Just a note about the sensor formats when shooting video (3:33): VistaVision is actually what digital photographers call full frame (36x24mm) and Premista is a series of lenses made by Fuji to cover that format (which filmmakers today call "large format"). The 35mm option probably means Super35 (also known as APS-C).
Such a great piece of gear. It is definitely a great choice for cinematography in a really good price. I would love to see this as a street photography option because the bokeh and features would give a look never seen before. But it is most probably an overkill for that. How does the Reala preset look? Thanks for the insight!
despite what the spec sheet from fuji says.... one youtube video mentioned that the 100II can shoot 20fps in 35mm crop mode (electronic shutter). Is there any way you could tell us if this is true?? Spec sheet says 8.7fps in that mode. Also, thought I'd mention... the B&H listing says that in the normal un-cropped mode the RAW 8FPS shoots unlimited frames.... but the spec sheet says 76 :)
A lot will depend what lenses you have on it just like the 100S. If you put the Gf 45 2.8 on either camera No problem but do the same with the GF 80 1.7 then that is another story. .
Depends on what you want to do with it, your $-budget-$. & if you're going to make money with it. With the fps improvement it would be good for Fashion shoots & even before this, great for product, & landscapes. Probably better color & definitely better files to work with in post. The colors of the Sony cameras can easily be fixed in post & the R5 is one of the best all arounders out there! So many great choices out there to choose from.
Great gear intro! The link to the 55mm lens brings you to the GFX 100SII. Might want to correct that. Is that 15mm of shift total or to each side of the center? Never owned or used one before. Thanks for any replies. Good to see the option of the Multi Angle EVF brought back. Maybe Fuji will intro a higher mp EVF at a later date.
This says ProRes is only available up to 4K internally, but the spec sheet on fuji's website implies it can do 8K as well. Could you confirm which is true?
Take full advantage of the GFX100 II's large sensor and internally record video in 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II's 55mm sensor, at 4K/60p. Accelerate a project's delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode original camera files before editing. Internal Recording Modes: H.264/H.265/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT 8192 x 4320 at 23.98/24.00 fps [50 to 720 Mb/s] 7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 8192 x 2968 at 23.98/24.00 fps [50 to 720 Mb/s] 5824 x 2476 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 4776 x 3184 at 23.98/24.00 fps [50 to 720 Mb/s] 4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s] 4664 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s] 4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s] 3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s] 2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s] 1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s] >Mark
I’m not sure where you get the information from that this sensor is 20% larger than full frame. It’s very simple to calculate you take the width and height of a full frame centre and multiply it to keep you the square millimetres. You do the same with this Fuji sensor which is 44 mm wide and multiplied by the height to give you the square. Once you have both of these dimensions, you can divide the larger number by the smaller number and you will find it is a lot more than 20%. Thought I’d mention that. Great video though.
Check out our follow-up video, FUJIFILM GFX100 II for Video: How Does It Perform? ruclips.net/video/UBYQosNT76I/видео.html
Just a note about the sensor formats when shooting video (3:33): VistaVision is actually what digital photographers call full frame (36x24mm) and Premista is a series of lenses made by Fuji to cover that format (which filmmakers today call "large format"). The 35mm option probably means Super35 (also known as APS-C).
Such a great piece of gear. It is definitely a great choice for cinematography in a really good price. I would love to see this as a street photography option because the bokeh and features would give a look never seen before. But it is most probably an overkill for that. How does the Reala preset look? Thanks for the insight!
Ordering all of it🎉 switching from my Sony A1. Hopefully I will see a difference for interior design photography?
despite what the spec sheet from fuji says.... one youtube video mentioned that the 100II can shoot 20fps in 35mm crop mode (electronic shutter). Is there any way you could tell us if this is true?? Spec sheet says 8.7fps in that mode.
Also, thought I'd mention... the B&H listing says that in the normal un-cropped mode the RAW 8FPS shoots unlimited frames.... but the spec sheet says 76 :)
The problem with that tilt shift lenses:
It has no distance scale
Why the reviewers never show what TS lenses are really made for.😂
Thanks for sharing. And greetings from Belgium. Marc Lerchs.
rolling shutter master :))))
How much profit do retailers keep on this baby? I am guessing around 50%
If AF is good, this will be a killer camera.
A lot will depend what lenses you have on it just like the 100S. If you put the Gf 45 2.8 on either camera No problem but do the same with the GF 80 1.7 then that is another story.
.
If this camera is even worth it compared to the Sony A7R V with 61 megapixels, you can see a difference that justifies the effort
@shariqahmed336 around 7500 plus Lenses , plus , plus , plus ...
Depends on what you want to do with it, your $-budget-$. & if you're going to make money with it. With the fps improvement it would be good for Fashion shoots & even before this, great for product, & landscapes. Probably better color & definitely better files to work with in post. The colors of the Sony cameras can easily be fixed in post & the R5 is one of the best all arounders out there! So many great choices out there to choose from.
You can definitely see a difference in prints and dynamic range. Otherwise, not so much.
Great gear intro! The link to the 55mm lens brings you to the GFX 100SII. Might want to correct that. Is that 15mm of shift total or to each side of the center? Never owned or used one before. Thanks for any replies. Good to see the option of the Multi Angle EVF brought back. Maybe Fuji will intro a higher mp EVF at a later date.
Thanks for pointing that link out. It has been switched. And thanks for watching!
This says ProRes is only available up to 4K internally, but the spec sheet on fuji's website implies it can do 8K as well. Could you confirm which is true?
Take full advantage of the GFX100 II's large sensor and internally record video in 4:2:2, 10-bit Apple ProRes, or use HDMI to record 12-bit 4:2:2 Apple ProRes RAW or Blackmagic RAW in resolutions of up to 8K/30p, or, at the full width of GFX100 II's 55mm sensor, at 4K/60p. Accelerate a project's delivery to color grading workflows in Da Vinci Resolve or Adobe Premiere Pro without any need to transcode original camera files before editing. Internal Recording Modes:
H.264/H.265/MPEG-4 AVC/ProRes 422/ProRes 422 HQ/ProRes 422LT
8192 x 4320 at 23.98/24.00 fps [50 to 720 Mb/s]
7680 x 4320 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
8192 x 2968 at 23.98/24.00 fps [50 to 720 Mb/s]
5824 x 2476 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
5440 x 2868 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
4776 x 3184 at 23.98/24.00 fps [50 to 720 Mb/s]
4776 x 2688 at 23.98/24.00/25/29.97 fps [50 to 720 Mb/s]
4664 x 3380 at 23.98/24.00 fps [50 to 720 Mb/s]
4096 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
3840 x 2160 at 23.98/24.00/25/29.97/50/59.94 fps [50 to 720 Mb/s]
2048 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s]
1920 x 1080 at 23.98/24.00/25/29.97/50/59.94/100/120 fps [50 to 720 Mb/s]
>Mark
The sensor is about 70% larger not 20
Why don't they ever use lens hoods the right way...
I’m not sure where you get the information from that this sensor is 20% larger than full frame. It’s very simple to calculate you take the width and height of a full frame centre and multiply it to keep you the square millimetres. You do the same with this Fuji sensor which is 44 mm wide and multiplied by the height to give you the square. Once you have both of these dimensions, you can divide the larger number by the smaller number and you will find it is a lot more than 20%. Thought I’d mention that. Great video though.
What are the weather sealing capabilities?
helllooo B&H Fam 🫶
send me a demo! will make a feature.
heyyyy Fujifilm! 👋🫶
Please add open gate / medium format, utilizing the FULL sensor for video, Fujifilm! Massive miss here for a lot of filmmakers.
Literally go to 👍
2:55 ISO800 with a 3200 shutter (barely any movement)…
Yup He sucks
Goddam it, seeing all these really expensive cameras does not pay well on my canon EOS 20D from 2007 🤣
Is the EVF detachable?
Yes it is!
LETS GOOOO
Hello
Is it possible to shoot in a square also ? lige panasonics opengate ish?
yes it is. just like all other GFX cameras
in video i mean ofc. ? @@Juventinos
what i read now on their site is that it only has 4K 3:2 format. everything else is 16:9 or DCI
No BS 👍
It’s a good reminder that “good” gear doesn’t mean you’ll have good photos, digital images still look so boring and bland to me