Underrated now but not back then. One of the finest violinists to ever draw the bow. The science lies in the left hand but the art lies in the right🎻👍👍
I had the pleasure of performing with this great master twice with the Toledo Symphony where I played in the violin section for forty years. He sounds live just like his recordings. His powerful tone was like a bulldozer.
About 50 years ago someone had an extra ticket for one of his performances at the academy of music in Philadelphia they gave it to me I went I listened I cried.
DISCLAIMER: i like many violinists and love diff interpretations of this magnificent piece but damn this version by francescatti sheer superlative brilliance. others have commented on how he combines great sweetness of tone along w masculine power and that is spot on. i love how he builds to the finale and climax - goose bumps all the way
Beautiful, thank to Zino that he left this beautiful legacy to the Earth. Thought the sound of the violin itself also contains beauty, later I knew that this is sound of the one of Stradivari.
Grew up savoring this gorgeous recording! I inherited it, a vinyl record, from my father when he passed away last year. RIP Dad and thanks for a great classical music heritage.
This is incredible!!! By the middle of this piece I was freezing because of the chills and goosebumps it gives me. It is extremely diverse, it takes you from sadness and melancholy to thriving and feeling on the edge over and over again. Bravo, Maestro!
Éblouissant ! Comment demeurer indifférent à une telle musique. Une interprétation hors du commun. Une musique qui remplie l'âme et suscite les plus nobles sentiments.
Восторг! Вся жизнь в картинах медленно проистекает в такой глубокой и проникновенной музыке! Совершенная музыка в совершенном исполнении ! Браво Франческатти !
Forever Zino. And a nice guy too. My father heard him in Seattle back in the day, and he was the perfect French gentleman when he went backstage to meet him. I grew up listening to this recording. This is THE definitive recording.
I love the fact that he does NOT play the main theme heroically UNTIL the final pages--therefore it is more of an emotional peak where it belongs--at 8:57--the end. Although I love Heifetz and Oistrakh, this to me is the more caring and magical version.
Ho ascoltato Francescatti per la prima volta - colpevolmente - stasera. Forse son troppo giovane ... Non so come, ma ho subito pensato a Salvo Accardo! Questo suo commento mi ha fatto sobbalzare dalla gioia. Siamo nel Sublime...come nella Ciaccona di Bach (Milstein)
Superb. The orchestration of Charlier's edition pulls the piece in the direction of Vaughan Williams (Fantasia on a Theme of Tallis) or even Tippett (Fantasia Concertante on a Theme of Corelli) - and after all, why not? As played since its "rediscovery" and heavily extrapolated edition by Ferdinand David in 1867, the piece was never "authentic" Vitali - but what a superb technique, luminous tone and passionate style Francescatti has.
Tiefempfundene Interpretation dieses melodischen Meisterwerks mit außergewöhnlich schönen Töne der Solovioline und gut harmonisierten Töne anderer Instrumente. Der geniale Dirigent leitet das kompakte und ausgezeichnete Orchester im gut phrasierten Tempo mit effektiv kontrollierter Dynamik. Echt unvergleichlicher Violinist!
@MyDarkerstRose Yes, Ferdinand David made the largest of the revisions to the original Chaconne (Vitali himself wrote only the bass line), and it was further revised by Charlier.
He has an incredibly rich, warm and full sound and a superb musicality. While Heifetz´ version is very "crisp", clear and "sharp" which also is interesting, it does not have the warmth of Zino Francescattis interpretation. Why did it take so long till I stumbled on a recording of his?
Yes, the Sarah Chang recording is really good, and I normally don't recommend her. I heard it on a classical station and was shocked to learn it was her.
What is this? This is beautiful. This reminds me of books and stormy nights, of pizza when i'm high, of staying as a kid at my grandparents little rustic house in a blizzard and sleeping near the fireplace while the cat was tucked at my feet. This is great.
Lo Stradivari di Francescatti fu ceduto da lui a Salvatore Accardo,dopo che quest'utimo glielo chiese.Fracescatti gli porse il suo Stardivari e gli disse:suonalo,fammi sentire. Fu dopo averlo ascoltato che glielo cedette."Capita in buone mani,disse". E non sbagliò,aveva capito bene le doti di Accardo. Storie di grandi violinisti!
Zino was the very first classical violinist I heard on records. Very great fiddler he was indeed. His dad studied with Sivori who in turn studied for a little while with Paganini.
@calloffthedogs i guess i only cared to listen to him after reading ur expressive comment XD, but i do agree this song is very powerful and forlorn at times.
Ses parents sont musiciens ; son père, Fortunato Francescatti (1858-1923), lui-même violoniste, a été formé par Camillo Sivori, le meilleur élève de Niccolò Paganini. Zino Francescatti est un enfant prodige, il se produit en public avec le concerto de Beethoven à l'âge de dix ans. Ses débuts lui promettent une carrière brillante ; cependant, son départ pour les États-Unis avant la guerre et sa semi-retraite pendant la durée du conflit la mettent quelque peu en veilleuse. Francescatti garde toutefois intacte l'admiration de ses pairs, et après la guerre, surtout dans les années 1950, il est un virtuose mondialement demandé. La carrière de Zino Francescatti est marquée par quatre autres artistes : Jacques Thibaud, qui le protège et l'encourage, Maurice Ravel, dont il est l'ami et l'interprète le plus fidèle (l'équivalent de Vlado Perlemuter pour le piano) ; Bruno Walter, qui le dirige souvent et avec qui l'entente est parfaite ; et Robert Casadesus, avec lequel il forme un duo de choix. Parmi les élèves de Francescatti, on compte Aurélia Spadaro, Gaëtane Prouvost, Régis Pasquier, Ayla Erduran (en)1. Il prend sa retraite à La Ciotat, où il vit seize années paisibles jusqu'à sa mort en 1991. L'année précédente, la ville donne son nom à son conservatoire municipal de musique et d'art dramatique, lors d'une cérémonie en sa présence et celle de son épouse Yolande Potel. Celle-ci lègue au musée de la ville photos, partitions, et son premier violon d'enfant. Yolande Francescatti est décédée en 2001. Zino Francescatti jouait sur le Stradivarius de 1727, le Hart, qu'il a cédé en 1987 à Salvatore Accardo.
@MyDarkerstRose there's dispute over that, some call it a muical host. This piece was very different from Vitali's style and also it had several modern elements not seen in his era like changing the key signature.
а если честно переслушал всех и при все к ним всем уважении Zino отлично справился и сам инструментовал..слушал Додика и Натана и Артюра и Яшу конечно же го драматичная она более у внучатого ученика Паганни!ведь его Отец назвал не Зино а Рене мой мальчик родился 9 августа 1902, Марсель - 17 сентября 1991, Ла-Сьота и хотел бы чтобы он стад адвокатом но услышал отзыв Фрица Крейслера что его надо учить и поэтому отец в молодости сам занимался у единственного ученика Н.Паганини ..Камило Сивори ...и поэтому Зино а то есть Рене играет просто превосходно!!!виват итальянская школа
А мне очень понравилась эта Чакона в исполнении скрипача-композитора Й.Сук. Он там сделал собственную вариацию, очень интересную, гармоничную и неожиданную. И сыграл превосходно. Послушайте, надеюсь вам понравится. ruclips.net/video/WpPujJZtVkQ/видео.html
@tudoryka79 I think the reason my original comment is so highly rated is because it shows that two players can sound completely different and have totally different styles and yet sound equally artistic and beautiful. Now let me ask you something: Who do you think is dumber, the "American" who finds great beauty in two completely different interpretations or you (wherever you're from) who is completely close-minded to one style of playing? I'll let you sleep on that one.
Underrated now but not back then. One of the finest violinists to ever draw the bow. The science lies in the left hand but the art lies in the right🎻👍👍
I had the pleasure of performing with this great master twice with the Toledo Symphony where I played in the violin section for forty years. He sounds live just like his recordings. His powerful tone was like a bulldozer.
This sounds so incredible!!!! I’d die for something like that!
About 50 years ago someone had an extra ticket for one of his performances at the academy of music in Philadelphia they gave it to me I went I listened I cried.
he’s my great grand uncle!!!
@@merthurcanon О! Расскажите, каким он был, великий Франческатти.
STILL my favorite version of this piece - bar none!!!
DISCLAIMER: i like many violinists and love diff interpretations of this magnificent piece
but damn this version by francescatti sheer superlative brilliance. others have commented on how he combines great sweetness of tone along w masculine power and that is spot on. i love how he builds to the finale and climax - goose bumps all the way
Best interpretation ever !!!
Francescatti always one of my favorite violinist. His vibrato is so intense and deep :P
Beautiful, thank to Zino that he left this beautiful legacy to the Earth. Thought the sound of the violin itself also contains beauty, later I knew that this is sound of the one of Stradivari.
Grew up savoring this gorgeous recording! I inherited it, a vinyl record, from my father when he passed away last year. RIP Dad and thanks for a great classical music heritage.
My heart stopped at 4.00min, those high notes ahead of perfection. We miss you Zino!
This is so beautiful I almost want to cry
This is MAGNIFICENT. What a power house. I've never even heard of this gentleman. I am so glad I found him.
He is my favorite violinist, thanks for sharing this!
Stephanie, concert pianist
This is incredible!!! By the middle of this piece I was freezing because of the chills and goosebumps it gives me. It is extremely diverse, it takes you from sadness and melancholy to thriving and feeling on the edge over and over again. Bravo, Maestro!
Éblouissant ! Comment demeurer indifférent à une telle musique. Une interprétation hors du commun. Une musique qui remplie l'âme et suscite les plus nobles sentiments.
Wonderful comment.
Восторг! Вся жизнь в картинах медленно проистекает в такой глубокой и проникновенной музыке! Совершенная музыка в совершенном исполнении ! Браво Франческатти !
Bravo bravo bravo brilliance fantastic grandiose genial music
すばらしい、この曲を聞いていると年も重なったせいでしょう、涙がボロボロ、胸が詰まります。ある意味高校時代に衝撃の出会いワルター指揮ベイトゥーベン9番との出会いの衝撃に勝るとも劣らない感動です。私がZino Francescatti と出会ったのは55年前の高校生の時です。私が一番最初に買ったLPはジノのメンデルスゾーンVコンチェルト、この演奏をTubuで探しているうちに、このジノのビターりに出会った感動的な瞬間です。恥かしながら、50年間ほとんど毎日離れることなくクラシックを聞いていましたが、この曲シャコンヌとは初めて出会いました。しかも他の演奏家のものも、かのオイストラッフも含めて、この盤ジノの演奏に勝るものがない一番の演奏であることも知り何とも嬉しく嬉しく、何度も何度も聞いています。Tubuさん、アップロードした方ありがとうございます。
My favorite rendition
Still my favorite version of this piece on RUclips!!!
Chills. I am speechless.
I have this on Vinyl wow wow wow Zino was one of the sweetest players in the world.
Best interpretation ever!!!
His vibrato is so deep! omg :P
Forever Zino. And a nice guy too. My father heard him in Seattle back in the day, and he was the perfect French gentleman when he went backstage to meet him. I grew up listening to this recording. This is THE definitive recording.
this record helped me out in difficult times. gave strength. thanks to Zino, thanks to the one who saved this performance for us.
Вознесение Музыкой Любви!!!!
Absolutely, the TOP of Vitali's Ciaccona... great feeling shivers!!
Heard this on Classic FM yesterday and wanted to hear it again - wonderful, thank you for uploading. :-)
Heard him play this in Cincinnati. He was old but had a sound...oh what a sound. Strad!!!
I love the fact that he does NOT play the main theme heroically UNTIL the final pages--therefore it is more of an emotional peak where it belongs--at 8:57--the end.
Although I love Heifetz and Oistrakh, this to me is the more caring and magical version.
Great thanks!
That record is the one of two or three which most impressed me in my childhood. And I didn't hear it for 20 years!
Great!!!
My favorite version....wonderful...
omg this is just perfect
Beautiful, the orchestra behind him gave me the chills.
Красота какая!!!
Woke up to this piece of music on Classic FM this morning - a truly beautiful piece of music, a real stunner
My favourite version.
So beautiful and communicates so much in his playing. Perfect ❤️
Zino what a legenend all his his double stops on point!
The most beautiful entrance of this Chaconne
La interpretación del Sr. Francescatti es insuperable musicalmente, tecnicamente y humanamente!
BRAVO!!!
Hoy ya no nacen musicos como él.
O my god...i got goose bumps
Are you kidding? This is on par with Heifetz! This is SUPER EMOTIONAL
Но при чём тут Хейфец?
Ho ascoltato Francescatti per la prima volta - colpevolmente - stasera. Forse son troppo giovane ... Non so come, ma ho subito pensato a Salvo Accardo! Questo suo commento mi ha fatto sobbalzare dalla gioia. Siamo nel Sublime...come nella Ciaccona di Bach (Milstein)
До глубины души:)
j'écoute ce Grand artiste avec la même émotion dans cette partition il éveille tous les sens. .. la perfection
Bravissimo Maestro Franceskatti !!!!Gloriosamente !!!!!!!!!!!!!!!!!!!!!!!
Superb. The orchestration of Charlier's edition pulls the piece in the direction of Vaughan Williams (Fantasia on a Theme of Tallis) or even Tippett (Fantasia Concertante on a Theme of Corelli) - and after all, why not? As played since its "rediscovery" and heavily extrapolated edition by Ferdinand David in 1867, the piece was never "authentic" Vitali - but what a superb technique, luminous tone and passionate style Francescatti has.
It's interesting how masterpieces played by masters are beautiful in their own way :)
Tiefempfundene Interpretation dieses melodischen Meisterwerks mit außergewöhnlich schönen Töne der Solovioline und gut harmonisierten Töne anderer Instrumente. Der geniale Dirigent leitet das kompakte und ausgezeichnete Orchester im gut phrasierten Tempo mit effektiv kontrollierter Dynamik. Echt unvergleichlicher Violinist!
Добавим - Франческатти.
Francescatti was at one time assistant concertmaster of the Concerts Poulet orchestra, led by Gaston Poulet, father of Gerard Poulet.
Благодарю 🙏💙 это потрясающе прекрасно, Душа танцует 🕊️
This is how Eastern European happiness sounds like.
Zino ¡¡¡ belleza total ¡¡¡
Magnifico
Одно из лучших исполнений Чаконы Витали во все времена. В одном ряду Хейфец, Ойстрах, Франческатти.
Нужно признать, что Франческатти все же лучший из них, да и, вообще, он просто титан, что бы он не играл!
so honorable to hear this!
聴いてると魂が震えて涙が止まりません。フランチェスカッティの音は技術云々より艶があり心にダイレクトに響きかけてくるそういう演奏家だと思っています。
これを聴きながら逝きたい。
@MyDarkerstRose Yes, Ferdinand David made the largest of the revisions to the original Chaconne (Vitali himself wrote only the bass line), and it was further revised by Charlier.
He has an incredibly rich, warm and full sound and a superb musicality. While Heifetz´ version is very "crisp", clear and "sharp" which also is interesting, it does not have the warmth of Zino Francescattis interpretation. Why did it take so long till I stumbled on a recording of his?
表題に”魔弓の至芸”と付けられた「イタリア・ヴァイオリン名曲集」のCDに収められた1曲です。通常のピアノ伴奏ではなく珍しい弦楽合奏ですが、ヴァイオリンとはこれ程に虹のごとく多様な音色がでるものかと感動しました。フランチェスカッティのみが奏でられる名演奏です。
Yes, the Sarah Chang recording is really good, and I normally don't recommend her. I heard it on a classical station and was shocked to learn it was her.
언제 들어도 명열입니다.🎼🎻
What is this? This is beautiful. This reminds me of books and stormy nights, of pizza when i'm high, of staying as a kid at my grandparents little rustic house in a blizzard and sleeping near the fireplace while the cat was tucked at my feet. This is great.
go away
Why does he have to go away? He explained how the piece made him feel, and what it reminded him off. What's wrong with that?
когда я слушаю эту музыку, исполненную этим музыкантом, я также вижу всю свою жизнь. эта скрипка поет и обо мне тоже
no one caresssss
@@aRegularIdiot ни в коем случае.
여러연주가의 샤콘느를 들었지만 지노의연주가 최고 입니다. 편안하고 강렬하고 안정되고~~~
Beautiful! Thanks for posting :)
초반도입부ᆢ세상최고의 암울함과 슬픔이묻어나내ㅡ
although I'm a fanatic of heifetz, I have to say that this guy might have done it more justice.
It is so easy to be fanatic of Heifetz lol
LOVE it!
今日、このページにくる前に、Marek Pavelecの弾くラロのスペイン交響曲を聴いて、私が中学の時に手に入れたフランチェスカッティのそれを思い浮かべていました。比較はしたくはないですが、同じ曲かと思えるほどの違いです。フランチェスカッティの技術の凄さはもとより、とても深い思索性を表現する天才(作曲者の感性など)だとつくづく思いました。
In my head
Bravo
Che bella musica. Io amo al mio violino. :3
정말 오랜만에 들어봅니다
지노 프란체스카티의 영혼이 깃든 연주
아~~천상에도 닿을듯~~
My violin teacher knew him!!!
Best recording of this song... fucking period!
Perfect itself!
Wow I love the Italian language.... probably the most beautiful on earth.....
Lo Stradivari di Francescatti fu ceduto da lui a Salvatore Accardo,dopo che quest'utimo glielo chiese.Fracescatti gli porse il suo Stardivari e gli disse:suonalo,fammi sentire. Fu dopo averlo ascoltato che glielo cedette."Capita in buone mani,disse". E non sbagliò,aveva capito bene le doti di Accardo. Storie di grandi violinisti!
Bravo!!
We hear very little of the "Little Frenchman"'s output these days. I grew up on his Columbia recordings.
@calloffthedogs YOU are so correct~
ヴィターリのシャコンヌでしたか。最も好きな曲です。長いこと曲名を知りたいと思っていました。やっと探し当て、15年のモヤモヤが消えました。曲と曲名のアップロード、本当にありがとうございました。今後お気に入り登録で、いつでも聞けます。ＣＤも色々買い聞き比べていきます。
Zino was the very first classical violinist I heard on records. Very great fiddler he was indeed. His dad studied with Sivori who in turn studied for a little while with Paganini.
Sublime!!
Il n'y a pas mieux !
incredible i can imagine the infinite OMG :3
There is a good recording by Sarah Chang with Placido Domingo conducting.
@calloffthedogs i guess i only cared to listen to him after reading ur expressive comment XD, but i do agree this song is very powerful and forlorn at times.
Falar o que? Apenas, que há gatinhos e tigres. Francescatti é um tigre.
Ses parents sont musiciens ; son père, Fortunato Francescatti (1858-1923), lui-même violoniste, a été formé par Camillo Sivori, le meilleur élève de Niccolò Paganini. Zino Francescatti est un enfant prodige, il se produit en public avec le concerto de Beethoven à l'âge de dix ans. Ses débuts lui promettent une carrière brillante ; cependant, son départ pour les États-Unis avant la guerre et sa semi-retraite pendant la durée du conflit la mettent quelque peu en veilleuse. Francescatti garde toutefois intacte l'admiration de ses pairs, et après la guerre, surtout dans les années 1950, il est un virtuose mondialement demandé.
La carrière de Zino Francescatti est marquée par quatre autres artistes : Jacques Thibaud, qui le protège et l'encourage, Maurice Ravel, dont il est l'ami et l'interprète le plus fidèle (l'équivalent de Vlado Perlemuter pour le piano) ; Bruno Walter, qui le dirige souvent et avec qui l'entente est parfaite ; et Robert Casadesus, avec lequel il forme un duo de choix.
Parmi les élèves de Francescatti, on compte Aurélia Spadaro, Gaëtane Prouvost, Régis Pasquier, Ayla Erduran (en)1.
Il prend sa retraite à La Ciotat, où il vit seize années paisibles jusqu'à sa mort en 1991. L'année précédente, la ville donne son nom à son conservatoire municipal de musique et d'art dramatique, lors d'une cérémonie en sa présence et celle de son épouse Yolande Potel. Celle-ci lègue au musée de la ville photos, partitions, et son premier violon d'enfant. Yolande Francescatti est décédée en 2001.
Zino Francescatti jouait sur le Stradivarius de 1727, le Hart, qu'il a cédé en 1987 à Salvatore Accardo.
Il y eut Zino Francescatti et Christian Ferras....
alain morel what a beautifull reaction!
Франческатти скрипач от Бога.
@MyDarkerstRose there's dispute over that, some call it a muical host. This piece was very different from Vitali's style and also it had several modern elements not seen in his era like changing the key signature.
а если честно переслушал всех и при все к ним всем уважении Zino отлично справился и сам инструментовал..слушал Додика и Натана и Артюра и Яшу конечно же го драматичная она более у внучатого ученика Паганни!ведь его Отец назвал не Зино а Рене мой мальчик родился 9 августа 1902, Марсель - 17 сентября 1991, Ла-Сьота и хотел бы чтобы он стад адвокатом но услышал отзыв Фрица Крейслера что его надо учить и поэтому отец в молодости сам занимался у единственного ученика Н.Паганини ..Камило Сивори ...и поэтому Зино а то есть Рене играет просто превосходно!!!виват итальянская школа
А мне очень понравилась эта Чакона в исполнении скрипача-композитора Й.Сук. Он там сделал собственную вариацию, очень интересную, гармоничную и неожиданную. И сыграл превосходно. Послушайте, надеюсь вам понравится. ruclips.net/video/WpPujJZtVkQ/видео.html
💯❗💕👏
У Франческатти не всё однозначно блестяще, но его Чакона непревзойденная.
Fantastico
@tudoryka79 I think the reason my original comment is so highly rated is because it shows that two players can sound completely different and have totally different styles and yet sound equally artistic and beautiful. Now let me ask you something: Who do you think is dumber, the "American" who finds great beauty in two completely different interpretations or you (wherever you're from) who is completely close-minded to one style of playing? I'll let you sleep on that one.
Гениально!
We watch this everyday so my 10 year old son can learn how to sound like Zino when he plays the Vitali Chaconne!
최고!