a demo/shootout of guitars with the Kay Gold Kay (also known as "Kleenex Box") pickups? They are constructed somewhat like P-90s, but sound totally different -- but interesting. By comparison they sound dry, kind of spiky, and lack the middy roundness some P-90s have. Fairly high output.
Barney Kessel had a signature deal with Kay for a couple of years, with Kleenex box pickups in the models he endorsed. He was quoted as saying, "Those were awful guitars" or something similar.
Just a thought.
Hi guys, I know you tend to like things fairly traditional but would you consider reviewing the Eastman SB55Dc/v with the single Lollar P90
Neck: (courtesy of The real Andrew)
8:39 1956 Gibson Les Paul Special
13:49 Onamac Windery
19:08 ThroBak KZ-90 Soap Bar MXV
23:32 Organic (From Chile)
30:10 Reilander RP9G "Grit"
36:20 1963 Gibson Melody Maker
Bridge:
10:16 1956 Gibson Les Paul Special
15:27 Onamac Windery
20:56 ThroBak KZ-90 Soap Bar MXV
25:29 Organic (From Chile)
31:39 Reilander RP9G "Grit"
37:04 1963 Gibson Melody Maker
Modern or 50s wiring
I just rewired my les paul to 50s and it does all the difference
It's about time you two old farts put out a new broadcast. Where have you been?
🍆💦💦🤤
You’re back !!!
You’re Back! Yeah!
Holy cannoli! Why didn't I know about those ThroBak P90s before? Y'all aren't emitting enough interwebs or something.
Thanks for the review @The Doug and Pat Show. Maybe we'll see you at Summer NAMM this year?
Thanks again!
Thanks guys! Are the small amps behind you harmonica amps? 😎
Reilander sounds cool both positions
Ha ha the "single note stuff" got his attention!
According to George Gruhn, Walter Fuller designed the P-90 in 1946.
The 1956 wins. I liked the Reilanders next.
Please do a full song of the "Missing Les" intro/outro song!!!!
About time you posted another video! What do you old guys do in your retirement?? Don't tell us you actually have a life outside of all things guitar?!!
You want authentic, I mean true authentic mid fifties P-90’s tone? Throbak 55-56 set is the best money can buy IMHO.
How come Pat doesn’t play guitar 🎸 on these great videos?
Curious, would it be possible to hear any of these on a cleaner channel?
Hey guys! How about a shootout on Oscar vs reissues by other brands that claim be be made to late 50’s spec
Can you please do an sg special or sg jr shoot out.. These are baldy amazing tone machine
You guys look really trim. Or am I just getting fatter?
PS Noel and I are getting closer to the finished AC-10 project with 6v6's. Scary!
Its Folked up alright 🤣🤣🤣🤣🤣
I am surprised you haven't tried the Seymour Duncan Antiquity P90, It really is a grade above the rest that I have tried.
I got turned off to the SD antiquity p90 when playing 2 1956 ES295s , one with original pickups and the other with antiquity pickups. The SD sounded ok until I played the original and then they sounded cold and flat in comparison, it was drastic.
@@jaikwillis where does one find that '56 pickup style then? Not discounting your opinion
P90s,............ (drooling)
Have you guys ever not worn your hats?
Where can I buy a cap like Pat's?
GREAT!
Man. Something about the TV yellow special just calls to me. Maybe it's because I saw it in a guitar history book when I first started playing guitar at 13, and then I saw Dean DeLeo of STP playing the snot out of one on three different records and multiple music videos. It just looks like a classic car, and screams Rock and roll to me.
Both the"real" P90 and real PAF bobbins are the same height. .025" winding area.
so... the question that begs to be asked... soap bar/dog eared?
I wish Billy Gibbons would of recorded tracks with a Les Paul jr
billy gibbons and mike myers? :-)
doug/pat instead of the frequent featuring of gibson guitars, any chance of some more shows featuring vintage fender guitars and amps ?
Good job gents! 👍
The ‘58 was the best sound. This seems to be a recurring theme. Why can’t they make good sounding guitars anymore?
Whats under the hats?
Looks like a cold climate version of the "nothing to see under here" hat. Down south they keep the sun of the exposed skin.
Them're some nice soundin' pups... but I fear a certain someone's playing makes
a Chinese reject sound cool. Now, wot about a P-90 with slug magnets a la old Jazzmaster
pickups (?) ...that is Alnico rods (?)
Why didn't the guy with the beard play?!! WHY!!!!!
Thro Backs were yum
What do you mean about underwound pus just raise them up? Your missing it. Just turn your amp up, Golden era les pauls with underwound Pus sound the best because they are underwound and have also have lost magnetism.. Thats the trick . Duane Allmans Pus are under wound. Just turn the amp up. That and the wiring harness is the trick. Your volume does not depend on the DC of your stupid Pus.To keep clarity, have low wound Pus, and a great harness, great caps, and great pots.. Everything else depends on how loud you turn up your amp. That old bullshit about having a JB in the bridge, and vintage in your neck is the biggest joke of all time.
Agree on the underwinding. I've a couple of Yamaha SGs that I've had since the '80s. Both have underwound p/ups, by PAF standards, AND in both cases the lower 'DC' is in the bridge - one of them really nails 'that' Peter Green sound without any modifications. That said, the magnet stuff... there's no pattern to it. I've a Strat that'll be 40yo next week. The magnet poles in those are still at the maximum charge possible for their dimensions. The Yamahas, as well, while I don't know what they started at, they are still double the typical reading for a 'vintage spec' PAF replica pickup. All AlNiCo V pickups.
Whilst I agree that an aged/degaussed magnet usually sounds better, they don't weaken naturally with age, though they can be affected by climatic conditions over time.
^ EXACTLY. Thank you Steve.