Tune in for a live Q&A with Corey on Wednesday, February 7 at 3:00 p.m. EST! He’ll be answering any questions you might have on artists, materials, and techniques. ruclips.net/video/OxS8X_V6TCU/видео.html
For me this video felt like a thriller. Sometimes I was literally yelling: "No, stop! Leave that part alone!" And then the painting developed in a completely new direction, that was even better than before. Thank you very much for your wonderfully educational videos!
I am so taken away by the proces that it literally raised my adrenaline. I am starting to understand what artists mean when they say their painting is more about the process than the result
For someone who spend so much time on RUclips , watching about artist and art in general , I've never came across this kind of valuable videos ! I love every video you made , and I'm so happy to find this channel here ! Love and support , looking forward for more amazing videos
I love this series and I'm so glad you came back to work on the de Kooning painting. We're expecting a Part 3, Corey. I'd like to see more female artists, and particularly would enjoy seeing you do a Helen Frankenthaler.
At the end of the 1st video, I really liked what I saw & was really excited about what would happen in the 2nd video, to "continue" the painting, the layering process . . . but by the end of the 2nd video, I was very disappointed to see all of the previous colors and shapes completely painted over, to me the end product looks nothing like the initial ~ now please note, I'm not being critical of this artist, I thoroughly enjoyed the 2 videos and watching the process, but I was almost sad that the initial painting is covered up, painted over, lost. This experience, for me, just reiterates WHY "art" is sooooo incredibly subjective, there is no such thing as "right vs wrong" or "good vs bad" - (just my ¢ .02 ) thanks for the video :)
One of the things that make this interesting is your vocabulary of art speak. ...also, your bold lack of fear. I like that you tell us what you like or don't like & explanation of why.
I don't now if I appreciate the 'original' artist approach as much as I do your perspectives, you have a skill set beyond the 'masters' and it's refreshing, TY.
This artist has taught me a valuable lesson. Sometimes you need to push the boundaries, try new methods, go crazy! 😜 That is what being creative is all about!
Corey, thank you for this, and Pt. 1. I have been painting for a long time, and your videos have shown me a way forward in several ways - some practical, some theoretical - but it has shown me how much unnecessary self-restriction I have imposed on myself. Now Paintings I considered failures become works in progress with unlimited possibilities. THANK You!
I love the way you explain as you paint each gesture. I do an art class and the tutor says nothing and expects us to be able to do this kind of thing. You work hard and I appreciate your energy and commitment to the process. Thankyou
Love this series! As a painter who focuses mainly in realism/surrealism I've struggled with appreciating abstraction, particularly the post-war stuff we learned about at art school. Seeing it explained in this way is gives me a much better understanding of it. Really looking forward to more!
I've painted with oil base exterior house paint. It really felt free, because I've never been rich enough to use those enormous gobs of artist's oil on a large canvas.
I wish these would come more often. Wonderful. I wish I would love oils more but I love acrylic because I don't have to wait so long for the layers to dry. I like the orientation of the painting where it as at the ending. I thought you had quite a hot mess until you did your last turn. Amazing what turning it does. Now I'm liking it and I think it's nearly done. I do miss some of those burgundy reds you had earlier. Thanks again.
abstractsbybrian not sure how much experience you have with acrylic mediums but there is one called slow dry that you mix in to give yourself more time to work with the paint
Hey Corey! I really start getting addicted to your videos here. Thank you so much for sharing these contents. Love the way how you explain and the attention to the painting as well as to the viewer.
I love this series and plan to watch every one. I'd like to see how you "finish" the de Kooning painting. I'd also love to see what you do with Richard Diebenkorn (my favorite), Joan Mitchell, and Helen Frankenthaler.
I don't really "get" art like this, but I do really love the process he demonstrates. It looks like a ton of fun to just take a canvas with a load of paint and just explore. Do weird stuff, mess up, paint over it, etc. etc. The creative process looks like it's probably very liberating, even if the final result is sort of hard for people like me to appreciate fully
I would consider artist who paint in this fashion to be some of the greatest hustlers. To convince someone to pay for a piece such as this one , is and amazing talent in of itself.
Kept looking at how much time I had left on the video, so I knew how much I had left to enjoy. Watching this series is the ultimate and complete way to learn - while giving and inspiring a thinking artist, like myself, to always do more. Thank you for this series, MOMA - can't wait for a part 3. As difficult as I imagine it would be to do - I would love to see a Basquiat video. It is most impossible to highlight his "style", but his thought process is at least somewhat explainable - nonetheless VERY interesting. Thank you again, MOMA and Corey.
This made me realize that not everyone is going to understand abstract art, but damn, I think i do. at least.. i feel such a strong connection when watching this video or seeing life imitate abstract art or creating my own
Thank you so much Corey. This is such a nice way to revive a gray painting from working wet in wet. Am looking forward to your 3rd session and please hopefully they let me know when you demo it. Appreciate it always you passion and my passion for De Kooning style painting!
I liked the way you did the painting and explained what you were doing throughout the process . It really gives a real insight into how De Kooning developed his paintings . It would be good to see you carry on this painting with parts 3 ,4 and maybe further parts to see how you can push the painting and see how it develops . Really exciting to see action and creation happening.
I love the series and the play with the process - there are so many ways of playing the melodies of color, texture, transparency, opaqueness, and the rhythms of gestures, the agressiveness - the organic, undulating, circling, waving or the linear toward masses and fields of colour - and the challenge of dance with intuition and very aware presence. For me I woould have changed the tendency of ending of with “window” like forms and have moved the bodily painting process in more curved and surprizing directions - but a gorgeous demonstration of a very playfull painting process - very inspiring
I think your original painting is very beautiful. Of course, you are not painting yourself, you are teaching the techniques of DeKooning. I do think it contains the beauty part of Dekooning.
Cory--this is fantastic. So much to absorb. I love watching the freedom with which you apply strokes, coupled with your fabulous insight as to what the painting needs next. Bravo.
Thank you for explaining visually DeKooning’s process of weeks of work wet on dry , then wet in wet. I thought paint was one session, as wet in wet and angry and angrier and felt the aggression was repressed and truly like it was finished when he became worn from the spent emotions. looking forward to your next session. Like YOUR painting almost finished .
I'm watching to see if there will be more process demonstrations of other modern painters. This should be a wide-ranging and comprehensive series, with different artists presenting technical approaches.
I enjoyed this, it's great to see how de Kooning probably applied the paint to the surface!! Great to see how the painting was possibly greated by a great artist!! Thank you for this second video, it was definitely needed!!
I admire de Kooning's work especially among abstract artists due to the pervasive feeling the artwork imbues. It's suggestive of emotion and almost synesthetic in the way the colors and forms can elicit a mood that's nearly tactile, in ways I've seen few other artists do in such a frankly raw and jumbled presentation on first glance
It's been so helpful to my growing appreciation, as well as my eye to making my own work, to see Cory work through the stages of this painting. I didn't see at first what this second part was going to do, by nearly obliterating the first dry layer, but it came through as he said, in both the color and the gestural underlayment. I'd would love to see another part to this piece, to see how the painting could be more fully realized. Great series and I'm really enjoying the Coursera course.
people here are complaining that he completely went over the first layer of the painting, as if they forgot this video is about replicating the style of De Kooning...
great lecture, thank you very much Corey! I would love to see another few more episodes to see how the painting is developping. To see how much time and layering actually is needed to create an "action" painting is fascinating.
Just wanted to say how much I appreciate the quality of these videos!! You are an amazing artist but also the depth of your knowledge about your subject really brings these to videos to a wonderful level!
Thank you, This is so interesting to see de Kooning's process... there are so many little things that i do myself, it's nice to see that it's not so strange!
Can't wait for "Episode III" of this painting! ;-) What I would be interested is how the New York School influenced later artists. I am a Mixed Media artist (and enrolled in the Coursera course, which is fantastic btw.) and I see a lot of elements from de Kooning and the other artists in the modern Mixed Media, like including newspaper in paintings, working in layers, trying to be fearless in adding a new layer and so on.
30 seconds into the overpainting he wiped out everything interesting and good from day one. This method is like doodling over and over until you get tired or lucky.
Thanks for this video ! I have become a de Kooning fan ! I'm very interested in cubism . Many artists in post war have done their version of it . I'm looking forward to seeing your video on it
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Tune in for a live Q&A with Corey on Wednesday, February 7 at 3:00 p.m. EST! He’ll be answering any questions you might have on artists, materials, and techniques. ruclips.net/video/OxS8X_V6TCU/видео.html
I love the way this color does this here etc etc etc *5 minutes later* *paints over it like nothing*
Thank you Art Drake
For me this video felt like a thriller. Sometimes I was literally yelling: "No, stop! Leave that part alone!"
And then the painting developed in a completely new direction, that was even better than before.
Thank you very much for your wonderfully educational videos!
I am so taken away by the proces that it literally raised my adrenaline. I am starting to understand what artists mean when they say their painting is more about the process than the result
I want you guys at MoMA to know I subscribed to the RUclips channel because of this guy.
For someone who spend so much time on RUclips , watching about artist and art in general , I've never came across this kind of valuable videos ! I love every video you made , and I'm so happy to find this channel here ! Love and support , looking forward for more amazing videos
This gentleman is so neat and an amazing speaker/teacher/artist.
I love this series and I'm so glad you came back to work on the de Kooning painting. We're expecting a Part 3, Corey. I'd like to see more female artists, and particularly would enjoy seeing you do a Helen Frankenthaler.
Dude knocked out nearly all of the painting. Damn.
This series rocks! This host and series has me genuinely interested in painting and art history. Thanks yall!
MountainManDanDan same, I didn't know anything about most of these artists before
Love this series. Would love for you to do Francis Bacon.
At the end of the 1st video, I really liked what I saw & was really excited about what would happen in the 2nd video, to "continue" the painting, the layering process . . . but by the end of the 2nd video, I was very disappointed to see all of the previous colors and shapes completely painted over, to me the end product looks nothing like the initial ~ now please note, I'm not being critical of this artist, I thoroughly enjoyed the 2 videos and watching the process, but I was almost sad that the initial painting is covered up, painted over, lost. This experience, for me, just reiterates WHY "art" is sooooo incredibly subjective, there is no such thing as "right vs wrong" or "good vs bad" - (just my ¢ .02 ) thanks for the video :)
One of the things that make this interesting is your vocabulary of art speak. ...also, your bold lack of fear. I like that you tell us what you like or don't like & explanation of why.
Part 3 asap please, these de Kooning videos are having a meditative effect that I had not known how much I needed
I don't now if I appreciate the 'original' artist approach as much as I do your perspectives, you have a skill set beyond the 'masters' and it's refreshing, TY.
This artist has taught me a valuable lesson. Sometimes you need to push the boundaries, try new methods, go crazy! 😜 That is what being creative is all about!
Corey, thank you for this, and Pt. 1. I have been painting for a long time, and your videos have shown me a way forward in several ways - some practical, some theoretical - but it has shown me how much unnecessary self-restriction I have imposed on myself. Now Paintings I considered failures become works in progress with unlimited possibilities. THANK You!
I love the way you explain as you paint each gesture. I do an art class and the tutor says nothing and expects us to be able to do this kind of thing. You work hard and I appreciate your energy and commitment to the process. Thankyou
Love this series! As a painter who focuses mainly in realism/surrealism I've struggled with appreciating abstraction, particularly the post-war stuff we learned about at art school. Seeing it explained in this way is gives me a much better understanding of it. Really looking forward to more!
I've painted with oil base exterior house paint. It really felt free, because I've never been rich enough to use those enormous gobs of artist's oil on a large canvas.
Georgia O’Keeffe please!! No one painted like her! She was one of a kind!
I wish these would come more often. Wonderful. I wish I would love oils more but I love acrylic because I don't have to wait so long for the layers to dry. I like the orientation of the painting where it as at the ending. I thought you had quite a hot mess until you did your last turn. Amazing what turning it does. Now I'm liking it and I think it's nearly done. I do miss some of those burgundy reds you had earlier. Thanks again.
abstractsbybrian
not sure how much experience you have with acrylic mediums but there is one called slow dry that you mix in to give yourself more time to work with the paint
Hey Corey! I really start getting addicted to your videos here. Thank you so much for sharing these contents. Love the way how you explain and the attention to the painting as well as to the viewer.
I love this series and plan to watch every one. I'd like to see how you "finish" the de Kooning painting. I'd also love to see what you do with Richard Diebenkorn (my favorite), Joan Mitchell, and Helen Frankenthaler.
"Not preconceived but invited" Nice! I love this series.
I was expecting you to come back to this painting eventually. :)
Great series, guys
I love this wild and experimental way of working with oil - it seems very playful
I don't really "get" art like this, but I do really love the process he demonstrates. It looks like a ton of fun to just take a canvas with a load of paint and just explore. Do weird stuff, mess up, paint over it, etc. etc. The creative process looks like it's probably very liberating, even if the final result is sort of hard for people like me to appreciate fully
Would love to see you finish it in Part 3. Fascinating -- thanks for really explaining de Kooning's materials and techniques.
I would consider artist who paint in this fashion to be some of the greatest hustlers. To convince someone to pay for a piece such as this one , is and amazing talent in of itself.
Thank you. This was great in terms of getting insight into the de Kooning process. Would love to see a Joan Mitchell process too.
I've been waiting 156 days for this.
Your very patient
Kept looking at how much time I had left on the video, so I knew how much I had left to enjoy. Watching this series is the ultimate and complete way to learn - while giving and inspiring a thinking artist, like myself, to always do more. Thank you for this series, MOMA - can't wait for a part 3.
As difficult as I imagine it would be to do - I would love to see a Basquiat video. It is most impossible to highlight his "style", but his thought process is at least somewhat explainable - nonetheless VERY interesting. Thank you again, MOMA and Corey.
This is my favourite video series on the internet. Really looking forward to seeing more!
I knew it, I knew it, I knew! I knew lovely marks you made with the charcoal would be painted over it shortly after.
These are my favorite videos. I know of nothing else like them.
5:24 I flinched. That's my favourite part of the painting you're whitening!
I don't know if I misunderstood something but I much prefer the piece at the beginning. All the same, a really fascinating series. Loving it!
SEEMS LIKE A LOT OF WORK THAT GOT HIDDEN BY OVERWORK
This made me realize that not everyone is going to understand abstract art, but damn, I think i do. at least.. i feel such a strong connection when watching this video or seeing life imitate abstract art or creating my own
I am still not a fan of de Kooning, but I am a huge fan of Corey!
I'm really enjoying your analysis and demonstration of de Kooning's philosophy and painting techniques.
Corey is one fabulous teacher!! I love this series.
Thank you so much Corey. This is such a nice way to revive a gray painting from working wet in wet. Am looking forward to your 3rd session and please hopefully they let me know when you demo it. Appreciate it always you passion and my passion for De Kooning style painting!
I love all Corey's courses! So enlightening and inspiring! Please make more videos
That was without exaggeration more information about painting than I got in my entire undergrad of four years in painting.
DO A BASQUIAT PAINTING PLEASE!
YES!
Yea! My favorite! (:
Yes, PLEASE!
This is about my 6th time to watch this. I learn something different every time. Thank you very much!
i'm a photographer but I looooooooove watching this, makes me want to try painting!!
I liked seeing this being painted in front of the Kusama painting in the background.
Amazing how much usable information you have given us in such a short period of time.
"Spacially, it looks like spaghetti."
That's what I say in the morning when I take a look in the mirror.
I liked the way you did the painting and explained what you were doing throughout the process . It really gives a real insight into how De Kooning developed his paintings . It would be good to see you carry on this painting with parts 3 ,4 and maybe further parts to see how you can push the painting and see how it develops . Really exciting to see action and creation happening.
Please do more of these! Best videos on the channel by a mile
I love this series
I love the series and the play with the process - there are so many ways of playing the melodies of color, texture, transparency, opaqueness, and the rhythms of gestures, the agressiveness - the organic, undulating, circling, waving or the linear toward masses and fields of colour - and the challenge of dance with intuition and very aware presence. For me I woould have changed the tendency of ending of with “window” like forms and have moved the bodily painting process in more curved and surprizing directions - but a gorgeous demonstration of a very playfull painting process - very inspiring
I think your original painting is very beautiful. Of course, you are not painting yourself, you are teaching the techniques of DeKooning. I do think it contains the beauty part of Dekooning.
Cory--this is fantastic. So much to absorb. I love watching the freedom with which you apply strokes, coupled with your fabulous insight as to what the painting needs next. Bravo.
Corey is a valuable artist and instructor .
Thank you for explaining visually DeKooning’s
process of weeks of work wet on dry , then wet in wet. I thought paint was one session,
as wet in wet and angry and angrier and felt the aggression was repressed and truly like it was finished when he became worn from the spent emotions. looking forward to your next session. Like YOUR painting almost finished .
I'm watching to see if there will be more process demonstrations of other modern painters. This should be a wide-ranging and comprehensive series, with different artists presenting technical approaches.
never had 29 minutes go so fast! love this series
Im just starting to watch this.. i love how the painting looks at this stage
Thanks so much! Always wondered how to get big amounts of oil colours, couldn't find information like this anywhere, so happy
It looks as a pure fun painting process - and so exciting to watch what happens from moment to moment -
I dunno...this looks like the kind of painting process that only other artists can appreciate. Like the comic that only makes other comics laugh.
I enjoyed this, it's great to see how de Kooning probably applied the paint to the surface!! Great to see how the painting was possibly greated by a great artist!! Thank you for this second video, it was definitely needed!!
I love this series! More more more!
I admire de Kooning's work especially among abstract artists due to the pervasive feeling the artwork imbues. It's suggestive of emotion and almost synesthetic in the way the colors and forms can elicit a mood that's nearly tactile, in ways I've seen few other artists do in such a frankly raw and jumbled presentation on first glance
It's been so helpful to my growing appreciation, as well as my eye to making my own work, to see Cory work through the stages of this painting. I didn't see at first what this second part was going to do, by nearly obliterating the first dry layer, but it came through as he said, in both the color and the gestural underlayment. I'd would love to see another part to this piece, to see how the painting could be more fully realized. Great series and I'm really enjoying the Coursera course.
I'd love to see a third part to the de Kooning. I really enjoyed it.
This series is very interesting. Learning so much about the materials, techniques and methods.
people here are complaining that he completely went over the first layer of the painting, as if they forgot this video is about replicating the style of De Kooning...
great lecture, thank you very much Corey! I would love to see another few more episodes to see how the painting is developping. To see how much time and layering actually is needed to create an "action" painting is fascinating.
I love this guy, he knows his shit, and this fucking series. YES!
Wonderful. I have years of art classes and this has helped me more than those.
So good you are back Corey. Amazing teacher!
Wow, so grateful to have found this video. Really good teacher, explaining the process really well.
Just wanted to say how much I appreciate the quality of these videos!! You are an amazing artist but also the depth of your knowledge about your subject really brings these to videos to a wonderful level!
Thank you, Corey and MOMA!!! So generous.
Thank you, This is so interesting to see de Kooning's process... there are so many little things that i do myself, it's nice to see that it's not so strange!
Great video! A lot can be learned here. Very valuable.
Please make more of those.
Thank you.
good work, the painting looked nice(r) at the beginning :P and huh... . was all that work necessary to leave maybe 3 % of the initial painting?!?!
I miss your videos brother!!!
Can't wait for "Episode III" of this painting! ;-) What I would be interested is how the New York School influenced later artists. I am a Mixed Media artist (and enrolled in the Coursera course, which is fantastic btw.) and I see a lot of elements from de Kooning and the other artists in the modern Mixed Media, like including newspaper in paintings, working in layers, trying to be fearless in adding a new layer and so on.
Most enjoyable art doc I’ve ever seen!
I love this series and the course In the Studio: Postwar Abstract Painting. Congratulations!!
Just discoverd this youtube channel. Super!! And sometimes I watch with a smile on my face. Paint moving around, I love it.
30 seconds into the overpainting he wiped out everything interesting and good from day one. This method is like doodling over and over until you get tired or lucky.
"riotous cacophony of battling hues" I love love love these videos...
def getting there in part 2 in colour value 👍
Would love to see a Francis Bacon exploration
Bha Ka impossible
I'd love to see a third day on this painting.
Great instructions and explaining the technique, thanks.
Thanks for this video ! I have become a de Kooning fan ! I'm very interested in cubism . Many artists in post war have done their version of it . I'm looking forward to seeing your video on it
if I was doing this in my studio, my wife would take away my paint allowance.
I think Corey should have his own show where he does these ABEX paintings. He's the Bob Ross of our generation!
Great second round for this painting. I'm most of the way through the course and this helpful.
please do a painting like kandinsky!!!
It's very, very hard to do. He was very, very hand changing. Every his painting is diff, but simmiliar.
You'd need to go pretty deep....