Johannes Brahms - Symphony No. 1 | Jukka-Pekka Saraste | WDR Symphony Orchestra
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- Опубликовано: 12 янв 2024
- Johannes Brahms' Symphony No. 1 in C minor op. 68 was performed by the WDR Symphony Orchestra under the direction of its then chief conductor Jukka-Pekka Saraste on September 17, 2015 at the Beethovenfest in Bonn.
Historic recording from the WDR Classic Archive.
Johannes Brahms - Symphony No. 1 in C minor op. 68
00:00:13 I. Un poco sostenuto - Allegro
00:13:21 II. Andante sostenuto
00:22:02 III. un poco allegretto e grazioso
00:24:40 IV. Adagio - Allegro non troppo, ma con brio
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○ Introduction to the work:
When it came to symphonies, Johannes Brahms was a late bloomer: he took his time with his symphonic debut until the age of 43. For him, composing a symphony was a "matter of life and death". Beethoven's nine symphonies had helped the genre achieve such a high status and standard that it was regarded as the highest goal of composing in the 19th century. This overpowering shadow of Beethoven weighed heavily on all subsequent composers. To make matters worse for Brahms, Robert Schumann had announced the 20-year-old composer as the new musical "Messiah" in 1853. This advance praise simultaneously inspired and paralyzed Brahms. All subsequent attempts to tackle the symphonic genre were accompanied by self-doubt. He gradually approached the prestigious symphony by writing serenades, chamber music and music for choir and orchestra. Finally, after more than 20 years of preparation, his Symphony No. 1 was premiered in Karlsruhe on November 4, 1876.
Following on from the classical tradition, Brahms devised his own creative means. These included, above all, the principle of developing variation, i.e. the derivation of all important motifs and themes from a core idea. While Beethoven had already laid the foundation for this, Brahms goes much further and covers all movement sections with a dense fabric of motivic-thematic relationships. The 1st Symphony begins with an extended introduction in which the thematic material of the following movements can be heard, including the chromatically soaring melody in the violins, which seems like a desperate rebellion against an overpowering fate. Brahms unfolds an unheard-of tension here by having the strings fight against the persistently hammering timpani (organ point on c). After two less dramatic middle movements, Brahms introduces an alphorn melody and a march theme in the symphony's finale, which has been said to be similar to Beethoven's "Joy" hymn from the 9th Symphony. According to Brahms, no wonder, as "every donkey hears it the same way!". So a deliberate homage to Beethoven? For the renowned conductor Hans von Bülow, at any rate, this symphony by Brahms was "Beethoven's Tenth".
(Text: Tilla Clüsserath) 
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I love the 3rd and the 4th. It is only lately that I'm more into the first symphony. I can't recall such a dramatic symphony like this. We need to grow older to apreciate these beautiful gems.
The melodic theme which opens the third movement (and is often resumed thenceforth) surely counts among the most sublime in the classic repertoire.
Amo tanto. Muito obrigado por nos proporcionar esses momentos de prazer! ❤️🙏🤗🥰
Phantastisch ❤
Dankeschön! 🥰
بہت خوب ۔
hi, im a big fan of your videos, could you please do the monsters inc. intro theme? Thanks so much!! p.s. im subscribed :D
10. Beethoven-Symphonie?
Ich liebe und schätze das WDR Sinfonieorchester sehr, nur, was ist Euch denn da passiert >
Zu schnelles Tempo ( sehr wesentliche Passagen dieser vielleicht genialsten Symphonie überhaupt werden quasi erdrückt, erschlagen ), wenig orchestrale Hingabe, steife und wenig gefühlvolle Bewegungen des Dirigenten, höre ich da viele Patzer nicht nur bei den Bläsern, gewisse Passagen klingen gespielt wie von einem Kammerorchester, wenig symphonische Harmonie der Musiker in ihrer Gesamtheit, irgendwie spielt da quasi jeder vor sich hin, hattet Ihr generell einen Zeitdruck !?
Die Symphonie Nr.1 in C-Moll op.68 von Johannes Brahms gehört zusammen mit der 9. Symphonie von Anton Bruckner zu meinen absoluten Lieblingssymphonien.
Ich kenne daher diese Symphonie sehr gut.
Die Einspielung der Symphonie Nr.1 in C-Moll op.68 von Johannes Brahms mit den Berliner Philharmonikern unter der Leitung von Herbert von Karajan ist aus meiner Sicht unschlagbar und von daher eine Top-Referenz.
Mit besten Grüssen!
Auf welche Karajan-Aufnahme beziehen Sie sich? Er hat mehrere gemacht.
Das mag ich! "Was ist euch denn da passiert ". Für den Laien: Das Tempo gibt einzig der Mann da vorne an, die Musiker haben da kein Mitspracherecht! Der Dirigent ist hauptsächlich verantwortlich für seine Art der Interpretation, die Musiker
sind ausführendes Organ und es gibt keine Demokratie im Orchester! Versuchen Sie es nochmals...
@@leestamm3187
Berliner Philharmoniker, Herbert von Karajan >
ruclips.net/video/yXkL37CqGRw/видео.htmlfeature=shared
Mit besten Grüssen
Das sehe ich anders. Hier entsteht eine großartige Dynamik. Karajan war ein Genie. Aber ebenso wie Casals, der in seinen Interpretationen sehr wuchtig und schmalzig war, so sind Genies eben Kinder ihrer Zeit.
А тема? Тема где? А формы-то нет. Набор звуков, переходов, смен темпа, ритма. На чем основана ,,торжественность,,? Жутко непрофессионально. Думаю, Брамс был музыкальным обманщиком. Не понравилось вообще.
Кошмар и ужас. Ужас и кошмар во всем. Нет ни темы, ни формы. Брамс - обманщик.