Excellent video, when I looked at your paintings I always wondered about the process and what the idea would be behind each aspect of the painting, the broken color is what intrigues me the most
I've only seen one painting of his in person, you might see if you can find it online or send an image of the painting to the curator of European art at the Metropolitan Museum of Art
This is extremely helpful! Thank you so much for your generousity in sharing this with the world to help more people enjoy painting! You are so skilled with colour :)
Thank you so much Phil for this video!! I've learned a lot from your explanation!...Great job on the painting, and adding the human element just added more interest. You've added broken colour throughout the entire piece...brilliant :-)
Nice one Phil. Good to see the whole painting process, please do more. Yes Yosemite, a great park, and good place to paint, talk about a" kid in a candy store" for the plein air painter. But with tons of tourists there, all taking selfies, and seemed very little interested in what I was doing, which was pretty darn great for me!!!! :D When I painted there a few times I did mostly small ones 8x10, 9x12. Mostly of the "post card" views, Half Dome, El Cap., and the waterfalls, which should be roaring this year since they got lots of snow this winter. Off season, like March, is good too, some snow still, like you showed at times in your picture, and very few tourists!! I took few pictures then, wish I had, since I'm not likely to go back there.
Also, Phil, your comments about "paint waste" are good, and bring to mind what a couple of workshop teachers used to say about paint, and how much to put out, and use on your work. One said, "Paint like a millionaire", which does not work in the past few years as even many millionaires are no longer millionaires due to the absolutely dreadful economy for everything, including art supplies! Another was to ask us "What your most valuable thing is when painting", many would say their brushes or paints, being so expensive, and he'd say, "No, it's you Time; you can't buy more". And finally, the best one from a teacher, who, seeing our "miserly and stingy" use of paint, on both the palette and the painting, "Forcrisskes, Use Some Paint!!! They'll make more!" LOL ;D
For the other colors in the sky -- the aliz crimson, orange and phalo green color (I think that is what you said it was), do you mix each one with white? I like that light vibration look as you mentioned. This was a very helpful video. Thank you for posting this video.
Phil, did you wait for things to get a bit tacky before doing the final details of the trees, riders & horses? It seems difficult to add detail wet on wet. Love your work! Thanks !
Yes, for those who tone canvas or board, to get a neutral gray color, that would be good. I used to do that with acrylics when I mostly painted wildlife which benefit from a neutral background color, and for mid-tone values, as you paint. Today, I mostly paint on a white panel board for oil landscapes, plein air and all prima, since they often need to be "luminous", and toning only diminishes that.
Huge thank you! So far it's one of my favorite video of yours. I love how you show mixing colors, brush strokes, contrasts etc. it's priceless!
Thanks
I like seeing your thought process with the big shapes and broken color. It's a great painting!
Excellent demo for art lovers and artists. especially for landscape painters. Thank very much.
You're welcome!
Excellent video, when I looked at your paintings I always wondered about the process and what the idea would be behind each aspect of the painting, the broken color is what intrigues me the most
Thanks Miguel, Glad it was helpful!
This is probably my favourite painting of yours...!
Thanks Norm, its for sale!
Wow! I think that’s all I can say about this.😊 Thanks for all you do Phil. I’m so thankful for all you have taught me! God bless you.
You're welcome Christine, God bless you too.
Super excellent work and amazing teacher.The best I’ve ever seen.
Learnt a lot from your videos. Thank you.
Your welcome
This was an exceptional video. Your value explanation and examples was so helpful. Thank you for this one - one of the best..
You're very welcome!
Very helpful...thank you!
I've only seen one painting of his in person, you might see if you can find it online or send an image of the painting to the curator of European art at the Metropolitan Museum of Art
This is extremely helpful! Thank you so much for your generousity in sharing this with the world to help more people enjoy painting! You are so skilled with colour :)
Glad it was helpful! Thanks
Thank you so much Phil for this video!! I've learned a lot from your explanation!...Great job on the painting, and adding the human element just added more interest. You've added broken colour throughout the entire piece...brilliant :-)
You're welcome
This is so good! You are great as communicator, and the edition is also excellent. (The final piece deserves to hang in a very nice wall)
Thank you!
Very interesting to see up close view of brushwork.
Glad you liked it!
Nice one Phil. Good to see the whole painting process, please do more. Yes Yosemite, a great park, and good place to paint, talk about a" kid in a candy store" for the plein air painter. But with tons of tourists there, all taking selfies, and seemed very little interested in what I was doing, which was pretty darn great for me!!!! :D When I painted there a few times I did mostly small ones 8x10, 9x12. Mostly of the "post card" views, Half Dome, El Cap., and the waterfalls, which should be roaring this year since they got lots of snow this winter. Off season, like March, is good too, some snow still, like you showed at times in your picture, and very few tourists!! I took few pictures then, wish I had, since I'm not likely to go back there.
This was excellent. Helps to see. Thanks.
You"re welcome!
That was a masterful lesson! Thank you so much.
You're welcome
Excellent process and art piece!
Thank you very much!
Nice! Love the 3 horsemen.
This is so refreshing. Thanks.
You are so welcome!
Also, Phil, your comments about "paint waste" are good, and bring to mind what a couple of workshop teachers used to say about paint, and how much to put out, and use on your work. One said, "Paint like a millionaire", which does not work in the past few years as even many millionaires are no longer millionaires due to the absolutely dreadful economy for everything, including art supplies! Another was to ask us "What your most valuable thing is when painting", many would say their brushes or paints, being so expensive, and he'd say, "No, it's you Time; you can't buy more". And finally, the best one from a teacher, who, seeing our "miserly and stingy" use of paint, on both the palette and the painting, "Forcrisskes, Use Some Paint!!! They'll make more!" LOL ;D
Thats good, thanks Ron
For the other colors in the sky -- the aliz crimson, orange and phalo green color (I think that is what you said it was), do you mix each one with white? I like that light vibration look as you mentioned. This was a very helpful video. Thank you for posting this video.
Thanks, yes i used white to get all the colors in the sky the same value
@@philstarke.artist Thank you. Did you use titanium white or a different kind of white (one that is not opaque)? Thanks again.
Phil, did you wait for things to get a bit tacky before doing the final details of the trees, riders & horses? It seems difficult to add detail wet on wet. Love your work! Thanks !
I did do the final details of the horse and riders after it was dry, but I do as much as I can wet into wet first.
You don't place your scraped off paint into a jar with mineral spirits for later use as a base layer, or as a grey?
Yes, for those who tone canvas or board, to get a neutral gray color, that would be good. I used to do that with acrylics when I mostly painted wildlife which benefit from a neutral background color, and for mid-tone values, as you paint. Today, I mostly paint on a white panel board for oil landscapes, plein air and all prima, since they often need to be "luminous", and toning only diminishes that.
No, I sometimes use it as a neutral color base, but most of the time I just throw it away
Hi how do I mix iron oxide pigments to get the colour mohawk valley
thankyou
You're welcome!