As an owner of 20 modern bebop and basic piano voicings I have to say this new dictionary is FANTASTIC!!! What a workout flying through the changes and more importantly to see all the tones 3-5-7- #9- #11 etc is just so hip - SO WELL DONE Thank you Noal worth 5 times the cost
One voicing I really like is 5, 1, 4, b7, 3, 13. Love the maj7 between the 4 and 3. I also realize it can be seen as a m13no5 if you think of the first note as the root but since there’s no fifth solidifying that bass note it adds to the ambiguity. Actually got the idea for this voicing by adding the 3 note to a chord from a Chopin piece :).
How can you possibly memorize all these voicings all 12 keys? The upper extension triad trick works for quickly playing extension chords, but with these wide ranged voicings, I wonder if there’s a technique.
My two favorite dominant voicings are 1, b7, 3, b13, #9 and 1, b7, b9, 4, 5. These can be thought of as Maj7(b5) chords played a half step or minor third over the root.
Tanks a lot! You are awesome!!!!!!!!!!! Could you tell me (us) your rec equipment? How do you record your piano sound and voice etc, screen etc. Pls!!!
LH C Bb RH E G# C D# and maybe LH C Bb Db RH E G A C maybe this slape on the 4 trials of half hole scale so minor 7ths with major 3rd in the LH? different approach as you didactische with the dimineshed chorus?
Another good one is: 1 3 (played as a tenth with left hand) 13 1 #9 #5 - played with the right hand, AND this RH voicing can be moved up a half step and everything still works over the left hand.
As an owner of 20 modern bebop and basic piano voicings I have to say this new dictionary is FANTASTIC!!! What a workout flying through the changes and more importantly to see all the tones 3-5-7- #9- #11 etc is just so hip - SO WELL DONE
Thank you Noal worth 5 times the cost
Thank you, David! So glad you like it and are finding it helpful.
you missed the b13 natural 9 which is a really nice sound
❤❤❤❤❤todah !
Nice video... I love your pedagogy bro.
Today rabah for you tips
Hey Noah, I'm a new subscriber.
I've watched some of your videos and they are really helpful. Hope to stick around and learn more from you! ❤️
One voicing I really like is 5, 1, 4, b7, 3, 13. Love the maj7 between the 4 and 3. I also realize it can be seen as a m13no5 if you think of the first note as the root but since there’s no fifth solidifying that bass note it adds to the ambiguity. Actually got the idea for this voicing by adding the 3 note to a chord from a Chopin piece :).
How can you possibly memorize all these voicings all 12 keys? The upper extension triad trick works for quickly playing extension chords, but with these wide ranged voicings, I wonder if there’s a technique.
Buenísimo
My two favorite dominant voicings are 1, b7, 3, b13, #9 and 1, b7, b9, 4, 5. These can be thought of as Maj7(b5) chords played a half step or minor third over the root.
Tanks a lot! You are awesome!!!!!!!!!!! Could you tell me (us) your rec equipment? How do you record your piano sound and voice etc, screen etc. Pls!!!
Great job as always Noah, I enjoy slowing down your intros and 'stealing' some of your ideas
Hey thanks I'm glad you're able to get some good material from them!
It's interesting. A demonstration on a standard could be great
Got my copy, brah.
I always recommend people to watch your videos when it comes to learning theory
Bravo
LH C Bb RH E G# C D# and maybe LH C Bb Db RH E G A C maybe this slape on the 4 trials of half hole scale so minor 7ths with major 3rd in the LH? different approach as you didactische with the dimineshed chorus?
Another good one is:
1 3 (played as a tenth with left hand) 13 1 #9 #5 - played with the right hand, AND this RH voicing can be moved up a half step and everything still works over the left hand.
Best dominant7 presentation I've ever come across.
I started this, but it's out of my pay grade. I'll go earn my chops and come back to this.
Quotes Scriabin " Vers La flamme in the intro @noahkellman
Excellent presentation of chord diagrams!
Thanks for your wonderful information resources!
Very beautiful diagrams.
RH 1 b3 4 b5 LH 7 9 11 (triad from 7th degree) Voicing for 2nd dominants. I saw it in a video from a gospelplayer on fb, absolutely love it.
1-5-3-b7-b9-3-13 rolled, simple but really smooth imo. Awesome vid as always.
Great tips as always. Thanks Noah! My voicing tip: 3-b7-#9-b13-b9-#11
I always just root the chord in the pedal bass register and arpeggiate the tritone with whatever other chord I can get to at the time.
what is the software you use that gives the score of what you play in real time?
thanks for sharing 👏👏👏
I really appreciate these videos!
Thank you 🙏
Yessss loving this series!! So so helpful 🙏🙏🙏
why do you describe so many of your videos as "Sick" this and "Sick" that. Are they unwell?
😂
Because it sells..!
😂😂
Aw man😥😥😥
2nd
First to watch and comment.