Artist's Color Wheel www.handprint.com/HP/WCL/cwheel06.pdf Paint Yellow Without Yellow ruclips.net/video/n2OFD4XbU4g/видео.html Paint Red Without Red ruclips.net/video/-udFk6XCdPI/видео.html Paint Blue Without Blue ruclips.net/video/tMDNoipB92Y/видео.html
THIS is the video I've been waiting for! Having first learned color theory in Print as a student and then moving on to the digital world, CMYK and RGB is pretty easy for me to understand. But having just moved into the art world of painting grasping color theory was proving difficult. Having the knowledge of this 6 color pallette and this colorwheel will help me out IMMENSLY. ¡ESTE es el video que estaba esperando! Después de haber aprendido la teoría del color en impresión como estudiante y luego haber pasado al mundo digital, CMYK y RGB son bastante fáciles de entender para mí. Pero haber entrado en el mundo del arte de la pintura y comprender la teoría del color estaba resultando difícil. Tener el conocimiento de esta paleta de 6 colores y esta rueda de colores me ayudará INMENSAMENTE.
@@Veronica.John10-10 if you think that contradicting my statement with no explanation whatsoever to hopefully cause an argument, then you've got the wrong person hon
I'm taking an online course for colored pencils and in it the instructor explains that brown is actually slightly neutralized orange. That is it has a little blue mixed in. I experimented and I got different shades of brown depending on the combination I used. I found that getting the exact combination of orange and blue is difficult plus I was only able to achieve a few of the many shades of brown so I decided it's best to just keep buying the brown pencils instead. She also explains and demonstrates how mixing a tiny amount of brown into a color will dull it down. I wonder if the same concept would work in paints.
@@Unpopularity the whole point of the video was to show that RGB-CMYK is not the correct and RBY the incorrect. Both are just models we use to represent color. All three systems are limited. You see today the limits of RBY, and if you use pigments you start to see the limits of CMYK. Take a picture with a camera and compare it with the real world, you will see how far is RGB of representing true colors. Yes, our eye cones are sensible to different sections of the spectrum, and RGB can trick them to see different colors, but to confuse the model with reality is to confuse the map with the territory.
@@CesarCordova Can't agree more. Once I playing with prism and project sunshine to a wall, I'm so amazed by the spectrum there, especially the rich and vibrant blue-green. It's so pretty. It's not teal (too dark) nor cyan (too white). It's a color I cannot find on monitor no matter how hard I try to mix blue and green.
I played with Prisms when I was younger. White light splitting into the rainbow colors, and being able to get them back into white light is one thing you can do. But you can't mix a bunch of paint or ink together and get white. It's different when using paint, pigment, dye that it is with pure light and light spectrum
Excuse me, are you saying I've been spelling colour *wrong* my whole damn life- ****sobs in ☆color☆**** Or am I just stupid and the person made ait typo-, someone help, I'm horrible at spelling X_X
This explains why I can't get a vibrant violet when mixing cyan and magenta, I think I'll be using this advanced color wheel from now on... Thank you so much ❤️
It can also just be incompatible pigmentation, you can also try experimenting between different brands of paint to get the best results. I had to this so much just to make a good purple, because my teacher refused to let us use anything other then red blue and yellow out of the tube.🥲
@@electroniccreed8963 Same as my professor! She just insisted! I was actually going to ask if using different brands could come out with different results. I'll try that too, thanks 😊.
@@RandomPerson-1910 Opaque pigments always create a less bright mix, because you can never mix 100% magenta with 100% cyan - or any other pair of colors, in any sum bigger than 100%. 50-50 is the most you can get, and the further appart the starting colors are, the duller the mix will be But, by layering *transparent* primaries - watercolos, inks, markers - you can get bright reds, greens and blues. Because you can put down 100% cyan and then 100% magenta on top, and see both. Transparent CYM is the closest to a true primary set, because out of all possible trios, it gives the brightest mixes. It still can't mix everything, but most people can't tell that a color is 95% saturated and not 100% saturated, especially if sorounded by 50% saturated colors. Personally, I use 12 colors, because if I absolutely need a bright violet, I'll just put down a violent. Hope this helps
This is the best tutorial on color ever. Kudos. I've been using oils close to CMYK, plus white. But there are colors I can't get to. This demonstrates exactly why, and how to achieve it, if that's what you want.
I don’t know how it is possible that there’s subtitles available in 36 languages but thank you very much! I found my language (Finnish) there. At least Finnish subtitles were proper, no weird Google Translate sentences at all. I wasn’t expecting to find Finnish at all lol
Una explicación sublime en una duración que resulta muy amena. Este video no solo resulta útil para los que somos inexpertos en la pintura , sino que también es una lección de cómo condesar una gran aprendizaje en poco tiempo para aquellos pintores que suben videos de 50 minutos, 1 hora u hora y media para explicar qué color resulta de mezclar los colores primarios. Muchas gracias.
Me desculpe pelo comentário em português, ainda vou estudar o espanhol, que é uma língua que eu gosto muito; Mas, não tinha como eu deixar de dizer que este vídeo foi incrível!! (Expressão para algo muito legal) obrigado pelo conteúdo, aprendi muito com você!
I only know this from painting with acrylic and oil in college. Barely started to watch but I'm going to take a guess and say that the reason the Green and the Purple make blue because there is enough blue in both green and purple that push the colors away from yellow and red. I'm guess you need a really cool green and a really cool purple to do this as well. But the use of green and purple to make blue and not starting with blue is also probably why you'll never be able to get a super saturated blue from doing this. A warm green and a warm purple may make a different type of blue altogether? Well really it should, I just can't imagine what it looks like in my head atm, other than a warm desaturated blue. Regardless, in practice doing it this way only seems logical in a pinch and if you are blending something with green colors with purple colors to make a proper transition blue color. Man, color theory is cool. I'm goanna watch the video now to see what is actually going on. edit: Okay after watching, now, I've learned a lot! So while I had the general idea using the push-pull method of color theory, this more mathematical/scientific approach I should say is way more concise. Makes perfect sense and I do enjoy the use of RGB, CMYK, and YRB to better show the intensity of colors. RGB is really helpful for digital, and CMYK is the best for both painting and printing in my opinion. The basic yellow blue red is just the cheaper route for painting and teaching. But it's also kind of out dated. So much to think about here. Also the discussion on wavelengths is excellent too. Very cool.
Cesar your videos are exceptionally brilliant and you can see the amount of year's that have gone into you acquiring this knowledge. Love ur videos. 💯💯
I didn't quite believe it until I tried it myself. I wash shocked when it made blue. (Teal like as shown in the first example) So I finished watching the video and was very impressed. It's interesting to see how these secondary colors are actually able to make primary. Clearly school education wasn't too advanced enough to even teach it like this!
This is the most thorough explanation of the primary colour debate I've ever seen. Left me with 0 questions and 999 knowledge 😅 Thank you very much for this video!!
Terima kasih tentang pengetahuan warna , sangat jelas baik warna pokok , merah kuning biru , maupun warna campuran , cara melukis warna kulit ( sawo matang ) bayangan gelap dan terang , matur nuwun . Ilmu uang bermanfaat .
Before I watch the video here's my guess: Blue and Red mixed together make purple, and green is the opposite of red on a colour wheel (I think?)... So therefore, mixing purple and green should cancel out the red and get the red+blue mix back to blue by itself. That's my guess, time to watch the video to see how wrong I was Edit: ah okay, I was on the right track... Close enough haha
I mixed viridian (green) pw6/py3/pg7 with violet (purple) pv23 and got a dark dull blue but when I mixed sap green with yhe same violet it became blackish brown. So this does work!! But not all green combined with purple will give you the results. Great info. Thanks for the video! Edit: I tried more mixing and what I understood is that more cooler greens mixed with purple will give blue ( dull/dark) bcz they have more blue in it and warmer greens mixed with orange will give yellow (dull/muddy) bcz they have more yellow in it that gets left behind after all the opposite colours cancel each other out! 😀 Enjoy painting everyone!
LOL. I got in an argument with my art teacher in 8th grade about this. I said that green and purple make blue. She said no they don't. So I took some paint and mixed it in front of the class and she got rather mad at me. The hardest part of painting is learning to mix colors. You can learn to draw in a few months if you work at it, but learning to get color right can take years.
@@joser2349 If you said "not everyone will learn to draw well", I'd agree with you. Everyone who isn't blind and/or paralyzed can learn to draw well. But it takes time and effort that most are unwilling to expend.
Los tres sistemas de colores nos dan verde pero la tonalidad sera diferente en cada uno. Un azul oscuro y un rojo calido nos dara un violeta grisaseo oscuro , cyan con magenta nos dara un violeta medio azuloso claro y en rbg el mismo violeta ryb solo mas luminoso.
Soy Econometrista y pinto por Hobby's me encantan las artes, en el área Econometrica usamos los "Scatter's" para ver valores promedios-equilibrios y cuando hablaste, mostraste lo del circulo cromático con esa mega distribución y como se aplica a la teoría del colar pero explicado de una manera más "espacial" me dejaste sorprendido, el arte no es una ciencia exacta pero tiene más técnica de lo que pensaba incluso cuando explicaste con lógica lo de las curvas de nivel en las gráficas de escala RGB, de como se cancelan, ahora entiendo más. Muchas gracias por el video saludos cordiales desde Venezuela.
Very interesting and useful. As a teacher I always teach the 3 primary colours; red, yellow and blue. Now all this helps me to expand the colour wheel and how to get different mixes. Thank you❤️💛💙
Este video es dios, muchas veces no entendía porque habían tantos sistemas de colores primarios, este video me dejo todo claro, y el circulo cromático del final es muy intuitivo para saber que colores dan al combinar unos con otros. Diría que es el mejor video de colores que hay por youtube
Yo .- para carnaciones en general empleo Rojo Escarlata, Azul ultramar, Amarillo Ocre y Viridian... .- para paisajes en general empleo Rojo Vermellon, Azul Pthalo, Amarillo Cadmio y Verde Vejiga... En ambas paletas puedo, si es muy necesario poner otro color particular... justamente si es necesario por ejemplo hacer unas flores violetas en algún paisaje o una marina muy luminosa puedo sumar viridian... o sumar algo en los retratos algo de la ropa que requiera sumar otro color mas saturado.... pero son cosas puntuales... Es bueno elegir unos 3 o 4 colores y trabajar con ellos... acostumbrarse a la mezclas... después de un tiempo ya solo pintas, sin siquiera cuestionar el como se llega a un color...
1 semestre de diseño gráfico y aún no me quedaba claro el por qué de ciertos colores, y sólo con un video de RUclips, he entendido demasiado. Me gusta ser un poco crítico con la información, y RUclips no parecería una fuente confiable, pero videos como este demuestran lo contrario.
wow MERCI BEAUCOUP! MUCHAS GRACIAS!!! i don't have blue but i have green and purple, i don't ask for this but here you are as a gift/synchronicity!!! :)
Oh wow! I did not know this! Thanks for the info!! ¡Oh, vaya! ¡No sabía esto! ¡¡Gracias por la info!! Oh wow! Je ne le savais pas! Merci pour l'info!! Oh wow! Das wusste ich nicht! Danke für die Information!! Oh wow! Non lo sapevo! Grazie per le informazioni!!
No it doesn’t. Look at 3:04. That is not a cool grey, that is a slightly greyish blue, but Its still clearly blue. There is a difference between a desaturated blue and a cool grey, that’s like saying brown is actually just a warm grey Edit: sorry if my comment sounds a bit passive aggressive, I just read it back and it sounds quite mean :)
@@pianomanwithapianoplan504 I totally agree 3:04 is very blue but that is mainly due to the colors hestarted with having alot of blue pigment in them. the smaller red and yellow cancels each other out.
I'm getting into painting later in life and I've never known this but I feel like you just opened a ton of doors that weren't only closed but that k didn't even know were there. Thank you for this!
Woo that's magical I only know that green + purple will become blue, not other things and of course I also don't know what happened among us ( the colours)
Eres un gran maestro César, gracias por compartir todo esto, es super BLOWMIND cuando lo comienzas a entender, Saludos desde Colombia y muchas bendiciones!
Buen día Cesar. Soy profesor de artes y llevo 15 años explicando teoría del color a niños y jóvenes y tu información me es de una gran utilidad. Logro entender ahora muchas cosas y quitarme de la cabeza algunos prejuicios e informaciones que pensaba erróneas. Te agradezco mucho por compartir con nosotros tus conocimientos.
Laura tiene razón. También hay que considerar que esta agregando blanco para lograr un azul en tono pastel no el azul primario. La explicación del video es interesante pero parece afirmar que hay información incompleta durante el aprendizaje.
Trabajando en la imprenta,, utilizando colores transparentes, y opacos con diferentes resultados, solo los colores opacos cancelan a otro, color, los transparentes no se cancelan
These are the exact kind of factors I, as a hairstylist, must consider - when colouring One’s hair. It’s necessary to pay attention, to the starting colour of the hair - overtones and undertones. Then, determine what colour would be appropriate - overtone and undertone - as to not accentuate or cancel out any unintended colours.
I like blues and greens for hair dye, and struggle because I am a ginger with an intense copper colour. It's a struggle and I haven't found a hairdresser who can do what I like, and honestly neither can i.
@@BorksmithandTheBeef have you tried going to an Aveda Salon? Their color system does not come pre-mixed like some others. The stylist has to take into account your starting color and customize the formula in order to achieve the color you want. Red is a difficult starting point but it’s not impossible.
Dato curioso, el sistema de color CMYK esta en negativo, si lo inviertes sale el rgb original: El Cian es el rojo, El magenta es el verde, El amarillo es el azul. El negro es blanco. Se usa este sistema de color, porque si se usa el sistema rgb en fondos blancos no saldrían de forma correcta, asi como lo contrario, el rgb solo funciona en fondos negros.
pero no es que funcionen sobre fondos blancos o negros, es que son sistemas distintos, uno es luz y el otro tinta, si mezclas varias tonalidades de luz en un mismo punto, el resultado tiende hacia el blanco, mientras que en las tintas, las mezclas tienden hacia el negro, una manera facil de comprobar es girar el circulo cromatico impreso en papel, el efecto que se consigue es que el papel pareciera de color blanco, ya que no se esta mezclando las tintas, si no la luz que refleja el papel hacia nuestros ojos.
If anyone is curious about this tipic I recommend to anyone who wants to understand color theory in greater depth a text by a Japanese teacher Noboru Ohta, a text translated into English as "Colometry fundamentals and applications". If you were interested in the explanation about the waves of light, if you want to know how the eye works to interpret color or about the history of color, with the consistency of a professional who has dedicated his life to the phenomenon of color, then read this text, it is hard to understand but it is worth it.
Yo hace más o menos medio año no sabía esto, y lo descubrí porque tenía para pintarme el pelo un pote de tinte verde y otro violeta, no quería ponerme ninguno de esos colores así que decidí mezclarlos para probar y me dejo un color azul eléctrico hermoso, una buena experiencia la verdad ajsvb
@@mezzovii well I discover by my self when i was a child, that if I mix black with orange i obtein brown, if I mix blue with pink I obtein purple, and black & white gray. So for me was easy, but in school i never learned anything about the color theory.
@@mezzovii That's because school should be teaching the basic concepts, which is what it does. The sort of thing showcased in the video, though, should be emphasized in college courses since it's assumed you're wanting to be serious about your work in that environment. I know my instructors there never mentioned it once, which is unfortunate. You kinda figure it out on your own eventually through experimentation or accidental mixing, but that can be pretty expensive "experimentation" depending on what paints you use.
@@martinacevedohace8anos166 because the video has subtitles and even though I don't speak spanish I really like Césars videos and respect him as an artist and a teacher? Art should be shared and teached all over the world, no matter what language we speak.
Este es un extraordinario resumen de teoría del color. Es impresionante que solo te haya tomado diez minutos. Eres un máster, César. He aprendido tanto con tus videos. Gracias.
No tengo palabras para decir lo bien hecha que ha sido esta serie de videos sobre este tema! Fue de las primeras dudas que me surgieron a la hora de comprar y elegir colores. Y no me he perdido ni un sólo vídeo!!! Ya puse en práctica probando con diferentes paletas, y mis resultados crecieron de forma tremenda. Muchas gracias, sensei! (｡･ω･｡)ﾉ♡
I didn't realize I was using the 6 different "primary" colors when I do art. I have always habitually bought 8 different colors for any art medium that are very similar in pigments to yours shown. When I was in art class years ago I would get upset because my teacher would only have us use red, blue, and green. One such occasion we had to choose one color for a monochromatic painting. My two favorite colors, teal and magenta, aren't really an option when mixing from primaries. So I went with blue. It came out alright, but teal and magenta tend to have a more attractive feel to them imo.
Artist's Color Wheel www.handprint.com/HP/WCL/cwheel06.pdf
Paint Yellow Without Yellow ruclips.net/video/n2OFD4XbU4g/видео.html
Paint Red Without Red ruclips.net/video/-udFk6XCdPI/видео.html
Paint Blue Without Blue ruclips.net/video/tMDNoipB92Y/видео.html
Gracias 👏👏👏
THIS is the video I've been waiting for! Having first learned color theory in Print as a student and then moving on to the digital world, CMYK and RGB is pretty easy for me to understand. But having just moved into the art world of painting grasping color theory was proving difficult. Having the knowledge of this 6 color pallette and this colorwheel will help me out IMMENSLY.
¡ESTE es el video que estaba esperando! Después de haber aprendido la teoría del color en impresión como estudiante y luego haber pasado al mundo digital, CMYK y RGB son bastante fáciles de entender para mí. Pero haber entrado en el mundo del arte de la pintura y comprender la teoría del color estaba resultando difícil. Tener el conocimiento de esta paleta de 6 colores y esta rueda de colores me ayudará INMENSAMENTE.
Gracias.
Maestro César una pregunta, como puedo refinar el aceite de linaza prensado en frío de forma casera?
Thank you :D
this explains how blueberries are blue on the outside, green when the skin is peeled and purple when mashed
No hon, that's not it.
@@Veronica.John10-10 if you think that contradicting my statement with no explanation whatsoever to hopefully cause an argument, then you've got the wrong person hon
Ahhhh. I see
@@Astrochronic no I won’t
@@Veronica.John10-10 : |
A lot of art teachers say colors that weren’t made by primary colors are “brown” so we’ve been convinced so
I'm taking an online course for colored pencils and in it the instructor explains that brown is actually slightly neutralized orange. That is it has a little blue mixed in. I experimented and I got different shades of brown depending on the combination I used. I found that getting the exact combination of orange and blue is difficult plus I was only able to achieve a few of the many shades of brown so I decided it's best to just keep buying the brown pencils instead. She also explains and demonstrates how mixing a tiny amount of brown into a color will dull it down. I wonder if the same concept would work in paints.
They didn't teach that, they taught that complimentary colors make brown, colors on opposite ends of the color wheel. 🔵+🧡= 🟤; 🟡 + 🟣=🟤; ♥️+💚=🟤
Yep
I will admit I did NOT know this. Colour theory is a struggle for me, years and even now
@@Unpopularity that's so well explained 👍🏻
@@Unpopularity the whole point of the video was to show that RGB-CMYK is not the correct and RBY the incorrect. Both are just models we use to represent color. All three systems are limited. You see today the limits of RBY, and if you use pigments you start to see the limits of CMYK. Take a picture with a camera and compare it with the real world, you will see how far is RGB of representing true colors. Yes, our eye cones are sensible to different sections of the spectrum, and RGB can trick them to see different colors, but to confuse the model with reality is to confuse the map with the territory.
@@CesarCordova Can't agree more. Once I playing with prism and project sunshine to a wall, I'm so amazed by the spectrum there, especially the rich and vibrant blue-green. It's so pretty. It's not teal (too dark) nor cyan (too white). It's a color I cannot find on monitor no matter how hard I try to mix blue and green.
I played with Prisms when I was younger. White light splitting into the rainbow colors, and being able to get them back into white light is one thing you can do. But you can't mix a bunch of paint or ink together and get white. It's different when using paint, pigment, dye that it is with pure light and light spectrum
Excuse me, are you saying I've been spelling colour *wrong* my whole damn life-
****sobs in ☆color☆****
Or am I just stupid and the person made ait typo-, someone help, I'm horrible at spelling X_X
This explains why I can't get a vibrant violet when mixing cyan and magenta, I think I'll be using this advanced color wheel from now on... Thank you so much ❤️
It can also just be incompatible pigmentation, you can also try experimenting between different brands of paint to get the best results. I had to this so much just to make a good purple, because my teacher refused to let us use anything other then red blue and yellow out of the tube.🥲
@@electroniccreed8963
Same as my professor! She just insisted!
I was actually going to ask if using different brands could come out with different results. I'll try that too, thanks 😊.
@@RandomPerson-1910 Opaque pigments always create a less bright mix, because you can never mix 100% magenta with 100% cyan - or any other pair of colors, in any sum bigger than 100%. 50-50 is the most you can get, and the further appart the starting colors are, the duller the mix will be
But, by layering *transparent* primaries - watercolos, inks, markers - you can get bright reds, greens and blues. Because you can put down 100% cyan and then 100% magenta on top, and see both.
Transparent CYM is the closest to a true primary set, because out of all possible trios, it gives the brightest mixes. It still can't mix everything, but most people can't tell that a color is 95% saturated and not 100% saturated, especially if sorounded by 50% saturated colors.
Personally, I use 12 colors, because if I absolutely need a bright violet, I'll just put down a violent.
Hope this helps
🎶👀🍏🍌🍒🥚🌭🍨🍦🧁🍰🏳️🏴🏴☠️🏁🚩🇦🇼🇧🇭🇧🇸🇦🇿🇧🇾🇧🇧🇧🇩🇧🇯🇧🇼🇧🇬🇧🇮🚄🚆🚇🚔🚲🛵🏍🦯🚥🚦🐜🐌🦉🦗🐺🐍🐋
This is the best tutorial on color ever. Kudos. I've been using oils close to CMYK, plus white. But there are colors I can't get to. This demonstrates exactly why, and how to achieve it, if that's what you want.
This explains SO Much!! Thank you for such a comprehensive breakdown.
Eu tô impressionado. Caí nesse vídeo do nada e recebo uma aula dessas, tinha tanta coisa aqui que eu não sabia.
Vídeo sensacional!
Thanks for subtitles, language wasn't a barrier for me to understand this mind-blowing theory
I don’t know how it is possible that there’s subtitles available in 36 languages but thank you very much!
I found my language (Finnish) there. At least Finnish subtitles were proper, no weird Google Translate sentences at all. I wasn’t expecting to find Finnish at all lol
Thank you for the great explanation. For 25 years, I've been wondering why my MaimeriBlu permanent violet bluish and green blue make BLUE!
this video is so so SO nice!! But what's also great is the fact that you have subtitles in so many languages! That was so thoughtful of you!
Una explicación sublime en una duración que resulta muy amena. Este video no solo resulta útil para los que somos inexpertos en la pintura , sino que también es una lección de cómo condesar una gran aprendizaje en poco tiempo para aquellos pintores que suben videos de 50 minutos, 1 hora u hora y media para explicar qué color resulta de mezclar los colores primarios. Muchas gracias.
Me desculpe pelo comentário em português, ainda vou estudar o espanhol, que é uma língua que eu gosto muito; Mas, não tinha como eu deixar de dizer que este vídeo foi incrível!! (Expressão para algo muito legal) obrigado pelo conteúdo, aprendi muito com você!
i had seen the handprint colour wheel before, but did not understand how to use it. you have opened my eyes! what a great explanation. thank you.
Soy dibujante y me gusta mucho estar mezclando colores y este video es muy útil gracias💖
Very important tutorial my dear friend.
Este video estuvo genial! Me encantaría ver más del mismo estilo!
I only know this from painting with acrylic and oil in college. Barely started to watch but I'm going to take a guess and say that the reason the Green and the Purple make blue because there is enough blue in both green and purple that push the colors away from yellow and red. I'm guess you need a really cool green and a really cool purple to do this as well. But the use of green and purple to make blue and not starting with blue is also probably why you'll never be able to get a super saturated blue from doing this. A warm green and a warm purple may make a different type of blue altogether? Well really it should, I just can't imagine what it looks like in my head atm, other than a warm desaturated blue. Regardless, in practice doing it this way only seems logical in a pinch and if you are blending something with green colors with purple colors to make a proper transition blue color. Man, color theory is cool. I'm goanna watch the video now to see what is actually going on.
edit: Okay after watching, now, I've learned a lot! So while I had the general idea using the push-pull method of color theory, this more mathematical/scientific approach I should say is way more concise. Makes perfect sense and I do enjoy the use of RGB, CMYK, and YRB to better show the intensity of colors. RGB is really helpful for digital, and CMYK is the best for both painting and printing in my opinion. The basic yellow blue red is just the cheaper route for painting and teaching. But it's also kind of out dated. So much to think about here. Also the discussion on wavelengths is excellent too. Very cool.
This made me understand and appreciate all the pigments much more. Thank you
Muy bien explicado y a fondo buen vídeo me agradó
Excelente vídeo, fue muy enriquecedor, muchas gracias ♥✨
Wow, this genuinely taught me so much more than I would've ever learned about color theory, and all in just minutes. Gracias!
Cesar your videos are exceptionally brilliant and you can see the amount of year's that have gone into you acquiring this knowledge. Love ur videos. 💯💯
I didn't quite believe it until I tried it myself. I wash shocked when it made blue. (Teal like as shown in the first example) So I finished watching the video and was very impressed. It's interesting to see how these secondary colors are actually able to make primary. Clearly school education wasn't too advanced enough to even teach it like this!
This is the most thorough explanation of the primary colour debate I've ever seen. Left me with 0 questions and 999 knowledge 😅 Thank you very much for this video!!
My mind is just blown. I did not know of this info until just now. Such great content!! I learned s much from this 9 min video!
Terima kasih tentang pengetahuan warna , sangat jelas baik warna pokok , merah kuning biru , maupun warna campuran , cara melukis warna kulit ( sawo matang ) bayangan gelap dan terang , matur nuwun . Ilmu uang bermanfaat .
Before I watch the video here's my guess:
Blue and Red mixed together make purple, and green is the opposite of red on a colour wheel (I think?)... So therefore, mixing purple and green should cancel out the red and get the red+blue mix back to blue by itself. That's my guess, time to watch the video to see how wrong I was
Edit: ah okay, I was on the right track... Close enough haha
Thanks for speaking slowly
I liked practicing my spanish listening skills
Me da risa que el vídeo está en español y hay un montón de comentarios en gringo 🤦🏻♂️
I mixed viridian (green) pw6/py3/pg7 with violet (purple) pv23 and got a dark dull blue but when I mixed sap green with yhe same violet it became blackish brown.
So this does work!! But not all green combined with purple will give you the results.
Great info. Thanks for the video!
Edit: I tried more mixing and what I understood is that more cooler greens mixed with purple will give blue ( dull/dark) bcz they have more blue in it and warmer greens mixed with orange will give yellow (dull/muddy) bcz they have more yellow in it that gets left behind after all the opposite colours cancel each other out! 😀
Enjoy painting everyone!
Lmao it took me a sec to adjust my brain to Spanish. I couldn't understand the first words. 🤣
:O yo no pinto cuadros, yo hago modelismo, y esto se me hizo super interesante y muy util, tome su like buen hombre
LOL. I got in an argument with my art teacher in 8th grade about this. I said that green and purple make blue. She said no they don't. So I took some paint and mixed it in front of the class and she got rather mad at me.
The hardest part of painting is learning to mix colors. You can learn to draw in a few months if you work at it, but learning to get color right can take years.
Not everyone can learn to draw well
@@joser2349 If you said "not everyone will learn to draw well", I'd agree with you. Everyone who isn't blind and/or paralyzed can learn to draw well. But it takes time and effort that most are unwilling to expend.
I hate primary schools teachers, most of them are complete trolls
Muchas Gracias por tan valiosa información!!!
Thank you so much for this video! I wish I'd had this 5 years ago lol instead of being told "just experiment". Super helpful!
Los tres sistemas de colores nos dan verde pero la tonalidad sera diferente en cada uno. Un azul oscuro y un rojo calido nos dara un violeta grisaseo oscuro , cyan con magenta nos dara un violeta medio azuloso claro y en rbg el mismo violeta ryb solo mas luminoso.
Está rueda me ayuda a entender porque la alegría que genera el cobalt teal. Esa brillantez es única hasta el momento
I will watch anything at this point apparently. I do not speak or understand Spanish, but i learn quite a lot! 10/10
Este vídeo é perfeito! Muito obrigado pela explicação!
EXCELENTE VIDEO!
Soy Econometrista y pinto por Hobby's me encantan las artes, en el área Econometrica usamos los "Scatter's" para ver valores promedios-equilibrios y cuando hablaste, mostraste lo del circulo cromático con esa mega distribución y como se aplica a la teoría del colar pero explicado de una manera más "espacial" me dejaste sorprendido, el arte no es una ciencia exacta pero tiene más técnica de lo que pensaba incluso cuando explicaste con lógica lo de las curvas de nivel en las gráficas de escala RGB, de como se cancelan, ahora entiendo más. Muchas gracias por el video saludos cordiales desde Venezuela.
Very interesting and useful. As a teacher I always teach the 3 primary colours; red, yellow and blue. Now all this helps me to expand the colour wheel and how to get different mixes. Thank you❤️💛💙
Que increible la pintura final! 👏🏼👏🏼👏🏼👏🏼👏🏼
😯💔☹️I do not believe this, I wanted to know this information for alongtime Oooh, Thank you so much for the video 😍♥✨😭
amigo, no pensé q esto me interesaría tanto, excelente video 😁
Sensacional vídeo!!
He estado pensando en este tema mucho tiempo, muchas gracias por explicarlo
Este video es dios, muchas veces no entendía porque habían tantos sistemas de colores primarios, este video me dejo todo claro, y el circulo cromático del final es muy intuitivo para saber que colores dan al combinar unos con otros.
Diría que es el mejor video de colores que hay por youtube
Well explained! Thank you!
Me volaste los sesos.. muy buena explicacion sobre este tema .. tienes un admirador .. 😅
thanks you so muck for the person who put romanian subtitles
siento que la explicacion del principio es como las matematicas......
Me será de gran.ayuda ,gracias !!
Yo
.- para carnaciones en general empleo Rojo Escarlata, Azul ultramar, Amarillo Ocre y Viridian...
.- para paisajes en general empleo Rojo Vermellon, Azul Pthalo, Amarillo Cadmio y Verde Vejiga...
En ambas paletas puedo, si es muy necesario poner otro color particular... justamente si es necesario por ejemplo hacer unas flores violetas en algún paisaje o una marina muy luminosa puedo sumar viridian... o sumar algo en los retratos algo de la ropa que requiera sumar otro color mas saturado.... pero son cosas puntuales...
Es bueno elegir unos 3 o 4 colores y trabajar con ellos... acostumbrarse a la mezclas... después de un tiempo ya solo pintas, sin siquiera cuestionar el como se llega a un color...
*_¿Por qué tanto comentario en inglés en un video en español?_*
1 semestre de diseño gráfico y aún no me quedaba claro el por qué de ciertos colores, y sólo con un video de RUclips, he entendido demasiado. Me gusta ser un poco crítico con la información, y RUclips no parecería una fuente confiable, pero videos como este demuestran lo contrario.
Pense que los colores primarios no podian crearse, ya que son la base para crear los demas :0
El circulo cromatico de pigmento vale para cualquier medio? Yo suelo usar acuarela o acrílico
Thanks RUclips for recommending me a Video I don't understand a word of
wow MERCI BEAUCOUP! MUCHAS GRACIAS!!! i don't have blue but i have green and purple, i don't ask for this but here you are as a gift/synchronicity!!! :)
I think the best color wheel is rainbow color wheel.
school: green and purple make brown!
this guy: yeah right
Información que no necesitaba pero ahora me alegro de tener
Demasiado interesante!!! ♡ mas videos como este!
Oh wow! I did not know this! Thanks for the info!!
¡Oh, vaya! ¡No sabía esto! ¡¡Gracias por la info!!
Oh wow! Je ne le savais pas! Merci pour l'info!!
Oh wow! Das wusste ich nicht! Danke für die Information!!
Oh wow! Non lo sapevo! Grazie per le informazioni!!
Wow! That's interesting I'm going to bust out the paint and check this out.
Gracias! 🤗👍🎨
I’m here to say noThey don’t it makes a cool grey/gray :)
No it doesn’t. Look at 3:04. That is not a cool grey, that is a slightly greyish blue, but Its still clearly blue. There is a difference between a desaturated blue and a cool grey, that’s like saying brown is actually just a warm grey
Edit: sorry if my comment sounds a bit passive aggressive, I just read it back and it sounds quite mean :)
@@pianomanwithapianoplan504 I totally agree 3:04 is very blue but that is mainly due to the colors hestarted with having alot of blue pigment in them. the smaller red and yellow cancels each other out.
I agree.
Jazak Allah Khair for the captions :]
I'm getting into painting later in life and I've never known this but I feel like you just opened a ton of doors that weren't only closed but that k didn't even know were there. Thank you for this!
This kinda melted my brain
Woo that's magical I only know that green + purple will become blue, not other things and of course I also don't know what happened among us ( the colours)
Thank you so mutch!
Green is yellow and blue
Purple is red and blue
So you wind up with a 1/2 blue 1/2 brown mixture.
que interesante. seguí asi.
¡Excelente explicación!
So beautiful
Muy bien explicado!
Super information..thank you so much..plz tell how to make phathalo blue color..plz
Sin exagerar llevaba 3 años preguntandome eso XD
So i watch a few eps of the cook from castamar on Netflix, and BOOM , spanish speaking video recommended!
Eres un gran maestro César, gracias por compartir todo esto, es super BLOWMIND cuando lo comienzas a entender, Saludos desde Colombia y muchas bendiciones!
This just taught me more about color theory than years of art education ever did. Spectacular!
Me too 😭
Me too
And me! And I have 21 year as a motion graphic designer! Awesome video
ikr
Like I'm wasting my money for college but geting better knowledge from youtube
Buen día Cesar. Soy profesor de artes y llevo 15 años explicando teoría del color a niños y jóvenes y tu información me es de una gran utilidad. Logro entender ahora muchas cosas y quitarme de la cabeza algunos prejuicios e informaciones que pensaba erróneas. Te agradezco mucho por compartir con nosotros tus conocimientos.
Hay mezclas aditivas y mezclas sustractivas. Siempre se enseñó así. Por lo menos acá donde vivo.
Laura tiene razón. También hay que considerar que esta agregando blanco para lograr un azul en tono pastel no el azul primario. La explicación del video es interesante pero parece afirmar que hay información incompleta durante el aprendizaje.
Trabajando en la imprenta,, utilizando colores transparentes, y opacos con diferentes resultados, solo los colores opacos cancelan a otro, color, los transparentes no se cancelan
@@josemeza7128 exacto. Hay mezclas aditivas y hay mezclas sustractivas.
Enseñame como se hace el color azul profe
These are the exact kind of factors I, as a hairstylist, must consider - when colouring One’s hair. It’s necessary to pay attention, to the starting colour of the hair - overtones and undertones. Then, determine what colour would be appropriate - overtone and undertone - as to not accentuate or cancel out any unintended colours.
that is fascinating as flip
I like blues and greens for hair dye, and struggle because I am a ginger with an intense copper colour.
It's a struggle and I haven't found a hairdresser who can do what I like, and honestly neither can i.
@@BorksmithandTheBeef have you tried going to an Aveda Salon? Their color system does not come pre-mixed like some others. The stylist has to take into account your starting color and customize the formula in order to achieve the color you want. Red is a difficult starting point but it’s not impossible.
Dato curioso, el sistema de color CMYK esta en negativo, si lo inviertes sale el rgb original:
El Cian es el rojo,
El magenta es el verde,
El amarillo es el azul.
El negro es blanco.
Se usa este sistema de color, porque si se usa el sistema rgb en fondos blancos no saldrían de forma correcta, asi como lo contrario, el rgb solo funciona en fondos negros.
Imagínate alguien que compro pintura rgb para su impresora xD
:0
pero no es que funcionen sobre fondos blancos o negros, es que son sistemas distintos, uno es luz y el otro tinta, si mezclas varias tonalidades de luz en un mismo punto, el resultado tiende hacia el blanco, mientras que en las tintas, las mezclas tienden hacia el negro, una manera facil de comprobar es girar el circulo cromatico impreso en papel, el efecto que se consigue es que el papel pareciera de color blanco, ya que no se esta mezclando las tintas, si no la luz que refleja el papel hacia nuestros ojos.
@@Martin.Garrido Exactamente.
Estás mezclando conceptos, ya que existen 2 teorías del color, dependiendo si hablamos del color luz o del color pigmento
If anyone is curious about this tipic I recommend to anyone who wants to understand color theory in greater depth a text by a Japanese teacher Noboru Ohta, a text translated into English as "Colometry fundamentals and applications". If you were interested in the explanation about the waves of light, if you want to know how the eye works to interpret color or about the history of color, with the consistency of a professional who has dedicated his life to the phenomenon of color, then read this text, it is hard to understand but it is worth it.
That's so cool. Thank you for the tip!
Thanks!
Just to help someone doing a straight google search - use this title instead "Colorimetry fundamentals and applications". It's a big book :-)
Quisiera entender
@@yaditas3826 Puedes hacer una búsqueda sobre colorimetría, por ejemplo: duckduckgo.com/?q=colorimetria&t=ffab&atb=v159-1&ia=web
This helped me understand color on a much deeper level thank you !
Yo hace más o menos medio año no sabía esto, y lo descubrí porque tenía para pintarme el pelo un pote de tinte verde y otro violeta, no quería ponerme ninguno de esos colores así que decidí mezclarlos para probar y me dejo un color azul eléctrico hermoso, una buena experiencia la verdad ajsvb
Azul eléctrico? No te dio un golpe de electricidad?.... Jjjjjj
@@samuelperez9362 aa que chistoso, te la metió un payaso?
Ok no xD
@@noxdova jaja don comedia
Al estilo Marge Simpson ,jajaja buen chiste
@@noxdova ten cuidado, no vayas a matar a alguien de la risa
すごいですね！とても勉強になります！
日本人発見！✨
I’m an artist... and I didn’t even know this
Same. I always thought that green an purple made brown. That's what I was told in school
@@mezzovii well I discover by my self when i was a child, that if I mix black with orange i obtein brown, if I mix blue with pink I obtein purple, and black & white gray.
So for me was easy, but in school i never learned anything about the color theory.
@@mezzovii That's because school should be teaching the basic concepts, which is what it does. The sort of thing showcased in the video, though, should be emphasized in college courses since it's assumed you're wanting to be serious about your work in that environment. I know my instructors there never mentioned it once, which is unfortunate. You kinda figure it out on your own eventually through experimentation or accidental mixing, but that can be pretty expensive "experimentation" depending on what paints you use.
¿Por qué hay tantos comentarios en inglés?
You won't believe how much I wanted this video
Wait, why the video is in spanish and you talk in english???
@@martinacevedohace8anos166 because the video has subtitles and even though I don't speak spanish I really like Césars videos and respect him as an artist and a teacher? Art should be shared and teached all over the world, no matter what language we speak.
@@j-birby1548 oh Now I understand, thank you, the fact that I have never seen comments in English in a Spanish video surprise me, thank you
@@martinacevedohace8anos166 It took me a while to realize, but there's English subtitles if you turn CC on.
Impresionante lección, muy técnica y demostrativa, muchas gracias, maestro.
Este es un extraordinario resumen de teoría del color. Es impresionante que solo te haya tomado diez minutos. Eres un máster, César. He aprendido tanto con tus videos. Gracias.
Dear youtube: Stop reminding my I’m a failure to my family by recommending videos in Spanish.
No tengo palabras para decir lo bien hecha que ha sido esta serie de videos sobre este tema!
Fue de las primeras dudas que me surgieron a la hora de comprar y elegir colores. Y no me he perdido ni un sólo vídeo!!!
Ya puse en práctica probando con diferentes paletas, y mis resultados crecieron de forma tremenda. Muchas gracias, sensei! (｡･ω･｡)ﾉ♡
Estoy contenta de leer un comentario en español, después de leer muchísimos en inglés.
I didn't realize I was using the 6 different "primary" colors when I do art. I have always habitually bought 8 different colors for any art medium that are very similar in pigments to yours shown. When I was in art class years ago I would get upset because my teacher would only have us use red, blue, and green. One such occasion we had to choose one color for a monochromatic painting. My two favorite colors, teal and magenta, aren't really an option when mixing from primaries. So I went with blue. It came out alright, but teal and magenta tend to have a more attractive feel to them imo.
Teacher should have given cyan, magenta, and yellow.