I am more used to the notation used for the instrument this was originally composed for (a pipa), but those are all in Chinese, so I don't know if everything he's doing here is expressed in this score, but here's a guitar version using Western notation: worldoperastudent.files.wordpress.com/2014/04/danceofyipeople.pdf For comparison, here's the first page (of what I'm pretty sure is a much simpler arrangement) of the typical pipa notation: www.cnscore.com/showpic.aspx?Upload/img/hwifnpovls44435.jpg
I believe you don't know how to play guitar!! He is the first guy to transform this Chinese song onto guitar which is marvelous. His guitar skill is better than 杨雪菲. 杨雪菲's version is a little gentle and has better interpretation but skill wise he is better than her! Both are excellent.
Music , people like to insist for playing with different kinds of instruments for different kinds of music. But actually even they had work hard on it and the result was not really good. Just like Violin Music , there is no other instrument can replace it. And Chinese Pipa or Flamenco Guitar too. It got the own sound tone and cant be mixed to play.
最喜欢的还是殷飚的版本，30多年前就喜欢上他的改编，非常巧妙地进行了中西结合，很适合吉他演奏，又有琵琶的韵味。。。
太好听了，谢谢。
Kun, that is a very interesting composition and arrangement. always nice to see someone stretch the boundaries of tradition.
Amazing. Chinese traditional music is always beautiful!
Very nice dynamics. Very beautifully played.
wonderful
既有琵琶的韵味，又有吉他的柔美，这个版本不怎么流行，应了那句话，曲高和寡。
Great work!
像極邰正宵的"九佰九十九朵玫瑰"，1993年《找一個字代替》專輯，當中的主打歌曲。邰正宵出生於香港，在臺灣唸書和在臺灣成名的歌手，被稱為「玫瑰王子」，現時居住在台灣。(彝族舞曲 1960年)
是邰正宵采用了彝族舞曲的曲调
anyone has the score of this?
I am more used to the notation used for the instrument this was originally composed for (a pipa), but those are all in Chinese, so I don't know if everything he's doing here is expressed in this score, but here's a guitar version using Western notation: worldoperastudent.files.wordpress.com/2014/04/danceofyipeople.pdf
For comparison, here's the first page (of what I'm pretty sure is a much simpler arrangement) of the typical pipa notation: www.cnscore.com/showpic.aspx?Upload/img/hwifnpovls44435.jpg
轮指部分很像了，但是最精彩的序曲和高潮都删了，加了点不适合的西方风格。不过这首是专为琵琶设计的民族曲目，指法也有一定要求，改编一定很难。
要说过于炫技了可以吗？另外，在我大学时代（30年前）就会弹这首彝族舞曲，大概是陈默编曲的吧。
太狂乱了，这首曲子本来在琵琶里可以弹出大珠小珠落玉盘的感觉，他给完全混杂在了一起，而且他是把琵琶指法硬般到吉他上，这不能叫弹吉他，我建议大家去听听杨雪菲的版本，那是专门改成了吉他的指法，比殷飚的更加适合吉他的彝族舞曲。
I believe you don't know how to play guitar!! He is the first guy to transform this Chinese song onto guitar which is marvelous. His guitar skill is better than 杨雪菲.
杨雪菲's version is a little gentle and has better interpretation but skill wise he is better than her!
Both are excellent.
你仅仅说声好而不说好在哪是没用的，而且我肯定你不懂琵琶，不懂民乐，或许你就是听到了中间一段轮扫觉得很澎湃很激动就觉得好，但实际上即使是以轮扫而言，也没有得到弗拉门戈吉他的精髓。换句话说，这曲子没有展现出彝族舞曲在琵琶中的优点，同时又放弃了吉他本身的长处，只能说是强行改编之作。公道自在人心，杨雪菲如今享誉国际，在吉他改编民乐领域卓有盛名，而殷飙则籍籍无名，足以说明一切。
但殷版彝族舞曲比較有琵琶味兒啊
我個人比較欣賞杨雪菲的版本,會讓我重複想聽,耳朵不會騙人,聲音乾淨度不同
这首曲本来就是殷彪改编至吉他的。殷彪早年就是学琵琶的。他爸爸是星海音乐的教师。三十年前殷彪是当之无愧的中国吉他他大师。当然我也很欣赏杨姑娘的弹奏。只是觉得你这样否定殷彪很没根据。
Music , people like to insist for playing with different kinds of instruments
for different kinds of music. But actually even they had work hard on it
and the result was not really good. Just like Violin Music , there is no
other instrument can replace it. And Chinese Pipa or Flamenco Guitar
too. It got the own sound tone and cant be mixed to play.
很像邰正宵的九佰九十九朵玫瑰
所以这歌一出来，一直都被说是抄袭彝族舞曲
mo Do 應該倒過來説才對！
沒有琵琶的好聽，不過能用結他已很厲害。