Thanks for the beautiful musics, my friend 💖💖💖 he composed beautiful musics...and if after so many years so many people still enjoy it, he can't be overrated really...his musics live on... bless him to add so much beauty to the sound of the world...🙂
Undoubtedly an excellent resume' of Maestro Mozart, with precious information on his chronological creations. Very exciting and pleasant to listen and watching. Thank you Kim for this jewel! Best wishes with cheers, Eddy.
Thank you for a wonderful and enjoyable selection. Overrated? No. While there are other musical geniuses who have produced wonderful masterpieces, I agree with the perfectionist conductor Karl Bohm who said translated from German that "Mozart is in a class by himself."
Simply superb? Is Mozart overrated? IMHO, absolutely NOT! During his sadly short life (35 years) his output was stupendous. Even his earliest works demonstrated great maturity and sophistication. However, everyone has their favorite composer.
@ Hi dear Kim, here you have 20-splendid Mozart Works, I've try to pick which one do I know and I can figures might be 1/3 much I know out of 20... and the results are 12 -pieces out of 20!!! .................................................................................. (These are what I know from your list....) 7) " The Marriage of Figaro (Overture) 8) " Eine Kleine Nachtmusik 9) " Symphony No. 40 10) " Clarinet Concerto 11) " The Magic Flute (Queen of the Night) 12) " Requiem (Lacrimosa) .................................................................................. (These are what I had in my videos) @ Mozart, Clarinet quintet & My most favorite @ "Mozart's Minuet" @ Mozart, (String Quartet No. 14, K. 387), instead of No. 5 that you listed on here. @ Mozart, "Laudate Dominum", Solemn Vespers for a Confessor @ Mozart, Adagio for Violin & Orchestra @ Mozart, Violin Concerto No.3 (1,2, 3) @ Mozart, Concerto for Flute, Harp, & Orchestra ...................................................................................
This is an excellent compilation of some of the major works, the only problem, for me, being that the true soul of Mozart, and the essential measure of his genius and greatness, are to be found in the operas. Yes, there is Wagner and there is Verdi, but Mozart's sense of the dramatic stage and its possibilities for expressing the fundamentals of the human condition is unique: it is the equal of Shakespeare's, and in some moods it is possible to think it superior. I do not exaggerate, I think.
Johannes Brahms (1896): " I always find Beethoven's C Minor concerto {the Third Piano Concerto} much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant! I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies-these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance. Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission-his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works. "
I neither understand nor wish to entertain the proposition that Mozart is overrated. For me, the proposition is absurd if not just plain unintelligible, and I would decline to argue with anyone who advanced it on the grounds that such a person is all but insane!
hehe - i have thought Mozart is overrated for quite a long time - not to take anything away from his great genius but i blame the academic music world for putting him on the highest of pedestals - to me they have hyped up Mozart so much only so they can justify the extreme self importance they attach to their own musical teaching positions - yes, you can analyze Mozart up and down and find endless numbers of brilliant musical ideas and shades of emotions but really a fair and deep analysis of so many other great composers' works will yield an equally abundant harvest of brilliant musical manifestations - Mozart did not (and could not) own a special patent on a creative process that is by definition universal and accessible to everyone - the 'Mozart Mystique' was created to make long coat-tails for generations of teachers to ride on
Johannes Brahms (1896): " I always find Beethoven's C Minor concerto {the Third Piano Concerto} much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant! I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies-these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance. Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission-his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works. "
![Megan Thee Stallion - Mamushi (Remix) [feat. TWICE] [Official Audio]](http://i.ytimg.com/vi/5c0_u9PsrsQ/mqdefault.jpg)
Thanks for the beautiful musics, my friend 💖💖💖 he composed beautiful musics...and if after so many years so many people still enjoy it, he can't be overrated really...his musics live on... bless him to add so much beauty to the sound of the world...🙂
Undoubtedly an excellent resume' of Maestro Mozart, with precious information on his chronological creations. Very exciting and pleasant to listen and watching. Thank you Kim for this jewel! Best wishes with cheers, Eddy.
Love that you included Alisa Sadikova. Watching a child prodigy perform the music of another child prodigy is something special
Thank you for a wonderful and enjoyable selection. Overrated? No. While there are other musical geniuses who have produced wonderful masterpieces, I agree with the perfectionist conductor Karl Bohm who said translated from German that "Mozart is in a class by himself."
Simply superb? Is Mozart overrated? IMHO, absolutely NOT! During his sadly short life (35 years) his output was stupendous. Even his earliest works demonstrated great maturity and sophistication. However, everyone has their favorite composer.
Really fantastic friend
Inspirational and great work💜💞🌷🌹
Greetings from Germany
Wish you a nice weekend🙏👍👍👍
Oh Kim this is just delightful.... pure music!! You always share wonderful pieces! Thank you so much!! We can’t live without music 😌🎵🎵🎵
I clicked for Seongjin Cho and stayed for all the amazing Mozart recommendations. Thank you!
:-) You're welcome, and thank you for watching! I appreciate it.
아름다운 연주곡 잘 들었습니다~감사합니다~🎵🎹🎻🌿🍀☘🌹🌹☘🍀🌿❤❤
That was absolutely divine Kim!
Thank you so very much my dear friend for sharing all this magic with us!
You're welcome, Katerina. I really appreciate your steady friendship and support. Thank you!
@ Hi dear Kim, here you have 20-splendid Mozart Works, I've try to pick which one
do I know and I can figures might be 1/3 much I know out of 20...
and the results are 12 -pieces out of 20!!!
..................................................................................
(These are what I know from your list....)
7) " The Marriage of Figaro (Overture)
8) " Eine Kleine Nachtmusik
9) " Symphony No. 40
10) " Clarinet Concerto
11) " The Magic Flute (Queen of the Night)
12) " Requiem (Lacrimosa)
..................................................................................
(These are what I had in my videos)
@ Mozart, Clarinet quintet & My most favorite @ "Mozart's Minuet"
@ Mozart, (String Quartet No. 14, K. 387), instead of No. 5 that you listed on here.
@ Mozart, "Laudate Dominum", Solemn Vespers for a Confessor
@ Mozart, Adagio for Violin & Orchestra
@ Mozart, Violin Concerto No.3 (1,2, 3)
@ Mozart, Concerto for Flute, Harp, & Orchestra
...................................................................................
Marvelous.
Thanks alot for sharing.
Greetings from Greece.
Have a nice weekend.
like 23
Vasilis.
' Lovely Share' Dear Melody 🌺
Enjoy " Your,re Weekend " in Good Health
With Love ,
Marilyn
This is an excellent compilation of some of the major works, the only problem, for me, being that the true soul of Mozart, and the essential measure of his genius and greatness, are to be found in the operas. Yes, there is Wagner and there is Verdi, but Mozart's sense of the dramatic stage and its possibilities for expressing the fundamentals of the human condition is unique: it is the equal of Shakespeare's, and in some moods it is possible to think it superior. I do not exaggerate, I think.
👁️🖤👸💎🤗🤗😘😘👏👏👏👏👌👆👆👆👆👍🌟🌟🌟🌟🍀🍀🍀🍀🌹🌹🌹🌹 FANTÁSTICA 🦄 FELIZ FIN DE SEMANA AMIGA 🍀 Hasta Pronto-Siempre 👆🤝👆
Johannes Brahms (1896): " I always find Beethoven's C Minor concerto {the Third Piano Concerto} much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant!
I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies-these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance.
Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission-his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works. "
I love Mozart‘s Symphony 40
I do too. Thank you, Layila!
Thanks you🤗🤗🤗🇹🇷🇹🇷🇹🇷
You're welcome. :-)
Thanks, Kim!
Mozart is underrated !!
:-) Thank you!
very good Performance
Que linda musica....
I dont think Mozart is overrated. I just think that Haydn is underrated.
I agree that Haydn is underrated though he is famous.
@@MelodiousHeart1 He is famous but is not played enough.
@@asdfasdf-gm5uk Exactly! For instance, he wrote so many great piano sonatas, but they aren't well known at all.
I neither understand nor wish to entertain the proposition that Mozart is overrated. For me, the proposition is absurd if not just plain unintelligible, and I would decline to argue with anyone who advanced it on the grounds that such a person is all but insane!
hehe - i have thought Mozart is overrated for quite a long time - not to take anything away from his great genius but i blame the academic music world for putting him on the highest of pedestals - to me they have hyped up Mozart so much only so they can justify the extreme self importance they attach to their own musical teaching positions - yes, you can analyze Mozart up and down and find endless numbers of brilliant musical ideas and shades of emotions but really a fair and deep analysis of so many other great composers' works will yield an equally abundant harvest of brilliant musical manifestations - Mozart did not (and could not) own a special patent on a creative process that is by definition universal and accessible to everyone - the 'Mozart Mystique' was created to make long coat-tails for generations of teachers to ride on
Johannes Brahms (1896): " I always find Beethoven's C Minor concerto {the Third Piano Concerto} much smaller and weaker than Mozart's. . . . I realize that Beethoven's new personality and his new vision, which people recognized in his works, made him the greater composer in their minds. But after fifty years, our views need more perspective. One must be able to distinguish between the charm that comes from newness and the value that is intrinsic to a work. I admit that Beethoven's concerto is more modern, but not more significant!
I also realize that Beethoven's First Symphony made a strong impression on people. That's the nature of a new vision. But the last three Mozart symphonies are far more significant. . . . Yes, the Rasumovsky quartets, the later symphonies-these inhabit a significant new world, one already hinted at in his Second Symphony. But what is much weaker in Beethoven compared to Mozart, and especially compared to Sebastian Bach, is the use of dissonance.
Dissonance, true dissonance as Mozart used it, is not to be found in Beethoven. Look at Idomeneo. Not only is it a marvel, but as Mozart was still quite young and brash when he wrote it, it was a completely new thing. What marvelous dissonance! What harmony! You couldn't commission great music from Beethoven since he created only lesser works on commission-his more conventional pieces, his variations and the like. When Haydn or Mozart wrote on commission, it was the same as their other works. "