Bach: Sinfonia to Cantata No.42 | Academy of Ancient Music
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- Опубликовано: 6 сен 2024
- JS Bach's Sinfonia to Cantata No.42, from a live performance by the Academy of Ancient Music on original instruments.
Visit www.aam.co.uk to find out more about the orchestra and its music
Academy of Ancient Music
Richard Egarr (director & harpsichord)
Recorded live at West Road Concert Hall, Cambridge in September 2011
As a faithful fan of the AAM and Christopher Hogwood since they began, it is so heartening to see that the group is still as wonderful as ever, now in the safe hands of Richard Egarr.
Thanks for sharing - those period instruments create a wonderfully rich sound.
Very nice, a dream of harmony and peace 🌺🎶...Bach
I thoroughly enjoy this tempo.
Love it! wonderful playing..... thank you. More, more, more, please.....
A great bond of trust existed between the ensemble members and the harpsichordist/conductor, for all to perform at this level of excellence. I've often wondered how one could direct with one hand and play with the other, but what happens when both hands are needed? No one missed a beat! 🎶🎵
Beautiful. Sublime - Thanks! You are wonderful!
A delightful recording.You really make this piece come alive.
Thank you Richard and your orchestra! Sublime..... and I weep.
Absolutely superb! The Master's piece played by a masterly orchestral ensemble.
Great attention to detail - a very original interpretation. Spectacular performance from a very skilled ensemble directed by a phenomenal harpsichordist and conductor. I like the continuo he was providing a lot - learning to do that myself - though I doubt I'll get up to that level! Anyways, spectacular video!
Utterly beautiful. Brilliant musicians, fantastic.
Ian Needs . La
Thank you for uploading this wonderful and timeless music.
excelente cada dia me sorprennde mas esta maravillosa musica. Awesome performance
¡ felicidades a cada uno de los integrantes de la academia por el ímpetu, vigor y dinámica expresiva interpretativa de la sinfonía correspondiente a la Cantata No. 42 ! AMDG
Magnificent! Many thanks for this video.
Wonderful!
Merci !
Absolutely lovely! I love you guys! :)
This is why I subbed!!!
The sinfonia is absolutely wonderful, and marked Tempo ordinario -- don't know why everybody takes it so fast. It's a long piece however you slice it, but exquisite.
Agreed. It is About an evening atmosphere.
@@jacobusbinnema3096 Good observation!
Another wonderful variation of this JSB Canata which I love to death. The Gustav Leonhardt is equally beautiful too. its all about splitting hairs but for the audience that wants a challenge should listen to the Leonhardt cantana too. I love this one, but I'm also diverse...
Excellent brave
Deus seja louvado!
Nice!
3:47 violaaaaa!
Yes you are right it is the violas. If you listen carefully you can hear them all the way through the work.
@@grahamnancledra7036 them? There’s only one.
@@tootsiefrootsie5987 Is this the prelude to a load of Viola jokes?
What's the difference between a viola and an onion? No one cries when you cut up a viola.
No- it’s just surprise at you finding more than one viola when there’s clearly only one person playing viola there.
Too fast ! Slow it down and let the Music breathe ! I recommend the Recording by The New Irish Chamber Orchestra at St. Patrick's Hall Dublin Castle c. 1977 under the definitive Direction of John Beckett.
🙏❤️
the champions da-da ddy -dy!
👍
I must ask this, I noticed that they are performing at A=432 instead of A=415 (which is what I've heard it performed by many other baroque orchestras seeing as it was published, or first performed, in 1725) [And also, the pitch in Germany in the 18th century was A=415] So I must ask: Why use classical instruments instead of baroque instruments?
+Jay Preis
I apologize for my use of temperament when I meant pitch, but I believe the point still stands in that both were wildly variable. Temperament more often based on the composer's/performer's preference, it seems.
Fascinating discussion! Thank you for educating me.
Agreed! It is fascinating and caused me to research the matter. I had no idea. ...and I thought I was fairly knowledgeable in this area. Thanks from me as well.
The reason for the Classical instruments in this performance were that this clip was part of a concert demonstrating the birth of the symphony from its origins in the sinfonia to cantatas such as this through to Haydn ( you can buy the CD if you like because AAM recorded the programme). A choice had to be made about whether to use Baroque or classical set up as it would have been impractical to swap from Baroque to classical within the same concert . The winds effectively dictated the pitch and instruments in this case as it’s not particularly advisable to play a Haydn symphony on a classical oboe or horn. I hope this answers the questions and somewhat snide remarks from above! 😃
If Jesus is the revelation of the heart of God, it’s very good news about the nature of God.
the only dislike is defenitely not human
E flat?