Handel - Recorder Sonata op.1 n°4 - Brüggen / Bylsma / Leonhardt
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- Опубликовано: 7 фев 2025
- Georg Friederic Handel
Recorder sonata op.1 n°4 HWV 362
Larghetto 0:00
Allegro 2:45
Adagio 5:22
Allegro 7:26
Frans Brüggen (Recorder by Hans Coolsma, Utrecht 1962)
Anner Bylsma (Cello by Carlo Landolfi, Milan 1753)
Gustav Leonhardt (Harpsichord by J.C. Neupert, Nuremberg 1932)
Studio recording, early 1960s
La résilience par la flûte à bec , cela paraît anodin , et pourtant je l'ai vécu , et ainsi se supporte une jeunesse devenue acceptable parce que en quête de valeurs dans un monde qui est en train de les perdre toutes.Mais peut-être est-ce ce que vivent tant de jeunes de nos jours, si virtuoses ds cet instrument , dignes héritiers de cette tradition que Franz Bruggen , avec tous ces redécouvreurs de musique ancienne, a su inaugurer .
Wunderschöne Interpretation dieser perfekt komponierten Triosonate im lyrischen Tempo mit gut phrasiertem Ton der Blockflöte und zurückgehaltenen Töne anderer Instrumente. Die intime und perfekt vereinigte Mitwirkung zwischen den drei unvergleichlichen Virtuosen ist immer noch unübertrefflich. Einfach wunderbar!
Frans Brüggen is the greatest - R.I.P.
I fourteenth that!
It’s to do with the vibrato
Nessuno e ripeto nessuno dopo di lui è riuscito ad trovare una tecnica diversa per il suono di questo strumento. Assolutamente il più grande
I love this music so much. Simply fabulous in my opinion.
I really need this for my studies.
The way he (Bruggen) blows and make sound with the recorder is very technical.
Magical! Thanks so much.
These recording got me into recorder playing (i'm a guitarist) at age 18 :)
Same here!
Frans seems to be one who who gets us all to switch our focus to the lovely big or little pipes.
Magique !
Thanks !
Divno
compared to his later version this is total crap imo. (well, even without comparing).
even the greatest master had a humble beginning
pelle sabelström Ne sus doceat Minervam, you pitiful ignoramus.
pelle sabelström Are you serious???
You obviously don't hear what I hear - pure beauty and genius.
It's very different... but if you listen carefully, you'll hear the same Bruggen of later years. Not crap. Just a reflection of his thinking at that time...
I can appreciate the simple attractiveness and slightly anonymous quality of this version, but the later recording for Seon, with Bob van Asperen and Bijlsma, is like night and day, full of drama, passion, and shockingly brutal sounds. Gotta say, I much prefer the Seon set. This Telefunken set could be any decent recorder player. The Seon is unmistakably, inimitably and unforgettably Brüggen.