Excellent rendition by Abhyankarji 🙏🏼 Excellent discussion and explanation of the Raga Kedar… Mukundji has a very beautiful voice… Brilliant programme!
उनई में मेरो चित लागो ये री मैं देखत भई बाबरी ....... राग केदार पर आधारित बंदिश को बहुत मधुर आवाज मनमोहक अंदाज में प्रस्तुत किया है संजू अभ्यंकर जी ने अभिनंदन शुभकामनाएं बधाई राग शिक्षण के लिए पटल को धन्यवाद आभार धन्यवाद
पंडित संजीव अभयंकर जी को अनेक नमस्कार। मधुमय आवाज। महान वैदुष्य। बहुत ही ललित,सुरमयी आलाप, फूल जैसा कोमल गमक,मीनड, सुमधुर भावना,सब महत्वपूर्ण हैं।ला जवाब हैं। He is wonderful. Very very effecient as a teacher of music...giving so many similies in the explanation. Great guruji. His students are very fortunate. My heart felt thanks to the chanel. The interviewing members are doing a great job.. Dr. Nandita Data ji.....is an excellent interview er. It is a very beautiful way of interviewing... Lecture demminstration on film songs based on classical ragas is wonderful. Very educative. My regards to one and all.
वाह! गुरुजींची आठवण करून दिलीत. छान माहिती दिलीत आभार व्यक्त करतो. मला वाटतं की ताल विभिन्न ताल यांची माहिती ज्ञान दिलं गेलं पाहिजे त्याशिवाय संगीत अधुरे आहे जसं की रूपक ताल, झपतल,dipchandi वगैरे वागे
a lot of Hindustani ragas used in Malayalam film songs ..similarly Kalamandalam Hyderali s sucess is he used Hindustani ragas in kathakali songs probably for the first time ..
Absolutely phenomenal presentation by Pt. Sanjeev Abhyankar ji. However, there is a feeling of tickling superficialness about his Jaane de mori - compared to his Guruji and I think it is because of his approach to the voice treatment. The older generation had a tinge of real world authenticity which is lacking in stage version smoothness of the next generation. Kala Ramnath being an exception due to violin and her treatment of the instrument.
Two very important and essential elements have been overlooked in most of your videos.They are: elaborate and comprehensive raag vistaars and swar sangathees(note cominations or clusters of notes). There is a need to eplain how to take a note in a raag and then combine with other notes to orm a musical phrase in that particular raag for example the note ni in raag yaman-you can combine these notes with ni-mdn- dnrs-nrs-nrg-nrgrs-nrgmp-nrgmdns. Here we can see the note ni being combined with other relevant notes to form phrases. This kind of information would be very useful to all and would be very helpfful in the composition process. Anyway a good effort by Humanities to provide raga information.
This is pure bliss to listen velvet soft voice of Abhayankar ji. Very nice accompanying on harmonium and tabla, Very nice anchoring too. Why programs like this discontinued, It must be resumed as soon as possible
Beautiful rendition, a request if possible do a session on raag Kaushi Kanada. As it is a complex raag, the discussion will be a great help for students to understand it.
राग केदार बंदिश
ताल - रूपक
"ऊन ही सो मेरो"
ऊन ही सो मेरो चित लाग्यो
एरी मेतो देखत भयी बावरे
बिन उन मोहे कलना परत है
जब से देखी मूरत मधुर आये
कलना परत है, इसका क्या अर्थ होता है?
Thanks for details,,
@@Aman-et3rq,, Kal Matlab chain or peace,,,,,naa parat Matlab nahi padataa,,, means I am not at peace without you,,,
Thank you 😊 so much
विरह श्रृंगार और भक्ति राग केदार की बंदिश में प्रमुख रूप से हैं ...... बहुत सुंदर संदेश दिया है अभ्यंकर जी ने सादर अभिनंदन शुभकामनाएं बधाई
Excellent rendition by Abhyankarji 🙏🏼 Excellent discussion and explanation of the Raga Kedar… Mukundji has a very beautiful voice… Brilliant programme!
Is rag ko itni achhi tarah prastut kia hai kya kahu bas sunta hi rah gaya 🙏
Pandit ji rendered this raag so beautifully in his sweet voice.
Pranam to him and thank you for organizing such sessions.
Sanjeev abhyankar is the greatest magician of sound.
बेबस में कर्म कीजिए सरकार मदीना ....
हमको मन की शक्ति देना मन विजय करें दूसरों की जय से पहले खुद की जय करें ....... बहुत अच्छा गाया है बधाई
प्रणाम गुरु जी। आपको साक्षात सुनने का अवसर प्राप्त हुआ था। ये मेरी खुशनसीबी है। अत्यंत सुंदर
उनई में मेरो चित लागो
ये री मैं देखत भई बाबरी ....... राग केदार पर आधारित बंदिश को बहुत मधुर आवाज मनमोहक अंदाज में प्रस्तुत किया है संजू अभ्यंकर जी ने अभिनंदन शुभकामनाएं बधाई
राग शिक्षण के लिए पटल को धन्यवाद आभार
धन्यवाद
Jo interview le Rahi hain unki Aawaz bilkul Sridevi ji se mil Rahi hai। Bahut madhur
Great explanation of raag with real time examples and obviously what a wonderful rendition.
these are real Marathi Manus who are pride of Maharashtra not the lousy politicians who are doing best to finish this legacy
What a sweet voice of Sanjay ji I hv seen him when he was young playing tanpura with Pandit Jasraj Sharma ji Great performance
Ati sunder. Superb performance and presentation. please take the classical music to it's greatness.
Thank for the channel and its organisers. Their imagination and hard work speaks a lot.
जाने दें मोहे तोरी पिहरवा
का मानूं ......पैंया पड़ू तोरे...... बहुत सुंदर गायन अभ्यंकर जी सादर अभिनन्दन
Mukund Phansalkarji has such a beautiful voice,,so much bhaav in his voice.!!
C
Yes...very soft n soothing..
Only one word comes to mind for this episode (summing up the hosting, co-hosting, tabla, and of course Sanjeevji) -- just *class* .
पंडित संजीव अभयंकर जी को अनेक नमस्कार। मधुमय आवाज। महान वैदुष्य। बहुत ही ललित,सुरमयी आलाप, फूल जैसा कोमल गमक,मीनड, सुमधुर भावना,सब महत्वपूर्ण हैं।ला जवाब हैं। He is wonderful. Very very effecient as a teacher of music...giving so many similies in the explanation. Great guruji. His students are very fortunate.
My heart felt thanks to the chanel.
The interviewing members are doing a great job.. Dr. Nandita Data ji.....is an excellent interview er. It is a very beautiful way of interviewing... Lecture demminstration on film songs based on classical ragas is wonderful. Very educative.
My regards to one and all.
खूप सुंदर..माहिती सांगणारा प्रोग्राम..पंडित संजीव अभ्यंकर जी आणी मुकुंद जी बेस्ट..
So sweet raaga
Sanjeev ji nmukundji 's rendition of female song was so exhilarating! So melidious
खूप च सुंदर
खूप च मार्गदर्शक
आणि खूप उपयुक्त युट्युब चॅनेल
मनःपूर्वक धन्यवाद
राग दारी संगीत में लय पर बहुत अच्छी बात कही है संजू अभ्यंकर जी ने अभिनंदन
This is Bhagwan Shivji’s raga. One of the sweetest ragas!
That is Raag Bhairav.
Bhairav is an adi raga.
This is Lord Krishna's raag
Sunder Apratim Melodious Voice.. Also detailed Information about Kedar Raga. Thanks. 🌹🌹🌹🌹💐💐💐💐👌👌🙏🙏🙏🙏
Raag Bhairav is the favorite raag of Shivji. Raag Kedar is the favorite Raag of Lord Krishna.
@@sawtantardevarif5561 but Kedar means shiv.
Wonderful artists!! Thanks for presentation!
Abhyankar ji is a legendary singer
दरशन दो घनशयाम मोरी अँखिया प्यासी रे
Aye watan mere watan from the movie Razi is also based on this raag
Mesmerizing voice, taking us to another world, God bless you
अरे पंडित जी कितना मधुर आपको प्यार और प्रणाम दोनों
मनोहर प्रस्तुति । अच्छा संयोजन। शिक्षण का सुंदर प्रयास ।
I found this channel very informative 👍 wonderful performance 👌
Very melodeous rendering
Love rupak tal 7 beats
वाह! गुरुजींची आठवण करून दिलीत. छान माहिती दिलीत आभार व्यक्त करतो. मला वाटतं की ताल विभिन्न ताल यांची माहिती ज्ञान दिलं गेलं पाहिजे त्याशिवाय संगीत अधुरे आहे जसं की रूपक ताल, झपतल,dipchandi वगैरे वागे
Lovely this helps us so much... School ki prayer yaad agayi.. Hamko man ki shakti dena.
Oh just reached to 15th minute 😂
My favourite Sanjeev abhyankar ji🙏🙏🙏
मेरे ज्ञानके अनुसार कोमल निषाद इस्तेमाल करनेसे वो चॉंदनी केदार होता है.
मन भावन मन को शांत करनेवाला धन्यवाद
ഈ രാഗത്തിൽ ദേവരാജൻ മാസ്റ്റർ . മലയാളത്തിൽ കംപോസ് ചെയ്ത ഒരുപ്രസിദ്ധ മായ ഗാനമുണ്ട് അതാണ്.. ചക്രവര്തിനി നിനക്ക്. ഞാനെന്റെ ശില്പ ഗോപുരം തുറന്നു എന്നത്
ഞാനുമുണ്ടിവിടെ
a lot of Hindustani ragas used in Malayalam film songs ..similarly Kalamandalam Hyderali s sucess is he used Hindustani ragas in kathakali songs probably for the first time ..
Nyanum undu
"അലയുമെൻ പ്രിയതര മോഹങ്ങൾ " എന്ന ഗാനവും കേദാർ രാഗമാണ്. ചിത്രം : സമുദായം 1995. ദേവരാജൻ മാസ്റ്റർ.
1:20 aroh avroh
2:57
Vadi - ma
Samvadi - sa
Raag me komal ni ka prayog - 4:00
Slight use of komal ni
Jai ho........Bahut sundar.....
Kya baat hai.
What an explanation and analogy. So so beautifully explained.
🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼🙏🏼
Excellent explanation by pt.sanjev abhyankar
Very. Nice
Bahot hi shandar aap ne bahot hi jankari di hai
Absolutely phenomenal presentation by Pt. Sanjeev Abhyankar ji. However, there is a feeling of tickling superficialness about his Jaane de mori - compared to his Guruji and I think it is because of his approach to the voice treatment. The older generation had a tinge of real world authenticity which is lacking in stage version smoothness of the next generation. Kala Ramnath being an exception due to violin and her treatment of the instrument.
Thanks a lot for sharing
Really a great presentation of raag Kedar. Thanks very much.
So magical
Sanjeevji aap Hamesha Rulate ho. Aapki jay ho
Is rag kedar closer to hamir kalyani some one pls explain
Very fine
Wah.
❤️❤️❤️❤️❤️❤️
Great work Vivek Apte ji We love U❤❤❤😍😍😍😍🦋🦋🦋🦋🦋
🙏🌻🙏
What a great performance❤️❤️❤️❤️
Beutifu sir
Great Job Guruji 🌹🌹
Nice 👌
I am a huge fan of sanjiv ji since college days,,,wen i started learning music..
Two very important and essential elements have been overlooked in most of your videos.They are: elaborate and comprehensive raag vistaars and swar sangathees(note cominations or clusters of notes). There is a need to eplain how to take a note in a raag and then combine with other notes to orm a musical phrase in that particular raag for example the note ni in raag yaman-you can combine these notes with ni-mdn- dnrs-nrs-nrg-nrgrs-nrgmp-nrgmdns. Here we can see the note ni being combined with other relevant notes to form phrases. This kind of information would be very useful to all and would be very helpfful in the composition process. Anyway a good effort by Humanities to provide raga information.
Thank you very much for this preparation.
राग को समझाने का तरीका बहुत सुंदर है नमस्कार
Hi its 115am in tnt west Indies n listing to u guyz. Hmm it one of d smoothest flowing aakaar ive heard. Gr8 r u guyz. Thanx men. Well done !!!
wonderfull pt ji,raag kedara perfarmence
Sanjivji has nicely explained the concept of raag timing.
Excellent , very much understand about raag kedar ,
Lovely! He has a great deal of maturity. Very polished performance. Thank you for posting.
Very nice presentation by panditji. My regards.
What a knowledgable person !
Beautiful abhyankar ji
Nice to come across and listen.,.... best wishes too.
keep it up-Superb
Heart tuch song
Kedar, Tilak Kamot & Bageshree are very close to each other. How does one know from light songs?
No sir....yeh sabhi...bahut hi alag alag nature ke raag hain ...inmein zameen aasmaan ka fark hai
Challan and Key Phrases
How to differentiate between kedar and hamir kalyan
Kedar in carnatic is called hamir kalyan
How sweet !!!!!!!!!!!!!!
This is pure bliss to listen velvet soft voice of Abhayankar ji. Very nice accompanying on harmonium and tabla, Very nice anchoring too. Why programs like this discontinued, It must be resumed as soon as possible
Very nice for music lovers and learners.
Bahut hi sunder
very good discussion and music
Nowaday his not performing and showing his 5alent. Why?
सुंदर!🙏
Thank you very much for posting these videos.
Unless already posted, any plans to include Rag Saraswati and Bhairavi?
Thx.
Pl tell me anyone what is the besic different in between rag keder and kamodi
Thank you, Panditji !!!!
Anjana
Excellent performance
15:09❤❤❤❤❤❤❤❤
Beautiful rendition, a request if possible do a session on raag Kaushi Kanada. As it is a complex raag, the discussion will be a great help for students to understand it.
Very informative.Beautiful rendition
🙏🎶 very beautiful
Biutifull
excellent !
Be kas pe karam kijiye from the movie Anarkali( 1953) falls under this rag?
Yes ..u r right...even Humko man ki Shakti dena is based on kedar
But bekas pe Karam kijiye is from Mughal e aajam
beautiful vow
Great.
तबला और हार्मोनियम का साथ सुपर
Beautiful explanation
Who is the guy in glasses? He has beautiful voice.
He is Mukund Phansalkar.
He is a sa re ga ma winner...I remember watching him many yrs ago
does he sound like manna de?
his kanha ja sounds better than Lata's version i say!