I love this variation, and you danced it superbly! You have wonderful stage presence and control, and a beautiful lightness to your dancing. Your Italian Fouettes at the end were gorgeous, too. :) Excellent job.
It looks really pretty, but the way she positions her fingers bothers me a little (the hyperextension of the arms as well), but everything else is really good.
The original version began with a double rond de jambe en l'air saute followed by three pique arabesque, but very few people perform this version anymore. All variations were contoured to many of the different ballerinas forte. This variation is also used as the female variation in "Le Corsaire" pas de deux. So many variations were interchanged between various ballets. I thought for her age she showed a great deal of control and aplomb.
Ugh such a shame. You ruin the lines so much because you always hyperextended your arms. It's okay to do sometimes. I think you need more arm training. I found them still and it distracted me from how well you can actually dance.
Ok, this was unnecessary. Yes, she hyperextended her arms, no, it did not ruin the lines. At most schools, hyperextension is looked up upon, and they consider it as good technique. You being rude is totally not accurate, and also not needed:
She makes it look so effortless. this is amazing
I love this variation, and you danced it superbly! You have wonderful stage presence and control, and a beautiful lightness to your dancing. Your Italian Fouettes at the end were gorgeous, too. :) Excellent job.
She looks like she is enjoying herself. Such a pretty smile ❤
She’s at abt now!
So deserving!
very nice, and I am rarely impressed. this is one of those times.
Strong and beautiful placement! Whatever she achieves surely is deserving!
You are no Alina Somova but much better than any other Queen of Dryads I have seen at yagp.
That's an un-necessary back handed comment. She did a great job, just leave it at that.
@@chachak8978 agreed. Not necessary.
It looks really pretty, but the way she positions her fingers bothers me a little (the hyperextension of the arms as well), but everything else is really good.
I don’t think it’s a problem.
It depends what school she attends, different school teach different techniques.
Amazing! Love this variation! good job ;)
💐💐💐🙌😊🙏👏👏👏👏👏
Brava!!!!!
Lovely
👏👏👏👏👏🌹
🤗🙌💐💐💐
very nice
I might consider this variation for YAGP but I'm really not sure...
Beautiful.. but she tends to travel quite a bit and she hyper extends.. she has great potential..
Hyper extends what?
fabulous technique..but i'd say...that's kind of mere doing continuous movements...maybe dancing more gently and noticing nuance will work
elle danse bien, mais la version de la musique j'aime bof. Bravo pour la danse
this isnt the original dance
Yes it is...
Valentina Sosa maybe you saw the version Olga Smirnova did? This is the original choreography. Smirnova did a different version
The original version began with a double rond de jambe en l'air saute followed by three pique arabesque, but very few people perform this version anymore. All variations were contoured to many of the different ballerinas forte. This variation is also used as the female variation in "Le Corsaire" pas de deux. So many variations were interchanged between various ballets. I thought for her age she showed a great deal of control and aplomb.
Ugh such a shame. You ruin the lines so much because you always hyperextended your arms. It's okay to do sometimes. I think you need more arm training. I found them still and it distracted me from how well you can actually dance.
Ok, this was unnecessary. Yes, she hyperextended her arms, no, it did not ruin the lines. At most schools, hyperextension is looked up upon, and they consider it as good technique. You being rude is totally not accurate, and also not needed:
🙌💐💐💐👏👏👏