Now the song just perfectly matches Sans' mood as a whole. He could have the song play in the common 4/4 but he doesn't feel like it, nor does he feel like following any rules. And 69 is the funny number.
@@weilder.freude I'm a "self taught" keyboardist of 5 years, but I've been playing drumset since I was 3, and I'm 16 now, so I'd say I'm strictly non-tuned percussion (I forget what it's called)
@@mkxpro55 Oo thats interesting. Im so late lol. But thats actually quite interesting, tuned and non tuned percussion. I myself have been playing piano for a few years, on and off though due to school
as funny as this is being in haha 69/16 time this is actually a rlly good example of y u almost never see rlly big time signatures in actual music. it's far too complicated to expect a musician to reasonably understand 69 sixteenth notes over the course of a measure rather than just breaking it down into smaller time signatures !!!
This is absolutely a valid meter. 69 is only divisible by 3, which makes it a ternary rhythm, meaning that the groove is felt in threes. If this meter were to be conducted, each measure would have 23 beats, each consisting of three 16th note subdivisions. (One and a two and a three and a… until 23 and a) The big problem is that much of the beaming in this score is NOT done in groups of three 16th notes, which creates funky and inconsistent rhythmic groupings that make reading the score extremely difficult. If all beams started and ended at each of the 23 beats, the score would make a lot more sense.
@@Jwellsuhhuh You raise good points. But just to elaborate on my thought process for this: The funky and inconsistent rhythmic groupings add to the comedic value, in my opinion, while adding a fun off-kilter feeling. And it's only inconsistent if you look at it from a micro-level. On a larger scale, each measure is grouped consistently as a pattern of 7+10 + 8+10 + 7+11 + 7+9. (But yes, beaming it this way does make the music harder to read, which is why I had to write in the numbers as substitute-barlines.) Grouping 69 into 3 equal groups of 23 makes sense, but not necessarily for the way I arranged this song in particular. It felt more intuitive to me to condense Megalovania's original 4-measure phrases (64 16th notes) into one measure of 69/16, which meant transforming each measure from the original song into a group of 16, 17, or 18 16th notes within a measure of 69. Grouping 69 as 3x23 would make it a bit awkward to fit 4-measure phrases into it. If you extend a measure of 4/4 into a grouping of 23 16th notes, then the first 4-measure phrase would end about midway into the second measure of 69, which doesn't feel right. If you're still trying to fit the original 4-measure phrases inside a measure of 69/16 while grouping it as 3x23, then it wouldn't feel like 3x23 anymore. A more sensible way to group 69/16 while maintaining the feeling of 4-measure phrases would probably be 17+17+17+18. But what's the fun in that? :) Arranging a 69/16 piece with groupings of 23 could probably work better for pieces felt in triple-time or pieces with 3-measure phrases. Regardless, thanks for the food for thought. I encourage any experimentation with this funny weird meter!
I love how the comments are all people who clearly know the pain and suffering of trying to practice a piece they like, but it's so complicated that you're forced to slow down until it becomes muscle memory.
Why are my music theory exams like this? As a drummer there’s no need for such complicated rhythms, just put “make it swingy” at the top so you know to make it swingy
* You feel your sins crawling down- wait, maybe- ope, nope, definitely… actually maybe it’s more diagonal than down. Oh wait, are they gone? Oh, yep, yep, still here. * both you and sans decide to try the whole scene over again
It feels like sans is playing the song on piano and keeps forgetting the keys so he looks down at the piano and plays the notes later than they should be played.
I chose 69/16 ‘cause so far I surprisingly haven’t seen anyone else compose with it (and I wanted to make this at least somewhat playable, theoretically). However, I encourage any composers/arrangers interested and unhinged enough to tackle that beast of 420/69!
@@SPCOOKIE no, the top number is how many beats in a measure and the bottom number determines what the length of the beat is. For example, you can have a time signature of 4/3, where there are four beats per measure, but a beat would be 1/3 of a whole note (I'm not sure if there is a name for this length of note). For 420/69, there would be 420 beats per measure (this would be absolute hell for the conductor, I'd assume) and each beat would be 1/69 of a whole note If someone else thinks I got something wrong, I probably did, feel free to correct me.
@@CheDaCheez The only downside about using irrational time signatures like this is that without other time signatures to reference, dividing the whole note into different values makes no difference. 4/3, 4/4, 4/5, and 4/69 would all sound completely similar when isolated.
@@SPCOOKIE The bottom number is almost always a power of 2, but it doesn't have to be. If it's not a power of 2, then I think it's called an irrational time signature
Hesitant Megalovania.
He’s not sure if you killed *quite* enough people.
"Wait...they spared jerry...so...what does that mean?"
@@Akikai.2 "wait no, jerry sucks ass... so they arent bad... but they also killed every other part of monster kind... uhhhhhhhh"
@@ishmowo "... and then again, maybe they just spared jerry because he has so much defence. although i cant exactly prove it wasn't out mercy ..."
Ya’ll be joking but iirc sparing only Jerry is good enough for the genocide route.
You’d have to spare someone else. Like… Vulcan.
@@CoraCreates Yeah but maybe sans don't know that
"Was that a genocide run?"
*Sans checks his papers, wondering where he lost count.
*You feel the dementia crawling on your back
I was here when like count was 666
it fills you with DEMENTIA
Sans feels your sins crawling on his back.
He's extremely concerned.
"Say, kid. I think you missed one of Muffet's spiders. Either that or we're both losing it at this point."
@@supercrafter0154 marry me
I've never heard something that sounds like how holding in a fart feels until now.
That seems pretty accurate, not gonna lie.
holy hell thats apt 😂
Holding in a fart that you *know* isn't gonna be quiet during a very serious meeting.
this is essentially megalovania but youre sight-reading it and trying your hardest to not hit any wrong notes
accurate lol, i'm pretty sure i created this song the first time i tried playing megalovania
I was looking for this comment.
This sound like when you forget how a part in the song goes, so you slow down, but constantly.
You are going to have a unpleasant experience
"our reports show... wait, what do our reports show on timelines again?" *digs through papers*
0:46 that is the most… _unique_ annotation i’ve seen
@@mrblakeboy1420 Heh it was necessary to make the notation less ugly (or at least, less ugly than it already is)
"Depending on context" actually made me tear up what the hell is that
Depending on the context 😭😭 The sheet is speaking English now wtf
*You feel your sins crawling on your back.
*sans isn't sure if it's enough sins yet
Now the song just perfectly matches Sans' mood as a whole. He could have the song play in the common 4/4 but he doesn't feel like it, nor does he feel like following any rules. And 69 is the funny number.
So accurate
This is the perfect musical representation of trying to remember how the melody of a complicated song goes
Holding a sneeze feels like that
This is a musical representation of tripping and stumbling for a few yards before falling
My favorite genre is music that stresses the other commenters out.
Battle! Champion Cynthia
This sounds like that one video of a guy stumbling in place trying not to fall in the snow for like a full minute looks
Aw heck naw they done turned Megalovania into avant garde prog rock
alright who let the percussionist play
Shhhhh
Piano is percussion though
@@weilder.freude yeah, but it's tuned percussion afaik. Same with timpanis
@@weilder.freude I'm a "self taught" keyboardist of 5 years, but I've been playing drumset since I was 3, and I'm 16 now, so I'd say I'm strictly non-tuned percussion (I forget what it's called)
@@mkxpro55 Oo thats interesting. Im so late lol. But thats actually quite interesting, tuned and non tuned percussion. I myself have been playing piano for a few years, on and off though due to school
listening to youtube with bad wifi be like
buffering buffering buffering
He has hiccups
this is deeply unsettling
*Sans feels someone behind his back.
when u forgot how ur boss theme went so you're contantly checking ur notes while being viciously attacked
this is sans' theme during the period of his life that he was a band kid, learning that trombone
Jazzy rock classical megalovania doesn't exi-
NO WAY 69 LIKES
this triggers my fight or flight,
This just triggers me
this just triggers
@@Nonfinity0X this triggers
@@ThatSpaceGuy-w9dthis
@@ThatSpaceGuy-w9d this
as funny as this is being in haha 69/16 time this is actually a rlly good example of y u almost never see rlly big time signatures in actual music. it's far too complicated to expect a musician to reasonably understand 69 sixteenth notes over the course of a measure rather than just breaking it down into smaller time signatures !!!
But, it’s still just a bunch of sixteenth notes. Just with lines in between
@@holyelephantmg8838 yah but those lines r very useful for musicians to line things up with each other n themselves
@@quantumsoap2719 Really not, this rhythm 's just terrible. The reason they aren't used is just because it's not the standard or we don't notice it.
This is absolutely a valid meter. 69 is only divisible by 3, which makes it a ternary rhythm, meaning that the groove is felt in threes. If this meter were to be conducted, each measure would have 23 beats, each consisting of three 16th note subdivisions. (One and a two and a three and a… until 23 and a)
The big problem is that much of the beaming in this score is NOT done in groups of three 16th notes, which creates funky and inconsistent rhythmic groupings that make reading the score extremely difficult. If all beams started and ended at each of the 23 beats, the score would make a lot more sense.
@@Jwellsuhhuh You raise good points. But just to elaborate on my thought process for this:
The funky and inconsistent rhythmic groupings add to the comedic value, in my opinion, while adding a fun off-kilter feeling. And it's only inconsistent if you look at it from a micro-level. On a larger scale, each measure is grouped consistently as a pattern of 7+10 + 8+10 + 7+11 + 7+9.
(But yes, beaming it this way does make the music harder to read, which is why I had to write in the numbers as substitute-barlines.)
Grouping 69 into 3 equal groups of 23 makes sense, but not necessarily for the way I arranged this song in particular. It felt more intuitive to me to condense Megalovania's original 4-measure phrases (64 16th notes) into one measure of 69/16, which meant transforming each measure from the original song into a group of 16, 17, or 18 16th notes within a measure of 69.
Grouping 69 as 3x23 would make it a bit awkward to fit 4-measure phrases into it. If you extend a measure of 4/4 into a grouping of 23 16th notes, then the first 4-measure phrase would end about midway into the second measure of 69, which doesn't feel right. If you're still trying to fit the original 4-measure phrases inside a measure of 69/16 while grouping it as 3x23, then it wouldn't feel like 3x23 anymore.
A more sensible way to group 69/16 while maintaining the feeling of 4-measure phrases would probably be 17+17+17+18. But what's the fun in that? :)
Arranging a 69/16 piece with groupings of 23 could probably work better for pieces felt in triple-time or pieces with 3-measure phrases. Regardless, thanks for the food for thought. I encourage any experimentation with this funny weird meter!
I love how the comments are all people who clearly know the pain and suffering of trying to practice a piece they like, but it's so complicated that you're forced to slow down until it becomes muscle memory.
This is all I've ever wanted.
Why are my music theory exams like this? As a drummer there’s no need for such complicated rhythms, just put “make it swingy” at the top so you know to make it swingy
music theory is not heterosexual
@@cloudyfromtpotreal it is if you know how to make it
@@Miguel_I_guess oh ok srry
It sounds hesitant.
Jazz nerds, get cracking on those reaction videos.
when you reach the bossfight but you're only LV 18
This hurts in my soul
This truly is a bad time
*SANS, STOP FORGETTING THE DAMN SONG!*
Megalovania but Sans has to sneeze
"Human. How many have you killed? Seriously, I lost count after Undyne"
I think this, I could play it, but it sounds G R E A T!
Sounds good in some parts actually
“Hey,can you stop playing the piano?” “Just one more song”💀
Do you w a n t to h a v e a b a d time
(Yes I tried to make it accurate to the beat)
This sounds like trying to play megalovania using one finger
slightly chiller jazz band rendition of megalovania
* Sans isnt sure if you killed enough people.
...
* ...Sans couldn't figure out where he lost count.
Ngl while this does feel hesitant it also sounds like the sound you would hear before fighting sans, the approaching cynthia theme of undertale
Megalovania but Sans has a stutter.
"You're gonna have a... wait, what's the time?"
"Uh... why's the attack on the roof?"
"Oh, sorry."
*GASTER BLASTER*
listening to this hurts me on an emotional level
"Repetition legitimizes"
why is this actually weirdly really good
very jazzy
Megalovania but sans keeps getting distracted.
sans when he goes to grillby's just to see the one lesser dog you missed
...speaking from experience
Some random stickmin showed up and started dancing.
sans is kind of distracted but continues the fight.
*SANS! STOP DRINKING SO MUCH KETCHUP THAT YOU FORGET YOUR THEME EVERY 3 SECONDS!
this is what plays when you triple dog dare sans to fight you and he's completely unprepared and nervous
* You feel your sins crawling down- wait, maybe- ope, nope, definitely… actually maybe it’s more diagonal than down. Oh wait, are they gone? Oh, yep, yep, still here.
* both you and sans decide to try the whole scene over again
it sounds like someone broke the metronome
Can't believe Meshuggah would steal this 29 years ago.
"𝅝 = 16/17/18 𝅘𝅥𝅯 depending on context" 💀
While others are saying this sounds hesitant, this reminds me of personal experiences with laggy MIDI playback
my new fave signature
This is what it feels like to be running and feel like you’re going to vomit
the 7 year olds were right all along
It feels like sans is playing the song on piano and keeps forgetting the keys so he looks down at the piano and plays the notes later than they should be played.
I've been wondering what a really absurdly "large" time signature would sound like. Now I know.
Basically it kind of sounds like it doesn't have a time signature at all and someone is just hitting the notes whenever they feel like
how did he get a recording of me on the piano?
this gets a certified stepney seal of approval from me 👍
Sounds like a student who's almost mastering the piece and knowing it by heart, but who isn't quite there yet.
BEST TIME SIGNATURE OF ALL TIME!!!! NIIIICEEE
d.c. ad infinitumst the end is lore accurate 😔
So 69/16 tempo is just me trying to remember what comes next when I'm playing piano
Strong one - Megalovania take
If you play this at 0.75x speed it sounds like a shop theme.
i like this
0:56 this is no different from how bad I am at this part
megaalovaaniiiia
megalovania but you're playing it through vc with high ping
hell yeah
When youre not sure of the note...
i think sans has adhd
As someone with ADHD, yes.
Especially D. C. ad infinitum
What about 420/69
I chose 69/16 ‘cause so far I surprisingly haven’t seen anyone else compose with it (and I wanted to make this at least somewhat playable, theoretically). However, I encourage any composers/arrangers interested and unhinged enough to tackle that beast of 420/69!
dont the bottom numbers have to be in divisible by 4
@@SPCOOKIE no, the top number is how many beats in a measure and the bottom number determines what the length of the beat is. For example, you can have a time signature of 4/3, where there are four beats per measure, but a beat would be 1/3 of a whole note (I'm not sure if there is a name for this length of note). For 420/69, there would be 420 beats per measure (this would be absolute hell for the conductor, I'd assume) and each beat would be 1/69 of a whole note
If someone else thinks I got something wrong, I probably did, feel free to correct me.
@@CheDaCheez The only downside about using irrational time signatures like this is that without other time signatures to reference, dividing the whole note into different values makes no difference.
4/3, 4/4, 4/5, and 4/69 would all sound completely similar when isolated.
@@SPCOOKIE The bottom number is almost always a power of 2, but it doesn't have to be. If it's not a power of 2, then I think it's called an irrational time signature
*Sans feels as if jojo just arrived.*
megalovainia but im drunk driving
megalovania if sans was hungover
You are going to have a 'nice' experience.
theme of sparing jerry
*Sans is having a stroke*
Yeah this feels fine to me
I need my pills more than ever
Megalovania wait 5 random extra 64th notes is insane
i am not sure whether you will have a bad time or not
nice.
Somebody get this to the 8 bit Drummer, Stat.
megalovania but hes not sure
Modify that just a little and you got an AU version of megalovania
Earthbound Megalovania
you can rewrite any song into any time signature if you're clever enough
Nice
It just sounds like megalovania but it just stops every few notes
such an *odd* compass
Minilovania