How to EQ a Kick Drum
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- Опубликовано: 16 июн 2022
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In this video, Sweetwater‘s Nick D‘Virgilio demonstrates just one of countless ways you can EQ a kick drum to achieve the booming, punchy results you seek. What are your favorite methods for recording and EQing kick drums? Leave it in the comments!
After you watch, check out Sweetwater.com today for all your music instrument and pro audio needs! 👉 imp.i114863.net/YgxjNq
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Learn how to shape your ideal kick tone with EQ. Sweetwater's Nick D'Virgilio shows you how. Check out more recording content from Sweetwater 👉 bit.ly/3tt3jEz
“How to x” would make a great series.
Another series that would be very helpful for musicians that would also help increase sales would be a “how to make x sound using fm synthesis.” If you had a series showing how to make useful sounds using fm (ie - guitar, woodwinds, brass, etc) then a lot more people would be willing to buy/use fm synths.
Please do this with snares, cymbals, and toms! I loved this video
and with overhead, and with room, and with bass, and with guitar, and...
@@righteyeball fr
Been using this 'frequency sweeping' technique for a long time. A great way to get a quick basic drum mix cleaned of the most offensive and problem frequencies. Especially when you don't have much time for a sound check.
Band pass mode. Available in both the 1 and 7 band versions of stock EQ, by holding Ctrl+Shift (Start+Shift on a PC) the plug-in enters band pass mode and passes only the frequencies for the currently selected band based on its current frequency and Q settings. Just hold the modifiers and grab frequency or Q. Gain becomes inactive in band pass and shelving filters audition as bell filters.
One of my goals is to find the fundamental pitch of the Kick as a foundation, around 50Hz. Great lesson, Nick!
Are there more videos with this guy? I would love to watch him talking through mixing drums more
Love this detailed breakdown of EQing drums!!! Looking forward to the vids for Snare, Toms and, Overheads!!!
This was the best video that I have seen so far on this subject. A Fantastic Job and very enlightening, Nick. I would like to interject that I would begin with reversing the PHASE of the Overhead to see how that changes the sound of the Kick, and then the snare and Toms (when you add in Tom Mics). After determining if you need to flip the Phase of the Overhead mic - proceed to possible Phase manipulation of the Room / Distant Mic. These functions greatly change the sound of the Kick and other Mics.
Yes the best point is have a decent sounding drum to begin with. Years ago I was the house engineer at a club that had 5 and 6 bands a night play. You wouldn't believe the crap that came in. Kits that heads hadn't been changed in years. I used to keep a D4 in the rack so I could use the audio from the kick mic to trigger a sample.
Thank you for going into detail about your rec process and mics. Much appreciated
Man, a great breakdown here, Nick. Between you and Mitch (and your amazing reps and service), it's specifically why I exclusively shop at Sweetwater.
This is a really great video. Please do a video on snare drums and the whole kit. Nick is the best 👍🥁
Great video!! Nick is awesome!! His work with TFF was phenomenal!!!
I’ve been waiting for this video! I started with the Yamaha EAD10 (also demoed by the legend Nick D!). I started micing my kit for my Channel but have been in need of a “Nick” video for mixing and EQ 👌
Thank for the video buddy! Very simple but real good. 🤓👏🏻👍🏻
Exactly..All the mikes affect the kick drum sound..and my 3 Tom mikes together ..really help the kick drum sound...
Thank You ! Nice grooves too.
Thanks, this video was helpful.
Great job Nick!!!!
Such a great video! Thank you!
I saw this dw in a different video and I’ve got a feeling whoever makes these videos loves the color of that kit
Your voice is at volume 10 and the drums I’d really like to hear are about a 6. Yes I’m listening on good headphones.
You are a really true drums expert.
Thumb up :)
Man oh Man !
Great suggestions !
Great tutorial
nice playing
Aloha!
Incredible tutorial. Never had my kick sound so amazing. Nick D‘Virgilio's demonstration was very helpful! Is there any chance you guys would do all parts of the drums? Would love more videos.
Mahalo
Very nice tutorial.
Thank you very much!
👍
The best wisdom..on the internet...my feelings...also..thank you ..
Thank you so much!!!
Thanks for your kind & perfect lesson so if you can kindly continue to how to add the compressor with or without limiter to get final best drum sound 🌹
Awesome mic.
Awesome vid. I am going to experiment with my kick. Use a Sennheiser E602 II on it.
Great video!
Very underrated channel!
Thx man ☺
Holding out for the snare edition...
Good in depth video. My one suggestion is to always use your ears and identify a pitch to be reduced, and be very deliberate about taking out ONLY what your ears told you were problem frequencies. This is in contrast to 'sweep and destroy', as demonstrated at 22:55. You will always find gross overtones and harmonics in this way, and all of a sudden you'll have a dozen notches.
I love the sweep and destroy method, however I would never do it boosted to the max as shown in this. Personally I set the Q as tight as I can, boost it by about +5-6db, then sweep through. I find that way it highlights the problem frequencies without making everything sound like a problem. This is actually a tip I got from watching another RUclips creator, because as you said, as soon as you boost by +15 or more db you start finding gross harmonics everywhere.
"EQ is everything!"
- Eddie Kramer
Fab Filter Pro-Q is an amazing EQ plugin. It has all the features of your various EQs, all in one.
This is so helpful. Thank you, Nick and Sweetwater!
Years ago, I made live drum samples with my first Tama Drum Kit. Using them in my Midi Production, I wanted to adjust the fine pitch on a few hits of the bass drum in order to humanize it. At that moment, I realized that EQ cannot always get you the tone. Play around with pitch in order to match the tempo of the song. In a slower song, you would expect to hear more decay and tone from the Kick. Faster songs would have shorter decay and slightly higher tone.
Thanks for your videos Nick, they are always a font of inspiration! Is an Aluminium Starphonic snare drum in this set?
Can you do a video explaining what mid/side is all about?
Hi.
thanks for all information.
I have 2 questions.
1. do we absolutely need 2 kick drum microphones (kick in & out)?
2. how different are the mix processes between kick in and kick out?
kind regards
14:17 cool now i know how to get that sound, thanks
What about live set for concert set?
please tell me the name of recording machine model and the software used in your video. Are they bundle for sell?
please what software do you use for your recording
Nick knows more about this shit than i usually give him credit for
i love john lovitz
Nick does the best demonstrations.
How do you connect an analogue mixer to logic pro x or any DAW? Can you individually connect all music instruments to the DAW?
You can simulate the Massenburg thing by adding a multiband compressor. Turn the thresholds down so that there's zero compression, turn off all bands other than one, and center that on the frequency of interest. Easy Peasy.
What UA Apollo device do you have that the Massenberg EQ comes with it? I think you may be mistaken. It's $149 on UA's website right now.
When did Jon Lovitz learn to play drums? lol
I'm just kidding. I love your videos Nick..
what's the snare drum... looks like a Ludwig but which one?
Why songs have to start from beginning to end?
The M82 has a high shelf boost switch not a high pass.
Sennheiser e902 is the best (imho)
My Bad (Future Sound) didn't read your post!!!!
Very cool video but you can't discuss Eqing drums without discussing phase relationships first.
I like to roll off most of the higher frequencies, reducing the papery sound and leaving more of a thud. If you overdo this though you can lose all the character in the sound.
💙👊😎
Looks like a snake coming in to see whats going on at 2:57😂
It Sounds Like Tama Drums
Is chapter book 📖 and studio album 💿 same or different from each other?
are you high?
@@tylercrews9025 heck no it’s a music question I gotta answered.
60 kick 100 bass g
Ead10
I don't think you can discuss mixing drums, especially if you specifically tackle the bleeding and how EQing one mic affects the sound of other sources, without talking about phase relations and polarity flipping, even more so when EQing a low frequency source such as the bass drum...
First to like
But not the last!
@@budgetguitaristcom for sure bro😅😅
the last will pop up 2090😅
your voice is much, much higher volume than the kick drum ...
Jealous….
Nice try, Mr Jon Lovitz. Nice f**king try.
Your doing it wrong my friend.
Too much talk
i didnt hear any change cause of my cheap speaker system but i also dont like the sound of that garbage bassdrum.
Get a good speaker with a big diameter ( bigger than the hole), place it in front of the hole plug it in the mic input, then EQ like you want in post prod.
as usual the problem comes when you add the other instruments especially guitars.. it's easy on its own
Ead10