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The astonishing thing about Hans Zimmer is that whenever you hear a score by him in a movie you're not like "ah, that's another score by Hans Zimmer" you are much more like "wow, that's an amazing score, let's look who did it. Ah of course, it's Hans Zimmer again. Who else!"
Absolutely right. I used to do exactly the same until I officially became huge Hans Zimmer fan and since then I know what movies he is doing in advance.
I noticed that!!! When the music is just too sick in a movie, I look it up to check if it's Hans cause the dude elevates movies with his music. Gladiator one of my favorite movies.
@@snakejuce he's experienced and seemingly soft spoken so If you were to rank musical approvals Yes it would be ranked high. But also yes, no need for that kind of approval.
The Dune score is so incredible. It's unlike any film music I've ever heard before. It's sounds extremely foreign, yet familiar and so very ancient, despite being in a sci-fi setting. The music perfectly encompasses Dune itself as a sci-fi story that has so many elements of medieval times and antiquity to it.
"yet familiar and so very ancient, despite being in a sci-fi setting" Exactly why IMO Villeneuve's adaptations are so great. They managed to capture that special kind of vibe the books offer : You're reading a science-fiction story and yet it feels unfathomably ancient. You're reading about space travel, genetics, drug-induced mutations, and yet the technology of that universe seems magical, almost sacred. It's the far future, it's about totally foreign people, and yet the story is profoundly familiar, as if it connects to humanity's essence itself. The score, the sound effects, even the beautiful shots... They managed to convey that perfectly. I rewatched Part Two yesterday and there are scenes that feels like paintings of religious scenes (such as the scene where the imperial ship enters Arrakis' atmosphere or the Harkonnen soldiers slowly floating toward the mountain).
Yes! Brilliantly elaborated... That was my attempt at describing what I felt first time I was reading Dune. Herbert had a unique abillity to transcend, bend and blend time, space....everything. It was a majestic experience. Zimmer/Villeneuve did the absolute justice to the book atmosphere (and story consistency for that matter), and I can't wait to see part 2!
“I’m Hans Zimmer and this is how _WE_ created the score for Dune” In a few seconds he shows what kind of modesty and humility the mega-talent has. Gives credit to his staff and peers that helped him to develop this timeless and now iconic sound. Instant classic soundtrack
He is definitely not modest, I don't know what interview did you watch. I do think he is not only a talented composer but also has great social skills.
@@Kathakathan11 well, it’d be kinda weird if he just did whatever you would see as "German music" for a film in the desert that mirrors Iraq (Arrakis) and their oil (the spice melange), if you "appropriate" culture without using things like hurtful stereotypes, I don’t see an issue with it
What that vocalist did 7:09 is called tillana in Indian ( Carnatic and Hindustani music) that is usually used when an Indian classical dance is performed. Pretty much every classical singer needs to learn this it’s various forms. :)
There is an episode on Maejor Frequency that goes into depth of frequency of the music and how it’s also similar to rap/hip hop music. Worth a listen if you are interested in how frequencies play a role in how it makes you feel when listening to music, sounds etc.
When I hear a John Williams soundrack I think "That's John Williams allright". When I hear a soundtrack unlike any I've ever heard before I think "This must be Hans Zimmer".
no it doesnt, if you truly listen to it You will actually hear the same thing over and over again. No matter the movie...... next time, close your eyes. and listen carefully. Then go to another movie and listen to that music aswell. Youll notice everything sounds the same
Music that's unfamiliar to you tends to sound the same because you lack the framework to understand its nuances. Rock? All electric noise. Hip hop? All amelodic noise. EDM? All synthesized noise. Contemporary classical? All atonal noise. If you ever hear that some genre all sounds the same and isn't "real music," you're sure to find that the genre is doing something interesting that stretches the average person's understanding of the definition of music.
Same. What Hans did with Dune went far beyond over any of his previous works. Listening to his compositions while watching it on that big IMAX theater screen, I knew I was there in Arakkis
I think great people are able to bring forth the best of the people around them. He is obviously open to be inspired and can bring it together in a cohesive whole. It is really magnificent.
Yes agree! It was totally amazing how much Hans Zimmer and his eclectic musicians put into this score. I never knew how much thought went into a movie score, such musically talented people all of them.
I loved Hans Zimmer since many many years ago. But when the title shows "How Hans Zimmer created the score for Dune" and yet Hans said how WE created.... My respect to his humbleness and appreciation towards his fellow musician just skyrocketted
"Don't play it like a Flute, Play it as if it was the wind whistling through the desert Dunes." One of the most important key elements in making a soundtrack is to understand the essence of the environment and surrounding atmosphere. And master Zimmer got it, got it very well.
He'd also read the book and loved it, so he had a very positive perspective, and knew what was required. Too many people, be they actors, or producers or screenplay writers have no connection or context with the source material, and it [usually] shows.
it impressed me that he asked him to play vowels made by the wind... and i didnt know what he meant with "vowels" on a flute... but then bro started playing and i knew: YES. THATS IT. they are genius. so is the dune soundtrack
I love how Hans really pushed for the musicians to play something or sing something during the interview not only is it really cool to hear the difference between the audio in the movie and its raw counterpart but it showcases the talent of the person and they all seemed so passionate. Amazing to see and hear - much love for what they all do!
I can only think of one other franchise that did this wich is why I have such high hopes for dune if you can reach the echelons of LotR you pretty much made history
Such a genius. The rules become soft and flexible under his control. He does not act separately, as just a composer, he dives into the story and ads something more valuable than just the sound, he ads meaning to the story.
It's his absolute fearlessness to be all out weird, along with also mastering the conventional. Most artists are either one or the other, and therefore boring and predictable.
I can’t tell you how moved I am by Hans Zimmers music. A few months ago I just learned that he’s pretty much scored all my favorite movies, which made me wonder if I really would have liked those movies as much had he not scored them. Music really makes a film memorable. Such a privilege to get to see his creative process behind the scenes.
Absolutely hilarious that the bagpipe is actually Guthrie Govan on guitar. He doesn't learn other instruments, he's just so good at guitar that he can use it to play other instruments.
Japanese Koto next on the list :D (it's not that hard, just have to play the B, A, G, D, D# notes all over the fretboard and that's it, jk, can play only 1 note at a time, or maybe 2 when convenient, but that kind of music can even be 3 notes at a time often)
In case anyone is wondering, the "rhythmic stuff" that Loire Cotler does at 07:06 is "Konnakol" - the traditional Indian drum language. More specifically within the Karnatic rhythmic system of South Indian music. RUclips has several videos explaining how it works.
“ I want your cello to sound like a Tibetan war horn, I don’t even know if there is a Tibetan war horn” the amount of imagination and uniqueness that’s required to make new sounds is unreal, truly a genius of a mind it takes!!
"I want your cello to sound like a Tibetan war horn" "I don't even know if there is a Tibetan war horn but she got the image" That is a brilliance of an open mind of a great composer!
As an Indian i find it quite intriguing that Zimmer mentions this subconscious portrayal of familiar/unfamiliar places using soundtrack, I never actively noticed this previously but now that I think about it Aliens, Jurassic Park, Star Trek, 2001, etc. Movies feel alien to me cause all the musical queues are European/American in nature, while Dune feels very natural and real to me cause a lot of the musical cues are found in Indian classical music, I had never thought about it that way before but now it makes sense.
I watched him live yesterday and it is intertwined with classical Indian music....especially the part after she comes of the high note.....can't describe it but I know what you mean because I've been thinking the same for the last 24 hours and here I found your comment to which I can relate.
Loire Cotler...i will just never forget that sound...like a cry thru the valley of death. Hans is amazing to give us this world texturised in hisses, sizzles, bumps...etc
Dune's sounds and music are so cool because they have that 'uncanny valley' like feeling where something is familiar, but a little bit off at the same time. It's familiar enough that you understand the emotional response that the music is trying to convey, but there's like a perpetual feeling of dread and uneasiness to it too because it is so different. Visually and audibly Dune is just absolutely mind blowing. The only movie that I ever remember feeling that way about was interestingly Tron: Legacy which is funny because the two styles are polar opposites, but both are amazing visually and have the perfect music and sounds to accompany those visuals.
The rhythmic percussion singing that Loire was doing is a traditional South Indian style called Konnakol (other parts of India do their variations too) If anyone wants to check it out!
If this soundtrack does not win him the first Oscar after Lion King (1994) then I don't know what will! All the new and innovative stuff they did for this movie and it's music is sensational! This movie has a soundtrack so unique that it has to be awarded!
Literally every favorite film of mine, he is the conductor. Lion King will forever b the all-time masterpiece in my mind but he is behind some revolutionary films. Get it together Academy!!
After seeing more and more of him during concerts and these interviews, where he always focus on what "We" did, "this fantastic artist did this, and this wonderful person does that." He always redirect the attention of the applause and praise onto others. He is truly a humble men.
That is exactly one part of the difference between people who are just being praised for being in a certain position and doing a certain thing very well and those who are actually praise worthy on a deeper, social level as well.
The deep voice Sardaukar Chant is very similar to the Tuvan throat singing, as well as Tibetan voice chanting. Also, the late, great celestial composer Constance Demby designed and made some of her own instruments - the Space Bass and Whale Sail perhaps being the most famous of them.
7:15 she is singing Indian Music. Thats how percussion instruments (tabla, mrudangam) are imititated in human voice. The thing she does with her hands simultaneously is called 'taal' i.e a rhythm preset.
I was just about to type this. You would think maybe someone as great as Hans Zimmer would know about Indian traditional music but guess I gave the man too much credit lol
Loire’ rhythmic fast-pace note singing is based on Indian folk music (Konnakol South Indian vocal percussion). So she’s not the only one whom can do it but she can do it well.
Initially, I thought it sounded more like traditional Scat/Jazz singing, but when she did the extended percussive runs, I heard the Indian influence. Isn't music wonderful.
7:00 I knew it! I could feel the sounds in Dune had a clear Indian influence! This is proof! Googled and just found out Lori Cotler is known for performing Konnakol which is a south indian carnatic music. Even without knowing that she practised this form... what she demonstrated was clearly a form of "taal/tala" which is common throughtout all Indian music! 😍👌 Amazing!
Yeah and I am very sure every Indian watching this felt this. It is common in India but not common in western music, there it's mostly European music as said by Sir
I was lucky enough to see him in Cologne a couple of days ago. The most emotional concert I've been to, goosebumps for 3 hours straight. What I loved most, was how highly he talked about all of the band members. Truly amazing what they can do!
Agreed, have seen him two times in Australia and both times were great! Everyone on stage is enjoying what they're doing and Hans treats and speaks about everyone up there so well!
Finally got to take my Dad to see him in London last Tuesday. We are both huge fans. I’ve been lucky enough to see John Williams too and these two are without doubt two of the best film composers ever. Both very different but can draw a picture in your imagination without you even having to see the images. Lol. An experience I will remember for the rest of my life.
Zimmer is as humble as he is talented. "We created" speaks volumes. Also the fact he makes so many instruments and help musicians play notes they never knew was possible also shows what an eccentric composer he is. I used to be in the "All Zimmer stuff sounds the same" but who would have known the sheer amount of ingenuity and skill it involved to play wind. haha
I mean, the team of writers and composers at his company definitely worked on this, as they do on anything Hans Zimmer is hired to compose for. So it is both humble and necessary for him to say "we".
@@1998Cebola Plenty of people would say I/me whether it is true or not. People like to take credit. Just stating it was very self aware for him to make it an emphasis. I definitely agree with you.
I love how often Hans Zimmer says "we". He always gives credit to the artists he works with and together they reach new heights and I love that about him. Also, I remember when Pedro Eustache was touring with Yanni. Listening to him play the duduk was so stirring. The way he plays is so very moving and an unforgettable experience.
He never hid that he deleguates a lot of things, but to say he hardly does the score is quite an overstatement. It's like saying the director is hardly doing the movie, because there are so much people around him ...
He says “we” about musicians but not “we” about the other composers he uses. As someone who is in this industry, I look forward to the day that the composers behind these scores get the credit they deserve. Hans zimmer is a brand or corporation with a host of ghost writers. Gone are the days of John Williams where it’s quite literally him writing every note with an orchestrator.
@@NathanEinhornMusic Director is a good comparison. For example, Peter Jackson didn't direct every scene of Lord of the Rings himself but no one has a problem with that
I love how unconventional and open to ideas Hans Zimmer is. He knows he wants a particular sound, but knowing he's asking a lot, he's open to working within the confounds of the results that are produced.
Let's also thank and credit the rest of the music department on this amazing score. Peter Afterman - music supervisor Aldo Arechar - technical assistant Clint Bennett - supervising music editor Omer Benyamin - technical assistant Christine Bergren - music legal Jane Berry - music coordinator Michael Boddicker - additional engineering (as Michael Lehmann Boddicker) Matt Bowdler - synth design Simon Bowley - additional engineering Yolanda Charles - musician: electric bass Chuck Choi - score technical consultant Steven Doar - composer: additional music Garrett Edson - score mix assistant Pedro Eustache - musician: world winds/duduks/contrabass flutes David Fleming - composer: additional music Kobus Frick - music producer Juan García-Herreros - musician: electric bass (as Juan Garcia-Herreros "Snow Owl") David Giuli - orchestrations and music preparation by Guthrie Govan - musician: electric guitar Tina Guo - musician: electric cello Taurees Habib - digital instrument preparation Jennifer Hammond - orchestrations and music preparation by Joshua Hendricks - additional recording Kostadin Kamcev - additional engineering Jeremy Katz - digital instrument preparation assistant Andrew Kawczynski - composer: additional music Steven Kofsky - music production services Jeremiah Kohn - music producer Jason La Rocca - choir recording engineer Edie Lehmann Boddicker - vocal and choir contractor/conductor / vocalist Alison Litton - music supervisor Fabio Marks - technical assistant Steve Mazzaro - composer: additional music Alan Meyerson - score mixed by Alejandro Moros - technical assistant Peter Myles - music editor Johnson O'Basso - musician: double bass Scottish Session Orchestra - orchestra contractor Melissa Orquiza - orchestrations and music preparation by (as Johanna Melissa Orquiza) Alfredo Pasquel - digital instrument preparation assistant Julian Pastorelli - operations manager: remote control productions Eva Reistad - score mix assistant Adam Robinson - musical director: Conductor Ryan Rubin - supervising music editor Howard Scarr - synth design Kevin Schroeder - synth design Clockwork Sessions - orchestral contractor Chas Smith - exotic instruments Soya Soo - digital instrument preparation assistant Raul Vega - digital instrument preparation Seth Waldmann - additional engineering Suzanne Waters - singer: vocalist Booker White - orchestrations and music preparation by Hans Zimmer - music producer / synthesizer programmer Source: IMDb
@xeon0100 lol i think composer is even a stretch, I will grant that he has a signature sound, one that I detest however. The second the score hits in Dune I knew it was a Zimmer score, and I had to try to ignore it to enjoy the movie.
hes getting hired cause he makes pop music for commoners, for a pop movie with pop actors, if you dont really like and study music there you have a couple clues so you can take a look of what a pop musician is
Amazing. I saw Dune 2 last night, and it's amazing. This is largely due to the incredible sound I experienced. It really transports you into another world.
The instruments and the artists are just as fascinating as the movie, the care and craftsmanship at every level were organically blended seamlessly. Dune should receive Oscars at many Levels, Musical score, Sound engineering, and set design. Dune is a treat on so many, the eye's the ears' and the mind.
The flute guy plays the Chinese instrument called “Suona”, which he said it could break our ears drums. It’s a traditional instrument that was reserved for only playing at funerals. It’s basically a musical instrument of death 🖤💀
@@Kathakathan11 just about everywhere I’ve looked with her she seems to be extremely open about her influences and constantly credits/educated about konnakol. They also seem to cut around quite frequently in the interview so I’d argue with her section being such a small fraction of this video that they cut out a lot of it.
When I saw Dune, the thing that most impressed me was the score. I was even telling people that I felt the score far outshined the rest of the project, and should get the most credit for making the film as impactful as people found it to be. Very cool to see a bit of behind the scenes on how this was all made. The joy of collaboration really shines through here and is an inspiration to witness!
It's amazing how Zimmer, being the legend he is emphasizes that it was a group effort to find those sounds. People should find their way among people like him, who go out of their way to make sure you're appreciated.
I had literally been fascinated by those air sounds in the score, they made each scene so eerie, yet alive!! Talk about being an absolute master of your craft. An amazing interview, one of the best I’ve seen! Do more like this please!
Love how they already edited it to ‘Oscar winning score’ Saw him in Amsterdam yesterday, the evening before he won an Oscar. Such a humble man. Constantly praising his team, the audience and even called for a standing ovation for Dennis Villeneuve on Oscar night. He speaks so highly of others, never praising himself.
This is easily the most impressive score that Hans has ever done. Although things like Batman and Inception are iconic the pure artistry on display here is on another level. I love the focus on collaboration and the desire to create sounds that have never been heard before. Amazing
It’s this collaboration that is a knock against Hans. I don’t understand it. This shows even more how masterful he is at his craft. He is a true composer !
This is a fabulous snapshot in the creative process of making the music not only for Dune but for a lot of other films where Hans Zimmer wrote the music. I just want to say that you did an amazing job capturing the passion and the excitement of these great musicians. Thank you!
"Wherever you have a goat and have a piece of wood, all I want to say is the goat better watch out because it's probably going to end up being a bagpipe." I freaking love Hans Zimmer.
What I love the most about this is to see how excited the musicians are to be creating these scores. That more than anything, informs a lot about who Zimmer is as a person.
Fun fact: Hans Zimmer has a team of composers. So its not actually HIM doing the composing necessarily all the time… its a group of musicians who are employed by Hans. I still respect that. But, I also give credit to some of the smaller musicians who dont get the credit because theyre part of the bigger company. This is why he said in the beginning ‘…and this is how WE composed the music…’
No-one wants to accept this. Personally I find it even worse that a team is coming up with all this low-grade bilge, but he delivers on time and gives the film makers what they seem to want. Pro-muzak.
Pedro Eustache played duduk on the amazing Paul McCartney song called Jenny Wren on his 2005 album Chaos and Creation in the Backyard. I recognized his name right away, his solo is so beautiful.
That unusual Rhythmic stuff Loire Cotler is doing at 7:07 is not so unusual for people in Indian sub-continent. It’s in fact very normal for Hindustani and Carnatic Music teachers/gurus to guide their students with such singing to play tabla, mrudunga and Few other percussion instruments.
"oh that's actually my guitarist Guthrie Govan.... " such an off hand remark for one of the greatest guitarist of all time. Hans is a legend and the artists he employs equally so.
yeah, i was shocked to hear and see that but a second after i thought "well, it's zimmer and his budget and name, he might as well go for one of the best guitarists he can get"
Inception, Interstellar...The Gladiator 3 missing Oscars for Zimmer . In Dune he made something of incredible....he travelled in the year 3000 and come back with something of unreal and unic ! That man is pure art!
Their passion and love for new forms of art makes me moved like the most beautiful nature sceneries. Thats the beauty of human, of artist, of human soul itself. I am listening and cant stop the tears. How beautiful someones mind can be.
Surprised Mr Zimmer didn’t mention that the “rhythmic singing” is konnakol, the Southern Indian system of singing percussive syllables, a highly developed system, old as the hills. She doesn’t have the SI’s rich, warm timbre, though. Check out Southern Indian classical women performing this technique for a proper mind-blowing. A Indian pop version of konnakol was pushed hard in the ‘90s by Sheila Chandra.
Hoped there was one who would write this ! By not naming this, they’re unfortunately not giving due credit! Glad you did! Only commenting it so your comment reaches to the top. 😊
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Dune in*
why is zendaya and her half second screentime set as the thumbnail for this?? timothee is the lead of the movie
When I heard the inception's track the thought that came to my mind hans Zimmer knows the sound of time
Have you ever wondered what we are?? Theory of Collective Self-Reflection.ruclips.net/video/S5f5zKsN1DE/video.html
Bet it slapped 😭
Dude is responsible for giving more people chills than the cold.
Not really
@@99Gara99 yep somewhat rly
@@99Gara99 listen to cornfield chase on a good pair of headphones and you'll understand why
@@99Gara99 Yes really.
Awful, just like your takes
The astonishing thing about Hans Zimmer is that whenever you hear a score by him in a movie you're not like "ah, that's another score by Hans Zimmer" you are much more like "wow, that's an amazing score, let's look who did it. Ah of course, it's Hans Zimmer again. Who else!"
Absolutely right. I used to do exactly the same until I officially became huge Hans Zimmer fan and since then I know what movies he is doing in advance.
My reaction literally when I was watching the movie
my words XD
I noticed that!!! When the music is just too sick in a movie, I look it up to check if it's Hans cause the dude elevates movies with his music. Gladiator one of my favorite movies.
true i was waching no time to die and in the end credits i saw his name and i was like ah ofcourse
Hans Zimmer just saying, “oh f*** yeah“ is probably the greatest approval you could ever get in music.
Calm down, stop idolizing mere humans kiddo. Relax.
@@snakejuce he's experienced and seemingly soft spoken so
If you were to rank musical approvals
Yes it would be ranked high.
But also yes, no need for that kind of approval.
@@snakejuce Hans Zimmer is more than a human, stop disrespecting him like that
@@snakejuce r/wooosh
@@snakejuce “kiddo” what a zinger. You got anything original tho?
The Dune score is so incredible. It's unlike any film music I've ever heard before. It's sounds extremely foreign, yet familiar and so very ancient, despite being in a sci-fi setting. The music perfectly encompasses Dune itself as a sci-fi story that has so many elements of medieval times and antiquity to it.
Perfectly explained
Hard agree
Only comparable to the soundtrack of the original "Ghost in the Shell" anime. It sounds futuristic and ancient both at once.
"yet familiar and so very ancient, despite being in a sci-fi setting"
Exactly why IMO Villeneuve's adaptations are so great. They managed to capture that special kind of vibe the books offer : You're reading a science-fiction story and yet it feels unfathomably ancient. You're reading about space travel, genetics, drug-induced mutations, and yet the technology of that universe seems magical, almost sacred. It's the far future, it's about totally foreign people, and yet the story is profoundly familiar, as if it connects to humanity's essence itself.
The score, the sound effects, even the beautiful shots... They managed to convey that perfectly.
I rewatched Part Two yesterday and there are scenes that feels like paintings of religious scenes (such as the scene where the imperial ship enters Arrakis' atmosphere or the Harkonnen soldiers slowly floating toward the mountain).
Yes! Brilliantly elaborated... That was my attempt at describing what I felt first time I was reading Dune. Herbert had a unique abillity to transcend, bend and blend time, space....everything. It was a majestic experience. Zimmer/Villeneuve did the absolute justice to the book atmosphere (and story consistency for that matter), and I can't wait to see part 2!
“I’m Hans Zimmer and this is how _WE_ created the score for Dune”
In a few seconds he shows what kind of modesty and humility the mega-talent has. Gives credit to his staff and peers that helped him to develop this timeless and now iconic sound. Instant classic soundtrack
I noticed the same exact thing. Truly humbling.
I also noticed that. As humble as he is talented.
And uses Ghost Composers and plasters only his name in the credits ? Some modesty 😅
He is definitely not modest, I don't know what interview did you watch. I do think he is not only a talented composer but also has great social skills.
Modesty is just arrogance in disguise
I love how he says “WE CREATED the score”. He knows that he’s team is amazing.
But they actually did cultural appropriation
@@Kathakathan11 ?
@@Kathakathan11 everyone appropriates culture every day. Whats your point?
He’s a humble man and he appreciates the artists around him. I love that.
@@Kathakathan11 well, it’d be kinda weird if he just did whatever you would see as "German music" for a film in the desert that mirrors Iraq (Arrakis) and their oil (the spice melange), if you "appropriate" culture without using things like hurtful stereotypes, I don’t see an issue with it
How incredible that we are living in Hans Zimmer era.
@Jesus has given you all. Repent or die. You're an npc
Hes overratted
the goat
Dang son
@@CHodgy explain how so i can laugh at you please
What that vocalist did 7:09 is called tillana in Indian ( Carnatic and Hindustani music) that is usually used when an Indian classical dance is performed. Pretty much every classical singer needs to learn this it’s various forms. :)
exacty 💯!!!
searching for this explanation, thank you so much.
There is an episode on Maejor Frequency that goes into depth of frequency of the music and how it’s also similar to rap/hip hop music. Worth a listen if you are interested in how frequencies play a role in how it makes you feel when listening to music, sounds etc.
Indian KatKat Thank You
was searching for this
This man has been making music for decades and still everything he does feels fresh. Truly a master at his craft.
When I hear a John Williams soundrack I think "That's John Williams allright". When I hear a soundtrack unlike any I've ever heard before I think "This must be Hans Zimmer".
no it doesnt, if you truly listen to it You will actually hear the same thing over and over again. No matter the movie...... next time, close your eyes. and listen carefully. Then go to another movie and listen to that music aswell. Youll notice everything sounds the same
ruclips.net/video/4G6e4TaJxkI/video.html !!!!!!
@@MegaYamahar I don't know man, feels like this Zimmerman guy knows what he doin
@@erikpoephoofd HEs great at what he does, no doubt about it. I knew he made Batman /inception without even reading the name. Hehe......
I will never understand how people can say that Hans Zimmer’s music all sound the same. This man is one of the most versatile composers out there
They're picking up on his style and then complaining about it.
They are unobservant. Or just ignorant of what he can truly accomplish.
Imagine hearing Gladiator, The Amazing Spider-Man, Inception, Interstellar and Dune's OST, and say they sound the same.
Music that's unfamiliar to you tends to sound the same because you lack the framework to understand its nuances. Rock? All electric noise. Hip hop? All amelodic noise. EDM? All synthesized noise. Contemporary classical? All atonal noise. If you ever hear that some genre all sounds the same and isn't "real music," you're sure to find that the genre is doing something interesting that stretches the average person's understanding of the definition of music.
Same. What Hans did with Dune went far beyond over any of his previous works. Listening to his compositions while watching it on that big IMAX theater screen, I knew I was there in Arakkis
"This is how WE created....." the sign of a great person it to acknowledge the support others give to get you to those heights.
Agreed!!
That’s what I thought, too. Of cause he is the best known person there, but he knows how important everyone is.
I have noticed that immidiately! :)
I think great people are able to bring forth the best of the people around them. He is obviously open to be inspired and can bring it together in a cohesive whole. It is really magnificent.
best part is the title card says "created by" but he's like "nah, that's us"
How he didn’t win an Oscar for interstellar should literally be a crime
It's amazing the amount of Respect that Hans has for all those musicians. He gives them the time to speak and showcase their art.
These are literally some of the best musicians in the world. would be crazy not to
Yes agree! It was totally amazing how much Hans Zimmer and his eclectic musicians put into this score. I never knew how much thought went into a movie score, such musically talented people all of them.
also how he always says we instead of i
I loved Hans Zimmer since many many years ago.
But when the title shows "How Hans Zimmer created the score for Dune" and yet Hans said how WE created....
My respect to his humbleness and appreciation towards his fellow musician just skyrocketted
I do hope all those musicians also show the same amount of respect (or even more) to him - considering that some are only known because of him. :)
I did NOT expect that woman to do a perfect south indian konnakol like that!
Didn't expect you here!
I thought the same thing :)
Time stamp?
7:06
Yassss. Was ther sum indian in dune... i cnt recall
"Don't play it like a Flute, Play it as if it was the wind whistling through the desert Dunes."
One of the most important key elements in making a soundtrack is to understand the essence of the environment and surrounding atmosphere. And master Zimmer got it, got it very well.
He'd also read the book and loved it, so he had a very positive perspective, and knew what was required. Too many people, be they actors, or producers or screenplay writers have no connection or context with the source material, and it [usually] shows.
it impressed me that he asked him to play vowels made by the wind... and i didnt know what he meant with "vowels" on a flute... but then bro started playing and i knew: YES. THATS IT.
they are genius. so is the dune soundtrack
I love how Hans really pushed for the musicians to play something or sing something during the interview not only is it really cool to hear the difference between the audio in the movie and its raw counterpart but it showcases the talent of the person and they all seemed so passionate. Amazing to see and hear - much love for what they all do!
I love when everybody involved in the movie is fully committed and genuinely loves what they’re doing.
I can only think of one other franchise that did this wich is why I have such high hopes for dune
if you can reach the echelons of LotR you pretty much made history
Whyyyyy?
"" Becaaaaause we love making movieeeees"'
@@hehehelen761 I understood that reference
@@lucas_wmd Star Wars is bigger.
@@TrueNorth1217 you missed the point
with a voice like that his producer tag would be fire
Imagine the intro of Dune be like „HANS ZIMMER EARNED THAT BIMMER“
Z-z-z-z-Zimmer Beats 🎶
zimmer on dat beat boi 😩🙏
Tags are for producers that don't have their own sound and style...CHANGE MY MIND
"If Young Nolan don't trust ya, I'm gonna shoot you"
I love how he says "This is how 'we' created the score for DUNE" instead of 'i'
Edit: 3k likes wtf!?!?
Yeah, i wouldn't bet Hanz doing the "HHAA HAAA HUKEEEVAAAA" or the "MMMM BUDUUUUUUUURRRRRRR YEEE AHUMMMMM" himself
@@BlackEagle352 swoooosh
@@BlackEagle352 😂
@@Jonathan-Pilkington Nothing went over his head
Cosnidering he barely writes any of the music attached to his name saying it any other way would be borderline fradulent
The most insane part to me is how excited he is. It really is like seeing a kid get excited about something they’ve made.
When he began with 'how WE created' and the way he talks about all the artists...wow
made me respect him even more!
ruclips.net/video/PTc1YRqs160/video.html
!!!!!!!!!!!!!!!
You mean the artists he undercredits, underpays and overworks?
@@DaanDaanDaanDaanDaan 'undercredits' in a comment under such a video is "funny"
Even at this stage of this career, he almost has this childlike excitement and curiosity. So eager to share his process and thoughts. Absolute genius.
Absolutely. You know these things bro.
Because he never stops learning and exploring new things
Such a genius. The rules become soft and flexible under his control. He does not act separately, as just a composer, he dives into the story and ads something more valuable than just the sound, he ads meaning to the story.
Absolute masterpiece. Takes the movie to another level
This score was loud and obnoxious with no melodies. It came off as some boring sound experiment.
@@kingrobert7246 not to me
@@kingrobert7246 Totally agree with you! "Forgettable" would be my word of choice...
@@kingrobert7246 agreed. How about the score for The Batman?
@@kingrobert7246 Good thing you're not a composer, then.
impossible not to admire Hans' way of percieving music and creative workspace.
ruclips.net/video/PTc1YRqs160/video.html
!!!!!!!!!!!!!!!
It's his absolute fearlessness to be all out weird, along with also mastering the conventional. Most artists are either one or the other, and therefore boring and predictable.
The way his brain works blows my mind. Any time I watch an interview of now he scores a movie I’m like 🤯
True
I love the way he casually says "my guitarist Guthrie Govan". Like if it was the most usual thing on the planet. What a Legend.
*googles Guthrie Govan*. Oh WOW. Hans Zimmer plays NO GAMES!!!
"my guitarist Guthrie Govan" literally the greatest guitarist currently alive, Hans aint pulling random guitarists off the streets I tell yah
@@sinistrality7883 "literally the greatest" you say?
@@santos.l.halper1999”currently alive” dumba$$
@@santos.l.halper1999 oh easily
I can’t tell you how moved I am by Hans Zimmers music. A few months ago I just learned that he’s pretty much scored all my favorite movies, which made me wonder if I really would have liked those movies as much had he not scored them. Music really makes a film memorable. Such a privilege to get to see his creative process behind the scenes.
Absolutely hilarious that the bagpipe is actually Guthrie Govan on guitar. He doesn't learn other instruments, he's just so good at guitar that he can use it to play other instruments.
I was also like "what?" When I heard him saying it😁
Dude can imitate not only guitar players, he can imitate a siren, harmonica, harp, even voice and cartoon sounds, of course he can do bagpipe.
@@tomvesely4008 Oscar Isaac's entire vocal performance is actually Govan playing the guitar
ruclips.net/video/PTc1YRqs160/video.html
!!!!!!!!!!!!!!!!!.
Japanese Koto next on the list :D
(it's not that hard, just have to play the B, A, G, D, D# notes all over the fretboard and that's it, jk, can play only 1 note at a time, or maybe 2 when convenient, but that kind of music can even be 3 notes at a time often)
In case anyone is wondering, the "rhythmic stuff" that Loire Cotler does at 07:06 is "Konnakol" - the traditional Indian drum language. More specifically within the Karnatic rhythmic system of South Indian music. RUclips has several videos explaining how it works.
Thank you! I didn't know that. The first time I heard Konnakol was on Soul Circus by Victor Wooten, and I thought it was so cool.
Yes. Michael Manring (the bassist) is also a big fan of Konnakol, and uses it to help him divide rhythms.
slumdog millionaire has some solid konnakol, works really well to build tension
Yea
Don't be so Karnatic
“ I want your cello to sound like a Tibetan war horn, I don’t even know if there is a Tibetan war horn” the amount of imagination and uniqueness that’s required to make new sounds is unreal, truly a genius of a mind it takes!!
hes the only person i can take seriously when saying 'tibetan war horn'
The vocals that Loire does at 7:10 is called Tillana, an esstential element of the Indian classical music and classical dance.
Exactly. An essential for sure.
You just took the words out of me
Konakkol
Hans Zimmer is really one of a kind
"I want your cello to sound like a Tibetan war horn"
"I don't even know if there is a Tibetan war horn but she got the image"
That is a brilliance of an open mind of a great composer!
And the skill of a player who can deliver!
What you hear is not what you see.
-Zimmer, H
It's because he hasn't had formal training. His admission applicarion for music school was turned down.
And Tina never disappoints!!! She delivered a spine tingling performance!
Reminds me of the movie Walk Hard when Dewey is conducting an orchestra high as a kite and says “can you make that sound like a velvet pancake?”
As an Indian i find it quite intriguing that Zimmer mentions this subconscious portrayal of familiar/unfamiliar places using soundtrack, I never actively noticed this previously but now that I think about it Aliens, Jurassic Park, Star Trek, 2001, etc. Movies feel alien to me cause all the musical queues are European/American in nature, while Dune feels very natural and real to me cause a lot of the musical cues are found in Indian classical music, I had never thought about it that way before but now it makes sense.
Very interesting !
Very cool! Thank you for sharing!
Interesting! How was the Indian reaction to Dune? Did many people comment on the music feeling natural as well?
I watched him live yesterday and it is intertwined with classical Indian music....especially the part after she comes of the high note.....can't describe it but I know what you mean because I've been thinking the same for the last 24 hours and here I found your comment to which I can relate.
this... finally makes sense now. woa.
Loire Cotler...i will just never forget that sound...like a cry thru the valley of death. Hans is amazing to give us this world texturised in hisses, sizzles, bumps...etc
This is so stinkin' cool. I need like an entire series of just Hans and the musicians involved.
facts
but if you see a goat and a piece of wood next to each other are you gonna make bagpipes or just let it slip?
@@PurpleHairDontCare ray mears and Hans Zimmer special, 'you make the fire while I make the bagpipes'
Yes
Bruh….
Dune's sounds and music are so cool because they have that 'uncanny valley' like feeling where something is familiar, but a little bit off at the same time. It's familiar enough that you understand the emotional response that the music is trying to convey, but there's like a perpetual feeling of dread and uneasiness to it too because it is so different. Visually and audibly Dune is just absolutely mind blowing. The only movie that I ever remember feeling that way about was interestingly Tron: Legacy which is funny because the two styles are polar opposites, but both are amazing visually and have the perfect music and sounds to accompany those visuals.
We can thank daft punk for tron
You unlocked my memory of tron and I remember LOVING that movie just like I LOVE dune.
Dude. You are so right with that similiar feel with Tron. I totally agree with you. It is a feel I really cant put a finger on...
The rhythmic percussion singing that Loire was doing is a traditional South Indian style called Konnakol (other parts of India do their variations too) If anyone wants to check it out!
Exactly!! It's a fairly common progression in India
right? my mind went instantly to some image of a classical dance teacher doing that
Manas Sarpatwar yup Indian arts need to be correctly credited on these platforms
I was going to comment this and was looking if someone mentioned it already
@@skullzalliances Yup. At least to a level where it's not described "highly unusual" by a living legend !
He seems so supportive of the talented musicians around him.
If this soundtrack does not win him the first Oscar after Lion King (1994) then I don't know what will! All the new and innovative stuff they did for this movie and it's music is sensational! This movie has a soundtrack so unique that it has to be awarded!
If he doesn't win the Oscar then the Academy should just shut the whole thing down
@@madisonwhovian943 they may wait till the sequel but who knows
Literally every favorite film of mine, he is the conductor. Lion King will forever b the all-time masterpiece in my mind but he is behind some revolutionary films. Get it together Academy!!
@@MissSunflower242 Composer, not conductor
He won for Gladiator (2000), as well. Come on.
I was NOT expecting the live version (7:30), without edit, to sound thad good. Gave me the chills
its so satisfying and scary at the same time but i love it
Most interesting piece in Dune OST 💞
@@shyamsivan5261 I second this statement.
brought tears to my eyes
Dude I got goosebumps
Well. "Flute guy" is finally getting the respect he deserves.
Flute guy carries
@@harbak2 it's a hard carry. True 1v9
He truly deserve all the respect after that amazing performance of weight of life.
LMAAAOOOO!!!!!!!
Hey anyone nows how to pronounce the instrument at 11:55?
After seeing more and more of him during concerts and these interviews, where he always focus on what "We" did, "this fantastic artist did this, and this wonderful person does that." He always redirect the attention of the applause and praise onto others. He is truly a humble men.
That is exactly one part of the difference between people who are just being praised for being in a certain position and doing a certain thing very well and those who are actually praise worthy on a deeper, social level as well.
The deep voice Sardaukar Chant is very similar to the Tuvan throat singing, as well as Tibetan voice chanting. Also, the late, great celestial composer Constance Demby designed and made some of her own instruments - the Space Bass and Whale Sail perhaps being the most famous of them.
The "highly unusual" singing that she does at 7 minutes in is called Konnakol, for anyone who is interested. Very advanced stuff.
@@MichaelDowComposer film it or cap
@@Alpha-soixante I didn't. But I do now!
@@elvingearmasterirma7241 Awesome! It was a joke because there are at least 5 other comments saying exactly the same thing.
Yeah dude
I will never get tired of experts at the top of their creative game explaining their passion for their art - ever.
Same here. Extraordinary.
This was _INCREDIBLY_ fascinating, and Guthrie Govan is a monstrous player.
Casually mentions Guthrie as if he's not the best guitarist on the planet right now.
@@jokerman261 RIGHT?!
Agreed! I saw Guthrie playing with Hand at the O2 last night and he was the highlight of the show. He had an incredible solo on Superman.
That was a shocker honestly had no clue he played a part in this whole project
frr lol. I did a double take
Every time I am listening Hans talking about music I get lost in reality. I could listen to him for hours. He shares with us this love for music.
To have geniuses like Denis Villeneuve, Christopher Nolan, Roger Deakins and Hans Zimmer working together this days is absolutely incredible!
Yes - so many amazing projects
overrated themepark directors lol
@@LanaaAmor nice bait bruh
the most basic whiteguy directors lol, watch more films or maybe grow up
@@LanaaAmor Racist? Got it.
7:15 she is singing Indian Music. Thats how percussion instruments (tabla, mrudangam) are imititated in human voice. The thing she does with her hands simultaneously is called 'taal' i.e a rhythm preset.
I was just about to type this. You would think maybe someone as great as Hans Zimmer would know about Indian traditional music but guess I gave the man too much credit lol
@@koganenokoro4361 i too thought the same about hans
The bagpipes are better
Yes she has learned hindustani classical music which she has mentioned in some of her interviews.
Yeah they really whitewashed that
Loire’ rhythmic fast-pace note singing is based on Indian folk music (Konnakol South Indian vocal percussion). So she’s not the only one whom can do it but she can do it well.
Initially, I thought it sounded more like traditional Scat/Jazz singing, but when she did the extended percussive runs, I heard the Indian influence.
Isn't music wonderful.
Sheila Chandra was another great performer of Konnakol who unfortunately lost her voice about a decade ago.
@@robblissism Such a shame. Her track in the LOTR - Two Towers is one of my favorites.
True except its not Tribal culture folk music , its Classical Carnatic .
@@MajesticDemonLord Her bio says she studied Scat/Jazz at Berklee College of music.
7:00 I knew it! I could feel the sounds in Dune had a clear Indian influence! This is proof! Googled and just found out Lori Cotler is known for performing Konnakol which is a south indian carnatic music. Even without knowing that she practised this form... what she demonstrated was clearly a form of "taal/tala" which is common throughtout all Indian music! 😍👌 Amazing!
Tillana
@@upload2010yepp
Yeah and I am very sure every Indian watching this felt this. It is common in India but not common in western music, there it's mostly European music as said by Sir
I was lucky enough to see him in Cologne a couple of days ago. The most emotional concert I've been to, goosebumps for 3 hours straight. What I loved most, was how highly he talked about all of the band members. Truly amazing what they can do!
Definitely need to attend one of his concerts once in my lifetime before I die.
Agreed, have seen him two times in Australia and both times were great! Everyone on stage is enjoying what they're doing and Hans treats and speaks about everyone up there so well!
Finally got to take my Dad to see him in London last Tuesday. We are both huge fans. I’ve been lucky enough to see John Williams too and these two are without doubt two of the best film composers ever. Both very different but can draw a picture in your imagination without you even having to see the images. Lol. An experience I will remember for the rest of my life.
I was there too!! Never ever have I experienced something like that
Dune isn't just a film. it's an experience. and as beautiful as it is, it would be nothing without the textures and life of Han's sounds.
I likened it to a spiritual experience
dune is book lol
Exactly!
Zimmer is as humble as he is talented. "We created" speaks volumes. Also the fact he makes so many instruments and help musicians play notes they never knew was possible also shows what an eccentric composer he is. I used to be in the "All Zimmer stuff sounds the same" but who would have known the sheer amount of ingenuity and skill it involved to play wind. haha
The music is written by interns and employees, saying "I" would be borderline fradulent
I mean, the team of writers and composers at his company definitely worked on this, as they do on anything Hans Zimmer is hired to compose for. So it is both humble and necessary for him to say "we".
He has a big team
@@1998Cebola was looking for this comment lol. Ghost writing should be illegal
@@1998Cebola Plenty of people would say I/me whether it is true or not. People like to take credit. Just stating it was very self aware for him to make it an emphasis. I definitely agree with you.
The score is what made the movie amazing. Part 1 and 2 of dune is elevated to levels of the unknown due to hans and denis working together
I love how often Hans Zimmer says "we". He always gives credit to the artists he works with and together they reach new heights and I love that about him. Also, I remember when Pedro Eustache was touring with Yanni. Listening to him play the duduk was so stirring. The way he plays is so very moving and an unforgettable experience.
He says we, because he hardly does the score. He gives ideas and then lets others go for it.
He never hid that he deleguates a lot of things, but to say he hardly does the score is quite an overstatement. It's like saying the director is hardly doing the movie, because there are so much people around him ...
He says “we” about musicians but not “we” about the other composers he uses. As someone who is in this industry, I look forward to the day that the composers behind these scores get the credit they deserve. Hans zimmer is a brand or corporation with a host of ghost writers. Gone are the days of John Williams where it’s quite literally him writing every note with an orchestrator.
So nice to see someone else make the connection to Yanni!
@@NathanEinhornMusic Director is a good comparison. For example, Peter Jackson didn't direct every scene of Lord of the Rings himself but no one has a problem with that
I love how unconventional and open to ideas Hans Zimmer is. He knows he wants a particular sound, but knowing he's asking a lot, he's open to working within the confounds of the results that are produced.
This man and the team around him are genuises. His music brings these movies to life for me.
“I am Hans Zimmer and this is how WE created the score for Dune”
I love how he always gives credit to his team!!
Let's also thank and credit the rest of the music department on this amazing score.
Peter Afterman - music supervisor
Aldo Arechar - technical assistant
Clint Bennett - supervising music editor
Omer Benyamin - technical assistant
Christine Bergren - music legal
Jane Berry - music coordinator
Michael Boddicker - additional engineering (as Michael Lehmann Boddicker)
Matt Bowdler - synth design
Simon Bowley - additional engineering
Yolanda Charles - musician: electric bass
Chuck Choi - score technical consultant
Steven Doar - composer: additional music
Garrett Edson - score mix assistant
Pedro Eustache - musician: world winds/duduks/contrabass flutes
David Fleming - composer: additional music
Kobus Frick - music producer
Juan García-Herreros - musician: electric bass (as Juan Garcia-Herreros "Snow Owl")
David Giuli - orchestrations and music preparation by
Guthrie Govan - musician: electric guitar
Tina Guo - musician: electric cello
Taurees Habib - digital instrument preparation
Jennifer Hammond - orchestrations and music preparation by
Joshua Hendricks - additional recording
Kostadin Kamcev - additional engineering
Jeremy Katz - digital instrument preparation assistant
Andrew Kawczynski - composer: additional music
Steven Kofsky - music production services
Jeremiah Kohn - music producer
Jason La Rocca - choir recording engineer
Edie Lehmann Boddicker - vocal and choir contractor/conductor / vocalist
Alison Litton - music supervisor
Fabio Marks - technical assistant
Steve Mazzaro - composer: additional music
Alan Meyerson - score mixed by
Alejandro Moros - technical assistant
Peter Myles - music editor
Johnson O'Basso - musician: double bass
Scottish Session Orchestra - orchestra contractor
Melissa Orquiza - orchestrations and music preparation by (as Johanna Melissa Orquiza)
Alfredo Pasquel - digital instrument preparation assistant
Julian Pastorelli - operations manager: remote control productions
Eva Reistad - score mix assistant
Adam Robinson - musical director: Conductor
Ryan Rubin - supervising music editor
Howard Scarr - synth design
Kevin Schroeder - synth design
Clockwork Sessions - orchestral contractor
Chas Smith - exotic instruments
Soya Soo - digital instrument preparation assistant
Raul Vega - digital instrument preparation
Seth Waldmann - additional engineering
Suzanne Waters - singer: vocalist
Booker White - orchestrations and music preparation by
Hans Zimmer - music producer / synthesizer programmer
Source: IMDb
He's a genius and he's different because he's not just the composer, he also does sound design
@xeon0100 lol i think composer is even a stretch, I will grant that he has a signature sound, one that I detest however. The second the score hits in Dune I knew it was a Zimmer score, and I had to try to ignore it to enjoy the movie.
@@MCHENNEY see, why? He's getting hired for films cause he's good.
@@MCHENNEY @xeon0100 both of you should shut up Hans is great
hes getting hired cause he makes pop music for commoners, for a pop movie with pop actors, if you dont really like and study music there you have a couple clues so you can take a look of what a pop musician is
@@BullPoh lol, do you think people who you’re calling commoners are gonna take you seriously?
"play the flute, as if it was the wind whistling through desert dunes" Jesus Christ Mr.Zimmer
Lovely
Sweet❤️
doesn't get more bulshitty than that :P
@@agnidas5816 why you hatin kid?
Jesus ain't got nothing on Hans.
Amazing. I saw Dune 2 last night, and it's amazing. This is largely due to the incredible sound I experienced. It really transports you into another world.
6:27 his excitement when realizing he will be performing with one of his favorite vocalists is awesome.
Lmao he was just like F*CK YEAH 🤟
The instruments and the artists are just as fascinating as the movie, the care and craftsmanship at every level were organically blended seamlessly. Dune should receive Oscars at many Levels, Musical score, Sound engineering, and set design. Dune is a treat on so many, the eye's the ears' and the mind.
Have you ever wondered what we are?? Theory of Collective Self-Reflection.ruclips.net/video/S5f5zKsN1DE/video.html
Narrator:
“And then it did.”
@@NgaTaeOfficial for what?
@@thejohnson2328 for visuell effects, music score and 4 other Oscars.
@@vingvingduy1779 ah nice
The flute guy plays the Chinese instrument called “Suona”, which he said it could break our ears drums. It’s a traditional instrument that was reserved for only playing at funerals. It’s basically a musical instrument of death 🖤💀
100% true. The suona, zurna, shenai, and taepyeongso all continue to break ears all over the Asian continent 🖤
That's really cool. TY
He is a Genius. Period.
Never disappoints, Never fails.
And it is not just Music he composes, it is the complete SOUND! Crazy creative
Congrats, Hans Zimmer for academy award.
If you didn't win this I'd lost faith in Oscar.
I have lost faith many years ago n never gonna get it back lol
Well deserved Oscar.
I still think Hans should have got one for Interstellar.
He is a master of music and his score will live on in goat soundtracks of all time
if he didn't win it, I'd probably slap Chris Rock
@@braedonavants Zing! Too soon? Nah!
My biggest regret in life was not watching this movie in the cinema. Within 10 mins of watching it on TV, the music had blown me away!
Shame on you
Watching at an IMAX theater was the best decision I made.
That's how I feel about Interstellar. Had to see this one in Hollywood premier night. Biggest theater I've been in. It was a amazing
@@janellelives5158 omg yes watching it in IMAX really hit different
I’m sure it will be re released on IMAX in the build up to Part 2
All of Zimmer's scores are brilliant. No comparison to Dune's music. Truly a masterpiece.
Interstellar. Gladiator. Pirates of the Caribbean.
The 1994 version of the lion King! My heart still sores when I hear the final score for that movie.
I wasn't fond of Zimmer's but loved Brian Tyler's score on Children of Dune.
Zimmer is God
@@neginf9818 Fun Fact: Klaus Badelt did the first Pirates movie.
him telling you what you felt watching and hearing dune is giving even more chills
ONCE it’s revealed that he is responsible for the music and sound in general you just know it’s a gonna be a banger of a movie
THIS. THIS IS SO FACTS.
Except for man of steel and bvs, but yeah.
@@fatdingo8251 and Dark Phoenix but his music was still incredible in that movie
Except he wasn’t responsible for any of the sound design
since when did the music make a movie good? pathetic really...1985 Dune so much better as was the soundtrack
Loire's voice is really incredible. I've never heard anyone who sounds like that. Also Hanz is a genius who has literally never missed.
But she just sang Indian classical without giving any credit to it, appropriating it to be her unique talent?
@@Kathakathan11 just about everywhere I’ve looked with her she seems to be extremely open about her influences and constantly credits/educated about konnakol. They also seem to cut around quite frequently in the interview so I’d argue with her section being such a small fraction of this video that they cut out a lot of it.
When I saw Dune, the thing that most impressed me was the score. I was even telling people that I felt the score far outshined the rest of the project, and should get the most credit for making the film as impactful as people found it to be. Very cool to see a bit of behind the scenes on how this was all made. The joy of collaboration really shines through here and is an inspiration to witness!
The costume design was probably a close second in my opinion
Dune is a masterpiece in every technical category: sound design, production design, cinematography, lighting, etc.
@@KonohasYeIlowFlash yeah biggest weakness is that it isnt finished without the missing second part
So many of Hans Zimmer’s soundtracks are like this. The music in Interstellar absolutely defined that movie in so many wonderful ways.
The whole movie was a masterpiece but then again only fans of Dune will understand
Not I only got chills in a cinema hearing this but also now while watching the process of creating
This guy is crazy
It's amazing how Zimmer, being the legend he is emphasizes that it was a group effort to find those sounds. People should find their way among people like him, who go out of their way to make sure you're appreciated.
I had literally been fascinated by those air sounds in the score, they made each scene so eerie, yet alive!! Talk about being an absolute master of your craft.
An amazing interview, one of the best I’ve seen! Do more like this please!
literally???????????????????????????????????????????????????????????????????????????????
ruclips.net/video/4G6e4TaJxkI/video.html !!!!!!
Love how they already edited it to ‘Oscar winning score’
Saw him in Amsterdam yesterday, the evening before he won an Oscar. Such a humble man. Constantly praising his team, the audience and even called for a standing ovation for Dennis Villeneuve on Oscar night. He speaks so highly of others, never praising himself.
He started this video by saying "We created the Dune soundtrack..." not an ego maniac, just giving credit to all the artists.
love how he said “..and this is how WE created the music for Dune” A master of craft who never forgets to give credit to his artists.
This is easily the most impressive score that Hans has ever done. Although things like Batman and Inception are iconic the pure artistry on display here is on another level. I love the focus on collaboration and the desire to create sounds that have never been heard before. Amazing
You’re forgetting Lion King!!! Lion King has a LEGENDARY score. The stampede underscore itself still freaks me out to this day.
interstellar entered the chat.
nothing can beat interstellar for me
It’s this collaboration that is a knock against Hans. I don’t understand it. This shows even more how masterful he is at his craft. He is a true composer !
He made the desert feel the way i always felt it. Endless, gently draining all the hopes and desires, but soothing, hypnotizing, and calling
The interaction between Zimmer and his musicians, how he said "how WE created the sound", just wonderful
This is a fabulous snapshot in the creative process of making the music not only for Dune but for a lot of other films where Hans Zimmer wrote the music. I just want to say that you did an amazing job capturing the passion and the excitement of these great musicians. Thank you!
The flute dude has tonnes of passion and enthusiasm what a cool guy
"Wherever you have a goat and have a piece of wood, all I want to say is the goat better watch out because it's probably going to end up being a bagpipe."
I freaking love Hans Zimmer.
Then I hope Hans never enters a forrest
@@digitalquartergod2989 I hope he does so we can hear what inspires him there
"We created the score" Humble man and respects his team.
Flute guy is a legend
Thats the guy performing with Yanni for quite some time
The best soundtrack ive ever heard and all sound design in that movie makes me wanna watch it on a loop daily....it is absolutely incredible
No it isn’t…just stop.
I just wish VF didn’t portray Zimmer as the sound designer of the movie
@@jean-pierredupreez4413 he did do some sound design for the movie
What I love the most about this is to see how excited the musicians are to be creating these scores. That more than anything, informs a lot about who Zimmer is as a person.
Just brilliant, there's a reason Hans and his team are behind so many memorable moments (and FEELINGS) in film
Fun fact: Hans Zimmer has a team of composers. So its not actually HIM doing the composing necessarily all the time… its a group of musicians who are employed by Hans. I still respect that. But, I also give credit to some of the smaller musicians who dont get the credit because theyre part of the bigger company. This is why he said in the beginning ‘…and this is how WE composed the music…’
No-one wants to accept this. Personally I find it even worse that a team is coming up with all this low-grade bilge, but he delivers on time and gives the film makers what they seem to want. Pro-muzak.
@@baronmeduse Lol I guess God clicked randomize and spawned a Hans Zimmer hater. The npc's I run into still surprise me.
Pedro Eustache played duduk on the amazing Paul McCartney song called Jenny Wren on his 2005 album Chaos and Creation in the Backyard. I recognized his name right away, his solo is so beautiful.
And you just know he loves doing his craft. His enthusiasm in finding new sounds in order to augment the movie is just phenomenal.
That unusual Rhythmic stuff Loire Cotler is doing at 7:07 is not so unusual for people in Indian sub-continent. It’s in fact very normal for Hindustani and Carnatic Music teachers/gurus to guide their students with such singing to play tabla, mrudunga and Few other percussion instruments.
I am searching for this comment as soon as I heard her vocals... Thanks!
"oh that's actually my guitarist Guthrie Govan.... " such an off hand remark for one of the greatest guitarist of all time. Hans is a legend and the artists he employs equally so.
Lol didn't know Guthrie Govan worked with him
yeah, i was shocked to hear and see that but a second after i thought "well, it's zimmer and his budget and name, he might as well go for one of the best guitarists he can get"
one of the greatest indeed
Inception, Interstellar...The Gladiator 3 missing Oscars for Zimmer . In Dune he made something of incredible....he travelled in the year 3000 and come back with something of unreal and unic ! That man is pure art!
More like the year 12000! Dune is set *insanely* far in the fiture!
@@Oddi0 i thought it was 20k
@@frozenweevil4022 Oh, you're right! I looked it up, it's around the year 10k in the in-universe calendar, but 20k years in our future.
Their passion and love for new forms of art makes me moved like the most beautiful nature sceneries. Thats the beauty of human, of artist, of human soul itself. I am listening and cant stop the tears. How beautiful someones mind can be.
Surprised Mr Zimmer didn’t mention that the “rhythmic singing” is konnakol, the Southern Indian system of singing percussive syllables, a highly developed system, old as the hills. She doesn’t have the SI’s rich, warm timbre, though. Check out Southern Indian classical women performing this technique for a proper mind-blowing. A Indian pop version of konnakol was pushed hard in the ‘90s by Sheila Chandra.
Hoped there was one who would write this !
By not naming this, they’re unfortunately not giving due credit! Glad you did! Only commenting it so your comment reaches to the top. 😊
Thats exactly what i was thinking
Thank you for articulating what I was thinking. Check out all mridangam accompanists in South India.
@@ashishdwivedi1910 ❤️ thank you, I will.
This is actually a good example of cultural appropriation