ABSOLUTELY!!!! If Jerry turned out a new video every 5 minutes, I would spend the rest of my life sitting in front of my computer. There would be Nothing could get me out of this chair.
Jerry, tu as de l'or au bout des doigts, et un cœur en or également. You have gold at your fingertips, and a heart of gold too. I hope the translation is good.😉
Last time I replaced a bridge I decided to use painters tape folded onto itself to hold the caul while I got the clamps and glue set up. Worked wonderfully. Thanks for all of your time and information Jerry! My grandfathers old guitars thank you kindly.
Been some years since I heard "Frog strangler" but I knew what you meant. You have so much experience on this craft. Speaking of using your teeth, as a young chap when speaker wire or Bell phone company wire needed stripping, I could do it perfectly between my incisor teeth. One of my brothers would get the screech chills watching me do this. But I quit the foolish ways of my young man years. Keep doing great videos ! And dont forget to water the horse.
Great looking guitar and clean sound, not to mention your excellent workmanship! I liked the " It Ain't Easy Being Me" T-shirt, so I bought one!!! Sometimes I kinda feel that way.......Thanks Jerry!!!
Another job well done. I never doubted you for a minute. That is a nice guitar, even if Dillan didn't own it. I also wanted to add, I've seen you do many Jerry, and it never gets old.
For Fun :: Bob Dylan’s Acoustic Guitars List and all with Papers "[1]Dylan’s first acoustic 1959 _1949 Martin 00-17 an all-mahogany guitar, Dylan bought the guitar in Minneapolis the fall of 1959 and held onto it until 1961. [2] 1961[ Dylan’s second acoustic was a 1940s Gibson J-50. [3] 1963 Gibson Nick Lucas Special Dylan bought his 13-fret Nick Lucas special at Fretted Instruments in New York in 1963. He played it live from the end of 1963 through ’66, and it was used to record . Dylan’s Gibson Special was made some time between 1929 and 1933 . [4] 1964 Dylan performed on a Martin 0-45 12-fret that he borrowed from Joan Baez. [5] 1965 Gibson SJ-200 Dylan got his Gibson SJ-200 from George Harrison [6] 1968 end of the ’60s Dylan started playing a 1963 Martin D-28. in 1977, he sold it to guitar repairman Larry Cragg. The guitar was recently sold at auction for $396,000! [7] 1975 Dylan used a Martin 00-21 to record Blood on the Tracks, then toured with it, playing acoustic sets with The Band. [8] 1978 Dylan departure! In 1978, on his Budokan World Tour, started playing a pair of Yamaha acoustics; an L-6 and an L-52. [9] 1982 Dylan switched it up again and started playing some Washburn acoustics, a trio of EA-20s: one sunburst, one black, and one white. [10] 1985 Dylan posed with a Martin 00-18 photo that would later be used on the February 1998 cover of Acoustic Guitar magazine [11] 1995 Dylan used Cesar Diaz’s Martin HD-28. And Used it in MTV Unplugged appearance. [12] 2000 Dylan had seen the AG 10-Year Anniversary black & white guitar and wanted one. Since both guitars were unavailable, we offered to make another pair for Bob.” bob dylan's guitars stolen left them Out Because there were a lot , Dylan's attorney responded to press queries with the following statement: "Bob has possession of the electric guitar he played at The Newport Folk Festival in 1965. He did own several other Stratocaster guitars that were stolen from him around that time, as were some handwritten lyrics. as well as 2 acoustic guitars , Identity Of the Missing guitars has yet to Be Put Out to People. Hope you Enjoyed this List
I couldnt do that. I was a mechanic for 10 years, and every so often a customer would wander out there in the shop wanting to watch my every move. Now Im a pretty easy going feller, but people that would come out into my work bay, and stare at me like a hawk while I worked on there vehicle, are one of my biggest pet peaves!
You got a tiny corner of the finish under the back side of the bridge. At 14:31 when you wiggle it, the bridge slides out of the groove because of that corner. Then at 18:09 same thing, and I was holding my breath when you said, "not quite as locked as some I do". I thought you might spot the finish under the back of the bridge! But alas no. One last chance to catch it at 22:00 + You say, "Now look at all of that glue squeeze out there. That tells you that you got it mated up really well." ... and freezing at that exact point 22:30 look at the back of the bridge! The spot without squeeze out is the exact spot where the finish is under the bridge! I was honestly hoping beyond hope you would spot it! I was yelling at my computer screen rooting for you! Because I know the reason you missed it was likely due to trying to repair it for the camera and your angle of vision was off just the tiniest bit. Hopefully it was so tiny a spot that it still will be fine. Those clamps may have pressed hard enough to compensate. Anyway everything else looks perfect as always!
Jerry great job, I have been useing DR strings for a while now they cost me like $1 more than daddario but I think they are a much nicer string just a my opinion. Plus they are made in the USA🇺🇸🇺🇸🇺🇸🎸🎸🙏🙏🎼🎹👨🏻🦯
The picture is a bit blurred but you may be able to see if the pattern on the binding is on the same place? www.needsomefun.net/wp-content/uploads/2016/05/July-1984-Bob-Dylan-Newcastle-1.jpg
I don't have any intention to critzise you, Jerry. But there is one thing, I thought of several times now. Setting the intonation with your "two-string-device", which is actually always too narrow, cannot work well enough. Just because, if you widen the spacing, as it should be, the strings are on a different place of the saddle, which is SLANTED. So, instead of moving the bridge forwards or backwards, you should use the slanted saddle for the right compensation. Otherwise, the intonation is off again, once the string spacing is correct (AND the whole bridge is in the "wrong" place). Do you check the intonation again, when you're done with the whole repair? Love your channel! Thanks for everything you and Kaleb do! :) Best regards from Germany! :)
It's getting difficult, but here, in Missouri, it's not as bad as, both, the East and West coasts. Of course, it's only the first of July. NOT looking forward to July and August, in St Louis. 🥵🥵🥵
hey jerry have you ever thought of cutting a slit in the heater to stick your tool in so you dont have to hold it and it would heat up much faster with the heat on both sides of the blade
That's a really good idea I might see if there is room the problem is the heater core goes through the center of that block there's not a lot of room left
If not you could probably just add 3/8" (+- whatever is in the scrap box) thick block on top or front, could cut the 'slit' in it before mounting. Would need to be big enough to provide good contact with the block, I initially though of washers to space the added block to create the slit but that would be a poor thermal path.
@@RosaStringWorks: If you cut a slit, on the right end, parallel to and just below the top, you could insert your tool there, point first, without damaging anything.
Ya know... In a lot of respects, the really old school trapeze style bridge would eliminate a lot of this sort of thing. But probably create down force related problems...
As Jerry said, those should not be used on a flat top guitar. They require the dome of an arched top, to withstand the, much greater downward pressure. It would be great, if it did work. It would eliminate bridges pulling up, punching holes for pins and allow for more vibration, of the top. Yep, sometimes, physics just sucks.
Rosa-whileuwait-works ,what a cool experience
nice repair Jerry!!! Wow that Guitar is beautiful!!! Definately a keeper !!!
Maybe it’s me, but I think watching Jerry work is just about better than watching anything on television. 🤠
ABSOLUTELY!!!!
If Jerry turned out a new video every 5 minutes, I would spend the rest
of my life sitting in front of my computer.
There would be Nothing could get me out of this chair.
It is not only you feeling this way :)
Great repair and another happy Customer,Cheers!
Get to watch Jerry in videos is cool but seen him live working must be awesome!!!
learn something new every day! Frog Strangler?!? roflmao! made my day ;) thanks!
Episode 500. Congratulations,
It's misleading because I have over 600 videos on RUclips
@@RosaStringWorks
Even More impressive!
Jerry, tu as de l'or au bout des doigts, et un cœur en or également.
You have gold at your fingertips, and a heart of gold too.
I hope the translation is good.😉
I admire your patience Jerry persevering with slices thru with the knife rather than lifting...
glad it’s the auction that’s “...all over.” Cheeeeky!
Hey happy 500th Jerry!!! Great stuff.
It's a bit misleading as I have nearly 700 videos on RUclips the number is just the sequence some of those numbers have multiple videos
Last time I replaced a bridge I decided to use painters tape folded onto itself to hold the caul while I got the clamps and glue set up. Worked wonderfully. Thanks for all of your time and information Jerry! My grandfathers old guitars thank you kindly.
While not being Bob's actual guitar it is a Bob Dylan SIGNATURE model. Beautiful guitar 😍
Signaturesque. While not a true Takamine signature guitar, he is the one person that seems to always be associated with the F455S
Great job Jerry as always. beautiful looking and sounding guitar. Thanks for sharing. Peace and love from Bonny Scotland.
Love the inlays on that neck...nice work Jerry!
4:30 In the morning lol that was a fast fix, and a good one, I'd like to add....Once again thank you Jerry
Nice work Jerry.
Congrats on your 500th video, Jerry -- a goodern, to be sure.
Jerry has over 600 videos.
@@zapa1pnt O-o-o-kay. Even better.
Nice work Jerry! It must be satisfying getting the customer's feedback right away rather than shipping an instrument out and not hearing back.
Great video Jerry real nice guitar
Takamine F455s.....since 1978 and through the 80s the japanese acoustic guitars were the ones on stage (Yamaha,Takamine).. with Dylan
Been some years since I heard "Frog strangler" but I knew what you meant. You have so much experience on this craft.
Speaking of using your teeth, as a young chap when speaker wire or Bell phone company wire needed stripping, I could do it perfectly between my incisor teeth. One of my brothers would get the screech chills watching me do this. But I quit the foolish ways of my young man years.
Keep doing great videos ! And dont forget to water the horse.
Great looking guitar and clean sound, not to mention your excellent workmanship! I liked the " It Ain't Easy Being Me" T-shirt, so I bought one!!! Sometimes I kinda feel that way.......Thanks Jerry!!!
Takamine has always been my favorite....that one is beautifully made. You're the guy I'd trust with it.
Not my favorite, but I like them too.
"So You Wanna Watch"
Boy!, there's a loaded thumbnail title! 🤣🤣🤣🙄😏😜😜
Makes me think of Peter Sellers, in "Being There".🤣🤣🤣🤣🤣
Great looking guitar. Awesome job as usual 🤘🤘
Another job well done. I never doubted you for a minute. That is a nice guitar, even if Dillan didn't own it. I also wanted to add, I've seen you do many Jerry, and it never gets old.
Right on Jerry.
For Fun :: Bob Dylan’s Acoustic Guitars List and all with Papers "[1]Dylan’s first acoustic 1959 _1949 Martin 00-17 an all-mahogany guitar, Dylan bought the guitar in Minneapolis the fall of 1959 and held onto it until 1961.
[2] 1961[ Dylan’s second acoustic was a 1940s Gibson J-50.
[3] 1963 Gibson Nick Lucas Special Dylan bought his 13-fret Nick Lucas special at Fretted Instruments in New York in 1963. He played it live from the end of 1963 through ’66, and it was used to record . Dylan’s Gibson Special was made some time between 1929 and 1933 .
[4] 1964 Dylan performed on a Martin 0-45 12-fret that he borrowed from Joan Baez.
[5] 1965 Gibson SJ-200 Dylan got his Gibson SJ-200 from George Harrison
[6] 1968 end of the ’60s Dylan started playing a 1963 Martin D-28. in 1977, he sold it to guitar repairman Larry Cragg. The guitar was recently sold at auction for $396,000!
[7] 1975 Dylan used a Martin 00-21 to record Blood on the Tracks, then toured with it, playing acoustic sets with The Band.
[8] 1978 Dylan departure! In 1978, on his Budokan World Tour, started playing a pair of Yamaha acoustics; an L-6 and an L-52.
[9] 1982 Dylan switched it up again and started playing some Washburn acoustics, a trio of EA-20s: one sunburst, one black, and one white.
[10] 1985 Dylan posed with a Martin 00-18 photo that would later be used on the February 1998 cover of Acoustic Guitar magazine
[11] 1995 Dylan used Cesar Diaz’s Martin HD-28. And Used it in MTV Unplugged appearance.
[12] 2000 Dylan had seen the AG 10-Year Anniversary black & white guitar and wanted one. Since both guitars were unavailable, we offered to make another pair for Bob.”
bob dylan's guitars stolen left them Out Because there were a lot , Dylan's attorney responded to press queries with the following statement: "Bob has possession of the electric guitar he played at The Newport Folk Festival in 1965. He did own several other Stratocaster guitars that were stolen from him around that time, as were some handwritten lyrics. as well as 2 acoustic guitars , Identity Of the Missing guitars has yet to Be Put Out to People. Hope you Enjoyed this List
Nice looking guitar. Good job as always Jerry.
Great video! Excellent!
You're the best, Jerry!
You’re the best around man👏🏼
“While ya wait service “ 😜✌🏼
Giving the wood a 'Key' for the glue grab to
When you were strumming the repaired guitar I'm pretty sure I heard a little Dylan.
I couldnt do that. I was a mechanic for 10 years, and every so often a customer would wander out there in the shop wanting to watch my every move. Now Im a pretty easy going feller, but people that would come out into my work bay, and stare at me like a hawk while I worked on there vehicle, are one of my biggest pet peaves!
I hear ya, we tend to call it helicoptering.
@@jthonn:
We customers call it Watching our money burn.
Thanks for interesting content :)
You got a tiny corner of the finish under the back side of the bridge. At 14:31 when you wiggle it, the bridge slides out of the groove because of that corner. Then at 18:09 same thing, and I was holding my breath when you said, "not quite as locked as some I do". I thought you might spot the finish under the back of the bridge! But alas no. One last chance to catch it at 22:00 + You say, "Now look at all of that glue squeeze out there. That tells you that you got it mated up really well." ... and freezing at that exact point 22:30 look at the back of the bridge! The spot without squeeze out is the exact spot where the finish is under the bridge! I was honestly hoping beyond hope you would spot it! I was yelling at my computer screen rooting for you! Because I know the reason you missed it was likely due to trying to repair it for the camera and your angle of vision was off just the tiniest bit. Hopefully it was so tiny a spot that it still will be fine. Those clamps may have pressed hard enough to compensate.
Anyway everything else looks perfect as always!
Jerry great job, I have been useing DR strings for a while now they cost me like $1 more than daddario but I think they are a much nicer string just a my opinion. Plus they are made in the USA🇺🇸🇺🇸🇺🇸🎸🎸🙏🙏🎼🎹👨🏻🦯
you strumed it, I heard a Dobro if it was tuned like one... Great sound...
Shes a looker thanks
He played on a similar guitar
July 5th 1984 St James Park, Newcastle
The picture is a bit blurred but you may be able to see if the pattern on the binding is on the same place?
www.needsomefun.net/wp-content/uploads/2016/05/July-1984-Bob-Dylan-Newcastle-1.jpg
It's not the same guitar, he changed guitars during the show.
@@guitarwreck9004:
You are correct.
I didn't notice, the guitar in Pic #4, is a cutaway. I am removing my Incorrect comment.
I don't have any intention to critzise you, Jerry. But there is one thing, I thought of several times now. Setting the intonation with your "two-string-device", which is actually always too narrow, cannot work well enough. Just because, if you widen the spacing, as it should be, the strings are on a different place of the saddle, which is SLANTED. So, instead of moving the bridge forwards or backwards, you should use the slanted saddle for the right compensation. Otherwise, the intonation is off again, once the string spacing is correct (AND the whole bridge is in the "wrong" place). Do you check the intonation again, when you're done with the whole repair? Love your channel! Thanks for everything you and Kaleb do! :) Best regards from Germany! :)
Thumbs up to crush a troll.
Is it rain outside or steam! Stay cool USA if you can. We're thinking about you.
It's getting difficult, but here, in Missouri, it's not as bad as, both, the East and West coasts.
Of course, it's only the first of July.
NOT looking forward to July and August, in St Louis. 🥵🥵🥵
hey jerry have you ever thought of cutting a slit in the heater to stick your tool in so you dont have to hold it and it would heat up much faster with the heat on both sides of the blade
That's a really good idea I might see if there is room the problem is the heater core goes through the center of that block there's not a lot of room left
If not you could probably just add 3/8" (+- whatever is in the scrap box) thick block on top or front, could cut the 'slit' in it before mounting. Would need to be big enough to provide good contact with the block, I initially though of washers to space the added block to create the slit but that would be a poor thermal path.
@@RosaStringWorks:
If you cut a slit, on the right end, parallel to and just
below the top, you could insert your tool there, point
first, without damaging anything.
I actually said before you said it, you shouldn't have said that it was easy, I haven't watched it all yet.
Ya know... In a lot of respects, the really old school trapeze style bridge would eliminate a lot of this sort of thing. But probably create down force related problems...
That style bridge is not used on a flat top guitar or at least it shouldn't be
As Jerry said, those should not be used on a flat top guitar.
They require the dome of an arched top, to withstand the, much greater
downward pressure. It would be great, if it did work.
It would eliminate bridges pulling up, punching holes for pins and allow
for more vibration, of the top.
Yep, sometimes, physics just sucks.
Shouldn’t have used your teeth. Now you’ll have to clean them before putting them in the glass overnight! 😂
cruel so cruel
Your customer did want to play for us?
👏👏👏👏👏👌👍🇬🇧
Mossman style guitar... I had one (Mossman) years ago, and it was stolen. They've been out of business for many years.
why not use a small piece of 2 face tape to hod the block in place then u dont have to fiddle with the clamp as much
Yeah been there done that, sometimes I do
That guy needs a chair. Would make me nervous standing over me like that.