"Krypton" - Superman | Score Reduction & Analysis

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  • Опубликовано: 21 ноя 2024
  • Full Score Reduction and Analysis of "Krypton" from Superman written by John Williams.
    Orchestration:
    3 Flutes
    2 Oboes
    3 Clarinets, 3rd is Bass Clarinet
    3 Bassoons, 3rd is Contrabassoon
    6 Horns
    4 Trumpets
    4 Trombones
    Tuba
    Timpani
    3 Percussion
    Snare Drum, Tam-Tam, Piatti
    Harp
    Piano
    Violin I
    Violins II
    Violas
    Celli
    Double Basses
  • ВидеоклипыВидеоклипы

Комментарии • 16

  • @TimBoulette
    @TimBoulette 6 месяцев назад +5

    This, along with a short one from The Empire Strikes Back (Dagobah, when Yoda lifts the X-wing out of the water), is my favorite music cue of all time.

    • @Skitdora2010
      @Skitdora2010 5 месяцев назад

      I agree with you on those two, have you ever heard the score for the movie Ladyhawke? When they almost touch at sunrise- The Transformation, has that same exact feel. The melody when the oboe plays. All of them have a feeling of expectant joy and possibilities.

  • @adamdesanti6713
    @adamdesanti6713 4 месяца назад +2

    Wonderful analysis of this piece. Thanks so much for covering it expertly here. I daresay the Krypton Theme is underrated. For me, it rivals both in spirit and effect Strauss' _Also Sprach Zarathustra_ used for the opening of _2001: A Space Odyssey._ You can almost listen to them back-to-back, as both are in the key of C-Major I believe, and start at the same place at 0:16. Then the final three measures being pretty much identical, the "triumphant reveal" as it were. But it's the "getting to" this final point that makes the William's piece so good, and worthy of respect.

    • @williamphilipson-composer9576
      @williamphilipson-composer9576 2 месяца назад

      Surely this scene was temped with Also Sprach Zarathustra, the similarity of the ending is definitely apparent.

  • @mrblack4774
    @mrblack4774 6 месяцев назад +1

    I've just discovered your channel and its great❤

  • @lucasmock1601
    @lucasmock1601 6 месяцев назад +6

    Seems to me that the final IV-V-I progression as written is paraphrasing from the opening of Also Sprach Zarathustra.

    • @TimBoulette
      @TimBoulette 6 месяцев назад

      I've always assumed that ASZ was the temp music here. Were it not for having original music for film it's hard to imagine anything else.

    • @esgx8034
      @esgx8034 6 месяцев назад

      This is much more glorious.

    • @rjz4329
      @rjz4329 6 месяцев назад

      ​@@TimBouletteI always assumed the same.

    • @rachmaninov107
      @rachmaninov107 6 месяцев назад +3

      The producer Ilya Salkind has a DVD commentary where he describes asking Williams to emulate the musical effect of 2001: A Space Odyssey in this cue, so definitely modeled after Strauss

  • @Skitdora2010
    @Skitdora2010 5 месяцев назад +1

    Thank you for this! I have been trying to sound it out for a couple years now but keep losing my scrap paper.

  • @compizard3629
    @compizard3629 5 месяцев назад

    Great Work! I love all of your videos! Question: Do you transcribe these all by ear or reduce them from a score or both?

    • @BenSmithFilm
      @BenSmithFilm  5 месяцев назад +1

      @@compizard3629 I will always specify in the video if something is transcribed, otherwise it’s reduced from the score.

  • @joesu4777
    @joesu4777 6 месяцев назад

    Never heard this before, so simple yet so effective.
    By the way, what's the outro piece? Sounds amazing.

    • @jimjware
      @jimjware 6 месяцев назад +1

      The finale of Close Encounters of the Third Kind

    • @joesu4777
      @joesu4777 6 месяцев назад

      @@jimjware Thanks!