I couldn't believe I'd missed this amazing studio and was keen to get them featured. Thanks for watching and hope you pay them a visit if you have a project that could suit them 🙂
Awesome space. JCM800s are pretty versatile. Used with a nice big efficient bass cab, they make good character bass heads too, if you want a gnarlier more driven sound than even the Ampeg. Can get you toward Lemmy's Marshall Superbass sound. I like a U67 type mic on bass cab, a little further back, and a Sennheiser 421-II up close (or RE-20, or even SM-7b). Speaking of Ampeg flip-top B-15s, I tried the Ampeg Portaflex PF-20T, which is sort of a modern iteration of the B-15. It's 20 watts (the PF-50 is 50 watts). Sounds really good, planning to buy one as my main bass recording amp at lower volume. What I like about it for studio use is that it isn't crazy loud. But can also operate as a tube DI with transformer and EQ, without a speaker load connected. Handy for studio, and much cheaper than a REDDI or Noble Preamp (though I'd love a Noble later).
Thanks Dan! I hope that we can do a studio workshop here at some point, drums or even a whole band, something interesting to show the flexibility and sound. 🙂
![Arun Pandian Studio Tour | Signal Corps Recording Studio [Full video]](http://i.ytimg.com/vi/k38SJzbwylc/mqdefault.jpg)
Love the community ethos and the studio space. I hope that the studio thrives and grows. Of course, everybody needs a client 'button' 😀
I couldn't believe I'd missed this amazing studio and was keen to get them featured. Thanks for watching and hope you pay them a visit if you have a project that could suit them 🙂
Awesome space. JCM800s are pretty versatile. Used with a nice big efficient bass cab, they make good character bass heads too, if you want a gnarlier more driven sound than even the Ampeg. Can get you toward Lemmy's Marshall Superbass sound. I like a U67 type mic on bass cab, a little further back, and a Sennheiser 421-II up close (or RE-20, or even SM-7b). Speaking of Ampeg flip-top B-15s, I tried the Ampeg Portaflex PF-20T, which is sort of a modern iteration of the B-15. It's 20 watts (the PF-50 is 50 watts). Sounds really good, planning to buy one as my main bass recording amp at lower volume. What I like about it for studio use is that it isn't crazy loud. But can also operate as a tube DI with transformer and EQ, without a speaker load connected. Handy for studio, and much cheaper than a REDDI or Noble Preamp (though I'd love a Noble later).
12:42 those pianoes and rhodes sound so brutally beautiful
great video - looks like a lovely place with some unique kit :)
Thanks Dan! I hope that we can do a studio workshop here at some point, drums or even a whole band, something interesting to show the flexibility and sound. 🙂
good place to see- thank you
Ouhh ouh heftig !
5:19 actually the gabe roth placement. he engineered the amy album
What’s the distortion box they mention?
Hi, thanks for watching. This has featured on another studio feature here (StudiOwz tour) so it seems popular: Audio Kitchen The Big Trees
2 min in, sorry that the gate is that high because of the quietness when not talking. Little elevator music would be nice to :D
no please no muzac
Nice oje still dogs
"Promo SM"
Sorry I don’t understand