00:05 : Allegro con brio 00:45 : 2nd thème en fa majeur 01:22 1er thème utilisé dans la coda 01:34 Reprise 03:01 Développement 04:22 Réexposition 5:03 2nd thème en sib majeur 05:56 : Adagio ma non troppo 12:48 : Scherzo allegro 14:20 Trio 15:46 : La Malinconia 16:39 Accords contrastants 17:20 section fugato 19:11 : Allegretto quasi allegro 21:24 Reprise de la Malinconia
Beethoven's last string quartets, these unique masterpieces, tend to push in the shadow the six quartets of op. 18, which include so many pages where Beethoven's genius is blossoming - for instance the slow movement and the tempi alternances of the finale in this quartet number 6
the adagio ma non troppo omg its so lovely so calming, but not boring, i love it, the instruments blend so well, not too much, not too less ( Edit: i dont mean that all slow movements in all pieces are boring except this, it just doesnt get my attention, but this one it's so good ) 10:13 damn thats so big and wonderful :') (Edit 2: but ofc there are some other slow pieces out there that is so wonderful)
omg its so good, i wish i played the violin as good as this and played it together with a string quartet, this is so so beautiful i cant explain.... i REALLY want to play this, i could listen to this all day..... the 2nd movement is SO SO SO SO SO BEAUTIFUL WOW the harmonies are so good, :') i am really begging to play this ngl i know im overreacting but its SO good
I'm playing this with my quartet right now, and I don't blame you for thinking this, it's so much fun! I'm playing the second violin part and loving it
No conozco el libro ni al autor, pero estaría muy agradecido si pudieras seleccionar algunas ideas o frases de ese libro y trasladarlas aquí. Agradecido! Obrigado!
As a composer, I completely understand why he chose to notate the 2nd mvt the way he did, but wow do I really want to just double the time value of the notes and tempo
@@Kris9kris Eybler quartet plays the first movement at Beethoven's metronome markings and it sounds much too quick. The more natural approach is reading the metronome metrically, where whole note = 80 (marking for the first movement) becomes half note = 80. Try it yourself, very enjoyable tempo.
00:05 : Allegro con brio
00:45 : 2nd thème en fa majeur
01:22 1er thème utilisé dans la coda
01:34 Reprise
03:01 Développement
04:22 Réexposition
5:03 2nd thème en sib majeur
05:56 : Adagio ma non troppo
12:48 : Scherzo allegro
14:20 Trio
15:46 : La Malinconia
16:39 Accords contrastants
17:20 section fugato
19:11 : Allegretto quasi allegro
21:24 Reprise de la Malinconia
Beethoven's last string quartets, these unique masterpieces, tend to push in the shadow the six quartets of op. 18, which include so many pages where Beethoven's genius is blossoming - for instance the slow movement and the tempi alternances of the finale in this quartet number 6
7:21 I love this, so profound and dark
5:56 Adagio ma non troppo
12:48 Scherzo
15:46 La Malinconia (Adagio)
19:11 Allegretto quasi allegro
0:01 allegro con brio
the adagio ma non troppo omg its so lovely so calming, but not boring, i love it, the instruments blend so well, not too much, not too less
( Edit: i dont mean that all slow movements in all pieces are boring except this, it just doesnt get my attention, but this one it's so good )
10:13 damn thats so big and wonderful :')
(Edit 2: but ofc there are some other slow pieces out there that is so wonderful)
Suena a Beethoven, un genio incomprendido con esas disonancias increíbles...
This is so great
Wunderschöne Interpretation.
omg its so good, i wish i played the violin as good as this and played it together with a string quartet, this is so so beautiful i cant explain.... i REALLY want to play this, i could listen to this all day..... the 2nd movement is SO SO SO SO SO BEAUTIFUL WOW the harmonies are so good, :') i am really begging to play this ngl i know im overreacting but its SO good
I'm playing this with my quartet right now, and I don't blame you for thinking this, it's so much fun! I'm playing the second violin part and loving it
5:56 12:49 15:46
scherzo 12:46
I think he was running out of paper in the 2nd movement and wanted to compress the whole thing lol
Hahaha!
La malinconia 15:47
No livro Angustia e Triunfo de Jan Swafford nas paginas 264 a 271 ele explica porque essa peça é genial.
Muito obrigado pela recomendação!
No conozco el libro ni al autor, pero estaría muy agradecido si pudieras seleccionar algunas ideas o frases de ese libro y trasladarlas aquí. Agradecido! Obrigado!
12:48 스케르초는 약박을 강조하는 sfz가 붙여짐
As a composer, I completely understand why he chose to notate the 2nd mvt the way he did, but wow do I really want to just double the time value of the notes and tempo
why did he chose to do that ?
@@lolmarie9152 To have a little fun and screw with people, probably.
@@magnuscroify Beethoven does a little trolling
@@lolmarie9152 because notating is very important, it can change the character and the feeling of the tempo
@@kovacsmihaly okay thank you
Somebody's tipping his hat to Mozart here...
15:48
Music subject brought me here
Nothing can bring you to my channel, you are on a proper course
Origins...
Excurb1a gang
Hell yeah
they were rushing af
What are you talking about? They are playing way below Beethoven's metronome markings (at least, in the first movement).
They were not rushing.
They were playing quickly, yes, but they were not rushing.
@@Kris9kris Eybler quartet plays the first movement at Beethoven's metronome markings and it sounds much too quick. The more natural approach is reading the metronome metrically, where whole note = 80 (marking for the first movement) becomes half note = 80. Try it yourself, very enjoyable tempo.
Just found this piece of music, and it was like where do I know this from? I don't know but I love it 😁
playing quickly is not rushing
13:43