Vandaag hoorde ik Olga Zinovieva in de Grote Kerk te Naarden voor het eerst zingen en ik was direct verkocht. Wat een prachtige stem en wat een mooie klassieke uitstraling heeft deze vrouw. Ik ben zwaar onder de indruk.
Moim zdaniem troche przeszarżowane w niektórych miejscach. O wiele bardziej podobała mi sie wersja polska z Szostek-Radkową chyba w latach 80-tych jakis koncert z obecnością Jana Pawla II niestety nie pamietam dokładnie. Mam nadzieje ze został nagrany.
Ave Maria "by Vladimir Vavilov (1970) not by Caccini (1550-1618) The "Ave Maria" is by Vladimir Vavilov (1925-1973) a Russian guitarist, who had the frequent habit of attributing his own compositions to other composers, usually Renaissance or Baroque. This "Ave Maria" was composed in 1970 and published on an album titled "Music of lute of the XVI-XVII centuries" (Editorial "Melody"). He edited it without author In spite of the name of the disc, he himself composed almost all the songs recorded of the disc, attributing them to authors of the Baroque or Renaissance, except this "Ave Maria", that left it as anonymous. Then, a friend of his (Marcos Shakhin) who had participated in the recording of the album, attributed this "Ave Maria" to Caccini, following the custom of Vavilov himself. The interpretation of the soprano Irina Arkhipova in 1987, (with an arrangement of the organist Oleg Tanchgenko) made this Ave Maria achieve the fame and popularity that it now has and that Vavilov could not get to know (he died poor and of pancreatic cancer).
This is all true but in this case there may actually be a far-fetched connection... Have you ever listened to "Eurydice" by Caccini/Peri? Doesn't it have a very similar harmonic progression to "Les Feuilles Mortes" attributed to Jozef Kozma a Hungarian composer and student of Bela Bartok? The same harmonic progression you can hear in this version of "Ave Maria" and in a million of other compositions including "I will survive" (just a random example.) Coincidence?
The best Ave Maria Caccini ever heard I think! Thanks for Great voice!
In 1998, was here in this amazing Ice castle in Kemi, together with my 9 colleagues from South Africa.
Never seen anything like it before.
It is a privilege to listen the voice of an angel.... No words to describe how magnificent, how powerful this voice is. Outstanding.
magnifique, la plus belle version que je connaisse
Vandaag hoorde ik Olga Zinovieva in de Grote Kerk te Naarden voor het eerst zingen en ik was direct verkocht. Wat een prachtige stem en wat een mooie klassieke uitstraling heeft deze vrouw. Ik ben zwaar onder de indruk.
Ik hoorde haar en amsterdam en van dit moment het lid is voor altijd en mijn hart. Zo veel gevoelens ! ❤️
anna piękny ,czysty,wrażliwy,barwny, dojrzały,przepełniony miłością głos, który niesie nas w nieskończone przestworza.KOCHANA MARYJO USŁYSZ NASZ
She is gorgeous young woman with beautiful voice!
Très belle interprétation.
pfff prachtig. Ik heb haar live gezien in Leiden met The Bach Orchestra of the Netherlands. Verbluffend mooie stem!
Piękny, czysty,wrażliwy, barwny,przepełniony miłością głos, który niesie nas w nieskończone przestworza. Kochana Mario usłysz nasz
Moim zdaniem troche przeszarżowane w niektórych miejscach. O wiele bardziej podobała mi sie wersja polska z Szostek-Radkową chyba w latach 80-tych jakis koncert z obecnością Jana Pawla II niestety nie pamietam dokładnie. Mam nadzieje ze został nagrany.
Bella canción y mujer
Olga, that's fascinating. This number give's me such in my life
Perfect gezongen...'no sliding'
I love it 👏🏽🙏🏼❤️
excelente interpretacion muy dulce su voz
Piękne wykonanie.
jij kijkt niet alleen, je plaatst ook! ;) Dank voor het concert vanavond in Hoogland. Dit Ave Maria was prachtig, vooral met de stem van Olga..
mooier kan niet! wat een stem, wat een niveau!
Ave Maria "by Vladimir Vavilov (1970) not by Caccini (1550-1618)
The "Ave Maria" is by Vladimir Vavilov (1925-1973) a Russian guitarist, who had the frequent habit of attributing his own compositions to other composers, usually Renaissance or Baroque.
This "Ave Maria" was composed in 1970 and published on an album titled "Music of lute of the XVI-XVII centuries" (Editorial "Melody"). He edited it without author
In spite of the name of the disc, he himself composed almost all the songs recorded of the disc, attributing them to authors of the Baroque or Renaissance, except this "Ave Maria", that left it as anonymous.
Then, a friend of his (Marcos Shakhin) who had participated in the recording of the album, attributed this "Ave Maria" to Caccini, following the custom of Vavilov himself.
The interpretation of the soprano Irina Arkhipova in 1987, (with an arrangement of the organist Oleg Tanchgenko) made this Ave Maria achieve the fame and popularity that it now has and that Vavilov could not get to know (he died poor and of pancreatic cancer).
This is all true but in this case there may actually be a far-fetched connection... Have you ever listened to "Eurydice" by Caccini/Peri? Doesn't it have a very similar harmonic progression to "Les Feuilles Mortes" attributed to Jozef Kozma a Hungarian composer and student of Bela Bartok? The same harmonic progression you can hear in this version of "Ave Maria" and in a million of other compositions including "I will survive" (just a random example.) Coincidence?
lindissimo
Оля молодец!!
CUDOWNIE....