@@1assassyn I was born in 1948 so I'm into my 8th decade but I'm only (only LOL!) 73 work it out! I didn't say he'd been professional for 60 years his first band "Escape" began playing American bases in the late 1960's so: 60's,70's,80's 90's, noughties, tens, 20's actually makes 7 decades he's played in (not for) but my comment concerned his recording career which began in 1971 with the somewhat bizarrely named "Fried Egg" and then the excellent "Sadistic Mika Band" before going solo so he is indeed "into his 6th decade. Regards Jay.
Takanaka deserve more recognition, the man is an absolute beast with the guitar, and her melodies takes you to an amazing trip. Takanaka es el mejor señores, viva Japón y sus artistas, los mejores del mundo
Recently, I have heard many people from all over the world say that the prices of LPs and CDs of Japanese musicians such as takanaka and Yamashita Tatsuro sold at discogs are too high and they cannot afford to buy them. I cannot judge whether the prices are really high or not, but one thing is clear. Mr. Takanaka and other Japanese musicians and bands have not signed formal sales contracts with major Western record companies. Western record companies have not sold their works on the global market for more than the past 60 years. Even if the musicians were willing to do so, their music was ignored because it was judged to have no market value for international sales, and for a long time they were not given the opportunity to conclude sales contracts on the international market. Therefore, we were never given the opportunity to know about the existence of their music. And they have already become old men without being known worldwide. Unfortunately, this is a fact. His content on discogs is a collection of LPs and CDs released by Japanese companies for the Japanese market in the past. The CDs are priced for the Japanese market, and the number of pressings is designed to meet the demand of the Japanese market. Therefore, it is only natural that if more and more people around the world want to buy them, the supply will become tight, and the price of used products will tend to go up. The first thing needed to solve this problem is a direct sales contract with each musician for the world market. The major record companies in the U.S. and Europe must recognize the global marketability and needs of their music and sign a formal direct sales contract with Mr. Takanaka and the other Japanese musicians. Unless this formal sales contract is signed, their works will not be distributed in the world market at a fair price. This is the same thing for physical media distribution, online distribution, etc. That is the first step in solving the problem. the Western music industry and media have long been aware of their presence in Japan, but ignored them without signing contracts to release their music in the Western or worldmarkets. As a result, for a long time, a frighteningly large number of Japanese musicians have been limited to supplying the Japanese domestic market, and have been buried in Japan market without being known by many people. Needless to say, the advent of the Internet accidentally opened the door to the world, and now many people know the existence of Japanese past music on this planet.
こんにちは。 私は現在58歳ですが、高校生くらいの時から、高中のブルーラグーンはいまだに夏一番の名曲です。 何かというとかけています。 オーディオのテストにもいつも聞いています。 この動画は、涙が止まりませんでした。 ほぼ、号泣レベルです。 幸せな号泣でした。 青春から今に至るまで変わらない何かのエネルギーが炸裂しています。 高中様含め、バンドにも年配者が多いのがよけい感動的です。 私も頑張らなくっちゃ! (笑) ありがとうございました。
The man is 68 years old and is still at the absolute top of his game
Into his 6th decade in the business and still, shamefully, virtually unknown outside his home country, Takanaka is a "GUITAR GOD"!!!
ain't no way he's been playing professionally since he was 8
@@1assassyn I was born in 1948 so I'm into my 8th decade but I'm only (only LOL!) 73 work it out! I didn't say he'd been professional for 60 years his first band "Escape" began playing American bases in the late 1960's so: 60's,70's,80's 90's, noughties, tens, 20's actually makes 7 decades he's played in (not for) but my comment concerned his recording career which began in 1971 with the somewhat bizarrely named "Fried Egg" and then the excellent "Sadistic Mika Band" before going solo so he is indeed "into his 6th decade. Regards Jay.
10代の頃にこの2曲を初めて聞いてからもう何千回？数なんてどうでもいい！これだけで生きてて良かったと思わせてくれます。ただ感謝 感謝 感謝 感謝 感謝 ありがとうございます。
ノブさんも宮崎さんも岡沢さんも
リズム隊みんな元気だなあ~
半分以上のメンバーが還暦を超えてこのパフォーマンス！
お見事！さすがです。
１年も前の高中正義の動画、突然出てきた！懐かし～～～と思って観てたらBLUE LAGOONの後JAL HAWAIIのCM、続いてREADY TO FLYいいね👍✨
高中正義さんもバンドの皆さんもただただかっこいいです。
この２曲は永遠の名作ですね。歌うギター、リズム。TAKANAKAは日本のジェフベック、と言いそうになりましたが。高中はTAKANAKAだ。
Takanaka deserve more recognition, the man is an absolute beast with the guitar, and her melodies takes you to an amazing trip. Takanaka es el mejor señores, viva Japón y sus artistas, los mejores del mundo
高校１年の頃。
パイオニア S-180AのCMでこの曲が使われていた。
そしてガソリンスタンドのバイトで稼いだ金でS-180Aを買った。
今となっては良い思い出。
I love his music Masayoshi San great !!!!
何故か分からないけど涙が出てきた。
衰えてもカッコいい高中
高中と同い年でデビューからずっと高中サウンドを聞いて来たが未だに飽きもせず聴いてる(^◇^;)
高中正義さんやバンドの皆さんのサウンドはやっぱり夏🏄☀️🍧にピッタリです。素晴らしい最高でした。ありがとうございました。🎸🌺🌺🌺🌺🌺🌺
TAKANAKA最高 毎年ライブ参加してるけど毎年パワーもらってやる気がでる。
★やっぱりこの2曲が最高！
…中学にPioneerのこの曲を、レーザーディスクで見て衝撃の高中信者に。
今もSG3000は宝物…病気で痩せたけど、頑張れ！
永遠にファンです♪
歴代の高中さんのギターでこのSGモデルの音が一番好きだな
やっぱり、夏にピッタリの高中サウンド🎵🏖️高校生の時に、ＣＭで聴いて以来４０年以上経っても、色褪せない！まだまだ、頑張って欲しいですね〜😽🥳🥰💕🦈🌈🏝️🎶
機材やテクニックはよくわかりません。でもアスファルトに書かれている「40高中」に興奮をおぼえながらひたすら遠くまで走った昔が懐かしくなります！
This man's a legend
高中正義健在、４０年以上前の曲もテクニックも全く色あせていません。是非とも末永く頑張って下さい。
配信感謝してますありがとうございます
すみません、今までのBlue lagoon
レディトゥフライの中で1番好きです
感動的な動画のアップありがとうございます。
わたし、中坊の頃から、高中ファンです。
良いものが聞けました、観れました。
ありがとうございます。m(_ _)m
スーパーライブを初めて聴いた中学生の頃を思い出します。懐かしいけど色褪せず、いつまでも聴ける名曲です。夏が似合うね、高中正義は。
Love this guy!
高中さん、今なお現役って凄いな〜💖✨
相変わらず、カッコイイ
高中さん！^ ^
最高だぜー♪♪
Mahalo, Masayoshi. You are the best 🍄🐿️
夏はやっぱり高中！
まだ少し早いか….。
私は40歳ですが高中正義さんのファンになって約一年です。すっかりハマってアルバムを全部揃えました🌴
やはりSGが一番良く似合ってる気がする。構える姿、角度なのか何なのか、何故あんなにカッコいいのだろう？
YAMAHAのＳＧは最高ですよね^ ^
欲しいけど高中さんの曲弾く以外に使い道がないかも笑
サンタナでも弾いて下さい。
ヒモは短めにして掛けましょ
わたくし事ですが、REDADY TO FLY 聴き続けて四十三年、
車通勤で聴いたり、寝る前に聴いたりと
この曲があって本当に良かった。ありがとう高中さん！
この先も死ぬまで聴かせてもらいます！
同感です 何十万回聞いてもいつも少し切なくてカッコ良くて！
私も レディトゥフライを聴き続けて 同じく43年です！😂🎸
Recently, I have heard many people from all over the world say that the prices of LPs and CDs of Japanese musicians such as takanaka and Yamashita Tatsuro sold at discogs are too high and they cannot afford to buy them. I cannot judge whether the prices are really high or not, but one thing is clear.
Mr. Takanaka and other Japanese musicians and bands have not signed formal sales contracts with major Western record companies. Western record companies have not sold their works on the global market for more than the past 60 years.
Even if the musicians were willing to do so, their music was ignored because it was judged to have no market value for international sales, and for a long time they were not given the opportunity to conclude sales contracts on the international market. Therefore, we were never given the opportunity to know about the existence of their music. And they have already become old men without being known worldwide. Unfortunately, this is a fact.
His content on discogs is a collection of LPs and CDs released by Japanese companies for the Japanese market in the past. The CDs are priced for the Japanese market, and the number of pressings is designed to meet the demand of the Japanese market.
Therefore, it is only natural that if more and more people around the world want to buy them, the supply will become tight, and the price of used products will tend to go up.
The first thing needed to solve this problem is a direct sales contract with each musician for the world market.
The major record companies in the U.S. and Europe must recognize the global marketability and needs of their music and sign a formal direct sales contract with Mr. Takanaka and the other Japanese musicians.
Unless this formal sales contract is signed, their works will not be distributed in the world market at a fair price.
This is the same thing for physical media distribution, online distribution, etc.
That is the first step in solving the problem.
the Western music industry and media have long been aware of their presence in Japan, but ignored them without signing contracts to release their music in the Western or worldmarkets.
As a result, for a long time, a frighteningly large number of Japanese musicians have been limited to supplying the Japanese domestic market, and have been buried in Japan market without being known by many people.
Needless to say, the advent of the Internet accidentally opened the door to the world, and now many people know the existence of Japanese past music on this planet.
Crazy to see this here as I was looking for a record myself and was not willing to pay the $100 or more for the vinyls
Legend
How I would love to see him in concert. Probably will never happen, I live in Germany :(
When the pandemic is over, you really SHOULD fly to Japan to attend Takanaka san's concert~~~~~~~
@@mattma96 bro it’s over
今年も楽しみにしてますよ‼️
相変わらず、ギターが似合ってるね。
What a LEGEND!!
高中さんが浅川マキさんのバックをやってた時から知っていますか、すばらしいと思いました。
🍈🍓🍌🍇🍍Wonderful ! !♪ Arigato♪ Obrigado! ♪ 🍊🍎🍉🎉＝３
うちの近所のスーパー いつもREADY TO FLY が流れてたけど 店長が変わったら 聴こえなくなりました😥
ﾍﾞｽﾀｸｽ弾いてるのを久々に観ました!！
四十年位前の横浜球場のｺﾝｻｰﾄで、ｼｰﾗEがﾊﾟｰｶｯｼｮﾝやってたですよ❗
ギャギャギヤ
ギャギャギヤ
ギャギャギャ
って3連符
落ちてくとこがいい。ฅฅ°́Д°̀))ｷﾞｬｧｧｧ
🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶🎸🎶
大阪城野音が待ち遠しい
Ready To Fry
いつも聴くと土曜お昼のローカル番組のオープニング曲で流れていたのを思い出しますね😊
30数年前...主人と知り合ってから高中ワールドにハマることになりました😅
やっぱり夏はこれですね
夏がきた(≧∀≦)
YAMAHA SG 🤩🤩
70年代80年代初めまでは、実力者を制作会社は、認めてたけどね。その後は、実力者は、日の目を見ない世界に成り下がってしまった。もう一度あの時を…高中さんすきでしたよ。ありがとうございます。☺️
なんか、上皇陛下感出てるな
If you have full concerts please share them too 🤩😍❤
横向きのアンプ ヘッドはメサブギーロードスター？ キャビネットはマーシャル ギターの音はこのアンプ通ってるんでしょうか？ ヘッドは音通ってその後ラックエフェクター？ それでも高中サウンド最高ですね。 マーシャルキャビネットはモニター的に使ってるんでしょうかね エフェクター切り替えは一部を黒子さんがやってるのですね 思い出せば当時SG-2000欲しかったけどSG-1000しか買えませんでした。 当然SG-3000なんて夢のまた夢www この2曲、青春時代に戻りますね😊
Domo arigato gozaimasu lokoloko !! 👍👍👍😁😁
Thank you
聞けて嬉しいけど絶賛発売中の円盤の邪魔にならないかと心配。著作権的に
いったい高中はブルラグは今までに何回弾いてるのだろう？？
もう指が自然に動きそう♫
あー、松原正樹（gt.）はもういないのか😢
なとぅー！！！！
やっぱ、岡沢さんが職人！
😀💙🌸🌱
ヤッパ最高だ!
前略 Buさん いつもアップありがとうございます。
わたくし、高中さまよりちょい若いのですが、腰が痛いとか気分はすっかり老齢者でございます 何報告ww
早々
7分58秒〜何が有ったんでしょう？ Vestax、ピックアップをEMGに変えて有るので、かなり鋭い音になってますね〜！
たぶん9V電池が切れたのではないかと。それで舞台袖に引っ込んで交換。EMGあるあるですね。
8:11〜 キーボード(井上薫)のフォローもいいわ。
サンタナより上手い
言っタナ～！。
7:58 초 쯤에 타카나카 할아버지 왜 무대에서 나갔다 들어온거에요? ㅡㅡ;;;
ベストテイク😂
ready〜の後半のソロを弾かない👎