'I Capuleti e i Montecchi' (2015/16): "Si, Fuggire: a noi non resta" (Acte I)

Fragment del primer acte a l'estrena al Liceu de 'I Capuleti e i Montecchi', de Bellini.
Romeo:
Silvia Tro Santafé
Giulietta:
Ekaterina Siurina
Tebaldo:
Celso Albelo
Lorenzo:
Simón Orfila
Capellio:
Marco Spotti
DIRECCIÓ MUSICAL
Riccardo Frizza
DIRECCIÓ D’ESCENA
Vincent Boussard
ESCENOGRAFIA
Vincent Lemaire
VESTUARI
Christian Lacroix
Robert Schwaighofer
IL·LUMINACIÓ
Guido Levi
PRODUCCIÓ
Bayerische Staatsoper (Munic), San Francisco Opera
Orquestra Simfònica i Cor del Gran Teatre del Liceu
DIRECTORA DEL COR
Conxita Garcia

[@nrico300]

Please would you be so kind to get the credits right! These are not Silvia tro Santafe ans Ekatarina Siurina. These are Joyce diDonato and Patrizia Ciofi!

[@HelenaWilliams8696]

Completa belleza, poder, amor. Una presentación brillante!!!

[@Michele-zp1tx]

meravigliose

[@txellborras5306]

Vam poder gaudir d'una Joyce molt curtida en aquest paper i ens va cautivar una Ciofi que ha evolucionat espectacularment!!Nit genial per una òpera poc comú, amb unes veus blanques de primera. Gràcies Liceu!

[@lorik_shat]

Потрясающее исполнение:) Брависсимоڰۣ✿

[@olivierpantel1682]

Patricia ciofi et Didonato.....

[@ericsteph]

Is Joyce playing the role of a man? Why would they cast a woman for the role of a man?

[@Ennah08]

Not uncommon in opera ... The composer choose what kind of voice he wants for the part.

[@sinyuariellee8048]

Because Bellini wrote the role of Romeo for mezzo-soprano

[@clefnoteproductions6695]

Also if look a history and theater, when Shakespeare wrote all his plays, all roles were played by men because women weren't allowed on stage. Convention in opera was to have sopranos or mezzos sing roles of young boys like Cherubino and Octavian who are about 15 in the opera as are Romeo and Juliet. Warriors were usually sung by contraltos because they were older men and a little more dramatic even though in Rossini they had to have very agile voices. Look at the history of castratos and why they were prominent in 17th 18th and part of the 19th century. One even lived into the early 20th century and recorded sacred music. His name was Alessandro Moreschi