Do you usually run your ambiance effects post attenuator DI? I've found the EHX MIG-50 can have pretty limited headroom. I don't know why it took me this long to realize you could use an attenuator as a faux FX loop with cab IRs.
yeah! The Weber is nice because the line out is just a normal 1/4" TS output-gotta watch the volume since it's line level, but it works perfectly fine for me when recording stuff direct into stereo IRs
pumped.. maybe now i i can finally unlock this pedal... And maybe grab a poly phrase... My initial impressions were really underwhelming, but will give these settings a go.
haha yeah, I guess I was surprised at how subdued it can be, but it certainly doesn't have to be that way. Love it in a mix, it really fills things out without fully overtaking your playing if you don't want it to
@@ambienttrash5234 I feel like this works very well with your style of stacking a lot of individual parts and you get to control each layer with out washed it its. It also sounded awesome on drums.
Your playing made me feel energised, calm, at peace and wistful, all in the space of a few minutes. Thank you.
These reviews/demos/jams are so good . Informative and super well produced. Tasty stuff.
thank you!
Ooof! So good, as always.
sounds so good!❤❤❤❤
what a banger!
Do you usually run your ambiance effects post attenuator DI? I've found the EHX MIG-50 can have pretty limited headroom. I don't know why it took me this long to realize you could use an attenuator as a faux FX loop with cab IRs.
yeah! The Weber is nice because the line out is just a normal 1/4" TS output-gotta watch the volume since it's line level, but it works perfectly fine for me when recording stuff direct into stereo IRs
Hell yes
pumped.. maybe now i i can finally unlock this pedal... And maybe grab a poly phrase... My initial impressions were really underwhelming, but will give these settings a go.
haha yeah, I guess I was surprised at how subdued it can be, but it certainly doesn't have to be that way. Love it in a mix, it really fills things out without fully overtaking your playing if you don't want it to
@@ambienttrash5234 I feel like this works very well with your style of stacking a lot of individual parts and you get to control each layer with out washed it its. It also sounded awesome on drums.
Man can't decide between this or OTO BAM. Playing it through synths and guitars about 80/20