Thank you all for your continued support during this crazy time!! We’re all working through this together, and I hope we can all recognize this as an opportunity to finally work towards something important. Keep the guitar in your hands :) - Michael
LOL , I have this show on DVD. Live At Tivoli 1972 , The Copenhagen Broadcast. A jam buddy gave it to me for Christmas a couple years ago. That riff probably surprised Bobby too! Just kidding (I think LOL). Probably one of Pigpens last shows. Lookin' forward to the live stream! Be safe Brother! PEACE 💀🧠🎸🎶🎵🌌 I totally agree about the drummer thing. They were really tight with just Billy on drums. And a more crisp sharp drum sound. Pigpen and Keith Godchaux on keys.
another Fun Fact, re/ the nuance and subjectivity of Hunter's lyrics: The song is also about death and mortality. Eventually the original reference to Mickey's dad was forgotten, and they played the song in tribute to those who had died (e.g., Lennon, Marley, Zappa, Midland, etc., etc.). 'Nothing left to do but smile, smile smile" is what your skull does forever after your flesh is gone... I was there for the "He's Gone", their 1st show after Zappa died and it was an obvious "ZAPPA He's Gone". I predicted it that day, and they did it beautifully.
It's actually about Mickey's dad, who was acting as the band's manager, embezzling most of the money they made and taking off. But as with most of their lyrics it can be interpreted many ways which is one of their amazing qualities. Thanks for your nice work breaking down the interplay between the instruments throughout the arrangement and going beyond the lead part.
Which shamed Mickey to leave the band. He couldn't believe is own father would rip off the band like that. That's why is left the band for those few years leaving only Bill on drums. "I know better (Jerry) but you know him ..." They were so laid back even though they knew Mickey's dad was a shyster, they let it go and it was like "told you so".
Robert Hunter always wrote lyrics that were intended to be situational, subjective, and personal. Whenever he was asked what a specific lyric meant, no matter how cryptic or obscure the passage, he would answer by saying that the meaning was completely obvious and he wouldn't answer beyond that. Robert Hunter always wanted the lyrics to be personal to the listener and not about him or his inspiration that led to him writing it.
True story but somehow it brought Hunter and Jerry together to come up with these great new songs and they just started to play so many shows and they never gave up and got better and better. Mickey had nervous breakdown and wing to mental hospital for a long time until Jerry took him back. Forgiveness is a virtue not too many people have.
I love watching your journey through the music as a fan and musician. You now understand when people ask why a Dead show was so different than other bands. The answer? You gotta see it and hear it. Then you will have just as tough of a time explaining it..lol I also watch Fil from Wings of Pegasus have those "only Jerry" moments. He says that Garcia can invoke more emotion with a sustained note than a more technically proficient player could in 40 notes over the same time frame. I can't wait for the live stream.
Another fun fact is "He's Gone" is referring to Micky Harts dad who stole $155,000 of the boys money while acting as a manager. It is the reason Micky was not playing at this gig or for 3 years from 71 -later74, he was ashamed of what his father has done.
46long Blake It always did. The music was able to be taken further out with one drummer. Billy told me himself. Mickey clouded up the sound and was always a superfluous member of the band in my opinion. If you go on my channel and find my Billy interview you can hear him say what I said about the music.
The Mickey debate is who cares? I only saw the Dead w Mickey and thought he was great. Yeah, the band swung more w only BK but Mickey added a lot of depth.
John Mark Odom Well said. Never thought about Donna in that way but good point. I guess I accepted her more than Mickey. I like Anthem and Blues for Allah, Mickey's best contributions to the band
@@averyprice9422 not live anyway... i pretty much only enjoy her on the rare occasions i cue up a studio album (she sounds decent on France and From The Heart Of Me from 'Shakedown Street' and the wailing at the outro of Scarlet Begonias 'Mars Hotel' version is a nice touch.)
This is my favorite era too. Something about Jerry's playing on Alligator really hits the sweet spot of the soul. Wolf has a great snarling compression but alligator and the twins gave Jerry that piercing full-headroom tone that really complimented those mixo- and major pentatonic leanings.
Poor Pig Pen was very ill and Keith joined on the keys. The Grateful Dead are awesome for their evolving “eras”. Europe 72 is so great and unique in their History. Having the one drummer, that overlap of Pig Pen & Keith, Jerry on the old strat Grahame Nash gifted him, and a burst of unreleased music in their sets. Love this period.
@@superweak Constanten was a full time member from Fall of 68 through January 1970. He plays Vox or Hammond organ on more or less every song. Sometimes Pigpen would take over for a song (e.g. Death Dont Have no Mercy from Live/Dead,) and for a while they had a two organ setup, though I don't believe there are any recordings of that. In the studio both Pigpen and Constanten also played piano, though supposedly Pigpen does not appear on Aoxomoxoa. On American Beauty, the Ned Lagin plays piano on Candyman, and Box of Rain features Garcia on piano with David Nelson doing the lead guitar (on a normal telecaster, he did not yet have his B-bender when that was recorded.)
You have to check out a later version after they've developed the song a bit more and introduced the awesome bridge, "Going where the wind don't blow so strange..." Really takes the song to a whole new level! Great video, thank you, keep it up and stay healthy!
The Billy only periods were great. So we’re many of the two/drummer periods. But they gave something up when going to two-and of course gained in others ways with 2. But 1972 sans Micky was surely awesome.
That performance on Hundred Year Hall in Germany on the 72 Tour...wow. You just hear how locked in Bill and Phil were. It has to be my favourite GD album. They were in a space together that night, that was special.
I'm a recovering quadriplegic and cant play guitar anymore but started watching your channel just for your GD videos. Love hearing your excitement about a band I've followed since high school in the mid 80s. Jerry was the main reason I even picked up a guitar in 1980. Since I cant walk very well I honestly wish I couldn't walk again if I could only have the dexterity and movement in my fingers to play again. Keep the videos coming please
He actually flubs the line which is why he puts so much emphasis on "you", it's supposed to be "You know better but I know him". A classic Robert Hunter turn of phrase. Your comments on Jerry's mystique are well said, at his best there's no filter between what he's hearing in his head and what he's playing.
Minute 3:25 to 3:41 comment was the epitome of every guitarist trying to learn Jerry’s solos. “Do you get there? Thats the sound of that mystery.” Well said man! Awesome critique as always!
Yes! Singular, yet abstract. This made my day. It’s almost a relief to hear someone put into words so much of what I feel about Jerry/The Dead. Nothing left to do but smile smile smile. Thank you. You get it.
Michael your breakdown of Jerry's sound was hilarious! I think you hit the nail on the head when you said the listener is worried about him musically AND physically, haha. His look, his tone, his phrasing, his lyrics make us all feel like were fear and loathing in Las Vegas.
One drummer because Mickey had left the band after his father who had been their manager bailed with all of their money, leaving the band broke....This song is about him. Mickey later came back and I often wonder how he feels when they still play this song.
@Kollis Branch Turns out, he was also basically asked to leave the band due to his (Mickey's) own hard drug use during that time. Bill said it got so bad it was nearly impossible to play with him. I read it in an interview just the other day. It really filled in some holes I didn't understand...like, if you have nothing to do with your dad why would you leave the band just because your dad did some fucked up shit? Well, it turns out that's not the real story.
the dead ABSOLUTELY SLAY with one drummer. The groove is tighter and the improvisation and jamming is more direct, things happen quicker. It's more fun to listen to
I saw an interview somewhere where Bob Weir related how quietly proud he was when Lesh described his guitar sound from this period as a 'porcupine blowing kisses'. That's pretty funny.
Someone else described it as sticking rubber duckies to the side of the bathtub (or something like that?). I think it’s the liner notes of Hundred Year Haul…a release from ‘72.
"Do you get there?" ha ha.. Vassar Clements said this exact thing about Jerry's banjo playing. Vassar said that it always felt that Garcia wouldn't make it there, but then he'd arrive.
Jack Cerro Jerry talked about starting his phrasing on the 4th beat of the measure to create tension. He was such the perfect mix of completely screwing around and an immense knowledge of music.
Loved Vassar. We all did. He hung around Baltimore for a while back in the day. Dear sweet man. Re; Jerry playing it often reminds me of a commitment one must make walking then running on a gravely trail, down hill but still ok, a rock here and there, some steeper downhill . It's getting dark and time to hit the gas to get home so to speak and so, skinned knees, and hopefully no face plant or broken anything aside, damn risky you tumble forward and take that leap, commit to finding that right equilibrium where yeah technically it's not really control but an adventure. Same thing at night on a trail bike in the woods with a need to get home. Never focus on all the ruts and roots and rocks and huge tree trunks for lawds sake, or you will indeed hit them, focus solely on where you must go in the moment to get through to keep going and ...when at speed already if it gets dicey, crank the throttle and aim for deliverance.
That "Strat" sound was great in this era to my ears. He wanted the sharp Strat sound but, ever the tinkerer, had many modifications made to it. The Alembic guys called it "Frankenstein" in reference to all of the mods. It's a 57, as mentioned, given to him by Graham Nash. Still my favorite guitar sound of the band! Alligator was retired in 73 when "Wolf" came on the scene. Pretty good piece here from Fender........www.fender.com/articles/gear/iconic-mods-how-jerry-garcias-alligator-strat-earned-its-claws/
they played together such a long time they could, as garcia said follow each other down a dark alley and come out the other side. some times they did not make it, but boy howdy, when they did, it was magical and a joy to witness.
Fun fact : this is the first He's Gone ever performed live and one of the only versions that still has the upbeat vibe compared to the more mellow song it evolved into. I'm so excited to finally see you diving into the early 70's period, musically nothing comes close to 1972 and 1973 Grateful Dead for me due to the flexibility they had with one drummer (that drummer happening to be one of the most creative ones to ever live and just listening to him closely was more influential than all my drum teachers combined) and just the general vibe of the scene at the time influencing the music positively compared to the later year's stadium tours and heroin. Sadly there is not that much footage of these years so I understand its harder to use for videos, but if you haven't yet definitely check out the 8/27/1972 Veneta Oregon concert which was released as an official concert film and all songs should be easily findable on youtube, I'd especially love your take on the Bird Song from that show which I have studied very in depth for it's drum and piano parts but it would be super insightful to hear a guitar player's perspective
He's gone tribute to Mr. Marley very cool and sad... devolves into a dirge... I had a crappy bootleg, but I think video has turned up... I think it was a Cleveland show.
Definitely more sprightly than later versions. Song turned into s bit of a dragger in.later years, as you say. I'm a card-carrying Deadhead, but I dreaded hearing this in concert, since it usually heralded a slower, lower-energy remainder to the set. There were exceptions, but I've heard groans from the crowd when they segued into this...
These videos are amazing, thank you so much! You really keep all theory stuff on a great level without dumbing it down too much. Inspired me to pick up the guitar again, keep up the good work!
72 for me is really special. Keith was a perfect addition and best keyboard player the Dead had in my opinion. Very unique playing. He understood what the band and the crowd needed. There are some jams where Keith really digs in on the 72 tour; he had his PhD in psychedelia, no doubt.
The change on the melody rather than the beat....nailed it! Little Feat/Lowell George numbers do that all the time. You just put in words what I've struggled to describe for months!
Cris Jacobs is the man cant wait to see you guys play together, I never miss a Tuesday Live stream, and his 2 Jerry sets were incredible, he has become my favorite artist. 🤘🏻😷🤘🏻
@Guitargate , also, your videos make me smile, laugh, and even cry. I’m so blessed to be able to watch your videos. I’m more of an expert at Phish The Dead, The Allman Brotherws Widespread, Umphrey’s, more., etc, but you’re a better guitarist and teacher than I am. We could learn a lot from each other. I have joined your website and paid the fees, not to have you teach me, but just to help support you. I’ll support you financially in any possible way i can. Just keep me smiling, laughing and crying. I love you as a person and a musician, just for this. Thank you so much.
Thanks Mike. I’ve said it before and I’m sure I’ll say it again. It’s been such a pleasure learning from you and watching you learn along with us. Keep on truckin’, I think we had a nice little breakthrough with this session.
Love your breakdowns. What I loved more is that you knew who I was coming back from pits this year and bumping into you going through customs. Love you man. So chill and curious. Great music has its way of bringing people together and is one of the reasons our community continues to thrive. Keep chasing the magic. 😊
Since you mentioned the two keys, here's a history of the curse of the Grateful Dead keys players: Pigpen (B3 on this video)- original frontman, played through Europe '72, died in '73 of a rare illness. Keith Godchaux (piano in video) - joined Dec '71 with his wife on backing vox. Left in mid '79, died in a car wreck in '80. Brent Mydland- joined in late '79, died of an eight ball OD while still a a band member in 1990. Vince Welnik- joined in Sept '90, played through the band's end. Died of suicide after years of depression in 2006. The only keys players who didn't suffer an early death had the shortest tenures in the band- Tom Constanten ('68-70) and Bruce Hornsby, who played piano from late '90 to early '92 (another double ivories lineup, with Welnik playing electric keys and synths).
I am always leaning toward the 72 performances as my favourite, and with Jerry playing the Strat. The show in Veneta at Kesey’s Farm is just tremendous and beautiful.
Great video Michael!! I always love what you do! Thanks for being such a positive force in our community my friend! I hope you’re well, staying safe, happy and healthy!
Your videos are so very, very excellent. I love watching these and hearing these old life-long classics through your fresh, technical eyes. PLEASE DO NOT STOP. Rock on man...see you at a Phish show some day, I hope.
There's this part where you're explaning jerry's essence of his playing. And you end it with "That's the sound of that mystery." Love the way you listen to music man. Resonates with me!
My man! Thanks for doing this one. I'll hit your inbox with another one to check out. I appreciate all of the jam band tunes you've been breaking down. Keep 'em coming!
That feeling of being not sure if he's going to make it back to a resolve has always made me want to root for him ! To love his ability to take chances and miraculously land on his feet ......
Michael: You're describing Jerry's derring-do -- he liked to take us to the edge of the abyss, have us lean over it and then pull us back a split-second before we think we (and the rest of the band) will fall in.
Great observations from the technical view into the mystical. Enjoyable! One thing where you talked about Jerry seeming to almost fail or not knowing if he's gonna make it - if you watch that segment he's looking over at Phil or Keith 100% dialed in. He paints like Van Gogh with tensions and looseness but it cones out masterful.
"You don't know if he's going to land!" I have read similar statements from other musicians about his playing and this is how I feel so often while I'm listening to his music. I just stumbled across your videos and really get a kick out of your enthusiasm for music. Keep up the great work! PS - totally agree regarding the drummer situation. I love Mickey, but Billy alone was great.
Dude you have to watch the documentary on amazon prime. It goes in depth about Europe 72 and why there isnt much footage of it even though they had a camera crew for the tour.
I love the Dead since 1982 and agree with your 1 drummer assessment. I have this whole show on DVD. 2nd keyboardist is Keith. Pigpen died a year later in 73.
Would you consider doing Row Jimmy, Live at Barton Hall, May 8, 1977 by the Grateful Dead? Here's an accurate review of Jerry's slide guitar solos written by someone else: "I have been listening to Row Jimmy in the Cornell show and I can't get the slide out of my mind. It comes from the back of the mix forward at about the five minute mark and elbows its way to the front, becoming more distinctive, gathering momentum and taking over in a series of intense and varying slides. It spikes and plateaus, ascending as if climbing a mountain. Methodical, precise and unrelenting in his determination, Jerry builds slowly, keeping with the reggae-like pace of the song, towards a crescendo at the 6:48 mark and then cascades down in a series of remarkably halting and plaintive wails as if the guitar is sobbing....the slide evokes a desperation and yearning at the same time. At the end of the slide solo, you can hear the audience gasp in recognition that what they just heard was different and extraordinary. Jerry is utterly commanding and proprietary in what he wants out of each note -- deliberately using the slide to move you and the band to another place before easing you down to a place where he can tell you that everything is going to be alright."
I lost the best friend I ever had last night to cancer. He was one of my music mentors and spent a lot of time playing music with him in the short 45 years that I played actively. I'm going to miss you Big Rick and all the lives you text in your 70 years are going to remember you and miss you too. Michael, one of the last things he did yesterday at the hospital was watch your take on Billy's strings term oil and tin foil. Like many of my other friends who I've been introducing you to, he also wishes he known you for the last 20 years to so easily break down these songs for us. I don't know if you ever gift memberships but if so when you were willing I would gladly accept. Please keep up what you do for those of us out here who are playing along unlimited knowledge with the desire to never stop learning 🎸
WHAT you tried to articulate about that sense of "longing " in Jerry's solo or the feeling following his ear ...of " not knowing if he is going to make it, but he always does" is why you HAVE to listen to 4-12 -78 Cameron Indoor Stadium, Durham, NC "Peggy - O" solo . I'm begging you to check it out - you will be so well rewarded - the song starts 16:40 into the show. It is the quintessential solo of this kind. I use words like bittersweet or a sweet mournfulness but they are not right either. I love the fact that you to find it hard to describe. NO LINK - its too easy anything good is worth working for! 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O"
@Guitargate Pigpen, who ALWAYS played organ, was in his last years. Keith who ALWAYS played only piano, was just getting his start, and his wife Donna sang backup for 10 years or so, before they both left for The Heart Of Gold Band. Brent came into the band when Keith left and he played piano, organ, keyboards, basically everything until he died around 1991. They hired Vince then but Bruce Hornsby was hired to fill in the gap since Brent died in the middle of the tour, and Bruce ended up staying on for about a year because he loved it so much..The dead always had two drummers, except the brief time that Mickey hart was committed to a mental institution. You can watch the very show where he came back and its the show that’s featured in “The Grateful Dead Movie. Hope this helps.
I love the passion of Dead heads. Reading through the comments and all the little random nuggets of information. One of my favorite Dead songs for sure.
Like a Steam Locomotive rolling down the track ......He's Gone and NOTHINGS GONNA BRING HIM BACK.......He's Gone. So easy to visualize and yes multiple meanings to the listener. They actually miss him.
Your Dead vids are my favorite. We have such similar taste in music in the blues, bluegrass, alt country, folk, heavy shit, and The Dead. Very cool what you're doing. It's been said time and time again but watching your vids of you being so genuinely enthusiastic makes me feel like I'm loving sharing the greatness of music with a good friend that feels that same about it as me. And I'm learning more about theory in the meantime. Appreciate ya man. ❤️
I'm an unpracticed beginning guitar player, and what you are showing here is far beyond my abilities or knowledge of theory but i gotta tell ya, as a long time GD fan i love your videos and your enthusiasm. Seeing and hearing music through your ears and eyes inspires me. I love all your phish vids too! keep up the great work and keep em coming. May you and your family be safe and well in these times and please keep making these videos!
also, these early versions of he's gone's are very up-tempo. it only makes sense they slowed this tune down soon after... the tempo in this version was never a good fit this song imo, they abandoned it for a reason.
You da man....I've been watching your videos for months now and I can confidently say you've helped improve my playing and bring a lot of theory full circle for me. I'd like to request "that's what love will make you do" Jerry Garcia Band
Hey Guitar Teacher - Welcome to the wonderful world of the Grateful Dead. How about some funky Grateful Dead - Dancin' in the Streets from Barton Hall 5/8/77- 2nd set. 16:35 minutes of a magical musical journey of the funky-est kind!!!!
Thanks (more than ever!) for these videos...As a guitar player these are so much fun. ALSO- Not sure if you know, Michael but I recently found out I have some friends who don;t play guitar but love music and stumbled upon your channel and now they watch too just to get some insight and for your enthusiasm for the music. So thanks again and keep up the good stuff. -PS... (looks both ways then whispers) the more Zappa the better.
Can't express how much fun it is to hear your comments and see you discover the little things that that make this band so great. As for the grooving more with one less drummer, may be true, and I think many times for GD less is more, but the groove is also simply where they were in the evolution of their playing style as of 1972. They were so tight, with less going on, less muddied. And Bobby did a lot of things on some of these older classics that worked so well with Jerry and that Bob didn't do as much after the early/mid 70's. Love that you are getting that Jerry is on the edge, more than a few shows I would say wow I can't believe he pulled that off. Also the Dead's touring was such that they could go for something and if it didn't work they would just play it again a few nights later, truly an atypical luxury for a live band. According to setlist.fm they did 327 live He's gone's. But this one was the first! and it is tight and yet Jerry is going for it, fearless!
Keith Godchaux is playing grand piano. He joined the band in ‘71, and there was some overlap with Pig before Pig left the band due to illness brought on by his years of heavy drinking.
18:48 The early Hart era, '68-71, he was more about percussion to complement Kreutzmann's kit. At Hart's return, from '75-95, he was mainly a second kit. 19:45 Hence Godchaux sitting on chords, laying the foundation for Garcia's explorations. 20:48 Godchaux came on mainly for more keyboard action than Pigpen could handle, esp at this point, when Pigpen was slowly dying.
It's actually a song about a thief/sketchy person. "he's gone, nothings gonna bring him back" and " steal your face right off your head" the character is a trickster and a thief.
Jerry used to say "the audience loves to see you struggle" I never really knew what he meant. It seems most listeners even subconsciously pick up on him always chasing the beat as struggle when in fact it was something he developed consciously to enchant the audience and made his playing unique and exciting.
I appreciate you mentioning the one drummer thing. They sounded sooo much better with just Billy. The tennis shoes in a dryer came from Mickey's addition alone.
I have to admit I've never been a huge Dead fan but I really enjoyed this today. Still learning new stuff at my age, this was fun, both the music and the explanation of everything. Thanks.........
You hit it on the head, when you said jerrys really listening, thats why it sounds like he's a little behind.. They were definitely learning as they went. When you're starting a whole new musical experience, that doesn't happen overnight. Sometimes they definitely surprised themselves..---#Fatty
What you're alluding to is what the Dead were all about, the willingness to take chances and play right out on 'the edge' so to speak, and bring the audience with them. That's what led to some of their most incredible moments, say a half hour Dark Star or jam, where they could be completely out there but somehow bring it back and land on all four. Of course, they didn't always quite make it, as in your other video where Jerry gave 'the look', indicating they were losing it and it was time to bring it to a close. But, most of the time they did.
I have a ripped DVD of this show. Tivolis Concert Hall , Copenhagen Denmark April 17th 1972. Jerry wore a c’own Mask and the boys wore some joke glasses for a couple of songs. Great show all around. Setlist: Me & Bobby McGee Chinatown Shuffle China Cat Sunflower ~} I Know You Rider Jack Straw He’s Gone Next Time You See Me One More Saturday Night It Hurts Me Too Ramble On Rose El Paso Big Railroad Blues Truckin’
Видеоклипы
![Megan Thee Stallion - Mamushi (feat. Yuki Chiba) [2024 London Performance]](http://i.ytimg.com/vi/pxTCJUuorKc/mqdefault.jpg)
Thank you all for your continued support during this crazy time!! We’re all working through this together, and I hope we can all recognize this as an opportunity to finally work towards something important. Keep the guitar in your hands :) - Michael
LOL , I have this show on DVD.
Live At Tivoli 1972 , The Copenhagen Broadcast.
A jam buddy gave it to me for Christmas a couple years ago.
That riff probably surprised Bobby too! Just kidding (I think LOL). Probably one of Pigpens last shows. Lookin' forward to the live stream!
Be safe Brother! PEACE
💀🧠🎸🎶🎵🌌
I totally agree about the drummer thing. They were really tight with just Billy on drums. And a more crisp sharp drum sound. Pigpen and Keith Godchaux on keys.
Keith Godchaux (71-79) on piano and Pigpen (65-72) on electric organ.
another Fun Fact, re/ the nuance and subjectivity of Hunter's lyrics: The song is also about death and mortality. Eventually the original reference to Mickey's dad was forgotten, and they played the song in tribute to those who had died (e.g., Lennon, Marley, Zappa, Midland, etc., etc.). 'Nothing left to do but smile, smile smile" is what your skull does forever after your flesh is gone... I was there for the "He's Gone", their 1st show after Zappa died and it was an obvious "ZAPPA He's Gone". I predicted it that day, and they did it beautifully.
what does death do, to everyone? It "steals your face right off your head"
Hope your family, especially the new one, is doing well.Love from NorthWest Georgia farmland.
The Strat Jerry is using is called Alligator 🐊...it was a gift from Graham Nash for Jerry playing pedal steel on Teach Your Children.
Cool knowledge share, ta
It was also just bought for 420k and fully restored this year....
Mary Kay 57’
Alligator is my favorite Jerry guitar
Avery Price Alligator and his Travis Beans....
It's actually about Mickey's dad, who was acting as the band's manager, embezzling most of the money they made and taking off. But as with most of their lyrics it can be interpreted many ways which is one of their amazing qualities. Thanks for your nice work breaking down the interplay between the instruments throughout the arrangement and going beyond the lead part.
Which shamed Mickey to leave the band. He couldn't believe is own father would rip off the band like that. That's why is left the band for those few years leaving only Bill on drums. "I know better (Jerry) but you know him ..." They were so laid back even though they knew Mickey's dad was a shyster, they let it go and it was like "told you so".
Robert Hunter always wrote lyrics that were intended to be situational, subjective, and personal. Whenever he was asked what a specific lyric meant, no matter how cryptic or obscure the passage, he would answer by saying that the meaning was completely obvious and he wouldn't answer beyond that. Robert Hunter always wanted the lyrics to be personal to the listener and not about him or his inspiration that led to him writing it.
True story but somehow it brought Hunter and Jerry together to come up with these great new songs and they just started to play so many shows and they never gave up and got better and better. Mickey had nervous breakdown and wing to mental hospital for a long time until Jerry took him back. Forgiveness is a virtue not too many people have.
The money involved in Lenny Hart's theft was no laughing matter. In today's dollars it would be like losing millions of buck.
I love watching your journey through the music as a fan and musician. You now understand when people ask why a Dead show was so different than other bands. The answer? You gotta see it and hear it. Then you will have just as tough of a time explaining it..lol
I also watch Fil from Wings of Pegasus have those "only Jerry" moments. He says that Garcia can invoke more emotion with a sustained note than a more technically proficient player could in 40 notes over the same time frame. I can't wait for the live stream.
Fun Fact: This was actually the first ever performance of He's Gone, what a debut eh
NO WAY! That's why it doesn't have the bridge and outro! I thought they were just high out of their minds and forgot! Amazing.
I didn't know that. I have this DVD! Awesome trivia, thank you.
PEACE
@@Guitargate LOL!
Another fun fact is "He's Gone" is referring to Micky Harts dad who stole $155,000 of the boys money while acting as a manager. It is the reason Micky was not playing at this gig or for 3 years from 71 -later74, he was ashamed of what his father has done.
No shit! Didn’t know that 😄
"I think the band grooves better with one drummer." It's ok. You're among friends, and you're not wrong.
46long Blake It always did. The music was able to be taken further out with one drummer. Billy told me himself. Mickey clouded up the sound and was always a superfluous member of the band in my opinion. If you go on my channel and find my Billy interview you can hear him say what I said about the music.
The Mickey debate is who cares? I only saw the Dead w Mickey and thought he was great. Yeah, the band swung more w only BK but Mickey added a lot of depth.
@@MrMightyslim I've never been quite sure what either Donna or Mickey ever brought to the collective Dead table.
John Mark Odom Well said. Never thought about Donna in that way but good point. I guess I accepted her more than Mickey. I like Anthem and Blues for Allah, Mickey's best contributions to the band
46long Blake I agree but sometimes a band member contributes things that aren’t apparent to the audience.
This is probably my fave Dead era: one drummer and pre-Donna. They were tight AF, but still daring, improvisational, and zen-like
Donna Jean is a really cool lady... and she is really good at what she does.. but i can't listen to her with the dead...
@@averyprice9422 not live anyway... i pretty much only enjoy her on the rare occasions i cue up a studio album (she sounds decent on France and From The Heart Of Me from 'Shakedown Street' and the wailing at the outro of Scarlet Begonias 'Mars Hotel' version is a nice touch.)
This is my favorite era too. Something about Jerry's playing on Alligator really hits the sweet spot of the soul. Wolf has a great snarling compression but alligator and the twins gave Jerry that piercing full-headroom tone that really complimented those mixo- and major pentatonic leanings.
This is 1972, Donna is here. She just didn't sing here. Keith is there so Donna is somewhere.
@@fernandofeliciano9728 I'm glad she didn't scream all over this song
Poor Pig Pen was very ill and Keith joined on the keys.
The Grateful Dead are awesome for their evolving “eras”.
Europe 72 is so great and unique in their History. Having the one drummer, that overlap of Pig Pen & Keith, Jerry on the old strat Grahame Nash gifted him, and a burst of unreleased music in their sets.
Love this period.
The Dead had piano players beginning in the late '60's.
Michael Smith sometimes. I’m not really clear on Tom Constanten and if he just randomly sat in or what.
@@superweak Constanten was a full time member from Fall of 68 through January 1970. He plays Vox or Hammond organ on more or less every song. Sometimes Pigpen would take over for a song (e.g. Death Dont Have no Mercy from Live/Dead,) and for a while they had a two organ setup, though I don't believe there are any recordings of that.
In the studio both Pigpen and Constanten also played piano, though supposedly Pigpen does not appear on Aoxomoxoa. On American Beauty, the Ned Lagin plays piano on Candyman, and Box of Rain features Garcia on piano with David Nelson doing the lead guitar (on a normal telecaster, he did not yet have his B-bender when that was recorded.)
David B. Good info. Listened to the studio box of rain just now. Great track.
he dont look so good
Jerry on a Strat +
Just Billy on drums +
Pigpen & Keith playing together =
My favorite Dead period by far!
Phil Lesh on the modded Guild Starfire.
my favorite was similar, but with Mickey added in. I'm a big fan of what they did with those two both drumming.
You have to check out a later version after they've developed the song a bit more and introduced the awesome bridge, "Going where the wind don't blow so strange..." Really takes the song to a whole new level! Great video, thank you, keep it up and stay healthy!
The Billy only periods were great. So we’re many of the two/drummer periods. But they gave something up when going to two-and of course gained in others ways with 2. But 1972 sans Micky was surely awesome.
That performance on Hundred Year Hall in Germany on the 72 Tour...wow. You just hear how locked in Bill and Phil were. It has to be my favourite GD album. They were in a space together that night, that was special.
I'm a recovering quadriplegic and cant play guitar anymore but started watching your channel just for your GD videos. Love hearing your excitement about a band I've followed since high school in the mid 80s. Jerry was the main reason I even picked up a guitar in 1980. Since I cant walk very well I honestly wish I couldn't walk again if I could only have the dexterity and movement in my fingers to play again.
Keep the videos coming please
God bless you!! I hope the neralink implants can get u playing again!!
I’ve always felt like the root of Jerry’s style was infinite curiosity. He was an explorer and an absolute music nerd. What a great combo.
He actually flubs the line which is why he puts so much emphasis on "you", it's supposed to be "You know better but I know him". A classic Robert Hunter turn of phrase. Your comments on Jerry's mystique are well said, at his best there's no filter between what he's hearing in his head and what he's playing.
kreutzman said he refrained from cocaine this whole tour , that and just him really helps define this era this tour
Minute 3:25 to 3:41 comment was the epitome of every guitarist trying to learn Jerry’s solos. “Do you get there? Thats the sound of that mystery.” Well said man! Awesome critique as always!
Yes! Singular, yet abstract. This made my day. It’s almost a relief to hear someone put into words so much of what I feel about Jerry/The Dead. Nothing left to do but smile smile smile. Thank you. You get it.
Michael your breakdown of Jerry's sound was hilarious! I think you hit the nail on the head when you said the listener is worried about him musically AND physically, haha. His look, his tone, his phrasing, his lyrics make us all feel like were fear and loathing in Las Vegas.
One drummer because Mickey had left the band after his father who had been their manager bailed with all of their money, leaving the band broke....This song is about him.
Mickey later came back and I often wonder how he feels when they still play this song.
150k was a fortune back in the day. A true shyster indeed. But in true Dead tradition, the sins of the father were forgotten and forgiven
Yeah don't think he was unwelcome or embarrassed (wasn't him). The song lays it out pretty good as well. But who knows
@@johnm3152 True. They never asked Mickey to leave after the theft was discovered. Hart just manned up own his own and left.
@Kollis Branch Turns out, he was also basically asked to leave the band due to his (Mickey's) own hard drug use during that time. Bill said it got so bad it was nearly impossible to play with him. I read it in an interview just the other day. It really filled in some holes I didn't understand...like, if you have nothing to do with your dad why would you leave the band just because your dad did some fucked up shit? Well, it turns out that's not the real story.
nailed it. the simplicity of europe 72 as an entire tour is what makes that tour such a rabbit hole for new dead heads
the dead ABSOLUTELY SLAY with one drummer. The groove is tighter and the improvisation and jamming is more direct, things happen quicker. It's more fun to listen to
Billy is honestly just a better drummer imo
I saw an interview somewhere where Bob Weir related how quietly proud he was when Lesh described his guitar sound from this period as a 'porcupine blowing kisses'. That's pretty funny.
just curious. what does that mean exactly?
Lol that is such a Phil thing to say
Someone else described it as sticking rubber duckies to the side of the bathtub (or something like that?).
I think it’s the liner notes of Hundred Year Haul…a release from ‘72.
Totally agree with the use of the D chord in the mix. Many online versions totally miss that. Thanks for the confirmation. Cheers!
My favorite Jerry is when he is playing that Strat...awesome tone.
"Do you get there?" ha ha.. Vassar Clements said this exact thing about Jerry's banjo playing. Vassar said that it always felt that Garcia wouldn't make it there, but then he'd arrive.
Jack Cerro Jerry talked about starting his phrasing on the 4th beat of the measure to create tension. He was such the perfect mix of completely screwing around and an immense knowledge of music.
So well put ! Saw Vassar and even bought a pair of Tony Lama boots, right after old and in the way
Jerry had a 'lope' on the banjo, I remember someone saying
Damn..I posted essentially the same thing before I read the comments. It's such a great story!
Loved Vassar. We all did. He hung around Baltimore for a while back in the day. Dear sweet man. Re; Jerry playing it often reminds me of a commitment one must make walking then running on a gravely trail, down hill but still ok, a rock here and there, some steeper downhill . It's getting dark and time to hit the gas to get home so to speak and so, skinned knees, and hopefully no face plant or broken anything aside, damn risky you tumble forward and take that leap, commit to finding that right equilibrium where yeah technically it's not really control but an adventure. Same thing at night on a trail bike in the woods with a need to get home. Never focus on all the ruts and roots and rocks and huge tree trunks for lawds sake, or you will indeed hit them, focus solely on where you must go in the moment to get through to keep going and ...when at speed already if it gets dicey, crank the throttle and aim for deliverance.
That "Strat" sound was great in this era to my ears. He wanted the sharp Strat sound but, ever the tinkerer, had many modifications made to it. The Alembic guys called it "Frankenstein" in reference to all of the mods. It's a 57, as mentioned, given to him by Graham Nash. Still my favorite guitar sound of the band! Alligator was retired in 73 when "Wolf" came on the scene. Pretty good piece here from Fender........www.fender.com/articles/gear/iconic-mods-how-jerry-garcias-alligator-strat-earned-its-claws/
I always felt Robert wrote this song about my grandfather who passed in the 90's. At least for me anyways...
Another great one, Michael!
It’s nice to see Jerry young, healthy, and having fun
they played together such a long time they could, as garcia said follow each other down a dark alley and come out the other side. some times they did not make it, but boy howdy, when they did, it was magical and a joy to witness.
Fun fact : this is the first He's Gone ever performed live and one of the only versions that still has the upbeat vibe compared to the more mellow song it evolved into.
I'm so excited to finally see you diving into the early 70's period, musically nothing comes close to 1972 and 1973 Grateful Dead for me due to the flexibility they had with one drummer (that drummer happening to be one of the most creative ones to ever live and just listening to him closely was more influential than all my drum teachers combined) and just the general vibe of the scene at the time influencing the music positively compared to the later year's stadium tours and heroin.
Sadly there is not that much footage of these years so I understand its harder to use for videos, but if you haven't yet definitely check out the 8/27/1972 Veneta Oregon concert which was released as an official concert film and all songs should be easily findable on youtube, I'd especially love your take on the Bird Song from that show which I have studied very in depth for it's drum and piano parts but it would be super insightful to hear a guitar player's perspective
He's gone tribute to Mr. Marley very cool and sad... devolves into a dirge... I had a crappy bootleg, but I think video has turned up... I think it was a Cleveland show.
Bladex Yes I prefer the Dead with just one drummer (Bill). Mickey makes the rhythm section too cluttered and busy.
Definitely more sprightly than later versions. Song turned into s bit of a dragger in.later years, as you say.
I'm a card-carrying Deadhead, but I dreaded hearing this in concert, since it usually heralded a slower, lower-energy remainder to the set.
There were exceptions, but I've heard groans from the crowd when they segued into this...
Just listened to that 8/27/72 BirdSong 2 hrs ago…literally listened a few times 🌹🖤🌹
This is the only RUclips channel where I look forward to reading the comments. Deadheads are such thoughtful and kind people.
These videos are amazing, thank you so much! You really keep all theory stuff on a great level without dumbing it down too much. Inspired me to pick up the guitar again, keep up the good work!
72 for me is really special. Keith was a perfect addition and best keyboard player the Dead had in my opinion. Very unique playing. He understood what the band and the crowd needed. There are some jams where Keith really digs in on the 72 tour; he had his PhD in psychedelia, no doubt.
16:00 exactly. 100% I loved the way you attempted to articulate that feeling/sound. On a razor's edge.
The change on the melody rather than the beat....nailed it! Little Feat/Lowell George numbers do that all the time.
You just put in words what I've struggled to describe for months!
Cris Jacobs is the man cant wait to see you guys play together, I never miss a Tuesday Live stream, and his 2 Jerry sets were incredible, he has become my favorite artist. 🤘🏻😷🤘🏻
@Guitargate , also, your videos make me smile, laugh, and even cry. I’m so blessed to be able to watch your videos. I’m more of an expert at Phish The Dead, The Allman Brotherws Widespread, Umphrey’s, more., etc, but you’re a better guitarist and teacher than I am. We could learn a lot from each other. I have joined your website and paid the fees, not to have you teach me, but just to help support you. I’ll support you financially in any possible way i can. Just keep me smiling, laughing and crying. I love you as a person and a musician, just for this. Thank you so much.
Thanks Mike. I’ve said it before and I’m sure I’ll say it again. It’s been such a pleasure learning from you and watching you learn along with us. Keep on truckin’, I think we had a nice little breakthrough with this session.
Love your breakdowns. What I loved more is that you knew who I was coming back from pits this year and bumping into you going through customs. Love you man. So chill and curious. Great music has its way of bringing people together and is one of the reasons our community continues to thrive. Keep chasing the magic. 😊
Since you mentioned the two keys, here's a history of the curse of the Grateful Dead keys players:
Pigpen (B3 on this video)- original frontman, played through Europe '72, died in '73 of a rare illness.
Keith Godchaux (piano in video) - joined Dec '71 with his wife on backing vox. Left in mid '79, died in a car wreck in '80.
Brent Mydland- joined in late '79, died of an eight ball OD while still a a band member in 1990.
Vince Welnik- joined in Sept '90, played through the band's end. Died of suicide after years of depression in 2006.
The only keys players who didn't suffer an early death had the shortest tenures in the band- Tom Constanten ('68-70) and Bruce Hornsby, who played piano from late '90 to early '92 (another double ivories lineup, with Welnik playing electric keys and synths).
Did Pigpen die from a rare illness? I thought he had a bit of a drinking problem that contributed to his death
@@fernandofeliciano9728 Technical COD was primary biliary cholangitis, which was unrelated to his drinking. I'm sure the booze didn't help.
I am always leaning toward the 72 performances as my favourite, and with Jerry playing the Strat. The show in Veneta at Kesey’s Farm is just tremendous and beautiful.
Great video Michael!! I always love what you do! Thanks for being such a positive force in our community my friend! I hope you’re well, staying safe, happy and healthy!
Your videos are so very, very excellent. I love watching these and hearing these old life-long classics through your fresh, technical eyes. PLEASE DO NOT STOP. Rock on man...see you at a Phish show some day, I hope.
There's this part where you're explaning jerry's essence of his playing. And you end it with "That's the sound of that mystery." Love the way you listen to music man. Resonates with me!
My man! Thanks for doing this one. I'll hit your inbox with another one to check out. I appreciate all of the jam band tunes you've been breaking down. Keep 'em coming!
Bobby is not wearing shorts. He is wearing long pants. His shorts look didn't come about until the late 80's-ish.
He was wearing shorts my first show, 9/2/78 Giants Stadium.
That feeling of being not sure if he's going to make it back to a resolve has always made me want to root for him ! To love his ability to take chances and miraculously land on his feet ......
Michael: You're describing Jerry's derring-do -- he liked to take us to the edge of the abyss, have us lean over it and then pull us back a split-second before we think we (and the rest of the band) will fall in.
Great observations from the technical view into the mystical. Enjoyable!
One thing where you talked about Jerry seeming to almost fail or not knowing if he's gonna make it - if you watch that segment he's looking over at Phil or Keith 100% dialed in. He paints like Van Gogh with tensions and looseness but it cones out masterful.
"You don't know if he's going to land!" I have read similar statements from other musicians about his playing and this is how I feel so often while I'm listening to his music. I just stumbled across your videos and really get a kick out of your enthusiasm for music. Keep up the great work!
PS - totally agree regarding the drummer situation. I love Mickey, but Billy alone was great.
That’s him playing through the chord changes
These videos have been such a delight! Glad to see all the love your channel is getting. Highly deserved. Would love some more UM content!
Listening to your breakdown on the solo section I just realized how much it reminds me of Tennessee Jed.
Dude you have to watch the documentary on amazon prime. It goes in depth about Europe 72 and why there isnt much footage of it even though they had a camera crew for the tour.
I love the Dead since 1982 and agree with your 1 drummer assessment. I have this whole show on DVD. 2nd keyboardist is Keith. Pigpen died a year later in 73.
Hard to put into words indeed. Enjoying your interpretations of the uninterpretatable. Keep it up brother.
Thanks so much for doing these videos.Your break downs have really helped with my composing abilities.
Don't know if you have seen it, but that foxboro 89 hes gone is deff a hot one
Can’t wait for the live stream. Sounds like a great idea.
Would you consider doing Row Jimmy, Live at Barton Hall, May 8, 1977 by the Grateful Dead?
Here's an accurate review of Jerry's slide guitar solos written by someone else:
"I have been listening to Row Jimmy in the Cornell show and I can't get the slide out of my mind. It comes from the back of the mix forward at about the five minute mark and elbows its way to the front, becoming more distinctive, gathering momentum and taking over in a series of intense and varying slides. It spikes and plateaus, ascending as if climbing a mountain. Methodical, precise and unrelenting in his determination, Jerry builds slowly, keeping with the reggae-like pace of the song, towards a crescendo at the 6:48 mark and then cascades down in a series of remarkably halting and plaintive wails as if the guitar is sobbing....the slide evokes a desperation and yearning at the same time. At the end of the slide solo, you can hear the audience gasp in recognition that what they just heard was different and extraordinary. Jerry is utterly commanding and proprietary in what he wants out of each note -- deliberately using the slide to move you and the band to another place before easing you down to a place where he can tell you that everything is going to be alright."
BOOM: ruclips.net/video/9mOFs-pY46Y/видео.html
I had no idea he played slide! Unbelievable.
'72 was such a legendary year
He's Gone.. love this song. Thanks for sharing.
I like around 15:30 when you speak of the mystery of Jerry "making it" harmonically and hitting those damn notes.
I lost the best friend I ever had last night to cancer. He was one of my music mentors and spent a lot of time playing music with him in the short 45 years that I played actively. I'm going to miss you Big Rick and all the lives you text in your 70 years are going to remember you and miss you too.
Michael, one of the last things he did yesterday at the hospital was watch your take on Billy's strings term oil and tin foil. Like many of my other friends who I've been introducing you to, he also wishes he known you for the last 20 years to so easily break down these songs for us.
I don't know if you ever gift memberships but if so when you were willing I would gladly accept. Please keep up what you do for those of us out here who are playing along unlimited knowledge with the desire to never stop learning 🎸
So stoked to hear you react to some '72 prime dead. I was just hoping you would do so this morning!
you are 100% right about the one drummer....and my fist show was '79 so I never saw them with only one.
Bobby always does stuff like that! 8:08 part of what makes him such a unique and amazing rhythm player.
I was on Haight Ashbury in 68...we were. waiting for the second GD album..
WHAT you tried to articulate about that sense of "longing " in Jerry's solo or the feeling following his ear ...of " not knowing if he is going to make it, but he always does" is why you HAVE to listen to 4-12 -78 Cameron Indoor Stadium, Durham, NC "Peggy - O" solo . I'm begging you to check it out - you will be so well rewarded - the song starts 16:40 into the show. It is the quintessential solo of this kind. I use words like bittersweet or a sweet mournfulness but they are not right either. I love the fact that you to find it hard to describe. NO LINK - its too easy anything good is worth working for!
4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O" 4-12-78 "Peggy-O"
I've suggested that one before!
That was a good peggyO. I second this
There are better Peggy Os, but it’s a solid one. I think he should do the Bertha from 4-12-78
@@andrewptob better Pggy O overall... but that solo is notable
10/22/78 at winterland is my favorite hands down
12:05 I love how Jerry is watching over your shoulder...
Thanks! Love these videos, learning a lot!
That's awesome. Thanks so much for watching :)
@Guitargate Pigpen, who ALWAYS played organ, was in his last years. Keith who ALWAYS played only piano, was just getting his start, and his wife
Donna sang backup for 10 years or so, before they both left for The Heart Of Gold Band. Brent came into the band when Keith left and he played piano, organ, keyboards, basically everything until he died around 1991. They hired Vince then but Bruce Hornsby was hired to fill in the gap since Brent died in the middle of the tour, and Bruce ended up staying on for about a year because he loved it so much..The dead always had two drummers, except the brief time that Mickey hart was committed to a mental institution. You can watch the very show where he came back and its the show that’s featured in “The Grateful Dead Movie. Hope this helps.
theres a quote from the band where they say they were always "worried" he'd never make it back but always did
I love the passion of Dead heads. Reading through the comments and all the little random nuggets of information. One of my favorite Dead songs for sure.
You ain't wrong: Dead was way tighter with just Kreutzman.
Like a Steam Locomotive rolling down the track ......He's Gone and NOTHINGS GONNA BRING HIM BACK.......He's Gone. So easy to visualize and yes multiple meanings to the listener. They actually miss him.
Your Dead vids are my favorite. We have such similar taste in music in the blues, bluegrass, alt country, folk, heavy shit, and The Dead. Very cool what you're doing. It's been said time and time again but watching your vids of you being so genuinely enthusiastic makes me feel like I'm loving sharing the greatness of music with a good friend that feels that same about it as me. And I'm learning more about theory in the meantime. Appreciate ya man. ❤️
I'm an unpracticed beginning guitar player, and what you are showing here is far beyond my abilities or knowledge of theory but i gotta tell ya, as a long time GD fan i love your videos and your enthusiasm. Seeing and hearing music through your ears and eyes inspires me. I love all your phish vids too! keep up the great work and keep em coming. May you and your family be safe and well in these times and please keep making these videos!
also, these early versions of he's gone's are very up-tempo. it only makes sense they slowed this tune down soon after... the tempo in this version was never a good fit this song imo, they abandoned it for a reason.
You da man....I've been watching your videos for months now and I can confidently say you've helped improve my playing and bring a lot of theory full circle for me.
I'd like to request "that's what love will make you do" Jerry Garcia Band
casually playing guitar along with early dead is a good time
Hey Guitar Teacher - Welcome to the wonderful world of the Grateful Dead. How about some funky Grateful Dead - Dancin' in the Streets from Barton Hall 5/8/77- 2nd set. 16:35 minutes of a magical musical journey of the funky-est kind!!!!
5/8/22? Jerry's father wasn't even playing then!!
Thank you - oops!! 5/8/77
Thanks (more than ever!) for these videos...As a guitar player these are so much fun. ALSO- Not sure if you know, Michael but I recently found out I have some friends who don;t play guitar but love music and stumbled upon your channel and now they watch too just to get some insight and for your enthusiasm for the music. So thanks again and keep up the good stuff. -PS... (looks both ways then whispers) the more Zappa the better.
Can't express how much fun it is to hear your comments and see you discover the little things that that make this band so great. As for the grooving more with one less drummer, may be true, and I think many times for GD less is more, but the groove is also simply where they were in the evolution of their playing style as of 1972. They were so tight, with less going on, less muddied. And Bobby did a lot of things on some of these older classics that worked so well with Jerry and that Bob didn't do as much after the early/mid 70's. Love that you are getting that Jerry is on the edge, more than a few shows I would say wow I can't believe he pulled that off. Also the Dead's touring was such that they could go for something and if it didn't work they would just play it again a few nights later, truly an atypical luxury for a live band. According to setlist.fm they did 327 live He's gone's. But this one was the first! and it is tight and yet Jerry is going for it, fearless!
Fearless!
When you were talking about Garcia's playing:"Searchlight casting..."
Glad to hear you shout out to Chris. What a player.
Keith Godchaux is playing grand piano. He joined the band in ‘71, and there was some overlap with Pig before Pig left the band due to illness brought on by his years of heavy drinking.
18:48 The early Hart era, '68-71, he was more about percussion to complement Kreutzmann's kit. At Hart's return, from '75-95, he was mainly a second kit.
19:45 Hence Godchaux sitting on chords, laying the foundation for Garcia's explorations.
20:48 Godchaux came on mainly for more keyboard action than Pigpen could handle, esp at this point, when Pigpen was slowly dying.
Great video man!
For me, the best example of interplay between Jerry, Bobby, and Phil is Chinacat Sunflower. Most notably the building intro. Very cool. Check it out.
I just love following you as you become more and more acquainted with Jerry.
Also thanks for keeping on through the apacolypse here. You got time to make them, we got time to watch them!
It's actually a song about a thief/sketchy person. "he's gone, nothings gonna bring him back" and " steal your face right off your head" the character is a trickster and a thief.
Jerry used to say "the audience loves to see you struggle" I never really knew what he meant. It seems most listeners even subconsciously pick up on him always chasing the beat as struggle when in fact it was something he developed consciously to enchant the audience and made his playing unique and exciting.
He's Gone from Englishtown 77 is a great version. Among others the Mississippi Half Step from that day 9/3/77 is also otherwordly.
I appreciate you mentioning the one drummer thing. They sounded sooo much better with just Billy. The tennis shoes in a dryer came from Mickey's addition alone.
I have to admit I've never been a huge Dead fan but I really enjoyed this today. Still learning new stuff at my age, this was fun, both the music and the explanation of everything. Thanks.........
You hit it on the head, when you said jerrys really listening, thats why it sounds like he's a little behind..
They were definitely learning as they went. When you're starting a whole new musical experience, that doesn't happen overnight. Sometimes they definitely surprised themselves..---#Fatty
A Keith Richards trick aswell
What you're alluding to is what the Dead were all about, the willingness to take chances and play right out on 'the edge' so to speak, and bring the audience with them. That's what led to some of their most incredible moments, say a half hour Dark Star or jam, where they could be completely out there but somehow bring it back and land on all four. Of course, they didn't always quite make it, as in your other video where Jerry gave 'the look', indicating they were losing it and it was time to bring it to a close. But, most of the time they did.
I have a ripped DVD of this show. Tivolis Concert Hall , Copenhagen Denmark
April 17th 1972. Jerry wore a c’own Mask and the boys wore some joke glasses for a couple of songs. Great show all around.
Setlist:
Me & Bobby McGee
Chinatown Shuffle
China Cat Sunflower ~}
I Know You Rider
Jack Straw
He’s Gone
Next Time You See Me
One More Saturday Night
It Hurts Me Too
Ramble On Rose
El Paso
Big Railroad Blues
Truckin’
Awesome. Just beginning this one. Happy Sunday.
Cool, great video! Really enjoyed watching and listening! Look forward to checking out your other vids!
ruclips.net/video/Zgd1W8ESao8/видео.html
Michael, you are awesome. Keep up the good work.