Mendelssohn is one of my top favorite composers but this symphony is his best pearl to me. It reminds me of Caspar Friedrich's paintings, with that dark and mysterious landscapes. I am looking forward to listening to it live some day. So far it's been the other four, but not this beautiful gem. It's an absolute delight that Maestro Orozco-Estrada, one of the best and finest conductors in the world, has recorded a so wide range of repertoire. Thank you very much, hr-Sinfonieorchester, these videos should be considered as mankind heritage.
Félix Mendelssohn tenía 15 años cuando compuso su primera sinfonía. Excelente interpretación de la Orquesta Sinfónica de la Radio de Frankfurt y una impactante conducción de Andrés Orozco-Estrada. BRAVO!!!
Ein Meisterwerk des 12jährigen Genies Felix Mendelssohn wahrlich meisterlich reproduziert infolge der Fähigkeiten aller Mitwirkenden: Dank von einem Fan des Komponisten!
Mendelssohn Symphony No.1. - I have to admit as I have never heard this Symphony before but I certainly have enjoyed the experience of listening to a wonderful conductor Maestro Andres Orozco-Estrada with this talented orchestra who are playing this beautiful music. It’s a delight to have been thoroughly entertained in my own lounge. What more can we expect from this terrible time we’re all experiencing. This music is helping me to relax and enjoy listening to beautiful music. Thanks to the genius composing of Mendelssohn wonderful music.
@@karlheiden1168 Per Wikipedia: "Symphony No. 1 in C minor, Op. 11, is a work by Felix Mendelssohn, completed on 31 March 1824, when the composer was only 15 years old."
Wunderschöne und lebhafte Aufführung dieser romantischen und perfekt komponierten Sinfonie mit gut phrasierten und perfekt vereinigten Tönen aller Instrumente. Der zweite Satz klingt besonders schön und auch beruhigend. Der dritte Satz klingt besonders lebhaft und auch elegant. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im angemessenen Tempo und mit angenehmer Dynamik. Wahrlich hörenswert!
The Symphony No.1 in C minor Op.11, is a work by Felix Mendelssohn, completed on 31 March 1824, when the composer was only 15 years old. The autographed score was published in 1831. The work was premièred at a private gathering on 14 November 1824 to honor his sister Fanny Mendelssohn's 19th birthday. Its public première occurred on 1 February 1827, with the Leipzig Gewandhaus Orchestra performing under the leadership of its then-Kapellmeister Johann Philipp Christian Schulz. The symphony was dedicated to the Philharmonic Society, who performed the London première on May 25, 1829, with Mendelssohn conducting. For this performance Mendelssohn orchestrated the scherzo from his Octet Op.20 as an alternative third movement for the symphony.
27:16 A magnificent part of the piece, in a completely different style from the movement. Pleasant, calm and as Mendelssohn writed down: "pesante", heavy and ponderous; just like Bach. There is also a part in the fourth movement of his fifth and its style is very similar, it is wonderful too.
Brilliant symphony for a 15 year old, but I can tell its written by a young composer to be honest because of the way it starts off! Basically, it has no introduction! It just starts off with a bang and never relents, which diminishes the dramatic power of the music, which is very good. Had Felix written a nice dramatic slow introduction and THEN come in with the opening he used, the music would have been much better served. The 2nd mvt is much more mature and is lovely. The 3rd mvt reminds me of the minuet from Mozart's 40th symphony in G minor. The last movement rocks---Mendelssohn knew how to write a rockin finale, no doubt about it. Note---try listening to the 1st,3rd and 4th movements at .9 or even .85% of the tempo they played it---You'll see the music is more powerful at a slightly slower speed. (For some reason classical conductors always take Mendelssohn's music at break neck tempos, and they sound better with a little of that speed taken out)
@Manuel H Das halte ich für recht unwahrscheinlich. Die Entfernungen sind ungefähr die gleichen, es spielen nur weniger Musiker. Und die Mikrofone sind für Monitoring-Zwecke zu weit weg, würde ich behaupten. Die Akustik im Saal sollte auch für so eine Besetzung gut ausreichen. Vielleicht können die Kollegen vom @hr-Sinfonieorchester das Rätsel lüften?
The violins are overbalanced by the winds in this recording. Larger violin sections would have helped. Also the intonation is not what it should be: even the timpani are sharp.
Mendelssohn is one of my top favorite composers but this symphony is his best pearl to me. It reminds me of Caspar Friedrich's paintings, with that dark and mysterious landscapes. I am looking forward to listening to it live some day. So far it's been the other four, but not this beautiful gem. It's an absolute delight that Maestro Orozco-Estrada, one of the best and finest conductors in the world, has recorded a so wide range of repertoire. Thank you very much, hr-Sinfonieorchester, these videos should be considered as mankind heritage.
Good luck. Unfortunately Mendelssohn isn't played much anymore. Schumann either, now that I think about it.
Another terrific performance of this symphony . This conductor elicits the best from them -his energy is catching.Thank you for the download
Félix Mendelssohn tenía 15 años cuando compuso su primera sinfonía. Excelente interpretación de la Orquesta Sinfónica de la Radio de Frankfurt y una impactante conducción de Andrés Orozco-Estrada. BRAVO!!!
Sí, fue un niño prodigio y es uno de mis 4 compositores predilectos del siglo XIX, junto a Tchaikovsky, Beethoven y Brahms.
Me gusta mucho esta interpretacion, esta llena de energia.❤
Love the oboes, Granddaughter plays. Thank you
Ein Meisterwerk des 12jährigen Genies Felix Mendelssohn wahrlich meisterlich reproduziert infolge der Fähigkeiten aller Mitwirkenden: Dank von einem Fan des Komponisten!
Er war 15.
Mendelssohn Symphony No.1. - I have to admit as I have never heard this Symphony before but I certainly have enjoyed the experience of listening to a wonderful conductor
Maestro Andres Orozco-Estrada with this talented orchestra who are playing this beautiful music.
It’s a delight to have been thoroughly entertained in my own lounge. What more can we expect from this terrible time we’re all experiencing. This music is helping me to relax and enjoy listening to beautiful music. Thanks to the genius composing of Mendelssohn wonderful music.
Certenly this music is a relief in this hard days for all the world
@@Jairgifr: Mendelssohn composed this wonderful refreshing symphony with the age of 12 years!
@@karlheiden1168 Per Wikipedia: "Symphony No. 1 in C minor, Op. 11, is a work by Felix Mendelssohn, completed on 31 March 1824, when the composer was only 15 years old."
Wunderschöne und lebhafte Aufführung dieser romantischen und perfekt komponierten Sinfonie mit gut phrasierten und perfekt vereinigten Tönen aller Instrumente. Der zweite Satz klingt besonders schön und auch beruhigend. Der dritte Satz klingt besonders lebhaft und auch elegant. Der intelligente und geniale Dirigent leitet das ausgezeichnete Orchester im angemessenen Tempo und mit angenehmer Dynamik. Wahrlich hörenswert!
BUILT YOUR OWN notaire2 COMMENT!
USE wunderschön, lebhaft, romantisch, phrasiert, vereinigt, schön, beruhigend, lebhaft, elegant, intelligent, genial, ausgezeichnet, angemessen, angenehm.
ADD echt, besonders, gut, perfekt
COMBINE WITH: Aufführung, Sinfonie, Töne, Instrumente, erster Satz, zweiter Satz, dritter Satz, Holzbläser, Metallbläser, Dirigent, Orchester, Tempo, Dynamik.
VOILA! Thousand different comments possible now! Useable for any concert comment you wish!
Guter Versuch, aber völlig sinnlos, da Sie auf vollständige Sinnlosigkeit antworten.
The Symphony No.1 in C minor Op.11, is a work by Felix Mendelssohn, completed on 31 March 1824, when the composer was only 15 years old. The autographed score was published in 1831. The work was premièred at a private gathering on 14 November 1824 to honor his sister Fanny Mendelssohn's 19th birthday. Its public première occurred on 1 February 1827, with the Leipzig Gewandhaus Orchestra performing under the leadership of its then-Kapellmeister Johann Philipp Christian Schulz. The symphony was dedicated to the Philharmonic Society, who performed the London première on May 25, 1829, with Mendelssohn conducting. For this performance Mendelssohn orchestrated the scherzo from his Octet Op.20 as an alternative third movement for the symphony.
thanks you for detail information of this notes ;)
@@이지연-q9l Allright, friend! 🙏
me he hecho asiduo de este Director y Orquesta, me encantan sus interpretaciones
The Joy of life!
27:16 A magnificent part of the piece, in a completely different style from the movement. Pleasant, calm and as Mendelssohn writed down: "pesante", heavy and ponderous; just like Bach. There is also a part in the fourth movement of his fifth and its style is very similar, it is wonderful too.
This has a healing effect, and an exilir to purify the soul
Fantastic full rich detailed depth microphone positions for excellent mix
How inspirational….the playing.
Grande Orozco Estrada!!
Чудесный концерт! Большое спасибо!
😊
Best Orchestra from Germany !
Thank you!
¡Nunca deja de sorprender esta orquesta! Una interpretación depuradísima, ¡qué maestría a pesar de la distancia muestran los músicos!
Muchisimas gracias
Nagyon köszönjük!
Kann man noch vielleicht die jeweils nächste Sinofie der Serie am Ende des Videos mit verlinken? Für die suchfaulen Leute?🥺
Thanks for posting this recent performance. Just in time for a restudy of this work. Didn't expect the accelerando after H in the first movement.
Excelente presentación Director y Orquesta! Enhorabuena! ❤👏👏👏👏👏
참 좋습니다(very good)!
Bravissimo! 👏
Dziękuję bardzo.
Sublime.
31:42 COOOOOOODDAAAAAAAA!!!!
pizzicato im IV. Teil ist ganz nett
Is C minor darker than C major?
Yes
Brilliant symphony for a 15 year old, but I can tell its written by a young composer to be honest because of the way it starts off! Basically, it has no introduction! It just starts off with a bang and never relents, which diminishes the dramatic power of the music, which is very good. Had Felix written a nice dramatic slow introduction and THEN come in with the opening he used, the music would have been much better served. The 2nd mvt is much more mature and is lovely. The 3rd mvt reminds me of the minuet from Mozart's 40th symphony in G minor. The last movement rocks---Mendelssohn knew how to write a rockin finale, no doubt about it. Note---try listening to the 1st,3rd and 4th movements at .9 or even .85% of the tempo they played it---You'll see the music is more powerful at a slightly slower speed. (For some reason classical conductors always take Mendelssohn's music at break neck tempos, and they sound better with a little of that speed taken out)
This is better than anything any composer -- including Mozart -- wrote at this age.
好棒.....
wozu sind die kleinen Lautsprecher im Orchester verteilt?
Jedes Musikinstrument (oder jede Gruppe) hat das Recht, hörbar zu sein
@Manuel H Das halte ich für recht unwahrscheinlich. Die Entfernungen sind ungefähr die gleichen, es spielen nur weniger Musiker. Und die Mikrofone sind für Monitoring-Zwecke zu weit weg, würde ich behaupten. Die Akustik im Saal sollte auch für so eine Besetzung gut ausreichen.
Vielleicht können die Kollegen vom @hr-Sinfonieorchester das Rätsel lüften?
Vermutlich zur Aufnahme, damit wir es hier wunderschön hören können.
0:08 Begins
0:07 1st movement |
Bitte bis ganz zum Schluss anhören (da gibt es noch Brahms...😉).
Удивительное в коде..она мажорная, как в 9симфонии Бетховена финал полон светлого и героического, только не такой масштабный
Tenés toda la razón.
Es ist sehr angenehm zu beobachten, wie eine Gruppe von Menschen Musik spielt, ohne die Schnauzenlappen dabei zu gebrauchen.
👌🇪🇸
Напористое исполнение, Мендельсон здесь более героический
This will quench the dryness of my soul
I do! 'more please lashings more!
Go back and listen to Taylor Swift then
@@RedShedNick
Thankyou
From
A corner of Tokyo
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@@georgewerther
Thankyou
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The violins are overbalanced by the winds in this recording. Larger violin sections would have helped. Also the intonation is not what it should be: even the timpani are sharp.
And they say Mendelssohn was a soft guy
Walker Laura Johnson Margaret Anderson Maria
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