This could not have come at a better time. I have been searching for recent videos about color correcting/shading cameras, specifically BMD cameras. Everything I found was either using expensive scopes with diamond displays or didn’t go into the steps needed. This is very helpful and I recently purchased the BMD Camera Control panel that will make the steps you did in the ATEM software much easier. I have Omniscope and Scopebox and will use one of those software scopes and the steps you just showed, in the order you did your matching.
Glad it was helpful! Here we just used vMix's scopes because we thought that would be widely accessible. Just make sure that you have the right vectorscope zoom set if you use vMix. There are other software scopes you can download, too. - Jeremy
@@LivexTv1 thank you for you answer. V mix is a great idea. I will try your solution because I have couple of ursa broadcast g1/g2 and I have some difficulty to match them. Can you explain what do you mean about zoom x2 please?
@@ClementPatalagoity-zo1km I explained it at 21:35 . A chart should state the color gain needed to be calibrated correctly, either on it (like the DSC Labs charts) or in its documentation. Inside vMix's scope options in the preview window, on the bottom, there is a "Vectorscope 2X Zoom" I needed to apply since my chart required it.
@@LivexTv1 Could you mention a couple other software scopes you recommend along with another affordable brand color chart other than DSC Labs? Off topic question, what desk is that on the right side of the image @25:00 with the rack turrets? Are they standalone or come with the desk? Thanks so much Jeremy! LiveX always has great how-to videos! Keep up the great work.
In Panasonic language, no shutter equals 180 degree shutter. So if you syncro scan to 1/60 you are adding shutter and making the image darker. True story!
Does the ue150 have the ability to import a lut? could i have done all the correction between both cameras in resolve and import the lut to both cameras?
You can apply a LUT to both, but applying the same LUT to both would not yield good results because they are much different cameras. In general, LUTs are meant for creative looks or colorspace conversion, so using a LUT at all in this environment is a bit controversial. It's best to use as much of the built-in, on the fly adjustment as possible.
As with most things in life, you aren’t going to get it perfect the first time. Practice, practice, practice. And if you are in live event production, you got about 10 minutes to get this dialed in before something changes.
This could not have come at a better time. I have been searching for recent videos about color correcting/shading cameras, specifically BMD cameras. Everything I found was either using expensive scopes with diamond displays or didn’t go into the steps needed. This is very helpful and I recently purchased the BMD Camera Control panel that will make the steps you did in the ATEM software much easier. I have Omniscope and Scopebox and will use one of those software scopes and the steps you just showed, in the order you did your matching.
Wow this is an amazing resource. Thank you so much for making this. Super easy to understand!
Very useful and interesting workflow.
Thanks for sharing
Amazing!
Thanks so much for you video. Which scopes do you use please? Because Blackmagic scopes haven’t targets.
Glad it was helpful! Here we just used vMix's scopes because we thought that would be widely accessible. Just make sure that you have the right vectorscope zoom set if you use vMix. There are other software scopes you can download, too.
- Jeremy
@@LivexTv1 thank you for you answer. V mix is a great idea. I will try your solution because I have couple of ursa broadcast g1/g2 and I have some difficulty to match them. Can you explain what do you mean about zoom x2 please?
Do you have a ref about your chart?
@@ClementPatalagoity-zo1km I explained it at 21:35 . A chart should state the color gain needed to be calibrated correctly, either on it (like the DSC Labs charts) or in its documentation. Inside vMix's scope options in the preview window, on the bottom, there is a "Vectorscope 2X Zoom" I needed to apply since my chart required it.
@@LivexTv1 Could you mention a couple other software scopes you recommend along with another affordable brand color chart other than DSC Labs? Off topic question, what desk is that on the right side of the image @25:00 with the rack turrets? Are they standalone or come with the desk? Thanks so much Jeremy! LiveX always has great how-to videos! Keep up the great work.
This was great.
Very helpful, thankyou...
In Panasonic language, no shutter equals 180 degree shutter. So if you syncro scan to 1/60 you are adding shutter and making the image darker. True story!
Thanks
Your scopes, parade are from vMix?
Does the ue150 have the ability to import a lut? could i have done all the correction between both cameras in resolve and import the lut to both cameras?
You can apply a LUT to both, but applying the same LUT to both would not yield good results because they are much different cameras. In general, LUTs are meant for creative looks or colorspace conversion, so using a LUT at all in this environment is a bit controversial. It's best to use as much of the built-in, on the fly adjustment as possible.
As with most things in life, you aren’t going to get it perfect the first time. Practice, practice, practice. And if you are in live event production, you got about 10 minutes to get this dialed in before something changes.