Wow, this Sonata is a hidden gem! I have only heard of the name of the composer and never heard the piece, but I absolutely loved the whole 4 movements, especially the first one and the third one. I am also not familiar with Thrax. I love the idea of your channel. I hope many more people will subscribe to your new channel.
Maybe it’s not written by someone with a bigger reputation, but I feel like this deserves all that credit and more. It is really hard to find such a touching piece and this played it so well.❤
And viola players. This is standard repertoire for us when growing up and learning. I have a feeling that it was originally written for an instrument of a lower register because of what the piano accompaniment is doing.... and also the top Bb (second note of the piece!) just sounds a little too shrill for my ears. The movement is a grave. It doesn't have to be low (Bach wrote higher registered graves) .... but when the viola or cello plays it... it just sounds right.
@@liamnevilleviolist1809It's also standard repertoire for classical alto saxophone (stemming from Sigurd Rascher). It was originally in a violin sonata publication, but it's questionable that it was even written by Henry Eccles in the first place according to a IMSLP comment.
@@km6206 That's interesting. I can believe it started out as a violin sonata (or other instrument) and it's interesting that it's perhaps not by Eccles.
I have heard the cello arrangement many times, which was played by my older sister in high school. The piece is very Italianate in manner and style; I actually believed it was an early Romantic work when looking back on it. However, like many baroque/early Classical sonatas, one of the instruments is for purely accompaniment purposes, this time unusually the keyboard (which is weird, now that I think about it). The modulations are signature baroque. I love this work!
That Others Instruments are purely for accompaniment is even normal for early romantic pieces by italian compisers. Paganini for example used the baroque ritornell form for his first movements in His concertos.
As I posted in a reply below: I have a feeling that it was originally written for an instrument of a lower register because of what the piano accompaniment is doing.... and also the top Bb (second note of the piece!) just sounds a little too shrill for my ears. The movement is a grave. It doesn't have to be low (Bach wrote higher registered graves) .... but when the viola or cello plays it... it just sounds right.
enpece ha amar lo sonata g espence escuchando con mas gusto al devils g menor y luego quice ver que me trae el mayor g y digo que hambo me gustan y lo que mas disfruto es lo camvio de nota como se leva suve vaja es algo que difruta mi mente es como un ensallo mental para mi ya que mientra difruto llevo la cuenta de los camvio de movimiento y voy corriendo juntoo ala musica por esto le he tomado amor ha este tipo de musica siento que para mi es muy inportante para la relajacion y la avilidad mental.
0:00 Grave
2:39 Courante
4:49 Adagio
7:15 Vivace
Thanks 😊
Wow, this Sonata is a hidden gem! I have only heard of the name of the composer and never heard the piece, but I absolutely loved the whole 4 movements, especially the first one and the third one. I am also not familiar with Thrax. I love the idea of your channel. I hope many more people will subscribe to your new channel.
Melodious Heart It is indeed. I appreciate your comment. Thanks for subscribing
Maybe it’s not written by someone with a bigger reputation, but I feel like this deserves all that credit and more. It is really hard to find such a touching piece and this played it so well.❤
extremely popular among doublebass players, thank You very much for posting !
And viola players. This is standard repertoire for us when growing up and learning.
I have a feeling that it was originally written for an instrument of a lower register because of what the piano accompaniment is doing.... and also the top Bb (second note of the piece!) just sounds a little too shrill for my ears. The movement is a grave. It doesn't have to be low (Bach wrote higher registered graves) .... but when the viola or cello plays it... it just sounds right.
@@liamnevilleviolist1809It's also standard repertoire for classical alto saxophone (stemming from Sigurd Rascher). It was originally in a violin sonata publication, but it's questionable that it was even written by Henry Eccles in the first place according to a IMSLP comment.
@@km6206 That's interesting. I can believe it started out as a violin sonata (or other instrument) and it's interesting that it's perhaps not by Eccles.
thank you for making this......
this really helped me so much
(because it's hard to find this piece)
:D
same here :D
I have heard the cello arrangement many times, which was played by my older sister in high school. The piece is very Italianate in manner and style; I actually believed it was an early Romantic work when looking back on it. However, like many baroque/early Classical sonatas, one of the instruments is for purely accompaniment purposes, this time unusually the keyboard (which is weird, now that I think about it). The modulations are signature baroque. I love this work!
That Others Instruments are purely for accompaniment is even normal for early romantic pieces by italian compisers. Paganini for example used the baroque ritornell form for his first movements in His concertos.
Same, I play this piece on cello
That was so helpful thanks
This gives so many Devils Thrill vibes
As I posted in a reply below:
I have a feeling that it was originally written for an instrument of a lower register because of what the piano accompaniment is doing.... and also the top Bb (second note of the piece!) just sounds a little too shrill for my ears. The movement is a grave. It doesn't have to be low (Bach wrote higher registered graves) .... but when the viola or cello plays it... it just sounds right.
There’s a reason nobody cares what u think
i first heard this on the double bass. sounds amazing!
beautiful
Está cañón
???
2:40 too fast for me.....😳
2:38
ikr I only had the score by accident and I thought it was played a bit slower, like 88-90 and when it started I was ''oops what is this!''
No this is the normal tempo
@@abbysze32 …for *_him/her_*
@@abbysze32 there’s rlly more of a range it’s to be interpreted
3:34
3:33
4:53
3:34 (time stamp for me 😂)
enpece ha amar lo sonata g espence escuchando con mas gusto al devils g menor y luego quice ver que me trae el mayor g y digo que hambo me gustan y lo que mas disfruto es lo camvio de nota como se leva suve vaja es algo que difruta mi mente es como un ensallo mental para mi ya que mientra difruto llevo la cuenta de los camvio de movimiento y voy corriendo juntoo ala musica por esto le he tomado amor ha este tipo de musica siento que para mi es muy inportante para la relajacion y la avilidad mental.
The violin plas notes that are not written.
This score does not match the edition the violinist is playing, there are different versions
Could be also the interpretation and the improvisation of the violinist