I’m glad I found your channel. I picked up the 7 string recently and I am going to learn it tuned in B. There are not a lot of jazz guys that play this way.
Thank you very much for that. It makes sense to me to keep the instrument tuned in 4ths. Tuning it to A gives us a 5th, a 4th and a 3rd all in one tuning system. I'm not clever enough for that!! Cheers
I'm definitely going to add those movements to my playing! What an inspiring tutorial! Something I do a lot is substitute the V7 with III7#9. Bm11 - Db7#9 - Amaj9. When composing I'll try to fit in #IV7#9 (Bm11 - Db7#9 - Eb7#9 - Amaj13). If I'm feeling really fancy, I'll resolve that Eb7#9 to an Ebm9 and treat that Ebm9 as my new 1.
Just a little trial & error mixed with experimentation. The III7#9 - I resolution, I acquired years ago from Wikipedia, researching R&B chord substitutions.
Hey dude, yes I'm good thanks. I've had another bad heart episode these last few months and I'm getting married this weekend. After the honeymoon I'll be back to my regular content 🤞 thanks for checking up. All good with you? Cheers
@@CharlesHarrisonMusicTuition All good here. I'm really sorry to hear that about your heart, take it easy. Also congrats on your wedding, wish u both the best! Thanks for the response, you popped into my head while practicing last night & I felt the need to check in w/ you. Don't party too hard this weekend! Enjoy.
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Now this is an interesting approach to harmony that’s a clear example of polyphonic motion. I’ll be watching this one on repeat.
Pleased you liked this one, very much in your area of expertise this one
I’m glad I found your channel. I picked up the 7 string recently and I am going to learn it tuned in B. There are not a lot of jazz guys that play this way.
Thank you very much for that. It makes sense to me to keep the instrument tuned in 4ths. Tuning it to A gives us a 5th, a 4th and a 3rd all in one tuning system. I'm not clever enough for that!! Cheers
Wow. We’ve got some practicing to do! Amazing help.
You'll get this down in no time Mr. Flamingo!
I'm definitely going to add those movements to my playing! What an inspiring tutorial! Something I do a lot is substitute the V7 with III7#9. Bm11 - Db7#9 - Amaj9. When composing I'll try to fit in #IV7#9 (Bm11 - Db7#9 - Eb7#9 - Amaj13). If I'm feeling really fancy, I'll resolve that Eb7#9 to an Ebm9 and treat that Ebm9 as my new 1.
Hi James, thank you for your comment as always! Are you thinking 'Family of Four' for those substitutions or are they coming from elsewhere? Cheers!
Just a little trial & error mixed with experimentation. The III7#9 - I resolution, I acquired years ago from Wikipedia, researching R&B chord substitutions.
Great stuff, Charles.
Thank you, as always, James 🙏
could you do wayne shorter's infant eyes lesson on you tube?thank you.
Absolutely, what a wonderful tune! Do check out Adam Neely's recent video on Shorter's standard too 🎷🎷🎷
Are you okay man
Hey dude, yes I'm good thanks. I've had another bad heart episode these last few months and I'm getting married this weekend. After the honeymoon I'll be back to my regular content 🤞 thanks for checking up. All good with you? Cheers
@@CharlesHarrisonMusicTuition All good here. I'm really sorry to hear that about your heart, take it easy. Also congrats on your wedding, wish u both the best! Thanks for the response, you popped into my head while practicing last night & I felt the need to check in w/ you.
Don't party too hard this weekend! Enjoy.
@@tippidink cheers mate, I'll be back to usual before you know it and you'll be wishing I was off again 🤣 thanks