Castlevania music is hard to get behind for most people. It's often too busy to enjoy and sounds like it was written by someone with ADHD which is difficult to uncompressed compared to something simple like lofi. I love it for that very reason though. These tracks are so jam-packed with cool melodies and variance.
Wonderful remix of Emerald Mist from CastleVania: Order of Ecclesia. Keep them CastleVania remixes coming, Is this and the other CV tracks going to be a part of an upcoming CastleVania album celebrating the series 35th anniversary?
I’m loving all your Castlevania covers! Please please please do Jaws of a Scorched Earth or Edge of the Sky from Order of Ecclesia. These are 2 fantastic songs that I feel don’t have very many good covers/remixes.
Playing the Dominus Collection, I tend to just mute the BGM and play these arrangements. Your music does more justice to Michiru Yamane's composition than Konami ever could. Thank you for making these compositions.
Probably depends on what you define as a bar. I think you can clearly count "one two three one two three" or "one two three four five six". You could write the first as 3/4, and you could write the second (with exactly halved note values compared to the first) as 6/8. I'd probably go with 6/4 myself if I were writing this.
@@GlennMagusHarvey It sounds like you're feeling the beat at a higher tempo than I am. For me (and I assume the parent comment), it feels pretty evident that there are 6 eighth notes per bar, so the question of 3/4 vs 6/8 is how those eighth notes are grouped, whether it's "one and two and three and" or "one trip-let two trip-let". I hear it as the latter, personally, and pretty strongly so. I'm hearing a percussion hit which would be on the and of two in 3/4 which really doesn't feel 3/4-ish to me.
@@TetrisMaster512 I actually hear it as two big units subdivided into three each, so basically the same as you, except that the subdivisions are slow enough that I'd use quarter-notes instead of eighth-notes to notate them, which gives me 6/4. Each bar of 6/4 could be rewritten as two bars of 3/4, so the 3/4 doesn't refer to the whole two-beat (or six-beat) cycle but just half of it.
![Castlevania: Order of Ecclesia: Chapel Hidden in Smoke Arrangement [Remake]](http://i.ytimg.com/vi/qfWrPz25fh4/mqdefault.jpg)
![Castlevania: Order of Ecclesia: Chapel Hidden in Smoke Arrangement [Remake]](/img/tr.png)
![ROSÉ (로제) - number one girl [더 시즌즈-이영지의 레인보우] | KBS 241129 방송](http://i.ytimg.com/vi/A9oByH9Ci24/mqdefault.jpg)
For as amazing as Castlevania music is, I feel as though they don’t get enough attention. And yours are always some of the best.
People only know vampire killer, bloody tears, beginning and that's it.
Castlevania music is hard to get behind for most people. It's often too busy to enjoy and sounds like it was written by someone with ADHD which is difficult to uncompressed compared to something simple like lofi. I love it for that very reason though. These tracks are so jam-packed with cool melodies and variance.
@@lukeanderson3603 🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓🤓
I've been waiting for this. Finally a worthy remix of one of the most underappreciated OoE song.
no way voggard el de valorant
Keeping the retro videogame instrumentation as a funky background flavoring was a genius stylistic choice
Always been one of my favorite tunes from this game
A sad part of this track Is that Is only used for a "Two Room" straight way through the forest.
Don’t worry, it gets used again for a second two-room straightaway through a second forest
Wonderful remix of Emerald Mist from CastleVania: Order of Ecclesia. Keep them CastleVania remixes coming, Is this and the other CV tracks going to be a part of an upcoming CastleVania album celebrating the series 35th anniversary?
Aaw yeeeah, more Castlevania greatness, well done!
I’m loving all your Castlevania covers! Please please please do Jaws of a Scorched Earth or Edge of the Sky from Order of Ecclesia. These are 2 fantastic songs that I feel don’t have very many good covers/remixes.
Jaws of a Scorched Earth would be awesome
Hard Won Nobility was my favorite.
Playing the Dominus Collection, I tend to just mute the BGM and play these arrangements.
Your music does more justice to Michiru Yamane's composition than Konami ever could. Thank you for making these compositions.
YES, ONE OF MY FAV ORDER OF ECCLESIA TRACKS!!!! love it, love you, love this earth omg
Wow. That sounds really good
What an incredible arrange.
Good to see Ecclesia's music getting some love too.
Bless you for arranging my favorite track from the game!
I love how you kept the ds style sound!
omg you nailed it!! Criminally underrated track to my fave Castlevania!
Catchy and beautiful, another great one in your catalog :)
Sounds great!! Castlevania's music are perfect in every way!!!😎😉👍
Woh. Shivers up the spine.
Awesome, as always!
Thanks for these amazing tracks, have a great day!
I heard this playing dead cells... that bass line is so nice
Fantastic job! This is probably one of my favorite tunes from Ecclesia or the series as a whole :)
Always glad to hear more Order of Ecclesia!
I really want to put your CV tracks on Vinyl! Fantastic work!
Never heard this song before now, but this is definitely going in my playlist! Great work!
So catchy!
Sounds like a royal ball.
Is there somewhere I can find this sheet music
What name is this album on Spotify please
:)
Is this 3/4 or 6/8?
Probably depends on what you define as a bar. I think you can clearly count "one two three one two three" or "one two three four five six".
You could write the first as 3/4, and you could write the second (with exactly halved note values compared to the first) as 6/8.
I'd probably go with 6/4 myself if I were writing this.
@@GlennMagusHarvey It sounds like you're feeling the beat at a higher tempo than I am. For me (and I assume the parent comment), it feels pretty evident that there are 6 eighth notes per bar, so the question of 3/4 vs 6/8 is how those eighth notes are grouped, whether it's "one and two and three and" or "one trip-let two trip-let". I hear it as the latter, personally, and pretty strongly so. I'm hearing a percussion hit which would be on the and of two in 3/4 which really doesn't feel 3/4-ish to me.
@@TetrisMaster512 I actually hear it as two big units subdivided into three each, so basically the same as you, except that the subdivisions are slow enough that I'd use quarter-notes instead of eighth-notes to notate them, which gives me 6/4.
Each bar of 6/4 could be rewritten as two bars of 3/4, so the 3/4 doesn't refer to the whole two-beat (or six-beat) cycle but just half of it.