Joseph Haydn, Te Deum, English Concert & Choir, Pinnock
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- Опубликовано: 27 май 2016
- Franz Joseph Haydn (1732 - 1809)
Te Deum C-majorHob. XXIIIc:2
1. Te Deum Laudamus (Allegro)
2. Te ergo quaesumus (Adagio)
3. Aeterna fac cum Sanctis tuis (allegro moderato)
The English Concert & Choir
Trevor Pinnock
Recorded at the Henry Wood Hall, London, UK, september 1986, DDD 
Видеоклипы
The best Te Deum ever!
Where is the lie?
It’s difficult to say ‘best’ anything, but what is true is that no composer has ever set these words better nor more effectively; perhaps that does mean ‘best’ ?
I sang this in high school in 1974 and still remember the glorious feeling!
this is it - the gold standard performance of this work :)
I just finished listening to other renditions of Te Deum and I can boldly say that Haydn's rendition has to be the best of them all! What a grand piece of music!
Clearly the best interpretation I’ve heard; better than Weil, Harnoncourt,...Bravo!
Marvelous performance. I've had this disc for 25 years, and it's still a favorite.
Nice!
Completely agree! This is the definitive Te Deum for me!
Me too!
Trevor Pinnock is such a good interpretor. His Haendel's Messiah is also the very best ever. This is a serious professional. So grateful for him !!!
Trevor Pinnock 🥇👊🏻✨💛
Who else sings their SATB part when listening? 🙋🏻♂️
First time in hearing this. Always intrigued that choral music in the 18th century developed more slowly than orchestral music. This sounds very Handelian in parts. But all the better for it of course..
Ah...the grandeur... clarity
Amazing... already in front of Our SAVIOUR King...
Thank you for the German Latin! Quite anachronistic to sing it with ‘Church’ pronunciation.
Given the almost total dominance of Italian musical culture at the time, it’s very possible that in Vienna the Latin pronunciation may well have not been what you think, and that they would have sung for example dona nobis pat-chem (ie Italian-style) rather than pat-zem (German-style), et cetera.
@@elaineblackhurst1509 But what sounds were in his ear when he composed? That seems to me the dominant issue.
@@ransomcoates546
That’s the point I made above; I think there is a probability that Haydn’s Latin - which was excellent - was like much else in Vienna at the time, heavily Italian-influenced rather than provincial German influenced.
This influence was likely to be reflected in the pronunciation of the Latin words in Viennese sacred music.
Haydn was native fluent in Italian, as was Mozart, and it’s worth noting that when Mozart wrote the beautiful dedication at the top of the six ‘Haydn’ quartets that he dedicated to him, he chose *not* to use their shared madrelingua German, but in fact wrote it in Italian.
This is an obvious example of the all-pervading Italian influence I mentioned above.
In short, and in answer to your specific point, it may well be the case that in Haydn’s ear, he heard Italian-style Latin pronunciation rather than German.
This piece is such a banger. Almost feels wrong to set these words to such music. But Haydn knew best . . .
Thanks!
"Almost feels wrong...."? Am curious to know the meaning of your comment.
🔝
I have to learn this for pre-area at my school, it is quite daunting, but I believe I'm pretty solid on it... Pre-area is in a week, does anybody who sang it previously have any tips for me?
Est ce possible d’avoir choralia pour soprane 1 Te Deum en entier Joseph Haydn. Il existe que la 1ere partie du Te Deum. Comment l’avoir en entier. Merci
My pleasure!