Fandango (guitar and harpsichord) by Luigi Boccherini
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- Опубликовано: 13 окт 2024
- Luigi Boccherini (1743 - 1805)
Fandango
Live Performance by Ken Luk (guitar) and Malcolm Matthews (Harpsichord)
Arranged by Julian Bream
Kilbourn Hall, Eastman School of Music, Rochester, NY
October 14, 2015
iedere dag luister en kijk ik ,naar deze prachtige klanken het geeft rust en vrede
Love this Bream arrangement! Played it a lot when I was a student. 😊
For those complaining about levels, it's much harder to implement dynamic range on a harpsichord. The guitarist, however, can do it no problem. Don't blame the mix, blame the instruments.
bro is everywhere wtf
ruclips.net/video/h918O8v2yog/видео.htmlsi=BLqTIb8W45Vc8TSB qui c'è un altro esempio di chitarra con clavicembalo: è un preludio di Ponce originariamente scritto per sola chitarra. Lo trovo magnifico anche nella versione con clavicembalo. Forse è questione di gusti ma trovo molto belli e sempre interessanti queste ensamble. La difficoltà è anche quella dell'equilibrio dei volumi perché il clavicembalo potrebbe coprire il suono della chitarra ma queste registrazioni sono molto ben fatte e tengono conto di questo possibile problema che effettivamente non si verifica. Non so se questo brano era stato scritto già all'origine da Boccherini per chitarra e clavicembalo ma credo di sì. In ogni caso è un bellissimo esempio di genio musicale che amplia le nostre conoscenze e crea un gusto molto raffinato.
Beautifully played! Thank you, from San Jose, California.
Beautiful! Thank you
Wonderful! thanks so much for this! Great deal of intensity and taste!
Great performance.
With love from Belarus Mensk!!!!!!!!!!
Thank you so much!
Спасибо, это великолепно!!!
Qué gusto escucharos.
Uma interpretação mais intimista. Bela por isso.
Muito obrigado!
Hermosoo
Thank you!
👍👍👍❤❤❤
The harpsichord man play without listen to the other guy
I think the issues ate that the harpsichord, by nature, can only change volume by changing registers or manuals while the guitar, by nature, is capable of so many colors, and that the harpsichord (especially this one) is such a bigger and inherently louder instrument). The effect is that the harpsichord sound like its not collaborating with the subtle little guitar. I clicked out of curiosity because the two instruments are similar in that they're both plucked but have the challenges I just described and wanted to hear what Bocherini did to negotiate them.
Surely the fault lies with the recording. If more emphasis was on the guitar,this would solve a lot of the issues.
Damn it. The guitar loses in volume up to the harpsichord.
Not at all. It's enjoyable enough.
A bit, yes. Yet, by and large, a very good version. I wonder, if at the time of recording or if any amplification was operating, this slight glitch could, or should have been prevented. Just saying, or asking.
😢 pobre guitarra opacada por el imponente clavecín
The harpsichord is way too loud. Whether the fault of poor miking or poor mixing, I feel sorry for the virtually inaudible guitarist (and I'm a harpsichordist!)
It does sound like ensemble and music. You take your vaaaaaaluable opinion and go home.
The harpsichord is way too loud. The guitarist might as well pack up and go home - this is not a duet! Possibly a fault of poor mike placement or poor mixing. Either way, I feel sorry for the almost inaudible guitarist (and I'm a harpsichordist!)
It does sound like ensemble and music. You take your vaaaaaaluable opinion and go home.
I say it's about time the harpsichord didn't get completely dominated by the other instruments. That being said I don't think it's drowning the guitar out.
What a bitter, unhappy, despicable comment!!!
This harpsichord has a bright tone and with a traditional instrument like this you cannot turn the volume down like you can with a digital instrument. But the guitarist played this work extremely well. I enjoyed his playing very much.
modern music sucks