Das ist beachtlich, mehr als das .....2017. Hoffentlich ist diese grosse Stimme nicht schon zerstört durch die heutigen Missbräuche des Opernbetriebs ...2024
This is weirdly filmed! every challenging and interresting spots for the singer which we want to witness , they suddendly film the orchestra, even the last high C...
A demanding and very difficult aria for which only the most accomplished can undertake. It's also a spectacular aria in the grand tradition. Miss Nilsson sings it with refinement, finish, and with perfect vocal control. She has the potential to be a world beater soprano in the grand condition. One hopes that she improves and grows even more accomplished in her gifts. But on this basis of this aria alone, she's got everything going for her. If she can commend this aria, she can command just about anything written for Dramatic Soprano. Brava!
08:54 She is supposed to pull out the top note of the whole aria and all we can see are two ladies somewhere in the middle of the 1st violin section? Who did the cut?
What power and incisiveness! Absolutely magnificent! This is an aria that few can manage convincingly and Christina Nilsson certainly can. She made me think of the other great Nilsson!
I really like this--very easily taken: would like to see more drama in your body language/facial expression, more immediacy, if you will. You have what it takes all around for this brutal type of singing, and you are right not to darkly color the voice.
A very difficult aria to bring off well. Most of the first part is quite Wagnerian(Wagner admired Weber) and the end is lyrical, verging on Coloratura.So,no wonder it is not sung much nowadays!
Sounds perfect for lighter Wagner as Elsa, Elisabeth, Freia and Eva. She is still young and has a beautiful lyric timbre and fabulously easy top! A little too nasal ”in the mask” though.
Una observación muy acertada. Tiene un instrumento precioso. Pero, debe corregir la correcta bajada de la laringe en los agudos. Es soprano, puede manter esa tesitura con una laringe arriba, pero los años se lo haran notar. Esa es mi observación.
Das Mädel ist in seinem Alter mit dieser Arie stimmlich völlig überfordert. Und sie weiß das, denn man sieht und kann spüren, wie sie kämpft. Man vergleiche sie mit ihrer schwedischen Namensvetterin Birgit Nilsson - stimmliche Größe, Einfachheit in der Linienführung, Tonführung durch den ganzen Körper, Kraft und Eleganz - dahin kann Christina noch kommen, wenn sie ihre schöne Stimme nicht zu früh mit solch schweren Arien verbraucht.
Dear tenore, I'm sorry to say that this is the standard today. I find it amazing that people praise these shrill, ugly, wobbly voices, if these voices are considered the future than opera is truly dead.
This voice is tinyyyyyy super small!!! No resonance, no cream, no olive oil, no weight, just tiny shrill sound my goodness!!!! She is also TOO BIG for her age. People confuse big singing with being fat. But singers like Nilsson and Flagstad were rocking a very tiny waist in all of their concerts and careers!!! Nilsson was big boned but slender!
Das ist beachtlich, mehr als das .....2017. Hoffentlich ist diese grosse Stimme nicht schon zerstört durch die heutigen Missbräuche des Opernbetriebs ...2024
Прекрасное пение , голос звучит ярко , проникновенно ,лучезарно . Браво о .❤❤😊
BRAVA! !!! - Exceptional - so clear, perfectly projected, NATURAL voice without forced coloring - Wonderfully sung!!
This is weirdly filmed! every challenging and interresting spots for the singer which we want to witness , they suddendly film the orchestra, even the last high C...
A demanding and very difficult aria for which only the most accomplished can undertake. It's also a spectacular aria in the grand tradition. Miss Nilsson sings it with refinement, finish, and with perfect vocal control. She has the potential to be a world beater soprano in the grand condition. One hopes that she improves and grows even more accomplished in her gifts. But on this basis of this aria alone, she's got everything going for her. If she can commend this aria, she can command just about anything written for Dramatic Soprano. Brava!
Originally this aria was made for a lirico-spinto but this sounds way too demanding to be for a lyric-dramatic soprano
❤Вокал прекрасный , тембр голоса бархатный .Браво о .❤❤
How did she not place? SHM
Vilken potentiell Wagnersångerska!!!!! 💪💖
Perfect matching between the singer and aria.
Wundervoll, wunderbar.
Cant stop hear this... She is just perfect!
あまり馴染みのないアリアだがワグネリアンのような迫力‼️圧倒されました‼️今日の女性歌手のなかではピカッ１でしょうか‼️ブラボー🎵
私も、この演奏を聴いて本当に良いソプラノだと思いました。現在、プロとしての活躍も目覚しいみたいです。専門家ではないので良くわかりませんが、数少ないドラマティコダジリタの範疇ではないかと思います。声質からしてイタリアオペラも歌えるみたいですが。このアリアはＧ.ヤノヴィッツが若いころアリア集の中で歌っていました。
08:54 She is supposed to pull out the top note of the whole aria and all we can see are two ladies somewhere in the middle of the 1st violin section? Who did the cut?
Bravissimo.¨!!!!!!!
What power and incisiveness! Absolutely magnificent! This is an aria that few can manage convincingly and Christina Nilsson certainly can. She made me think of the other great Nilsson!
She sure sounds like Birgit! What a voice!!!
Christina et Birgit sont peut-être de la même famille ? 🤔 🎼 🤷♀️
Thanks for posting this video. She may be will be the best " Crudely..." singer.
Again, simply world class!
I didn't understand a word, but I heard all of them
Das ist fantastisch! Danke schon!!!
Es gibt immer Leute, die Irgendetwas zu meckern haben.....
She's fabulous in this.
I really like this--very easily taken: would like to see more drama in your body language/facial expression, more immediacy, if you will. You have what it takes all around for this brutal type of singing, and you are right not to darkly color the voice.
Tremendous , really exciting !!!
A very difficult aria to bring off well. Most of the first part is quite Wagnerian(Wagner admired Weber) and the end is lyrical, verging on Coloratura.So,no wonder it is not sung much nowadays!
Now this was exciting.
What a voice for Elsa in Lohengrin 😍
That would be so perfect!
Breath taking... Brava!
Gorgeous! Bravissima!
Amazing!!!
Magnífica, emocionante!
Promising. Emphatic and a perfect timbre for Rezia
Very promising. I wish her all the best
Sounds perfect for lighter Wagner as Elsa, Elisabeth, Freia and Eva.
She is still young and has a beautiful lyric timbre and fabulously easy top!
A little too nasal ”in the mask” though.
¡BELLISIMA! ¡BRAVA¡¡¡
Bellissimo davvero bel timbro complimenti anche x la pronuncia ..un aria bella difficile
muy buen instrumento, pero tendra que controlar mejor.
abre la voz excesivamente. quizas muy orientada a la opera alemana
Una observación muy acertada. Tiene un instrumento precioso. Pero, debe corregir la correcta bajada de la laringe en los agudos. Es soprano, puede manter esa tesitura con una laringe arriba, pero los años se lo haran notar. Esa es mi observación.
brava!
lindo lindo lindo mil vezes lindo,
ese timbre en el registro bajo. solo puede mejorar. maravillosa. que crezca
Was für eine Stimme! Für Wagner. Aber noch sehr jung, sollte sich nicht zu früh überlasten.
8:30
Das Mädel ist in seinem Alter mit dieser Arie stimmlich völlig überfordert. Und sie weiß das, denn man sieht und kann spüren, wie sie kämpft. Man vergleiche sie mit ihrer schwedischen Namensvetterin Birgit Nilsson - stimmliche Größe, Einfachheit in der Linienführung, Tonführung durch den ganzen Körper, Kraft und Eleganz - dahin kann Christina noch kommen, wenn sie ihre schöne Stimme nicht zu früh mit solch schweren Arien verbraucht.
Sie ist noch jung...geben Sie ihr Zeit. Die Stimme ist da, und die dramatische Faehigkeit auch. Mal warten.
Those top notes are too open and I imagine she'll have difficulty with them as she ages if it isn't corrected.
Nice to see the violins on the climactic high note. What morons. A great young singer, though!
Fabulous instrument but I want to hear more chest development. And get rid of the "fussy" musicality. I want voice and more voice.
Has some potential but right now the voice is very small. The orchestra is also unusually restrained. This conductor is not serious at all.
Nice voice but her high notes are too open.
Horrible produce NASAL tiny constricted voice! Terrible, terrible! I am not even kidding! How much lower will the bar be dropped like that??!!
Dear tenore, I'm sorry to say that this is the standard today. I find it amazing that people praise these shrill, ugly, wobbly voices, if these voices are considered the future than opera is truly dead.
This voice is tinyyyyyy super small!!! No resonance, no cream, no olive oil, no weight, just tiny shrill sound my goodness!!!! She is also TOO BIG for her age. People confuse big singing with being fat. But singers like Nilsson and Flagstad were rocking a very tiny waist in all of their concerts and careers!!! Nilsson was big boned but slender!
Vibrato out of control, not enough legato - listen to her countess
She has a small weak voice but she doesn’t even engage what she has using mostly 30% of this small voice
8:30