To suggest she is good, or even great is minimizing the immortality of her artistry. In just 3 years on RUclips, she posted 13 videos showcasing flawless covers of some of the greatest pieces in both classical and rock history, she is beyond description.
Years ago, when she recorded this piece, a music professor listened to the piece, also in a slightly slower version, he said: "She plays absolutely flawlessly, every phrasing, every tone, everything is right!" So Tina is something special. But you have to know that she started with classical music and then developed it further, along with her perfect pitch. She is something special!
I've watched countless Tina S reaction videos and the average response has been dumbfounded speechlessness. Most of the time I've had to wait a full thirty seconds after the lightning speed guitar playing ceased before the reactor came to their senses enough to say something "brilliant" like, "Jeez, that was good wasn't it?" Actually, their silence spoke more eloquently about what they experienced than words ever could. This is what I think happens to us while watching Tina S covers. Our brains begin to roast when 450 degrees of Tina S quadruple-speed guitar virtuosity is applied to them. We have to hit the stop button every thirty seconds to allow a cooling process to take place lest our brains sizzle out of control and melt. Tina S is performing diabolically difficult guitar shredding impossibilities right before our very eyes. Hence, our confusion. Tina S, in our minds, is just too dang young to be playing that good! The average person can't swallow the theory that practice alone got her to that level of amazingness. A gift from God? Probably. At least that's my view. There have been three good Tina S reaction responses that made me laugh. 1. I think the "S" in Tina S stands for SPED UP! 2. "I think I just heard a thousand guitars being tossed out the window." 3. "Watching Tina S play should be the easy part and her playing should be the hard part. But my experience was that watching her was the hard part because her playing appeared to be the easy part." Weird. But true. Afterthoughts. Tina has been negatively accused of being emotionless while playing. Granted, she doesn't gush with emotion like your average rock guitarist but here are three reasons why she acts that way. REASON 1. Tina S is NOT a rock guitarist. She's a classically trained guitarist. Notice how she has her guitar propped up on her left leg. Classical guitar style all the way. Classical guitarists are prim and proper and subdued on stage. Tina is probably mimicking the great classical guitarist Segovia's expression while playing not Angus Young's. By the way, Tina IS expressing emotion, it's literally pouring out of her instrument. REASON 2. Tina is not performing on a rock stage with 30,000 lunatic fans expecting guitar virtuosity and gobs of emotion. She is performing in a simple studio with one cameraman as her audience. She doesn't need to perform rock star stunts like playing the guitar with her teeth, or setting it on fire, or biting off the heads of bats. She's just playing the damn thing! Better than anyone that I've ever seen. REASON 3. The third reason why Tina isn't showing emotion is because what she's doing is easy. Yes, easy. How much emotion do you show while tying your shoe laces? Zero. Right? Why? Because tying your shoes is easy. You don't grimace and squint and bite your lower lip while tying your shoes because you don't need to and it would be weird if you did. Tina doesn't grimace and squint and bite her lower lip while shredding the guitar because she doesn't need to.
To suggest she is good, or even great is minimizing the immortality of her artistry. In just 3 years on RUclips, she posted 13 videos showcasing flawless covers of some of the greatest pieces in both classical and rock history, she is beyond description.
Years ago, when she recorded this piece, a music professor listened to the piece, also in a slightly slower version, he said: "She plays absolutely flawlessly, every phrasing, every tone, everything is right!" So Tina is something special. But you have to know that she started with classical music and then developed it further, along with her perfect pitch. She is something special!
Don't feel bad. I saw this many years ago and, after playing for 45 years, took my Telecaster out to the lawn and burned it.
I've watched countless Tina S reaction videos and the average response has been dumbfounded speechlessness. Most of the time I've had to wait a full thirty seconds after the lightning speed guitar playing ceased before the reactor came to their senses enough to say something "brilliant" like, "Jeez, that was good wasn't it?" Actually, their silence spoke more eloquently about what they experienced than words ever could.
This is what I think happens to us while watching Tina S covers. Our brains begin to roast when 450 degrees of Tina S quadruple-speed guitar virtuosity is applied to them. We have to hit the stop button every thirty seconds to allow a cooling process to take place lest our brains sizzle out of control and melt.
Tina S is performing diabolically difficult guitar shredding impossibilities right before our very eyes. Hence, our confusion. Tina S, in our minds, is just too dang young to be playing that good! The average person can't swallow the theory that practice alone got her to that level of amazingness. A gift from God? Probably. At least that's my view.
There have been three good Tina S reaction responses that made me laugh.
1. I think the "S" in Tina S stands for SPED UP!
2. "I think I just heard a thousand guitars being tossed out the window."
3. "Watching Tina S play should be the easy part and her playing should be the hard part. But my experience was that watching her was the hard part because her playing appeared to be the easy part."
Weird. But true.
Afterthoughts.
Tina has been negatively accused of being emotionless while playing. Granted, she doesn't gush with emotion like your average rock guitarist but here are three reasons why she acts that way.
REASON 1. Tina S is NOT a rock guitarist. She's a classically trained guitarist. Notice how she has her guitar propped up on her left leg. Classical guitar style all the way. Classical guitarists are prim and proper and subdued on stage. Tina is probably mimicking the great classical guitarist Segovia's expression while playing not Angus Young's. By the way, Tina IS expressing emotion, it's literally pouring out of her instrument.
REASON 2. Tina is not performing on a rock stage with 30,000 lunatic fans expecting guitar virtuosity and gobs of emotion. She is performing in a simple studio with one cameraman as her audience. She doesn't need to perform rock star stunts like playing the guitar with her teeth, or setting it on fire, or biting off the heads of bats. She's just playing the damn thing! Better than anyone that I've ever seen.
REASON 3. The third reason why Tina isn't showing emotion is because what she's doing is easy. Yes, easy. How much emotion do you show while tying your shoe laces? Zero. Right? Why? Because tying your shoes is easy. You don't grimace and squint and bite your lower lip while tying your shoes because you don't need to and it would be weird if you did. Tina doesn't grimace and squint and bite her lower lip while shredding the guitar because she doesn't need to.
From prodigy to virtuoso
The other thing that surprises me is that I can watch her play the same song 100 times in a row and I am still amazed every single time!
And she doesn't miss a note!
If God wants to show off once in a while, he creates somebody like Tina S to humble us puny mortals ;-)
Tina s is the Boss 😎 🤯!!
She’s incredible
Look for her epic cover of For the love of god by Steve Vai.
Молодец Тейлор!!!Не притворная рекция!Респект!
That's what happens when a classically trained musician picks up an eguitar. Totally unparalleled. Very sorry for the rest of players 🤘
Whew!
Hey it's great to see you back. Hope all is well. This was a cool performance. Videos like this make me wish I be played something at least heh.
Hey, you should definitely check out Tina Setkic Dragon Force through the fire and the flames cover at 15 years old, awesome thanks 😀
Thanks for your reaction. Please react to Marcin Patrzałek Moonlight Sonata on one guitar. He is very unique Polish guitarist. Greetings from Poland
An average of 7 notes per second for over 6 minutes. Sounds like boiling water at times.
Wow... if Tina S play together wit Ayu Gusfans from indonesia.... i think will be interested to enjoy....
she have her own studio south suburb near Paris now she's musical director... Tina Setkic !
Yes, the performance is impressive. I am interested in your reaction to "For The Love Of God - Steve Vai - Cover by Tina S"
Im going to react to it tonight
@@TylerReactz , Well, if you haven't seen "Dragon Force - Through the Fire and Flames - Tina S Cover" yet, then I sincerely envy you.
No I haven’t but I’ve added it to the reaction list
@@DriverFirst-547 TtFaF is nice, but just typical shredding. For the Love of God's cover has soul...much, much better
Amazing !
Wonder if she rehearsed the song before this performance?
Yes, for 2 months said her teacher Renaud.
After this… hard to consider seriously other guitar players, who are more acting than actually playing…
Please react abil finger the best guitar 9 old from indinesia
Nice reaction... but 156 dBs less in the intro would prevent the rupture of the eardrum, a thing to consider, probably appreciated by your viewers
Where is she r now
Make the intro a little bit louder.
она с 5 лет с гитарой