Really really cool. Could you explain how you are connecting Keystep and Sub? I'm having a hard time grasping how you are playing it like this, it almost sounds like there is another synth in there at times ;-) Really fascinating. The Sub's sequencer is constantly running and you are modifying the VCO's pitch with the Keystep? Is that what is happening? Thank you!
Thank you! If I remember correctly I control with Keystep only pitch of Osc1. Osc2 is controlled by Seq2 (It's important to remember about normalization: if there is no input to Osc2 pitch it copies voltage from Osc1 pitch input. Here I connected Seq2 out directly to Osc2 pitch to break normalization. But now I think it would be easier to switch controls between Oscillators.) Seq1 was connected to DFAM Noise level to make this kinda complex rhythm. And important part is Keystep Gate output. It was the only source of triggers for Sub and Gate width affects sound as well. Osc1 - melody from Keystep Osc2 - simple bass 4-step sequence triggers from Keystep
Thanks! There's only Keystep with 1 gate and 2 CV outputs, no other midi. That case had only some utilities: attenuators, slew limiter, mixer. And Soma Lyra FX, it doesn't add much here. All this track is interaction between 4 sequencers: one from DFAM, two from Subh and one playable from Keystep (I used here its both sequencer and arpeggiator modes)
Thanks! It was year ago and I'm still learning all this stuff. Haven't done so energetic tracks since this though. Drums and percussion is my weak point XD
Not many people are using the SUBH and DFAM to make something that actually hits. Nice to see you can do something besides ambient with it.
It souns like a C64 chiptune. I litterally love it. Brillant, dude !
very awesome!
Really really cool. Could you explain how you are connecting Keystep and Sub? I'm having a hard time grasping how you are playing it like this, it almost sounds like there is another synth in there at times ;-) Really fascinating. The Sub's sequencer is constantly running and you are modifying the VCO's pitch with the Keystep? Is that what is happening? Thank you!
Thank you!
If I remember correctly I control with Keystep only pitch of Osc1. Osc2 is controlled by Seq2 (It's important to remember about normalization: if there is no input to Osc2 pitch it copies voltage from Osc1 pitch input. Here I connected Seq2 out directly to Osc2 pitch to break normalization. But now I think it would be easier to switch controls between Oscillators.)
Seq1 was connected to DFAM Noise level to make this kinda complex rhythm.
And important part is Keystep Gate output. It was the only source of triggers for Sub and Gate width affects sound as well.
Osc1 - melody from Keystep
Osc2 - simple bass 4-step sequence
triggers from Keystep
Very nice jam.
Thank you!
cool modular case you made, what are you using for the midi to cv
and how did you set it up!
Thanks! There's only Keystep with 1 gate and 2 CV outputs, no other midi. That case had only some utilities: attenuators, slew limiter, mixer. And Soma Lyra FX, it doesn't add much here.
All this track is interaction between 4 sequencers: one from DFAM, two from Subh and one playable from Keystep (I used here its both sequencer and arpeggiator modes)
@@hobbothmusic that controller has cv out
This sounds amazing!
damn, this is strong. I would have liked the snare less prominent.
Thanks! It was year ago and I'm still learning all this stuff. Haven't done so energetic tracks since this though. Drums and percussion is my weak point XD
Damn, this is sick!
Excellent patch.
Thanks!
Compelling and inspired.
Thank you! I hope I'll upload something new soon.