📌 Thank you everyone for the support to the channel and make sure to check out MPB if you’re looking into buying, selling or trading any photography or video equipment.
to add, i think most people should watch the danish movie ‘Godland’. its a movie about a photographer/priests exploration of a remote part of iceland (to not give too much away) BUT unlike movies that have a photographer who takes extremely generic images, the film uses such beautiful and insanely complex compositions that are so immersive, that its almost reminiscent of documentary or still life photos seen in actual books. It’s beautiful, the dialogue is so compelling, the STORY god it’s gut wrenching. A slow burn, but isn’t that what photography is ? it’s not supposed to be fast, it’s about uncovering those nuances and seeing where they go. PLUS the underlying theme and grief the main character and those around him face, the dissonance, is emotionally moving. 1000000/10 recommend, even if you’re just into foreign films
Two movies just watched with my son, who is developing a love for the film-look, colour, lighting and composition have been Casino and True Romance. The colour in each was gorgeous; sumptuous. He turned to me regularly to praise the lighting or mention a colour richness or harmony in many scenes. Then there’s the wide screen environmental-landscapes that would make great prints. Not forgetting some wonderful portrait shots. Brilliant cinema photography.
I used to subscribe to the American Cinematographer magazine in the early 90s before (I thought) it went bust, and would savor over all the images and read about how they achieved certain shots. I was a film student and budding photographer and thought I might go into that as a career. The subscription company, from what I remember, said the magazine wasn’t going to be published anymore and shifted me over to a subscription to Entertainment Weekly. Now, looking back, it seems a fitting representation for what the entertainment industry has become. Less artistic quality and more commercial money-grabbing. Most stuff these days I won’t bother watching if it looks like they didn’t see the need for a cinematographer (or a good writer!). And I think every filmmaker/videographer/photographer should work on making their own Koyaanisqatsi, including the soundtrack to it. It’s a great exercise in “seeing.”
Good evening, As always I am enjoying your videos as they are so much more about photography and less about cameras. I’m primarily a news/documentary photographer though I’ve done quite a few weddings and portraits. Very different styles. I’ve been told I cover a wedding as if it were a murder scene and that’s not completely inaccurate. I’m at my best photographing mischief, murder and mayhem. Sports too but that’s basically the same thing. If I may ask, I gather you’re in Europe somewhere. May I ask where? I would enjoy meeting you and having a few drinks while discussing our views on photography as it exists and how it got here. Please keep up your good work.
"The Substance" has a nice camera work, especially the first part, and a lot of winks to Kubrik 😂. The close-ups and weird perspectives are similar to some passages in "Poor things"
Nice to see Koyaanisqatsi mentioned in this diverse list of films. I will definitely check out Aftersun! If you are taking some suggestions, it be interesting to see your take on anything by Yorgos Lanthimos. Thanks for this comprehensive video!
It was part of a trilogy. I remember seeing it on Channel 4 shortly after it was released, when they were keen on showing anything innovative, unusual and avant garde.
Yes Lanthimos is right up my alley, I have yet to watch his latest movie with Emma Stone but I have really enjoyed the lobster, the favourite, dogtooth etc.. actually I’d love to make a full video on him in a different context! Thanks for watching Sebastian!
It’s really good! I recommend other Melville movies, some of his colour movies that I know of are also superb. Claude Chabrol and Henri Georges-Clouzot are other two names I recommend 🤝🏻
Some years ago I watched a very obscure 1963 British film called The Small World of Sammy Lee, the cinematographer being Wolfgang Suschitzky. His best known film is probably Get Carter (the original 1971 version obviously). He was also an excellent street/reportage photographer and that background really shows through in his film work. I've got a book of his photos taken in Charing Cross Road in the 30s, and Sammy Lee, set nearby in the seedy backstreets of Soho, has a very similar aesthetic. He is my favourite example of a stills photographer using their experience, skills and ideas in cinematography.
Sunday cinema, it shaped me, whether in my grandparents basement fun-room watching 'home movies', or, less formally lounging on the sofa watching 'movies for a Sunday afternoon', all the oldies in rich technicolor- forming the base layer of my cognitive map.
I agree, there’s something special about those films and especially when you read about how certain shots were made, the solutions the filmmakers had to come up with.
10 great choices T :-) I learned most of my photography from looking at cinematography and also the fantastic pictures in the Sunday papers' colour supplements in the 1970s (they were a really great source of well shot images - great to learn from)
some of the movies i think everyone should watch whether someone is photographer or not.... Cold war 2018 The farewell 2019 Crimson tide 1995 john Q 2002 Capernaum 2018 Blade runner 2049 Chunking express 1994 In the mood for love 2000 Dead poet society 1989 La La Land 2016 Conclave 2024 Perfect days 2023 Damnation 1998
📌 Thank you everyone for the support to the channel and make sure to check out MPB if you’re looking into buying, selling or trading any photography or video equipment.
Kurosawa's layering (foreground, middleground, amd background) as well as blocking and staging in High and Low is an absolute masterclass
Couldn’t agree more.
to add, i think most people should watch the danish movie ‘Godland’. its a movie about a photographer/priests exploration of a remote part of iceland (to not give too much away) BUT unlike movies that have a photographer who takes extremely generic images, the film uses such beautiful and insanely complex compositions that are so immersive, that its almost reminiscent of documentary or still life photos seen in actual books. It’s beautiful, the dialogue is so compelling, the STORY god it’s gut wrenching. A slow burn, but isn’t that what photography is ? it’s not supposed to be fast, it’s about uncovering those nuances and seeing where they go. PLUS the underlying theme and grief the main character and those around him face, the dissonance, is emotionally moving. 1000000/10 recommend, even if you’re just into foreign films
Two movies just watched with my son, who is developing a love for the film-look, colour, lighting and composition have been Casino and True Romance. The colour in each was gorgeous; sumptuous. He turned to me regularly to praise the lighting or mention a colour richness or harmony in many scenes. Then there’s the wide screen environmental-landscapes that would make great prints. Not forgetting some wonderful portrait shots. Brilliant cinema photography.
WHAT A treasure and thanks for the time and thoughts you put into this. Gonna watch them all.
Thank you for watching!
The Florida Project: highly recommended! Great Film!
Solid list, I do like that you included some more contemporary movies, after sun was a masterpiece for me. Thanks and happy holidays Hopper!
Thank you maybe I’ll do a list of just contemporary films, best to you!
Great selection, Tatiana ❤
Thank you Wilson!
I used to subscribe to the American Cinematographer magazine in the early 90s before (I thought) it went bust, and would savor over all the images and read about how they achieved certain shots. I was a film student and budding photographer and thought I might go into that as a career. The subscription company, from what I remember, said the magazine wasn’t going to be published anymore and shifted me over to a subscription to Entertainment Weekly. Now, looking back, it seems a fitting representation for what the entertainment industry has become. Less artistic quality and more commercial money-grabbing. Most stuff these days I won’t bother watching if it looks like they didn’t see the need for a cinematographer (or a good writer!). And I think every filmmaker/videographer/photographer should work on making their own Koyaanisqatsi, including the soundtrack to it. It’s a great exercise in “seeing.”
So insightful and brilliant as always 👏 👌
Thank you so much!
Good evening,
As always I am enjoying your videos as they are so much more about photography and less about cameras. I’m primarily a news/documentary photographer though I’ve done quite a few weddings and portraits. Very different styles. I’ve been told I cover a wedding as if it were a murder scene and that’s not completely inaccurate. I’m at my best photographing mischief, murder and mayhem. Sports too but that’s basically the same thing. If I may ask, I gather you’re in Europe somewhere. May I ask where? I would enjoy meeting you and having a few drinks while discussing our views on photography as it exists and how it got here. Please keep up your good work.
Great content, please don't stop.
Thank you so much Neil!
"The Substance" has a nice camera work, especially the first part, and a lot of winks to Kubrik 😂. The close-ups and weird perspectives are similar to some passages in "Poor things"
Nice to see Koyaanisqatsi mentioned in this diverse list of films. I will definitely check out Aftersun! If you are taking some suggestions, it be interesting to see your take on anything by Yorgos Lanthimos. Thanks for this comprehensive video!
It was part of a trilogy. I remember seeing it on Channel 4 shortly after it was released, when they were keen on showing anything innovative, unusual and avant garde.
Yes Lanthimos is right up my alley, I have yet to watch his latest movie with Emma Stone but I have really enjoyed the lobster, the favourite, dogtooth etc.. actually I’d love to make a full video on him in a different context! Thanks for watching Sebastian!
That’s right!
Love the black and white films, especially “Bob the Gambler” with its nighttime street images. Thanks for sharing these films.
It’s really good! I recommend other Melville movies, some of his colour movies that I know of are also superb. Claude Chabrol and Henri Georges-Clouzot are other two names I recommend 🤝🏻
Some years ago I watched a very obscure 1963 British film called The Small World of Sammy Lee, the cinematographer being Wolfgang Suschitzky. His best known film is probably Get Carter (the original 1971 version obviously).
He was also an excellent street/reportage photographer and that background really shows through in his film work. I've got a book of his photos taken in Charing Cross Road in the 30s, and Sammy Lee, set nearby in the seedy backstreets of Soho, has a very similar aesthetic.
He is my favourite example of a stills photographer using their experience, skills and ideas in cinematography.
I haven’t watched that one and I’m always on the lookout for more so I’ll add it to my watchlist, thanks so much for sharing and for watching!
Sunday cinema, it shaped me, whether in my grandparents basement fun-room watching 'home movies', or, less formally lounging on the sofa watching 'movies for a Sunday afternoon', all the oldies in rich technicolor- forming the base layer of my cognitive map.
Funny enough I have the same, Sunday afternoon cinema, always look back to it with fondness! Thanks for watching!
@@TatianaHopper I never miss one T. Just to impecunious to contribute more than that.
I suggest Cold War. The lighting, camera work, and overall atmosphere is pure art!
Agreed! Was on my list for a while for this video I might do a version of this video but just contemporary movies so that’s where I’ll fit it in!
The old technicolor films are cool … just for how the films were developed and the fact that dye transfer is now so rare!
I agree, there’s something special about those films and especially when you read about how certain shots were made, the solutions the filmmakers had to come up with.
10 great choices T :-)
I learned most of my photography from looking at cinematography and also the fantastic pictures in the Sunday papers' colour supplements in the 1970s (they were a really great source of well shot images - great to learn from)
Thank you so much for watching, same here I’ve learned a lot from movies and will continue to of course!
Great video. Can I suggest The Battle of Algiers ? The director spent months trying to find the right black and white look for the movie.
Of course, will add it to my list, thanks for the suggestion and for watching!
❤We love you Hopper!
"We're so glad you found us!" 👀
Thank you! 🤍
some of the movies i think everyone should watch whether someone is photographer or not....
Cold war 2018
The farewell 2019
Crimson tide 1995
john Q 2002
Capernaum 2018
Blade runner 2049
Chunking express 1994
In the mood for love 2000
Dead poet society 1989
La La Land 2016
Conclave 2024
Perfect days 2023
Damnation 1998
Thanks for sharing your list! For sure in agreement with the ones I do know 👍🏻
I would like to mention Abuot Time (2013).
Added to my list 🤝🏻
Might I suggest Paris Texas.
Featured in the last episode 🤝🏻
I would suggest _Until the End of the World_ but I'm not educated enough to say why.
ROMA Alfonso Cuarón (2018)
Yes!
Next time Erich von Stroheim's Greed? (I don't know why I thought of this particular film 😉)
I wonder why too ahah one of my classic favourites. Thanks for watching!
👍👍Italiano😂
Did you use the auto dubbing ? 😅
hiding titles is so annoying