Having a watched your videos, I’ve come to the realisation that Let It Be is probably the best album for Lennon/Harrison interplay. They way they weave in and out and around each other is gorgeous
This always struck me as one of those riffs that you can get away with hitting whatever strings you want as long as you remember the distinct rhythm and it will still sound like the song.
You really don’t hear bands produce parts like this anymore. Was just listening to Apple Music’s top 100 songs of 2021 and they’re all just slight variations of meh and same. I absolutely miss the personality of music.
5 months later, and I still keep on relistening to this cover. I’ve relistened to this so many times now this month. I just love that A chord of John, and George’s bridge part especially the repetitive bending.
as I’m learning this song I begin to realize how hard this is to play. Those A’s are really killing my hands! It’s amazing John’s able to play that A consistently throughout the song!
@@YamahaChris when they rehearsed damn, that stretch! Must’ve took him a while to get the hang of it, didn’t he say the Casino hurts his fingers when he plays?
For me, "I've Got a Feeling" is the very best song of The Beatles ever! And this here is an excellent cover ... To understand what happened in this song, I must quote the Rolling Stones' lead guitar player Keith Richards: He once said that in his ensemble playing with Ron Wood, it may happen that it sounds like an orchestra. And he continued saying that both he himself and Ron were "lousy" guitar players, but together, they could beat any other ... I think that's exactly what happened here between John and George, and Paul's bass as a third component. There is another Beatles song providing this effect: "Getting Better" from the Sergeant Pepper album. But "I've Got a Feeling" is, in my view, on an even higher level.
It's outstanding. Two great vocals here. McCartney really delivers with the rock performance, Lennon's is beautifully complimentary and understated. Both serving the song and it sounds like God to me.
@@FiremanSam60 - I get chills when McCartney cries out, “That’s right!” That dude was on fire on the rooftop. Give the man an audience (of ANY size) and he’ll perform!
I've been playing for 54 yrs and I always like to hear you play, You always match the sounds really well ( some of us do that) keep on 'keepin on Man. You always do great!!!!!!!!!!!! Thank You!!!!
Some comments are older, but you have a masterful grip on what George was doing on this tune. I've looked at all of them and yours is by far, the best. Congrats.
Support the channel on my Patreon: www.patreon.com/mattiboo Get the guitar tab here: mattiboo.com/tabs/ive-got-a-feeling-guitar If you appreciate my work, feel free to buy me a coffee: www.paypal.com/donate/?hosted_button_id=9HEE4B4FXKXDA Description continued from above! For the first verse, George smacks along with his Tele, alternating between an A chord and an Asus4. He sometimes plays “pickup” to the chords, such as at (0:43) and (0:44), while others he slightly noodles with the chord (0:47, 0:51). He finishes off the first verse by letting the high A note ring out (1:00). The second chorus is largely the same as the first. The transitory riffs into the bridge section are played with less high D note, and a low to high chord phrase on the second variation (1:12). In the bridge (1:15), George plays raunchy double string bends to punctate the exciting vocal phrases by Paul. In the bendy solo section (1:24), George plays two notes before slightly bending up the string even higher. He then brings the note all the way down from slightly over E to D while playing a wild vibrato. Triumphant in his bends, the third verse starts with a low A and chord smack. This verse is marked by George playing the A chord, then the suspended D chord riff. He plays the first riff hard (1:31), then smacks the middle position of an A chord on the second beat at (1:33). The riff at (1:34) is played lightly with less high D. The riff at (1:40) is played hard while the remaining ones are played relatively soft. At (1:44) he twangs out a high A note before individually picking on the D chord. The chorus is then played as usual. Going into the fourth verse (2:01) he plays a three note chord instead of the typical two note riff. George’s fourth verse is quite interesting. He makes a quick switch to his fingers and lightly plays the sliding riff, plucking three notes individually (2:05). He then plays a staccato version of the riff, this time only playing two notes on the suspended D chord (2:07). At (2:10), he trails off of the high A chord and switches to the middle pickup selection for a sweeter tone. As John sings “Oh Yea”, George strums a light A7 chord and plays an syncopated version of the D riff. For the second half of the verse, George noodles with individual notes high up on the neck played with his thumb (2:21). In the breakdown section, George switches back to his pick and starts high and ends low to contrast with John’s inverted version. Coming into the final verse, George plays some bold lead lines before quickly switching to his fingers for one D phrase riff (2:45). For the second riff, he immediately switches back to a pick. George plays the rest of the final verse with slightly funkier A to Asus4 chord strums, much like the first verse. In the concluding section (3:07), George plays some single strums on the walkdown phrase from before. He switches to his bridge pickup to conclude the song with higher 7 chords with individually picked notes before sliding into the final A7!
This was a great job, but the bend on that money lick that Harrison had on the break is George that it takes a really phenomenal musician to truly nail that. Again, bend lick are so personal that it is difficult to capture that bit perfectly. It is HARD. Great job with the rest of this most famous guitar duo comping. Fantastic!
Good timing considering the recent announcement of the Let It Be 50th Anniversary Super Deluxe box set re-release. Looking forward especially to the original Glyn Johns mix of the Get Back Album. Also looking forward to seeing the full Rooftop Concert in The Beatles: Get Back. Also, great cover of this song, looking forward to seeing more from you in the future.
Musically speaking that is my favorite Beatles song. They had some really great sounding guitar playing. No I'm not downplaying Ringo's drums either. They all four were needed together.
Hey mattt. It's really great to hear the song against the backdrop of the incredible amount of information you always take the time to share. Many thanks. I hope that you are doing well.
Thanks for that. Great that the movie release is drawing attention to tracks like this & Dig A Pony, which previously received very little airplay. Time to put that right!
Excellent as always... I have been enjoying all your videos. I've got a feeling is one of my all-time favorite songs, and your rendition here is just perfect! And I am very glad that you are back haha. I hope you could play you never give me your money at some point because I think it kind of epitomizes the time when every single Beatle was at the peak of his musical performance! Paul's bass, piano, vocal / Ringo's drum / John's arpeggio rhythm guitar/ George's blussy lead guitar... They are all perfect in the song. Thanks again for everything you have offered in your videos!
How you get the first chord arppegiated like that while your thumb is still over the low E with a straight wrist is the most impressive thing in your videos
Assuming you're using the backing instrumentals, its interesting how you can still hear Paul's voice that was picked up by the other microphones during the quieter sections.
First off, this was spot on. A great cover Second, the opening riff is virtually impossible for me to play. With my crooked pinky barely grabbing the 5th fret and my ring finger muting the G string it's frustrating.
It’s been five months, so maybe you’ve gotten it already but: basically the key is to practice each shape individually without strumming so that stretch feels more natural and less forced; then practice hammering on those fourth and third fret notes, which is an added layer of challenge; then try all together it while strumming to work out the finer details and logistics of hand/finger/wrist positioning. Once you get more comfortable with the chord shapes your overall hand-and in particular, your fingers-will be in a slightly higher, more rounded position instead of a lower, flatter, and more tense position; this will stop the G string mute. Takes time but is doable.
@@superclarendon8648 Thank you. I've gotten better at it but haven't practiced the song in a while. I like your suggestions though so I'm going to get back at it.
What an astonishing job of capturing all the nuance and subtitles! Usually there's something blatantly awry, but this is flawless. I'm blown away. Not even Mike Pachelli gets this close. Congratulations.
i'm thinking that even though John is playing the riff, McCartney initially came up with it, you see in the Get Back movie John and Paul merged their song snippets. And you see Paul aggravating George telling him how to play the big guitar string descending bend. Plus this is a huge staple in McCartney concerts which reinforces his big contribution to this song which btw I love and is underappreciated
I've got a feeling, a feeling deep inside Oh yeah, oh yeah I've got a feeling, a feeling I can't hide Oh no, oh no, oh no Yeah, I've got a feeling Oh please believe me, I'd hate to miss the train Oh yeah, oh yeah And if you leave me I won't be late again Oh no, oh no, oh no Yeah, I've got a feeling, yeah All these years I've been wandering around Wondering how come nobody told me All that I was looking for was somebody Who looked like you I've got a feeling, that keeps me on my toes Oh yeah, oh yeah I've got a feeling, I think that everybody knows Oh yeah, oh yeah, oh yeah Yeah, yeah, I've got a feeling, yeah Yeah Everybody had a hard year Everybody had a good time Everybody had a wet dream Everybody saw the sunshine Oh yeah, oh yeah Everybody had a good year Everybody let their hair down Everybody pulled their socks up Everybody put their foot down Oh yeah, oh yeah Yeah, I've got a feeling A feeling deep inside Oh yeah, oh yeah I've got a feeling, a feeling I can't hide Oh no Oh no, no, no Yeah, yeah, yeah, yeah I've got a feeling I've got a feeling
genial! mas claro imposible, me gusto tu forma de hacerlo amigo, mucha gente se la pasa hablando tanto que al final no queres aprender nada, muy bueno el tutorial, ya la estoy tocando, saludos, y buen fin de año!
Damn. Great job. I get this one stuck in my head despite not even particularly loving this song. It's such a rocker, and well-made. I just love other songs before it.
![SahBabii - Viking [Official Music Video]](http://i.ytimg.com/vi/D37cL92JX0I/mqdefault.jpg)
Having a watched your videos, I’ve come to the realisation that Let It Be is probably the best album for Lennon/Harrison interplay. They way they weave in and out and around each other is gorgeous
Good observation! The no overdubs philosophy to the "Get Back" project likely played into this!
Bingo. Like Aaron n Tae’
Cry For A Shadow? How do you sleep?
great
This always struck me as one of those riffs that you can get away with hitting whatever strings you want as long as you remember the distinct rhythm and it will still sound like the song.
exactly that 😭😭
Harrison’s playing is underrated on this song.
not only in this song! Harrison, in my opinion, was a very underrated guitarist
Ahora lo podemos ver en el documental Get Back, f por George
who underrated it?
@@Dany-fj2oj Underrated by whom? Nobody ever dismissed Harrison as a player or songwriter.
You really don’t hear bands produce parts like this anymore. Was just listening to Apple Music’s top 100 songs of 2021 and they’re all just slight variations of meh and same. I absolutely miss the personality of music.
George is so good god damn
George's little 7 chord and double-stop chromatic-ism at the end is just perfect.
5 months later, and I still keep on relistening to this cover. I’ve relistened to this so many times now this month. I just love that A chord of John, and George’s bridge part especially the repetitive bending.
as I’m learning this song I begin to realize how hard this is to play. Those A’s are really killing my hands! It’s amazing John’s able to play that A consistently throughout the song!
You will feel worse when you watch the Get Back doco when you see how effortlessly he can play that opening riff.
@@YamahaChris when they rehearsed damn, that stretch! Must’ve took him a while to get the hang of it, didn’t he say the Casino hurts his fingers when he plays?
John used to play his A that way on a regular basis. i stole it from him. Your pinky gets used to it.
I think Harrison’s part is way more difficult to learn
@@SuperZacco harrison’s parts are easy licks, Lennon’s on the other hand, it’s hard keeping and playing the A consistently without your hand straining
George Harrison was a guitar genius.
The guitars on this track are excellent.
The attention to detail is incredible
For me, "I've Got a Feeling" is the very best song of The Beatles ever! And this here is an excellent cover ...
To understand what happened in this song, I must quote the Rolling Stones' lead guitar player Keith Richards: He once said that in his ensemble playing with Ron Wood, it may happen that it sounds like an orchestra. And he continued saying that both he himself and Ron were "lousy" guitar players, but together, they could beat any other ...
I think that's exactly what happened here between John and George, and Paul's bass as a third component.
There is another Beatles song providing this effect: "Getting Better" from the Sergeant Pepper album. But "I've Got a Feeling" is, in my view, on an even higher level.
It's outstanding. Two great vocals here. McCartney really delivers with the rock performance, Lennon's is beautifully complimentary and understated. Both serving the song and it sounds like God to me.
@@FiremanSam60 - I get chills when McCartney cries out, “That’s right!” That dude was on fire on the rooftop. Give the man an audience (of ANY size) and he’ll perform!
I've got a feeling, a feeling deep inside... mattiboo is back and satisfaction I can't hide! ;)
YOUR PFP THATS UNNECESSARY
Your good at rhyming I can’t deny
Oh yeah!
Oh yeah!
As much as the band argued about how some songs were arranged and performed, songs like this on let it be turned out great.
1:15 - 1:30 that lead guitar is cool and solid 🙌🏼
Nice to hear the two guitar lines so distinctly ! Great video
音作り上手いし、本当にビートルズぽい雰囲気作るのうますぎる。
I recently acquired a bass and learned the bass for this song. I'm going to use this track to jam along. Great job, thanks!
I've been playing for 54 yrs and I always like to hear you play, You always match the sounds really well ( some of us do that) keep on 'keepin on Man. You always do great!!!!!!!!!!!! Thank You!!!!
Thank you very much!
Some comments are older, but you have a masterful grip on what George was doing on this tune. I've looked at all of them and yours is by far, the best. Congrats.
many similarities with Dig a Pony
Yeah I noticed that too especially with that little A Arpeggio followed by a walking up riff love them both so much though !
The song is just 🥰🥰🥰
I love the grinding of George's and John's parts from 2:33.
Ooh er, missus!
genius in two chords. and much more...
Support the channel on my Patreon: www.patreon.com/mattiboo
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Description continued from above!
For the first verse, George smacks along with his Tele, alternating between an A chord and an Asus4. He sometimes plays “pickup” to the chords, such as at (0:43) and (0:44), while others he slightly noodles with the chord (0:47, 0:51). He finishes off the first verse by letting the high A note ring out (1:00). The second chorus is largely the same as the first. The transitory riffs into the bridge section are played with less high D note, and a low to high chord phrase on the second variation (1:12).
In the bridge (1:15), George plays raunchy double string bends to punctate the exciting vocal phrases by Paul. In the bendy solo section (1:24), George plays two notes before slightly bending up the string even higher. He then brings the note all the way down from slightly over E to D while playing a wild vibrato.
Triumphant in his bends, the third verse starts with a low A and chord smack. This verse is marked by George playing the A chord, then the suspended D chord riff. He plays the first riff hard (1:31), then smacks the middle position of an A chord on the second beat at (1:33). The riff at (1:34) is played lightly with less high D. The riff at (1:40) is played hard while the remaining ones are played relatively soft. At (1:44) he twangs out a high A note before individually picking on the D chord. The chorus is then played as usual. Going into the fourth verse (2:01) he plays a three note chord instead of the typical two note riff.
George’s fourth verse is quite interesting. He makes a quick switch to his fingers and lightly plays the sliding riff, plucking three notes individually (2:05). He then plays a staccato version of the riff, this time only playing two notes on the suspended D chord (2:07). At (2:10), he trails off of the high A chord and switches to the middle pickup selection for a sweeter tone. As John sings “Oh Yea”, George strums a light A7 chord and plays an syncopated version of the D riff. For the second half of the verse, George noodles with individual notes high up on the neck played with his thumb (2:21). In the breakdown section, George switches back to his pick and starts high and ends low to contrast with John’s inverted version.
Coming into the final verse, George plays some bold lead lines before quickly switching to his fingers for one D phrase riff (2:45). For the second riff, he immediately switches back to a pick. George plays the rest of the final verse with slightly funkier A to Asus4 chord strums, much like the first verse.
In the concluding section (3:07), George plays some single strums on the walkdown phrase from before. He switches to his bridge pickup to conclude the song with higher 7 chords with individually picked notes before sliding into the final A7!
The amount of effort here is astonishing. Well done man.
please make a cover of my sweet lord (george harrison)
Could you do a paperback writer cover please
Why did you do the chromatic part on the 5th string with only one finger?
THE LEGEND IS BACK
George! Gotta love him
Amazing work!! I realize the Let it be naked version of this song also has a difference in play style most especially for Harrison
Naked is a combination of take 1 and 2 on the rooftop. The normal version is just take 1.
My favorite Beatles song yes
This song is one of my favorite Beatles songs
This is the best lesson on the Internet for this song
This was a great job, but the bend on that money lick that Harrison had on the break is George that it takes a really phenomenal musician to truly nail that. Again, bend lick are so personal that it is difficult to capture that bit perfectly. It is HARD. Great job with the rest of this most famous guitar duo comping. Fantastic!
Good timing considering the recent announcement of the Let It Be 50th Anniversary Super Deluxe box set re-release. Looking forward especially to the original Glyn Johns mix of the Get Back Album. Also looking forward to seeing the full Rooftop Concert in The Beatles: Get Back. Also, great cover of this song, looking forward to seeing more from you in the future.
Musically speaking that is my favorite Beatles song. They had some really great sounding guitar playing. No I'm not downplaying Ringo's drums either. They all four were needed together.
I am in agreement! Love the guitar playing in this song.
Man , this is a masterpiece please continue!!
Hey mattt. It's really great to hear the song against the backdrop of the incredible amount of information you always take the time to share. Many thanks. I hope that you are doing well.
I think we've all got a feeling...it's happiness. Good to see you back in action, Mattiboo!
Wow, love this absolute rocker from Let it Be...
Don't let anyone fool you let it be is a great album John and george rock on guitars in this well played matt
Legend has returned
No importa quedarme aqui todo el maldito dia.
No dejaré de repetir esta parte 1:15
Samee🔥🔥
Epi Casino...love those chords, John Lennon knew how to move a song with a guitar.
Wow awesome !!! I always learn new beatles' songs with these videos thanks !! Sorry for my english 😅😅 I'm still learning it.
By far one of the most underrated Beatles songs ever
Thanks for that. Great that the movie release is drawing attention to tracks like this & Dig A Pony, which previously received very little airplay. Time to put that right!
Really nice take on this!! Thanks!! As a singer, I also love using it as a karaoke track for practicing just the vocal!
Best example of the two guitar parts on you tube. Most don't play the sliding A7 chord the right way. You do.
This cover is one of the best I’ve listened.
Thank you! There's a lot of cool guitar parts on this one.
Excellent as always... I have been enjoying all your videos. I've got a feeling is one of my all-time favorite songs, and your rendition here is just perfect! And I am very glad that you are back haha. I hope you could play you never give me your money at some point because I think it kind of epitomizes the time when every single Beatle was at the peak of his musical performance! Paul's bass, piano, vocal / Ringo's drum / John's arpeggio rhythm guitar/ George's blussy lead guitar... They are all perfect in the song. Thanks again for everything you have offered in your videos!
How you get the first chord arppegiated like that while your thumb is still over the low E with a straight wrist is the most impressive thing in your videos
Uma das mais fortes e melhores canções da carreira Beatle, excelente composição e instrumental. E parabéns pelo correto e equilibrado guitar cover.
the king is back
Very great ! Thankyou !!!!! The naturally Amp Zerrung is fantastc demonstrated
stunning
George, gosh darn it, you were something else pal
Assuming you're using the backing instrumentals, its interesting how you can still hear Paul's voice that was picked up by the other microphones during the quieter sections.
Wow, perfect tone on both parts, ...
I'm not hungry, but salivating.
Oh yeah, I've got that feeling too!
Beautiful cover! Any chance we could see a full guitar cover of She Said She Said soon? 😃
You mean "she/her said, her/she said"?
@@rickb4806 what?
@@lancelot771 hes trying to make a “political statement” on how people have preferred pronouns, but when the song was written there was no such thing
Great to have you back! Especially with Get Back around the corner!
I'm so glad you covered this song!
The detail in your playing is spot on, well done
A terrific breakdown as usual. Glad to see you back.
First off, this was spot on. A great cover
Second, the opening riff is virtually impossible for me to play. With my crooked pinky barely grabbing the 5th fret and my ring finger muting the G string it's frustrating.
What scale length are you playing with Mike... 24.75s (most Gibson electrics) make a real difference (especially with smaller hands)
It’s been five months, so maybe you’ve gotten it already but: basically the key is to practice each shape individually without strumming so that stretch feels more natural and less forced; then practice hammering on those fourth and third fret notes, which is an added layer of challenge; then try all together it while strumming to work out the finer details and logistics of hand/finger/wrist positioning.
Once you get more comfortable with the chord shapes your overall hand-and in particular, your fingers-will be in a slightly higher, more rounded position instead of a lower, flatter, and more tense position; this will stop the G string mute. Takes time but is doable.
@@superclarendon8648 Thank you. I've gotten better at it but haven't practiced the song in a while. I like your suggestions though so I'm going to get back at it.
@@mikeberg5003 Cheers bro, hope it helps.
Very consistent and accurate cover! 🙌🙌🙌
Muchas gracias por este video!! Deja clarisimo como tocarlo en las dos guitarras!!..felicitaciones!!
Muchas gracias!
One of, if not the, best you’ve done. Awesome!
Good to see you back brother ❤️
See y'all in 1 year when he uploads again.
Hey, it was only 5 months lol
@@Vincentlpp08 yeah, can't wait for the next video! Keep rockin' man!
Quality over quantity!
@@kennet7837 Right. Can't wait for the next video. He should do Blue Jay Way or Magical Mystery Tour! That would be cool.
What an astonishing job of capturing all the nuance and subtitles! Usually there's something blatantly awry, but this is flawless.
I'm blown away. Not even Mike Pachelli gets this close. Congratulations.
Great cover again of in my opinion one of the best beatles songs!
Wow!!! Awesomely done!
The legend!!!
Just that I've been waiting for! Briliant! Thanks!
i'm thinking that even though John is playing the riff, McCartney initially came up with it, you see in the Get Back movie John and Paul merged their song snippets. And you see Paul aggravating George telling him how to play the big guitar string descending bend. Plus this is a huge staple in McCartney concerts which reinforces his big contribution to this song which btw I love and is underappreciated
This is rhythm and lead guitar 101 right here. Very well done, sir
Been waiting for you too post for a long time!!!
I've got a feeling, a feeling deep inside
Oh yeah, oh yeah
I've got a feeling, a feeling I can't hide
Oh no, oh no, oh no
Yeah, I've got a feeling
Oh please believe me, I'd hate to miss the train
Oh yeah, oh yeah
And if you leave me I won't be late again
Oh no, oh no, oh no
Yeah, I've got a feeling, yeah
All these years I've been wandering around
Wondering how come nobody told me
All that I was looking for was somebody
Who looked like you
I've got a feeling, that keeps me on my toes
Oh yeah, oh yeah
I've got a feeling, I think that everybody knows
Oh yeah, oh yeah, oh yeah
Yeah, yeah, I've got a feeling, yeah
Yeah
Everybody had a hard year
Everybody had a good time
Everybody had a wet dream
Everybody saw the sunshine
Oh yeah, oh yeah
Everybody had a good year
Everybody let their hair down
Everybody pulled their socks up
Everybody put their foot down
Oh yeah, oh yeah
Yeah, I've got a feeling
A feeling deep inside
Oh yeah, oh yeah
I've got a feeling, a feeling I can't hide
Oh no
Oh no, no, no
Yeah, yeah, yeah, yeah
I've got a feeling
I've got a feeling
The best tutorial on this fabulous song, thanks mate !
Love love love love your playing!!!!
Thank you!
Added to my Guitars Worldwide playlist!
Your covers always light up my day :)
Just beautiful man! Thank you.
YEEEEEEAAAAH!!! I've been waiting for it for a long time!! very good as usual!😉😍
We believe in mattiboo supremacy 🛐
He returns!
Never really listened to this song, but this video has made me more interested in the song. Great video as always!
Excelente, quería aprender éste buen tema de Beatles, muy claro y preciso vídeo, gracias por compartirlo
Love that telecaster.
Glad your back mattiboo with another great cover
Nice work, my friend! Cheers from Canada! 2 thumbs up!!!
YESSS BRAND NEW VIDEO!!!!!
It's nice to see you again!
That was fantastic!!!! Great playing, great tone, really well done!!
Brilliant. Many thank, mattiboo.
That A that lennon play through the song kills my hand so much to play man how did he manage to do that on the cold on top of a roof
Wow! You take playing note for note to a whole new level, but in a very impressive way. Awesome job!
Great work Greetings from Sweden 🇸🇪
That was so awesome!
genial! mas claro imposible, me gusto tu forma de hacerlo amigo, mucha gente se la pasa hablando tanto que al final no queres aprender nada, muy bueno el tutorial, ya la estoy tocando, saludos, y buen fin de año!
I’m watching you do it but I still don’t know how you did it!
Great job as always
Amazing cover!!!
Damn. Great job.
I get this one stuck in my head despite not even particularly loving this song. It's such a rocker, and well-made. I just love other songs before it.