The new music Tonal Scale is as thus: 12 7 5 2 3 : 1 4 5 9 14 Not 12 with 7 & 5 BUT 14 with 9 & 5 [2^(1/14)] These are the Tonal Scales growing from f (by cycles of fifths): All Scales build from the first mode: equivalent to Lydian f White keys are = & Black keys are | 12 with 7 & 5 [2^(1/12)] =|=|=|==|=|= {1,8,3,10,5,12,7,2,9,4,11,6} 1thru7are= 8thru12are| 7 with 5 & 2 [2^(1/7)] ===|==| {1,3,5,7,2,4,6} 1thru5are= 6&7are| 5 with 2 & 3 [2^(1/5)] =||=| {1,3,5,2,4} 1&2are= 3thru5are| Now evolving up the other end 5 with 4 & 1 [2^(1/5)] ==|== {1,3,5,2,4} 1thru4are= 5is| 9 with 5 & 4 [2^(1/9)] =|=|=|==| {1,8,3,7,5,9,2,4,6} 1thru5are= 6thru9are| 14 with 9 & 5 [2^(1/14)] =|=|===|=|===| {1,12,3,14,5,7,9,11,2,13,4,6,8,10} 1thru9are= 10thru14are| Joseph Yasser is the actual originator of the realization, that scales develop by cycles of fifths. www.seraph.it/blog_files/623ba37cafa0d91db51fa87296693fff-175.html www.academia.edu/4163545/A_Theory_of_Evolving_Tonality_by_Joseph_Yasser www.musanim.com/Yasser/ The chromatic scale we use today is divided by 2^(1/12) twelfth root of two Instead of moving to the next higher: the 19 tone scale 2^(1/19) nineteenth root of two I decided to go all the way down and back up the other end: So 12 - 7 is 5 & 7 - 5 is 2 & 5 - 2 is 3 Now we enter to the other side: 2 - 3 is (-1)* & 3 - (-1) is 4* & (-1) - 4 is (-5)* & 4 - (-5) is 9* & (-5) - 9 is (-14)* ignoring the negatives we have * 1 4 5 9 14 Just follow the cycles how each scale is weaved together, as shown above. Each scale has its own division within the frequency doubling, therefore the 14 tone scale is 2^(1/14) fourteenth root of two
+Tunerdude94 Yeah she was breathing in the mic but i feel like its original and where is your bands songs online? Or are you some judgemental person who doesn't have an identity?
+Tunerdude94 Ya man im just stoked on these girls music. There are a lot of Japanese girl bands who are just rocking and im blown away. Better music than whats going on here anyway. My bad on calling you out man.
One of my friends said that to make sure they are putting their all into their singing, a huge breath needs to be taken. He said that when he heard that he was pretty confident that the individual was singing his/her hardest. From that explanation, I have found that bands with more skill, and technical abilities tend to inhale extremely hard. I wish I could remember the link to the choir that he showed me. You could hear the breathing from all the individuals singing. Now I am not saying this is a prerequisite, food for thought.
+Marandal l 70s punk is great as well as 80s. These ladies rock. I just hope SonyJP does not make them change their sound. Also the band Mutant Monster from Japan has a 70s Ramones style punk music if you havent heard them yet.
Awesome ЯeaL 「Hantaikotoba」PV Video.
ЯeaL 好きです！がんばって！
歌い方が随分変わったけど
それもまた良い味出してて
今だからこそ良いって所もあるなぁ
力強くて高くてやっぱり最高だな
いいね、
かっこいい！！
サビ前の『消えてった僕の足跡(耳コピなので間違ってるかもしれませんが…)』が、やみつきです😊
Simply beautiful !!❤
耳コピ歌詞です
間違ってる所があると思います指摘して頂けると嬉しいです！
悲しい記憶を 乾かして僕ら走った
あのカサブタの 奥には小さな傷が
小さな自分の影踏みしめて ｢泣きたいな｣なんて弱い僕
そういえば昨日君に言えたっけ 消えてた僕の足跡
いつだって反対言葉 声は風に消えてく のに
遠く離れてもぅ会えなくなる君に 伝えられない
まだ届くうちに 愛せgoodbye
離れてしまった 二人の距離は今更
旅立つ君を 前にしても戻らないいやいや
キラキラ輝き出した日々 もぅ染まることは無いんでしょ
あの日した約束だって あの場所で君が歌わないでよ
いつだって反対言葉 君は雨で見えない のに
確かに外に眩しい君がいることだけ 分かってるの
もぅ二度と会わない 愛せgoodbye
世界から 色が消えたみたいだ
一言だけ言いたかったのに
君だって反対言葉 あの日した約束も 覚えてたでしょ
僕も反対言葉 忘れたふりで誤魔化した
いつだって反対言葉 物があって良いなんて 嘘
｢頑張っれ｣って伝えに行ったはずなのにどおして 言えなかったの
淡い思い出に愛せgoodbye
愛せgood-byeのとこ
I say good-byeでは無いでしょうか…
サビの疾走感だいすき
この歌が一番好き。
the new SCANDAL!!!!
かっこいいです！
頑張ってください！
遠くから応援しています！
ドラムが軽く弾んでいて乗り易い・・いいね (^^)／
starting to fall in love with Fumiha.. aishiteruu Fumiha-san
This is awesome.
im here coz opening gintama - kagerou ,
and im fallin in love with this band
This band is gonna be added to may Favorites! wuhooo! glad found this band! #REAL
+jeane beatrice capili I feel the same way
+jeane beatrice capili same
Koschi Nikki :)
Where Can i find MP3 download free? I like this one🙏🙏
ゆりかやん♡
みんながんばれ♪
She's literally my Waifu. Kawaii as hell. I wish I could find more of their music in America though.
Update I got a VPN, found literally one more full song lmao.
Update: this was my old account, I was cringey as hell. Still my waifu though.
ワンマン行くでね！1年間会ってなかった分暴れるぜ
The new music Tonal Scale is as thus: 12 7 5 2 3 : 1 4 5 9 14
Not 12 with 7 & 5 BUT 14 with 9 & 5 [2^(1/14)]
These are the Tonal Scales growing from f (by cycles of fifths):
All Scales build from the first mode: equivalent to Lydian f
White keys are = & Black keys are |
12 with 7 & 5 [2^(1/12)] =|=|=|==|=|= {1,8,3,10,5,12,7,2,9,4,11,6}
1thru7are= 8thru12are|
7 with 5 & 2 [2^(1/7)] ===|==| {1,3,5,7,2,4,6} 1thru5are= 6&7are|
5 with 2 & 3 [2^(1/5)] =||=| {1,3,5,2,4} 1&2are= 3thru5are|
Now evolving up the other end
5 with 4 & 1 [2^(1/5)] ==|== {1,3,5,2,4} 1thru4are= 5is|
9 with 5 & 4 [2^(1/9)] =|=|=|==| {1,8,3,7,5,9,2,4,6} 1thru5are= 6thru9are|
14 with 9 & 5 [2^(1/14)] =|=|===|=|===| {1,12,3,14,5,7,9,11,2,13,4,6,8,10}
1thru9are= 10thru14are|
Joseph Yasser is the actual originator of the realization,
that scales develop by cycles of fifths.
www.seraph.it/blog_files/623ba37cafa0d91db51fa87296693fff-175.html
www.academia.edu/4163545/A_Theory_of_Evolving_Tonality_by_Joseph_Yasser
www.musanim.com/Yasser/
The chromatic scale we use today is divided by 2^(1/12) twelfth root of two
Instead of moving to the next higher: the 19 tone scale 2^(1/19) nineteenth root of two
I decided to go all the way down and back up the other end:
So 12 - 7 is 5 & 7 - 5 is 2 & 5 - 2 is 3
Now we enter to the other side:
2 - 3 is (-1)* & 3 - (-1) is 4* & (-1) - 4 is (-5)* & 4 - (-5) is 9* & (-5) - 9 is (-14)*
ignoring the negatives we have * 1 4 5 9 14
Just follow the cycles how each scale is weaved together, as shown above.
Each scale has its own division within the frequency doubling,
therefore the 14 tone scale is 2^(1/14) fourteenth root of two
Help... description use or translate to English leanguage. cause I don't read All
anyone have the other song from this record ? it's called "Hikare"
kerenn gila
ねぇ、３年前の動画ってことはこの時17歳ってことなの？
2023/01/02 10 year After
Colombia
♡♡♡♡♡♡♡♡♡♡♡♡♡
Full videos loser pliss, i am from indosesia😢
no
algum BR
sempre fião :v
+haku tshu I found you again
最近はこの頃とだいぶ歌い方変わったよね
"Sings line"
*GASP*
"sings line"
*GASP*
+Tunerdude94 Yeah she was breathing in the mic but i feel like its original and where is your bands songs online? Or are you some judgemental person who doesn't have an identity?
Andrew B Yeah. I agree that it adds to the song. I was just commenting. I wasn't being critical. :/
+Tunerdude94 Ya man im just stoked on these girls music. There are a lot of Japanese girl bands who are just rocking and im blown away. Better music than whats going on here anyway. My bad on calling you out man.
+Andrew B No worries man. I know how you feel. I aint sweating it
One of my friends said that to make sure they are putting their all into their singing, a huge breath needs to be taken. He said that when he heard that he was pretty confident that the individual was singing his/her hardest. From that explanation, I have found that bands with more skill, and technical abilities tend to inhale extremely hard. I wish I could remember the link to the choir that he showed me. You could hear the breathing from all the individuals singing. Now I am not saying this is a prerequisite, food for thought.
peeps trying to classify this music but my 2 cents is straight forward punk rock. IMO.
+Marandal l 70s punk is great as well as 80s. These ladies rock. I just hope SonyJP does not make them change their sound. Also the band Mutant Monster from Japan has a 70s Ramones style punk music if you havent heard them yet.
Como se llama la cancion
+urabe- mikoto palabras opuestas だと思う
Hantai kotoba
Gracias a las 2 n.n
This is alt rock, not metal
then find more metal bands
+BigNick66 it's jPop. But who cares?)
+Сергей Марков it's not J-pop, it's asmooth kind of J-rock.... J-pop does not sound like this
Is this being advertised as metal?
***** IKR