Tip: For Raw Depth Pass (Not sure if it is right workflow) Step1: While rendering Z-depth pass,check 'Depth From Camera' option box of Z-depth render element and (I don't if it is necessary or not but) select 'Deep Merge Mode' to Zdepth in render setting. Step2: Save your render in .exr format(Very Important). Step3: In Photoshop make sure image mode is 32bit/channel. Step4: Add exposure layer on top of your Z-Depth layer and tweak exposure and offset to control the Z-depth channel Use this workflow to get raw Depth pass which is easily controllable Depth pass and it is very important if you're rendering animation in vray
Very Useful tutorial as always. You are so beautiful no doubt but in your tutorials when you switch screen to face cam and face cam to screen continuously it's to much irritating. It's humble request please make a little bit change. Thank you.
Really informative. Could you please do a detailed video on vray render elements? Showing post production methods of the same as well. Thanks in advance.
Has anyone noticed how newer versions of Photoshop are now unable to open some EXR files? I have to use an old CS6 instance of photoshop just to import the EXRs. Nothing wrong with the EXR files, some open and other's don't in new Photoshop versions but all open in older Photoshops. Anyone know a solution to this problem?
In general, I advice not to use too many of rener elements in post and do as much as possible in 3d. However, sometimes it's easier or faster to change things in post 😃 Anyways, I'm glad you found it useful 😊
I'm not too handy with it but, by experience, Camera depth takes ages to render where it takes much less time in post to adjust a ZDepth with lens blur in PS. Also, you really have to understand Aperture Stops and focal distance (as you would with a real camera) to get the DOF you're looking for straight in 3D...
![NOSFERATU - Official Trailer [HD] - Only In Theaters December 25](http://i.ytimg.com/vi/nulvWqYUM8k/mqdefault.jpg)
Tip: For Raw Depth Pass (Not sure if it is right workflow)
Step1: While rendering Z-depth pass,check 'Depth From Camera' option box
of Z-depth render element and (I don't if it is necessary or not but)
select 'Deep Merge Mode' to Zdepth in render setting.
Step2: Save your render in .exr format(Very Important).
Step3: In Photoshop make sure image mode is 32bit/channel.
Step4: Add exposure layer on top of your Z-Depth layer and tweak
exposure and offset to control the Z-depth channel
Use this workflow to get raw Depth pass which is easily controllable
Depth pass and it is very important if you're rendering animation in
vray
Using the magic wand on RGB channel creates aliased edges. Usually I select using the channel selection
u need to work on hi-res images
Thank you . You have been very helpful
Very Useful tutorial as always. You are so beautiful no doubt but in your tutorials when you switch screen to face cam and face cam to screen continuously it's to much irritating. It's humble request please make a little bit change. Thank you.
With Ctrl+I is that how she turned black the color of the mask at 05:39
Many thanks & i love your videos
So nice of you! You're welcome :D
Another option for selecting the Red matte is to Cmd or alt click on the Red channel. This minimizes any Selection Anti Aliasing
Yes, that's right. Thanks for your suggestion 😊
Could you explain it to us vray render element please
Really informative. Could you please do a detailed video on vray render elements? Showing post production methods of the same as well. Thanks in advance.
Yah and me I want this vray render element
Perfect explanation 😊, thanks a lot
hi. please make a tutorial about making a blue glowish effect from window curtain. thanks.
really great content.
Has anyone noticed how newer versions of Photoshop are now unable to open some EXR files? I have to use an old CS6 instance of photoshop just to import the EXRs. Nothing wrong with the EXR files, some open and other's don't in new Photoshop versions but all open in older Photoshops. Anyone know a solution to this problem?
More than great. I need to learn this. In the past, I've adjusted the image as a whole.
In general, I advice not to use too many of rener elements in post and do as much as possible in 3d. However, sometimes it's easier or faster to change things in post 😃 Anyways, I'm glad you found it useful 😊
thank you so much you really help us a lot that so kind of you
really enjoyed your tutorial
please what laptop do you recommend for 3ds max and corona render?
Amazing
How can I find the 1st video? thanks
is there element in vray like coronasun?
Great video! Really helpful.
where is the part one?
was really help ful👍👍👍
thanks
AMAZING VIDEO AS ALWAYS! It's there any advantage or disadvantage of using ZDepth layer instead of Camera Depth of Field?
I'm not too handy with it but, by experience, Camera depth takes ages to render where it takes much less time in post to adjust a ZDepth with lens blur in PS. Also, you really have to understand Aperture Stops and focal distance (as you would with a real camera) to get the DOF you're looking for straight in 3D...
how to have alpha even when there's a glass window between it and the camera?
set the refractive material to color+alpha.
Tnx) was wait for post-production)
You're welcome :)
thank you.... very helpfull
You're welcome! :D
Super.. Hit
Awesome, I'm happy u like it 😀
please if you use post production in exterior renders
I'll think about this, thanks for the suggestion :)
this scriptassign a different this script assigns a different color to each object
Auto Object ID