Theresa Andersson :: 'Blue Skies' via Liveset

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  • Опубликовано: 25 ноя 2024

Комментарии • 15

  • @LeahRayMendez
    @LeahRayMendez 12 лет назад

    This is so much fun! Thank you for making me smile!

  • @avedic
    @avedic 11 лет назад +1

    jesus fucking christ...wow. i randomly stumbled across this video and i am glad i did. that improv at the end was mind blowing. i love the looped falsetto harmonies that made the foundation of that part. she's brimming with creativity.

  • @JeffreyBurtonYT
    @JeffreyBurtonYT 10 лет назад +1

    Okay, how in Sam Hill did I not know about this woman? Utterly fantastic!

  • @rfhudy
    @rfhudy 13 лет назад +1

    WOW! This video is from the future!

  • @paulmccarter908
    @paulmccarter908 2 года назад

    Stuck with that one loop waay too long, but otherwise flawless. What a perfectionist, teach Ng maddening levels best taken in small doses by mere mortals. Love u

  • @yahua9287
    @yahua9287 11 лет назад

    wow. incredible.

  • @funkyjones
    @funkyjones 12 лет назад

    She's magic.

  • @Sanherrera1001
    @Sanherrera1001 11 лет назад

    Que Sueño estar ahi!... Maestra! Thats Music!

  • @smujismuj
    @smujismuj 11 лет назад

    I was all about this until about 3/4 of the way in, and then it just kinda got.....too busy.

  • @richbutler1
    @richbutler1 12 лет назад

    The one 'wailing' layer, the high pitched 'bay day da doh' she removed at 5:33 was too harsh to be looped behind her entire skat segment. Took away from what was a great piece that could have been a bit more. Like her vids and wonder if/when she adds artists to augment the 'one woman band' schtick...that could take the music to the next level

  • @RickDanner
    @RickDanner 11 лет назад

    agree

  • @TheEarthBlues2
    @TheEarthBlues2 12 лет назад

    I thought I was going crazy and couldn't sit through that portion of the performance. A shame.

  • @acdcrocks67
    @acdcrocks67 11 лет назад

    I bailed too

  • @rancherrichard
    @rancherrichard 11 лет назад

    Brill, Bebe . . .