Beethoven - Fidelio - Vienna / Furtwängler 1953 live
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- Опубликовано: 26 июл 2013
- Ludwig van Beethoven
Fidelio
Don Fernando : Alfred Poell
Pizzaro : Otto Edelmann
Florestan : Wolfgang Windgassen
Leonore : Martha Mödl
Rocco : Gottlob Frick
Marzelline : Sena Jurinac
Jaquino : Rudolf Schock
Erster Gefangener : Alwin Hendriks
Zweiter Gefangener : Franz Bierbach
Chor der Wiener Staatsoper
Orchester der Wiener Staatsoper
Wilhelm Furtwängler
Live recording, Vienna, 12.X.1953 
Видеоклипы
The first opera I've ever seen and heard in my life when I came to Vienna with my school, at the Vienna State Opera.
Such a beautiful memory💕
Absolutely first class accoustic at Vienna State Opera.Marvellous Sound Engineering.
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A VISION of a great WIFE in LOVE to her HUSBUND ❗😎❗👍❗😎❗❣❗❤
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Great opera;Great singers;Great orchestra;Great conductor;Perfect tempo.
abcnowcont
Magnificent recording to remind us all of how Beethoven should sound. The excitement and brilliant sound from the orchestra even in mono is thrilling. Furtwanglers conducting is flawless. He connects with Beethoven in a spiritual way I have never heard from another conductor and the singers rise to the occasion.
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I have been in the queue for standing places for this performance but it sold out before I got my ticket. Three days later I attended the next performance with the same cast but conducted by Rudolf Moralt. Today, after many dozens of performances I am still deeply touched at the first bars of no. 3
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Furtwängler, Martha Mödl, Beethoven !! Top that!!
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Wolfgang Windgassen.
Bravo bravo bravo music super grandiose genial
Overture
0:00
Act I
6:35 - Scene I
11:46 - Scene II
12:08 - (Aria)
17:01 - Scenes III & IV (recitatives)
17:49 - Quartet: "Mir ist so wunderbar"
22:45 - Aria: "Hat man nicht auch Gold"
27:08 - Trio: "Gut Sönnchen gut"
34:24 - March
35:37 - Scene V
36:35 - Aria: "Ha! welch ein Augenblick"
40:25 - Duet: "Jetzt Alter hat es Eile"
45:29 - Scene VI
47:44 - Aria: "Komm Hoffnung"
54:06 - Scene VII & VIII
54:48 - Scene IX (Chorus-of Prisoners)
1:02:07 - Scene X
1:04:57 - Duet: "Wir müssen gleich zu Werke schreiten"
1:08:08 - Scene XI
1:08:51 - Scene XII
Act II
1:15:53 - Intermezzo / Entr'acte
1:19:49 - Scene I
1:22:13 - Aria: "In des Lehens Frühlingstagen"
1:25:10 - "...Und spur ich nicht linde"
1:27:47 - Scene II
1:29:41 - Duet: "Nur hurtig fort"
1:35:48 - Aria: "Euch werde Lohn in bessern"
1:42:45 - Scene III
1:43:34 - Quartet: "Er sterbe doch er soll erst wissen"
1:47:01 - Scene IV
1:48:59 - Scene V
1:49:14 - Duet: "Meine Leonore geliebtes Weib"
1:51:55 (Leonore No. 3)
(Scenes VI & VII Redacted)
Finale
2:07:19 - Chorus: "Heil sey dem Tag!"
2:09:21 - "...Des besten Königs Wink und Wille!"
2:11:04 - Scene VIII
Muchas Gracias por este gran trabajo.
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Wolfgang Windgassen un - ver - gessen ❗👍❗Keiner konnte noch mehr Steigerung " in des Lebens - Frühlings - Tagen " bis zu " und spür ich sanft säuselnde Luft " her - ein - bringen als ER ❗👍❗😎
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Thank you! One of my favorite works, with my favorite conductor.
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Dramatische live Aufführung dieser großartigen Oper mit gut artikulierten und perfekt synchronisierten Töne aller Instrumente sowie herrlichen Stimmen aller Solisten und gut vereinigten Stimmen des ganzen Chors. Der unvergleichliche Maestro dirigiert das ausgezeichnete Orchester im lebhaften Tempo mit möglichst effektiver Dynamik. Bestimmt eine der zehn besten Aufführungen dieses Werks bis heute!
... wenn nicht die Beste!
@@AG-zw1ce Doch eine der zehn Besten bis heute.
@@notaire2 Meinte ich ja - wenn nicht überhaupt die beste Aufnahme die es gibt! Für mich auf jeden Fall...
@@AG-zw1ce Dieselbe Meinung habe ich.
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THE MOST BEAUTIFULL FIDELIO
Is this the name of a person by chance?
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Muchas Gracias por compartir esta obra maestra, patrimonio de la humanidad.
Genau! ❗👍❗❣❗👍❗😎
I love Martha Mödl but I wish we had a recording with Windgassen and Varnay...
Göttliche Musik himmlisch interpretiert
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unbelievably gorgeous🌹❣️
Absolutely fabulous! The cast, please.
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Great thanks.
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I believe the orchestra was Wiener Philharmoniker. Thanks!
La conjunción del compositor de Bonn y el director berlinés,estan tocadas por un sello diferencial y resultados magistrales.
Finde ich auch ! ❗👍❗❣❗👍❗😎
Un bon dimanche à tous, tendresse envers Ludwig........
Mal fleuri.
Seul l'amour fait autorité
fragile
incommensurable
Vie entière et dérisoire
tragique
de vingt et mille frasques fantastiques
Un
par-delà les présences
plus lourd et plus prégnant
s'affirme
l'éon d'éternité
A votre insu
regardez cet homme
arrachant l'indispensable des fleurs
Tapie au cœur
sa seule rage
comme il est laid et gauche
dans l’embâcle grossi
pourtant il n'a qu'aimé
Grâce disloquée
ce mal n'existe qu’au vent grossier
d'où coulent, de forts et charmants gosiers
sans cesser
parade !
Claire amertume d'être
pour avoir été.
Best Act 2 of Fidelio on records
What pacing in Pizarro’s “Ha! Welch’ ein Augenblick” and the duet with Rocco that follows! And, what is more, outstanding sound! In what theater did this performance take place? This performance, with everybody giving his/her best, really gets better as it moves along! I wish it were possible to have a “Fidelio” like this today! Is this performance available on CD? I had heard that Furtwaengler and this same cast made a commercial recording of the opera -- without the dialogue -- in a rehearsal studio in the opera house after an evening’s performance, into the small hours of the morning, and the results showed the strained and rushed circumstances. I have not heard that recording. So what if this isn’t the Salzburg version with Flagstad and Patzak? It’s still quite good, very much on its own merits. The spirit of Beethoven is a tangible presence here, and that’s what really counts.
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Good sound.
Great.
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Furtwängler 😊
I don't know who sings the First Prisoner, but it's not Alwin Hendricks; that was a name they made up for Rudolf Schock, who covered the part for the recording made after these live performances.
Meanwhile, this is one of the best Fidelios ever.
This is ONE of the b e s t F I D E L I O ever ❗👍❗❣❗❤❗ 😎
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The orchestra was Wiener Philharmoniker for the studio recording. But for this live recording, that has been made in an opera house just before the studio sessions started, the orchestra was the Orchester der Wiener Staatsoper. Despite this name change, I think most musicians were the same for both recordings.
The Vienna Philharmonic IS actually the Orchester der Wiener Staatsoper. In case the Orchester der Wiener Staatsoper plays a concert at the Musikverein or at the Salzburg Festival or does a commercial studio recording they call themselves Wiener Philharmoniker. As VPO (for short) they are a private society - as Orchester der Wiener Staatsoper they are officials of the Austrian Republic, who work for the "office" Wiener Staatsoper. The VPO-Society was founded by Otto Nicolai (Composer of The Merry Wifes of Windsor) in 1842. The accordance between VPO and Orchester der Wiener Staatsoper is still not 100%: At the opera house there is there is a duty roster (300 performances a year!). So the orchestra sometimes needs substitutes, who are not as experienced as the "elite" of the VPO. Incidental remark: Zubin Mehta played the contrabass as a substitute decades ago during his studies at Vienna Musical University. That´s the way the cookie crumbles at Vienna!1953: EMI studio recording: VPO; Austrian Radio live broadcast from the Theater an der Wien (1945 - 1955 home of the Wiener Staatsoper - because the opera house at the Ringstrasse has been destroid during an airstrike in March 1945): Orchester der Wiener Staatsoper; Musicians playing: Pretty the same! Differences between EMI recording and radio broadcast: Missing dialogue, 1st an 2nd prisoner sung by different singers, live atmosphere (Member of the audience shouts "Bravo" to Sena Jurinac after "Ach wär ich schon mit dir vereint"), sound quality
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Sommet absolu.
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Act II 1:15:54
this is gods Music........Beethoven was not an Atheist.......no great Music has ever been composed by an Atheist........Facts and love from vienna Austria.........where it all began,.Haydn,.Mozart,.Beethoven,.schubert,.,.etc............
Excuse but, Wagner was known for being was an atheist... Tchaïkovsky too...
@@tremiere7592 proof it hahaah you never can
Guess Verdi was not a great composer, then.
Brahms
Music like this transcends the pettiness of religion, race or any other division.
UNREAL!
Fiction ❗ Films are fiction , too ❗😎
VISIONs are nessescarrry , also ❗ WUNSCH - DENKEN einer perfekten EHE ❗
@@jfthiesen2947 I have always loved Furtwängler's work - what else can I say? (You probably know this: but in English/American idiomatic usage, "unreal" can often express admiration, in the vein of expressions like "unbelievable", or "phenomenal".) In any event, my best to you...
@@DanWotanBarrett This usage of the idiom I didn' t know about ❗😎❗
@@jfthiesen2947 My ignorance of the marvelous German language reveals far more linguistic negligence than is demonstrated by your genuinely acceptable knowledge of English!
Is this the same live Fidelio issued by EMI ,? I know there are two, the live one and the studio version on that laqbel .
Robert Berger The studio recording issued by EMI is dated 13-17.X.1953. This live has been recorded by the Austrian radio the day just before the sessions started.
Wonderful! Not quite the equal of the 1950 Furtwangler with Flagstad, Schwarzkopf, Dermota etc.
Bought the studiorecording 1953 Theater an der Wien Wilhelm Furtwängler witn Windgassen, Mödl, Edelmann,Poell, Flick, Jurinac, Schock during my New York visite in 1979. Also Wonderful! This live performance even more exciting, bravo
38:28
Is it just me or is the timpani not spot on in the Overture?
You may wish to know, that both Beerhoven; and Mozart gave gits to America. And Leibniz was also a person from whom the most siginficant features of the Declaration of Indepence were enscribed. It was a global project versus all Empires;fought on the highest levels. Mozarts' American Lodge is but one example. And, did not Leibniz found Academies of Science everywhere the British Empire of slaves, drugs; and, viewing man as chattel, that they could reach. For Leibniz among his Academies, founded the Russian Academy of Science as well with Tsar Paul. So, where then do we fight over the Treason, that the British in their enslavement of men's minds have reached as in the years with so little surcease since that war, through World War II. How many times must we face world destruction; after that was the goal of such as Churchill, Russell; and, others, who could not wait for FDR, to die. Do you have any idea how we have weathered these crises since those great moments, through the courage of sometimes only one or two,who would choose death if necessary for what our Constiturion calls the general welfare; and for our posterity, which is among these men of many nations; and, different commitment. That is true brotherhood of man; and, love throughout recorded history of man.
+Scott Thompson The messenger is the slave master . . . and messenger paints the picture you recite.
Scott Thompson is
What the hell are you talking about my man. Please elaborate...
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calm down, son.
61010 Aufrufe und n u r 476 mag ich ❓ Kultur - Banausen oder n u r SPANNER❓
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