would be great if we had a morphing attack, sustain an release.Also being able to morph the sustain part with multiple sounds via modwheel.Key switches that actually play and morph the new sound also like Chris Heins "Hot Keys" :)
good demo, unfortunately the plugin does not work on Windows 11, after many attempts I deleted it from the computer, no sound came out despite downloading the libraries
Excellent questions. If you mean delay as in sound triggering later - that would be done with Effects > Delays. But you likely thinking a way of triggering a sound to trigger later, which is still in the works. Our Rack > Touch offers global velocity control. However there are ways to modulate these things. For example use Soundmode > Velo Zoom on a part - to narrow down its velocity range. Or modulate Part > Volume or Part > Tone so these are velocity based. You can modulate any parameter you desire by right clicking on it - then choose Add MIDI CC Automation and then choose Velocity Response. You can do this for anything in SP, so very extensive velocity modulations. We hope to get individual velocity curves per Parr eventually too. ❤️❤️ Troels
@@Soundpaintmusic Thank you Troels! I thought maybe the Offset tool was used to adjust the timing. I guess that is for the opposite, trimming the start? Doesn't seem to have much effect sometimes. Anyway, it's exciting what you are doing with Soundpaint!
👏🌟 very good idea to push out the focus on ‚accent‘ & ‚release‘ for design new kind of instruments: sounds „normal“ (tonal), but better, with much more life, details, emotion, motion, and to give longer sound-evolutions a very fine and unique IN and OUT! Welldone, like always, also the (emotional!)intro „teaching“ and well played the music examples, Troels! 🍷 Not so bad for a „one finger composer“! 😂 In a few days i‘ll send you my first SELECTION of my Soundpaint programs (🚩mail & dropbox link), the first SP Instrument categories are selected and ready to send to you, as my special FEEDBACK! [Alt Ens/ Bass/ …] [my full collection of my SP programs is about 1.400/ to much to handle it?] Congratulations! 💐🙏🏻 Great Job! 🌟 Werner [Friend of Soundpaint/ Bavarian Country] 😎
A Joe Meek Quote I think? I always loved that too. Best to not get too caught up with things that don't matter (too) much. But does it sound good? Does it engage. Does it create emotion or vibe. This is great idea and reminds me a little of the d50 or jd880 style of synthesizer. Swapping parts of sounds to create new ones. Lovely. Something I also liked doing on multi timbral synths like the virus. Or with multi osc synths like the evolver.
acoustic LA Synthesis!
I just love this, so helpful. By the way, is that a Roland Tape echo in the background?🥰 Yes, I'm old.🤣
would be great if we had a morphing attack, sustain an release.Also being able to morph the sustain part with multiple sounds via modwheel.Key switches that actually play and morph the new sound also like Chris Heins "Hot Keys" :)
FREAKIN’ AMAZING.
very clever
🙏🏻
Can we get wild with this? How about a kick drum being the attack of a staccato cello. Or a brushed cymbal being the tail of.a piano. Etc etc 😄
good demo, unfortunately the plugin does not work on Windows 11, after many attempts I deleted it from the computer, no sound came out despite downloading the libraries
14:40 That`s FIREEE too !!! ❤🔥
13:19 That`s FIREEE !!! 🔥
Is there a way to adjust the delay for the accents, or adjust the velocity curve separately from other parts?
Excellent questions. If you mean delay as in sound triggering later - that would be done with Effects > Delays. But you likely thinking a way of triggering a sound to trigger later, which is still in the works.
Our Rack > Touch offers global velocity control. However there are ways to modulate these things. For example use Soundmode > Velo Zoom on a part - to narrow down its velocity range. Or modulate Part > Volume or Part > Tone so these are velocity based.
You can modulate any parameter you desire by right clicking on it - then choose Add MIDI CC Automation and then choose Velocity Response. You can do this for anything in SP, so very extensive velocity modulations.
We hope to get individual velocity curves per Parr eventually too.
❤️❤️ Troels
@@Soundpaintmusic Thank you Troels! I thought maybe the Offset tool was used to adjust the timing. I guess that is for the opposite, trimming the start? Doesn't seem to have much effect sometimes.
Anyway, it's exciting what you are doing with Soundpaint!
👏🌟 very good idea to push out the focus on ‚accent‘ & ‚release‘ for design new kind of instruments: sounds „normal“ (tonal), but better, with much more life, details, emotion, motion, and to give longer sound-evolutions a very fine and unique IN and OUT!
Welldone, like always, also the (emotional!)intro „teaching“ and well played the music examples, Troels! 🍷
Not so bad for a „one finger composer“! 😂
In a few days i‘ll send you my first SELECTION of my Soundpaint programs (🚩mail & dropbox link), the first SP Instrument categories are selected and ready to send to you, as my special FEEDBACK!
[Alt Ens/ Bass/ …]
[my full collection of my SP programs is about 1.400/ to much to handle it?]
Congratulations! 💐🙏🏻
Great Job! 🌟
Werner [Friend of Soundpaint/ Bavarian Country] 😎
Can't wait to hear Gruber - and thank you! I will live and die by the single notion of "If it sounds good ... it is good". Cheers, T
A Joe Meek Quote I think? I always loved that too. Best to not get too caught up with things that don't matter (too) much. But does it sound good? Does it engage. Does it create emotion or vibe.
This is great idea and reminds me a little of the d50 or jd880 style of synthesizer. Swapping parts of sounds to create new ones.
Lovely. Something I also liked doing on multi timbral synths like the virus. Or with multi osc synths like the evolver.
Mise à jour ! OK THX U ! 3.1 OK !!!! 💝 "GhostRecordsFrance "