Thank you Mark. Not just for this video but... generally your time given freely to others. I'm very grateful. I have bought Geneva paint, the proportional scale, video, colour checker. I was floundering down a black hole after many years of painting and you through me a life line.
Thank you so much for the video! There is no shortcut around laying the groundwork. I'm glad you talk slow - I listen slow and grasp concepts even more slowly. People think if you are an artist you are born with a chip in your head with all the info on it. I can't tell you how many times people had a way of making me feel ridiculous - they think taking courses is just a fun way to fill time. It made me seriously doubt my ability because when my work went badly, which was all the time, I figured I didn't have enough of what they refer to as "natural talent." People become accusatory on top of it - whining"I can't even draw stick figures" or "I don't have any talent" as if the fairy godmother of art has demolished all their dreams and destroyed their fantasies by deliberately overlooking them and bestowing that elusive "natural talent" on some ungrateful boho heathen. Well, maybe that's a little overly dramatic. It is very generous of you to share your experience with us. The demos and commentary are priceless. And it's a lovely painting of the oil jar. :)
Thank you sir! Im new to painting and your method is exciting. Gives me hope to paint realism I never thought possible. I was lucky to find you half a year ago as I was buying my first oils.
Thanks for sharing your process and skills with Us Mark! I recently started using your line of paints and found them to be great here in Northern Colorado where most oils dry too quickly. i look forward to your next video.
Your video inspired me to work on one of my still life paintings I had started a while ago. I focused mainly on the ginger jar trying to follow your instructions. Not an easy task, but one I can improve on over time.
Very nice ! I think I'm going to buy your paints. I'm always adding medium to my paints and the fluid and self leveling qualities of your paint is a must for the figure and stile life work.
This is so helpful, and inspiring! Thank you. You've answered several questions I've had. I paint every day, and manage to do things I'm okay with - but I'm so far away from being able to paint so loosely. I hope to get there eventually!
that was fascinating I will be watching and waiting to see how this painting is completed with your wet on dry work later on thanks once again for this amazing instruction.
I received your limited palette set as a gift, and I'm enjoying it so far. The consistency takes some getting used to (I typically use Windsor & Newton), but I find that colors are easier to mix because they're all the same thickness. Also, if you're using a glass palette, the paint takes a long time to dry, so you're not wasting any if you want to come back to a painting after a few days.
You are an angel.. God bless you and thank you so much for all the effort you put to help us artists.. I'm in Saudi Arabia and I really benefited from your videos..may your days be filled with joy.. but I feel sad that I'm not able to order Geneva Paints..
Such a great artist and very honest teacher. Thanks for sharing your talent ☺👍🏻,please advise me of a good color brand I can use that resembles your brand it looks so smooth and creamy since I live in Canada now and shipping from the U.S. cab be difficult sometimes and sooo costy😓
Mark, I'm very new to this forum, but happened upon your videos and after the first one I couldn't stop watching. You explain so well, I feel as though I'm sitting in your studio . Today I saw the episode on the artist curse. Is that what it is?? I have been a watercolor artist for the last 25 years, but started painting in oils when I was a young girl.. I so want to try it again.. thank you for all your help.
There is something weird about watching other painting, i was watching how a person drew a cattle and i fell in love with that cattle, now i see a simple can with oil and im also in love! ^^
Mark, Great video. I love it. Could you please tell me how you achieved the yellow at 16:27. because it seems the yellow you have is more lemony, did you mix red or burnt umber into it? Yellow is my favorite color but I have extremely hard time with it.
I am very interested in seeing how you oil this out for wet into dry in the next round. Because I'm at this exact point in three of my own paintings and don't know how to proceed XD
Very nice and interesting technique. I enjoyed watching you r painting and found your comments useful. What brushes are you using and have you mixed your colours with oil or medium before use? They all look so glossy!
is there a video on your channel where you explain the advantages/disadvantages of wet on wet vs wet on dry? often times when I paint wet on wet the colors get muddy and blend together...
Your video help me out lot. I follow exactly this process for my painting. I have a question, i always use linceed oil to mix colours.But some of my seniors told me that us of linceed oil is a optional. what is your opinion? As i found linceed very helpful personally.
Hi, Mr. Carder's own Geneva paint brand is made out of linseed oil. Linseed oil forms the toughest paint film and that is why majority of the paint brands throughout the world produce paint based of this. There are various combinations on how you can modify the use or the form of linseed oil. This will depend upon what method you are following.
Go on drawmixpaint.com and he as a medium recipe there on the supply list. I used it before I started to use his paint and it's wonderful. Only use it with artist grade oil paint, because the student grade doesn't have enough pigments in it so it becomes transparent when it dries.
To see a background that Mark 'knocked out' in a portrait I suggest that you look at his portrait of George W. Bush which he painted for the Union League of Philadelphia. You can find it on Marks website or by using Google Images.
I always wondered that too. You get exceptional instruction ... for free and then want to give a negative review? His voice isn't boring but even if it was that has nothing to do with someone willing to give us instruction and information. To ANYONE who wants to watch it.
I am curious. I have the geneva paints (the ones in the jars) and on one of your videos you mentioned they were good for a year? Can you explain why, or what would happen after a year? Also I am in South Florida, and did a small painting with these oils but it took almost a month to completely dry. What can you suggest to speak up the drying time?
Sebastien Lajoie thanks, I am aware of that. I have many other oil brands that had had for many years and are still as brand new. That's why I was curious.
I bought a set of his paint. The quality of the paint is better then any I try before. There is so much pigment that in one brush stroke you cover easily the part you want. There is more pigment then any other company I try. I used to paint with Gamblin wich is supposed to be the second best oil paint on the market and change for Geneva and the difference is uged. Soft, glossy and just perfect for the artist.
In my own field of Architecture, when developing a rendering -- especially for a public meeting or presentation -- we'd bracket the values of color-intensity and "furriness" of detail based on the viewing-distance; a "5-ft" rendering, a "10-ft" rendering or even a "25-ft" rendering for large public Board Meeting and neighborhood presentation. It's shocking how a mere suggestion of shape becomes "real" when viewed at a distance.
Geneva color doesnt egzist in mz counrz ,but life is going on. Im from artis who like to thiner color with windsor mediums i don use oils or turps , no need, its inaf windsor original fast dry , improve gloss alos use for glaying like for fine details, Rembrandt and Sennelier are our best colors, your painting are to much ....
I don't know what you are doing. You are not accurate, you are not accurate man, I can't exactly understand what you are, photographic painter, because you obviously don't have levels for that, extravagant artist I can't not see that coming to. You basically just paint, nothing unusual, nothing more impressive, no.
He specifically said this was a way to paint fast and sorta sloppy. There's nothing really inaccurate about this still life painting without making it less like art and more like a photo.
You don't get me, you basically said nothing. Look, this man is a weak author, he is not good, all of his paintings are useless, they don't have a point, like some 3 year old who can paint draw them. He doesn't have photographic capabilities, absurd, even still life capabilities. Simple as that, shity painter, shity paintings.
That's your (poor) opinion nothing more, nothing less. You haven't even critiqued the painting all you did was insult him and his paintings. If anything you should feel bad in all honesty. At least take an art class and then give constructive feedback on how he can improve.
From where you know I don't take art classes. I'm a graduated in oil painting and I have masters in fine arts criticism from Prague, but that's not the case. This loser don't require critic, I'm just saying that he is not good, he's actually pretty bad and it's not worth it. And look man, you obviously backing him for some reason but even you can't tell what is so special about his paintings. Because there's nothing there, just emptiness and stupidity. And even if such a low level of preparing can not and doesn't have to take criticism, I said that here we have lack of capabilities and big ego, something more, this man is blind to see him self and blind for everything valuable. I peacefully can say that he is the worst painter I have ever seen.
![Seungmin "그렇게, 천천히, 우리(As we are)" | [Stray Kids : SKZ-PLAYER]](http://i.ytimg.com/vi/kAzmhLHePqU/mqdefault.jpg)
If you listen, he constantly just drops bits of painting wisdom as he works through the process. Truly the best teacher on RUclips. Thanks so much!
Mark is a great artist and the best teacher out there.
I could watch you paint all day. Share as many of these demos as you like. Thank you.
Thank you Mark. Not just for this video but... generally your time given freely to others. I'm very grateful. I have bought Geneva paint, the proportional scale, video, colour checker. I was floundering down a black hole after many years of painting and you through me a life line.
The bottle you drew is more realistic and attractive than a real bottle. Your video helps me a lot in studying oil paintings. Thank you.
I couldn't wait anymore. I have been looking for a new video for the pass weeks, so happy to see you painting again in a demonstration.
I love the way you explain your thought process as you progress into the painting .... very, very informative.
Thanks, Mark
Another fantastic demonstration! A true joy to watch and a great to get a window into your process. Outstanding!
Thank you so much for the video! There is no shortcut around laying the groundwork. I'm glad you talk slow - I listen slow and grasp concepts even more slowly.
People think if you are an artist you are born with a chip in your head with all the info on it. I can't tell you how many times people had a way of making me feel ridiculous - they think taking courses is just a fun way to fill time. It made me seriously doubt my ability because when my work went badly, which was all the time, I figured I didn't have enough of what they refer to as "natural talent."
People become accusatory on top of it - whining"I can't even draw stick figures" or "I don't have any talent" as if the fairy godmother of art has demolished all their dreams and destroyed their fantasies by deliberately overlooking them and bestowing that elusive "natural talent" on some ungrateful boho heathen. Well, maybe that's a little overly dramatic.
It is very generous of you to share your experience with us. The demos and commentary are priceless. And it's a lovely painting of the oil jar. :)
Thank you sir! Im new to painting and your method is exciting. Gives me hope to paint realism I never thought possible. I was lucky to find you half a year ago as I was buying my first oils.
Very nice to see you painting again, thank hou!
AMEN!
Thank you for this. Appreciate your time recording, editing and commentating in post.
Thank you Mark for this lesson. I am a long ways off from trying something like this but it gives me something to look forward to.
Thanks for sharing your process and skills with Us Mark! I recently started using your line of paints and found them to be great here in Northern Colorado where most oils dry too quickly. i look forward to your next video.
Your video inspired me to work on one of my still life paintings I had started a while ago. I focused mainly on the ginger jar trying to follow your instructions. Not an easy task, but one I can improve on over time.
Very nice ! I think I'm going to buy your paints. I'm always adding medium to my paints and the fluid and self leveling qualities of your paint is a must for the figure and stile life work.
the final painting is astounding given how rough it started.
This is so helpful, and inspiring! Thank you. You've answered several questions I've had. I paint every day, and manage to do things I'm okay with - but I'm so far away from being able to paint so loosely. I hope to get there eventually!
That was fascinating , learn immensely about the importance of value!!
Thank you
Garret
So cool. I always reference back to this video when I'm painting because it's so helpful.
that was fascinating I will be watching and waiting to see how this painting is completed with your wet on dry work later on thanks once again for this amazing instruction.
I have enjoyed the video part as this painting was done by a top artist who had exhibited his vast experience.
I just love this video... Thank you for the upload, and please upload more like these. Very interesting and informative.
I received your limited palette set as a gift, and I'm enjoying it so far. The consistency takes some getting used to (I typically use Windsor & Newton), but I find that colors are easier to mix because they're all the same thickness.
Also, if you're using a glass palette, the paint takes a long time to dry, so you're not wasting any if you want to come back to a painting after a few days.
very nice, start to finish, loose and then precise! Thanks
best instructional painting videos.
You are an angel.. God bless you and thank you so much for all the effort you put to help us artists.. I'm in Saudi Arabia and I really benefited from your videos..may your days be filled with joy.. but I feel sad that I'm not able to order Geneva Paints..
Magnific Mark!!! Thanks for sharing!
thank you so much... this exercise is very helpful and is fantastic how you work...
soon I'll try something like this...
I love watching you paint. I was going to mention the two missing reflections, but you mentioned them right at the end, haha.
Excited about the next demo with the second layer!
So far I have seen Mark paint only in "alla prima".
Thank you for sharing your knowledge.
someone should call Mark and tell him the paint is dry and we are ready.
Finally...after a month of waiting!
i love your ways to drawing
master at work love it thanks for your knowledge
I like more the painting than the picture maybe because I really enjoy your teachings.
Missing your vídeos a lot! Good to see you again
I totally agree with you. I miss them too. Too bad we don't have one every two weeks it would be nice.
Great tutorial thank you for doing this. Very inspirational.
Such a great artist and very honest teacher. Thanks for sharing your talent ☺👍🏻,please advise me of a good color brand I can use that resembles your brand it looks so smooth and creamy since I live in Canada now and shipping from the U.S. cab be difficult sometimes and sooo costy😓
Jaw dropping...thank you, learning so much!
Thanks a lot Mark, this is enornously helpful!!
Mark, I'm very new to this forum, but happened upon your videos and after the first one I couldn't stop watching. You explain so well, I feel as though I'm sitting in your studio . Today I saw the episode on the artist curse. Is that what it is??
I have been a watercolor artist for the last 25 years, but started painting in oils when I was a young girl.. I so want to try it again.. thank you for all your help.
There is something weird about watching other painting, i was watching how a person drew a cattle and i fell in love with that cattle, now i see a simple can with oil and im also in love! ^^
You are amazing.
loved it,loved it loved it
It's great. Would you put in the last highlight on the jar now or in your second layer? It's magical how you do it!
Mark, Great video. I love it. Could you please tell me how you achieved the yellow at 16:27. because it seems the yellow you have is more lemony, did you mix red or burnt umber into it? Yellow is my favorite color but I have extremely hard time with it.
Good idea you had Mark to put Geneva oil paint in the corner so people will know more about the company.
I am very interested in seeing how you oil this out for wet into dry in the next round.
Because I'm at this exact point in three of my own paintings and don't know how to proceed XD
Pleas don't stop painting....amazing! We need Daily paintings or at least weekly! 💛💙❤️💚💜
Love it. Love it. Love it. Thanks.
Very nice and interesting technique. I enjoyed watching you r painting and found your comments useful. What brushes are you using and have you mixed your colours with oil or medium before use? They all look so glossy!
very nice painting
Thanks again Mark!
you are a great teacher, thank you. could you, please show how to paint a glass vase
nice! love it!
AMAZING!! GRT LESSON!
thank you so much Mark!
thank you , great lesson
Hi, very interesting how you paint the jar. What kind of medium do you use?
is there a video on your channel where you explain the advantages/disadvantages of wet on wet vs wet on dry? often times when I paint wet on wet the colors get muddy and blend together...
beautiful.
Superbe ! Merci
Your video help me out lot. I follow exactly this process for my painting. I have a question, i always use linceed oil to mix colours.But some of my seniors told me that us of linceed oil is a optional. what is your opinion? As i found linceed very helpful personally.
Hi, Mr. Carder's own Geneva paint brand is made out of linseed oil. Linseed oil forms the toughest paint film and that is why majority of the paint brands throughout the world produce paint based of this. There are various combinations on how you can modify the use or the form of linseed oil. This will depend upon what method you are following.
Go on drawmixpaint.com and he as a medium recipe there on the supply list. I used it before I started to use his paint and it's wonderful. Only use it with artist grade oil paint, because the student grade doesn't have enough pigments in it so it becomes transparent when it dries.
Very interesting. Do you use a bed of medium? Would you use a bed of liquin in winter or you always prefer what dries slower?
He uses his paint. Geneva oil paint. He created himself.
To see a background that Mark 'knocked out' in a portrait I suggest that you look at his portrait of George W. Bush which he painted for the Union League of Philadelphia. You can find it on Marks website or by using Google Images.
Thank you, very vey useful!
How is it possible someone gave you a thumbs down? Why???
Because his voice is boring but I wasn't the one that disliked it
Some people are jealous. I am but still give him a thumbs up. :)
I always wondered that too. You get exceptional instruction ... for free and then want to give a negative review? His voice isn't boring but even if it was that has nothing to do with someone willing to give us instruction and information. To ANYONE who wants to watch it.
+lonemapper that is so funny. you are not jealous you would love to paint like him that's all.
I think his voice is soothing.
I was wondering if you like Mary Pratt as an artist.
I am curious. I have the geneva paints (the ones in the jars) and on one of your videos you mentioned they were good for a year? Can you explain why, or what would happen after a year? Also I am in South Florida, and did a small painting with these oils but it took almost a month to completely dry. What can you suggest to speak up the drying time?
just put it in the fridge when you don't use it.
Sebastien Lajoie thanks, I am aware of that. I have many other oil brands that had had for many years and are still as brand new. That's why I was curious.
I use Liguin to speed up the drying time.
yes I will have to use it next time
Was that Ivory black you used when you began laying in the background?
Connie Reilly I was wondering the same, kind of a strange choice.
your oils look so loose. mine are always much harder. How do you set up your palette? Are the paints mixed with anything before you start
He sells his oils that he hand makes himself, actually, if you want to try them. :)
genevafineart.com/
Like Brittney said these are his own line line of oils that come thinned down to the consistency he personally likes using. i wanna get me some!
I bought a set of his paint. The quality of the paint is better then any I try before. There is so much pigment that in one brush stroke you cover easily the part you want. There is more pigment then any other company I try. I used to paint with Gamblin wich is supposed to be the second best oil paint on the market and change for Geneva and the difference is uged. Soft, glossy and just perfect for the artist.
Marc, where is the second part? I started watching few das ago and now I can't fin it.
here it is: ruclips.net/video/V_XCJrEl9gg/видео.html
thank's for uploading again! I enjoy your videos!
Draw Mix Paint a w
Youre a great teacher and an inspiration for sure! But you sound really anxious playing at 2x speed.
In my own field of Architecture, when developing a rendering -- especially for a public meeting or presentation -- we'd bracket the values of color-intensity and "furriness" of detail based on the viewing-distance; a "5-ft" rendering, a "10-ft" rendering or even a "25-ft" rendering for large public Board Meeting and neighborhood presentation. It's shocking how a mere suggestion of shape becomes "real" when viewed at a distance.
What brand of brushes do you use?
Go to my Supply List at www.drawmixpaint.com/
That is all you use, wow.
am i the only one that use so little paint not to waste it that its hard to make steps? haha
Nope! Just can't make myself splodge out a pile of paint! Especially reds & other series 3/4s!
Geneva color doesnt egzist in mz counrz ,but life is going on.
Im from artis who like to thiner color with windsor mediums i don use oils or turps , no need, its inaf windsor original fast dry , improve gloss alos use for glaying like for fine details, Rembrandt and Sennelier are our best colors, your painting are to much ....
I don't know what you are doing. You are not accurate, you are not accurate man, I can't exactly understand what you are, photographic painter, because you obviously don't have levels for that, extravagant artist I can't not see that coming to. You basically just paint, nothing unusual, nothing more impressive, no.
He specifically said this was a way to paint fast and sorta sloppy. There's nothing really inaccurate about this still life painting without making it less like art and more like a photo.
Not to mention the next video is literally when he finishes up the painting wet on dry.
You don't get me, you basically said nothing. Look, this man is a weak author, he is not good, all of his paintings are useless, they don't have a point, like some 3 year old who can paint draw them. He doesn't have photographic capabilities, absurd, even still life capabilities. Simple as that, shity painter, shity paintings.
That's your (poor) opinion nothing more, nothing less. You haven't even critiqued the painting all you did was insult him and his paintings. If anything you should feel bad in all honesty. At least take an art class and then give constructive feedback on how he can improve.
From where you know I don't take art classes. I'm a graduated in oil painting and I have masters in fine arts criticism from Prague, but that's not the case. This loser don't require critic, I'm just saying that he is not good, he's actually pretty bad and it's not worth it.
And look man, you obviously backing him for some reason but even you can't tell what is so special about his paintings. Because there's nothing there, just emptiness and stupidity. And even if such a low level of preparing can not and doesn't have to take criticism, I said that here we have lack of capabilities and big ego, something more, this man is blind to see him self and blind for everything valuable. I peacefully can say that he is the worst painter I have ever seen.