Великолепно! Как будто сошли с пейзанских картин или пасторалей. В духе Новерра , Доберваля. Как будто сидиш в рядах театра 1789 года. Все выдержано в одном стиле. Великолепно!
Thank you ,and to the people who like me were thrilled by this version and production. askenderiii2374 is very kind to make clearer the complicated story of the interpolations e. g. the serious overture by Martini and the grand pas de deux. Hérold quotes "Piano Pianissimo" Rossini but what about "l'Arlésienne" Bizet (flute & harp ? The clog dance wasn't in originally. It was in the Hertel (Siberians on tour) but just different from Herold/Lanchbery. It wasn't in the Hertel Grigorovich Bolshoi film.
I love that this production looks as though it could have been on stage in 1789. There is nothing modern about it. One can really get lost in this 330 year old world. Must have been hard to learn the old fashioned ballet ways! Absolutely fabulous. Thanks for posting!
Самая искренняя благодарность за возможность увидеть великолепную постановку, замечательно,просто не могу подобрать слова чтобы выразить свои чувства. Большое спасибо, буквально влюбилась в этот спектакль.
I would like to find out more about this production. It’s amazing. Now I have a deeper understanding about Ashton’s version and his ingenious retelling. Fabulous baroque dancers here, I can hardly believe what I’m watching!!
The première of this ballet happened in Bordeaux, 1st July 1789, with choreography by Jean Dauberval. The première of this version by Ivo Cramer based on the Dauberval version: 23 févr. 1989 in Nantes, with the Ballet de l'Opéra de Nantes; original score restored and orchestrated by Charles Farncombe. Was briefly in the repertoire of the Ballet du Rhin .
@@askenderiii2374 Thank you, I wasn't aware of Charles Farncombe's participation and I'm curious what exactly "restored and orchestrated" implies. May I ask if you yourself were involved in this project?
@@saltator1802 To answer your second question: no, I was not involved in this ballet but I am doing some research for a book on ballet and dance history. Also: "Restored " in this particular case (I would call it "Musical Reconstruction") means that Ch. Farncombe went back to the source for this music (or at least back to tunes from that era since the original partition does not exist - and never did). Hence it cannot be the same music as the 1789 production. It was normal at that time to "borrow" music from different composers to make up a ballet (i.e. Petipa's version who borrowed mainly from Hertel but also bits and pieces from Hérold and Minkus) . John Lanchbery did just that for the Ashton version (mostly based on the Hérold partition) as the pas de deux is based on music by Donizetti and other parts of the ballet use Minkus and other composers' music. And in 1905, for the pas de deux alone, Gorsky used music from 3 different composers: Hertel, Drigo and Armsheimer. Jean Dauberval based "Le Ballet de Paille" as it was known then on popular tunes. Not that he composed the music himself but certainly had a say on what kind (style) he wanted. The composer (or at least the "mixer") is unknown but was probably the music director of the Opera de Bordeaux during that time. No doubt, Ch. Farncombe went back to 18th century musical archives to achieve this, as there are no musical references to the Hertel or Hérold versions here. It is also possible that he found partitions (certainly not for the whole orchestra but for different instruments) of that particular production in the basement of the Bordeaux theatre, or elsewhere for that matter. I gather that he then orchestrated everything to give it a certain unity and to cater to the musical taste of today.
I would like to find out more about this production. It’s amazing. Now I have a deeper understanding about Ashton’s version and his ingenious retelling. Fabulous baroque dancers here, I can hardly believe what I’m watching!!
![Sutton Foster - Anything Goes.[BDWY 2011]](/img/1.gif)
One of the very best La Filles Mal Gardee’s I have ever seen. Wonderful!
Великолепно! Как будто сошли с пейзанских картин или пасторалей. В духе Новерра , Доберваля. Как будто сидиш в рядах театра 1789 года. Все выдержано в одном стиле. Великолепно!
Thank you ,and to the people who like me were thrilled by this version and production. askenderiii2374 is very kind to make clearer the complicated story of the interpolations e. g. the serious overture by Martini and the grand pas de deux. Hérold quotes "Piano Pianissimo" Rossini but what about "l'Arlésienne" Bizet (flute & harp ? The clog dance wasn't in originally. It was in the Hertel (Siberians on tour) but just different from Herold/Lanchbery. It wasn't in the Hertel Grigorovich Bolshoi film.
I love that this production looks as though it could have been on stage in 1789. There is nothing modern about it. One can really get lost in this 330 year old world. Must have been hard to learn the old fashioned ballet ways! Absolutely fabulous. Thanks for posting!
It looks to me a XVIII century piece, too. And I enjoyed very much. Ballet it's not just acrobacies.
Ir looks so cute! And ballet ' s sometimes nice (especially when we connect the room and escspe from the audience. Boy, I must feel tired)
splendid production & costumes ... loved it !
Increíblemente bello y perfecto. Gracias.
Самая искренняя благодарность за возможность увидеть великолепную постановку, замечательно,просто не могу подобрать слова чтобы выразить свои чувства.
Большое спасибо, буквально влюбилась в этот спектакль.
I would like to find out more about this production. It’s amazing. Now I have a deeper understanding about Ashton’s version and his ingenious retelling. Fabulous baroque dancers here, I can hardly believe what I’m watching!!
This is just wodnerful. I enjoyed very much.
Какая прелесть!
#오전12:01시부터오전01:00시까지레슨료입금감사합니다♡
스타뱅킹통장카드체크입금결제영수증감사합니다이대스튜던트김도우님요❤
#해외외국산호주산캔맥주1개랑모닝커피1잔요감사합니다기본은응용세트로되있는걸로요감사합니다♡
입사1년차)간호사입니다감사합니다^^
On dirait des pastoureaux de Jean-Baptiste Fragonard, ou de François Boucher ou de Nicolas Lancret ! C'est un très beau ballet.
Very interesting! Thanks for sharing!
#지갑윌릿결제요감사합니다♡
비해당요감사합니다♡
동해병원간호사입사1년차축하금연봉에서서비스금입금해주셔서감사합니다^^잘모아서사고싶은거사는데쓸게요
Perfection! Thank you, thank you, thank you.
#출근요♡
#간호사입니다^^
Having been brought up on the Ashton version it's only just dawned on me that in my next life I want to be a butter churn.
How would You Know if You Were a Butter Churn.
Shinja's Cousin Crissy not Shinja.
#조식새참미국산커피한개랑자연베이컨파스타크림요^^통장카드은행용돈저축입금요잘쓸게요❤
#제시용신분증김도우요
#서울종합예술고등학교김도우요감사합니다
#이화여자대학교김도우요감사합니다
#이화여자대학원김도우요감사합니다
#간호사증김도우요감사합니다
Аутентично! Персонажи как-будто сошли со старинных картин
#이화여자대학원스튜던트천주교님통장카드체크입금결제영수증감사합니다❤
#우리은행위비요
who´s reconstruction this is, please?
The première of this ballet happened in Bordeaux, 1st July 1789, with choreography by Jean Dauberval. The première of this version by Ivo Cramer based on the Dauberval version: 23 févr. 1989 in Nantes, with the Ballet de l'Opéra de Nantes; original score restored and orchestrated by Charles Farncombe. Was briefly in the repertoire of the Ballet du Rhin .
@@askenderiii2374 Thank you, I wasn't aware of Charles Farncombe's participation and I'm curious what exactly "restored and orchestrated" implies. May I ask if you yourself were involved in this project?
@@saltator1802 To answer your second question: no, I was not involved in this ballet but I am doing some research for a book on ballet and dance history.
Also: "Restored " in this particular case (I would call it "Musical Reconstruction") means that Ch. Farncombe went back to the source for this music (or at least back to tunes from that era since the original partition does not exist - and never did). Hence it cannot be the same music as the 1789 production. It was normal at that time to "borrow" music from different composers to make up a ballet (i.e. Petipa's version who borrowed mainly from Hertel but also bits and pieces from Hérold and Minkus) . John Lanchbery did just that for the Ashton version (mostly based on the Hérold partition) as the pas de deux is based on music by Donizetti and other parts of the ballet use Minkus and other composers' music. And in 1905, for the pas de deux alone, Gorsky used music from 3 different composers: Hertel, Drigo and Armsheimer.
Jean Dauberval based "Le Ballet de Paille" as it was known then on popular tunes. Not that he composed the music himself but certainly had a say on what kind (style) he wanted. The composer (or at least the "mixer") is unknown but was probably the music director of the Opera de Bordeaux during that time. No doubt, Ch. Farncombe went back to 18th century musical archives to achieve this, as there are no musical references to the Hertel or Hérold versions here. It is also possible that he found partitions (certainly not for the whole orchestra but for different instruments) of that particular production in the basement of the Bordeaux theatre, or elsewhere for that matter.
I gather that he then orchestrated everything to give it a certain unity and to cater to the musical taste of today.
@@askenderiii2374 Thank you very much for your interesting information.
コロナ前にパリオペラ座で見ました。１３ユーロだったか２回の隅の席で舞台の三分の一が見えませんでした。
anyone watching in 2020?
Watching with much pleasure in 2022
2023!
#서울종합예술고등학교김도우님요은행통장카드체크카드입금영수증감사합니다주공요❤
No one is wearing ballet slippers! brilliant!!
That makes sense. The ballet slipper, as we know it, didn't exist in 1789, so they'd be an anachromism in a recreation of a 1789.
And destroying their feet for our benefit. Demonstrates clearly how contrived slippers are. Grrrrr
Are the dancers supposed to speak in a ballet?
#신한쏠통장카드김도우요감사합니다
#국민스타뱅킹통장카드김도우요감사합니다
#농협통장카드요김도우요감사합니다
#새마을통장카드김도우요감사합니다
I would like to find out more about this production. It’s amazing. Now I have a deeper understanding about Ashton’s version and his ingenious retelling. Fabulous baroque dancers here, I can hardly believe what I’m watching!!