THIS TRICK MAKES YOUR BASSES 2X MORE AGGRESSIVE IN 1 MINUTE!
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- Опубликовано: 10 фев 2025
- Go and check Letsynthesize Academy:
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A Reese bass is already heavy, but what if you could make it even nastier? In this video, I’ll show you how to use the frequency shifter to add extra movement, distortion, and aggression to your bassline. This trick is perfect for drum and bass, jungle, dubstep, neurofunk, and bass music producers!
🔥 What you’ll learn in this video:
✅ How to use a Frequency Shifter on Reese bass
✅ How to distort your bass without losing power
✅ Sound design techniques for making your bass cut through the mix
If you want your bass to dominate the track, don’t miss this one! 💥
Check my Patreon for this cool project and tons of other stuff:
/ letsynthesize
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• Private Skype lessons and general question:
letsynthesize@gmail.com
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The freq shifter can create that 'wow' factor, but it can also introduce artifacts. How do you make sure you don’t lose the musical integrity?
Just a guess, but maybe running frequenzy shifter in parallell and focusing on the side and higher hertz content, blending with the non shifted more mono version of the bass. Haven’t tried this tho, it might sound lika shite!😅
Not necessarily!
You iz good bruh!
@@Letsynthesize 🥰🫶🏻
Artifacts? Musical integrity? This is dnb bro. If it sounds good, it is good.
is that an lfo or sidechain on the main bass ? and a pitch bend ?
This was great! Thanks! 🎉
@@IstvanJakab_421 yayy thanks bruh
that presentation track destroys 🔥🔥
That's probably the filthiest and hardest reese sound i ever heard, holy sh*t bro. ❤
Every video you make inspires me!
amazing!! 🤩🙌
The quality of your content is so insane!
Awwww thank you bro!
In what aspect did you mean it? Editing, value, teaching style? What exactly?
@ well the track is a banger, that’s already inspiring out of the gate.
And you explain it at a good pace and show everything. That way we can really recreate it. Also the reasoning was really helpful, why the eq was a certain way before the saturation and different after. It’s really helpful to actually know why it’s in that order.
@@manuelwegeling That's super cool to hear! Exactly how I wanted to do it.
What about the video editing?
insane drop, woahhhh
great content!! thank you so much
Nice. Thank you
Thank you for watching! One of the rare female viewers of electronic music production tutorials! ☺
hey hi !!! thx for the trick !!! i have a question, did you listen drunk by empror ? Did you know how to make the bass of it ?
Nice!
You are nice!!! 😍
Nice!!
@@prismaticsignal5607 You haven't even seen the video yet 😂😂
@@Letsynthesize Nice to see the ultimate solution 😉
@@prismaticsignal5607 It's the number one, ultimate, super mega heavy solution
i see your tutos for more music knowledge and your bass face:)).
I would to see how to work the ax - z, for emulate real 3d and depth, digital sounds from daws are powerfull but are flat if compared with hardware machine, i know there are techniques for emulate them 3d sound.
I don't even use Ableton and your videos are always helpful, nonetheless.
Thank yoouuuuuu!
Which DAW do you use?
Same 😅
@@ProjectHMF 🥹 I'm so happy!
@ Which DAW?
@ FL Studio
Nice
Thanks bro, I am glad you liked it! You make neuro too?
@@Letsynthesize I try to sometimes ha, trying to get back in to production!
here!
🥹
Stop giving away my secrets haha
Haha, its not big of a secret, but defo not a usual way of doing stuff! And I mean it in a good way! :D
I just give up on music... with people look you i have nothing to do here! xD
Lol that beat is not something out of this earth
I'm sure you can make better
What's that skin? I haven't used Vital for ages.
Sub basssssss! Great video thanks!
Yeah but I wouldn’t use OTT on 100% dry/wet just destroys the dynamics
This would depend on what you're making. A growl(that uses a steep bandpass) for example benefits from having 3 full OTTs. But yes some things are best not at 100% amount. If you use Serum you'll notice 99% of presets use OTT at 100% mix and it doesn't destroy the sound.
OTT has parameters that let you not kill dynamics too. This includes the "Time" knob and in the Xfer OTT this is the "up" and "down" knobs that let you dial in the compression amount. You can recreate this with the ableton OTT using macros.
Also kind of unrelated but you might find this useful. The "amount" knob in ableton OTT and the "depth" knob in Xfer OTT aren't actually a dry/wet but just dial in the compression amount overall(like one big macro). The reason for this is because the band splitting is nonlinear and having a parallel wet chain to a dry chain will lead to partial phase cancellation. Serum's OTT actually has a real dry/wet and it sounds real bad for the described reason.
OTT is for sound design. u add the dynamics after
The Past:
Throw on any kind of effect that lets you target just the area from 700hz/1khz to 21khz and destroy that ish!
Repeat if needed.
The Future:
Watch a brief Vid on this channel and get real nasty in the daw afterwards, the professional way 👌😂
Awwwww! 🥹🥹🥹
You guys are lucky. I remember when I made my first best selling sample pack for loopmasters (dubstep growls vol1), I spent half a year to find the way how to make those horrible sounding growls by myself. That time there were no tutorials on RUclips.
That was the main reason why I started this channel! 😊
@@Letsynthesize Thanks so much for the time and effort that went into those videos !
I kinda jumped in when the RUclips community was starting to get real with posting tutorials online, but yeah, but nowadays newbies can find everything.
Anyway, it’s better, more efficient. more time to do what you love than figuring out, but yeah, figuring out is always good too 😂👋
@@_TheViewer_ There is still a lot of room for experimenting even though you have the knowhow. It's not only watching and doing. :D