I like the B7b5 voicing you talk about a bit better with the 3rd added on the 5th string, sounds stronger. Also thanks for the new B over F, really cool and I like the little scale you played over that voicing to demonstrate the sounds
Hi Mikko, ironic enough I was asked to wrote a chord melody over this Tune(on guitar) so now you come with nice suggestions, as if you heared my trouble...Great!
any major triad or chord based on a major triad can be successfully approached by a fully diminished 7 chord. this is due to the fact that a fully diminished 7 chord consists of two tritones. and each tritone can resolve successfully to TWO different major chords, that means that the four notes of a fully diminished 7 chord can resolve to four major triads or chords based on a major triad. and because there are only three distinct fully diminished 7 chords and each is capable of resolving to four chords, each note of the twelve chromatic scale tones can be approached successfully by one of the three fully diminished 7 chords. this is the essence of mr. harris's personal discovery. it had been in practice and fully explored by the middle of the 19th century.
One of your best lessons Mikko ! Chord-melody is a tough subject to teach and you did a great job. Also I’d like to thank you for making the PDF available ex Patreon. I don’t like the way Patreon works but often have wished I could purchase individual lessons from you.
Sounding great, Mikko! For some reason I've always enjoyed the sound of chord melodies played on a good nylon string guitar. I worked out a basic arrangement of this tune years ago, and when I read through Barry Galbraith's arrangement, it was mostly the same. I did prefer a couple bars from his. Now it's time to review the song again and get a few more ideas from you. Thanks so much!
@@Mikkokosmos I remember it not being too difficult. Right now most of my music library is in storage. It was supposed to be temporary, but with the Covid 19 situation it's going to be awhile until I get access to it. If I do happen to have a copy of the arrangement around I would be glad to share it with you. If so I will contact you. But don't hold your breath!!! Lol Take care and stay safe. 👋🙂🕊🌿☯️✝️HaPpY Easter (if you practice it).
Good lesson! Can you share what software you use when creating your notation? I’m not aware of anything for guitar that is input like a midi instrument, such as a keyboard. I’m hoping to find the most user friendly application. Do you have to painstakingly enter very note? Any recommendation would be appreciated. Also, how do you work out transcriptions to notation?
i'm sorry, but it difficult to take seriously a guy that's willing to deem a standard voicing of a half diminished chord as "lame" AND try, at the same time, to legitimize starting off an arrangement of this tune with a power chord. what? especially so considering he seems unable to play it that way most of the time. i can't remember the number of times he played a major 7th as the first chord, only to start over, immediately, with his power chord. one might feel justified in thinking that he preferers the major 7th. but, to be fair. there is a lot in the arrangement to like and make use of. i'll give him that.
I think it was the B7(b5) chord I called "lame" not a half diminished chord, right? I think the F/B sounds way more hip there and I love the power chord in the beginning.
The F/B is smoother and more fitting for this song than the realbook B7#11 one. Very cool-love your vids.
good teacher.thank you,so beautiful chord.
I like the B7b5 voicing you talk about a bit better with the 3rd added on the 5th string, sounds stronger. Also thanks for the new B over F, really cool and I like the little scale you played over that voicing to demonstrate the sounds
Hi Mikko, ironic enough I was asked to wrote a chord melody over this Tune(on guitar) so now you come with nice suggestions, as if you heared my trouble...Great!
any major triad or chord based on a major triad can be successfully approached by a fully diminished 7 chord. this is due to the fact that a fully diminished 7 chord consists of two tritones. and each tritone can resolve successfully to TWO different major chords, that means that the four notes of a fully diminished 7 chord can resolve to four major triads or chords based on a major triad. and because there are only three distinct fully diminished 7 chords and each is capable of resolving to four chords, each note of the twelve chromatic scale tones can be approached successfully by one of the three fully diminished 7 chords.
this is the essence of mr. harris's personal discovery. it had been in practice and fully explored by the middle of the 19th century.
You’re an extraordinaire musician. Thank you so much.
your lessons haved helped me so much , I learned how to add a new to taste to the genre that I play , blessings ,greetings from Mexico
Thank you and all the best! Stay Healthy.
One of your best lessons Mikko !
Chord-melody is a tough subject to teach and you did a great job.
Also I’d like to thank you for making the PDF available ex Patreon. I don’t like the way Patreon works but often have wished I could purchase individual lessons from you.
Sounding great, Mikko! For some reason I've always enjoyed the sound of chord melodies played on a good nylon string guitar. I worked out a basic arrangement of this tune years ago, and when I read through Barry Galbraith's arrangement, it was mostly the same. I did prefer a couple bars from his. Now it's time to review the song again and get a few more ideas from you. Thanks so much!
Thanks! Noe I want to see his arrangement 😀
@@Mikkokosmos
I remember it not being too difficult. Right now most of my music library is in storage. It was supposed to be temporary, but with the Covid 19 situation it's going to be awhile until I get access to it. If I do happen to have a copy of the arrangement around I would be glad to share it with you. If so I will contact you. But don't hold your breath!!! Lol Take care and stay safe. 👋🙂🕊🌿☯️✝️HaPpY Easter (if you practice it).
Very nice!
beautiful, thank you Mikko
Great as usual. Thanks mate :)
Excellent lesson, became a patreon.
Thank you 😀
Beautiful playing. Is there a pdf for us?
Thank you. Yes on my Patreon page.
Good lesson! Can you share what software you use when creating your notation? I’m not aware of anything for guitar that is input like a midi instrument, such as a keyboard. I’m hoping to find the most user friendly application. Do you have to painstakingly enter very note? Any recommendation would be appreciated. Also, how do you work out transcriptions to notation?
I use Finale but I don't use midi I type in the notes by hand
@@Mikkokosmos Thanks for the quick response!
i'm sorry, but it difficult to take seriously a guy that's willing to deem a standard voicing of a half diminished chord as "lame" AND try, at the same time, to legitimize starting off an arrangement of this tune with a power chord. what? especially so considering he seems unable to play it that way most of the time. i can't remember the number of times he played a major 7th as the first chord, only to start over, immediately, with his power chord.
one might feel justified in thinking that he preferers the major 7th.
but, to be fair. there is a lot in the arrangement to like and make use of. i'll give him that.
What are you even talking about? I didn't understand any of that
I think it was the B7(b5) chord I called "lame" not a half diminished chord, right? I think the F/B sounds way more hip there and I love the power chord in the beginning.