Great singing of a great aria. It's hard to get excited about productions that are so minimalist that it's just a blank wall. I'm a middle school teacher and 25 yrs ago for an assembly, I dressed up as Wolfgang, played the piano lying on the bench on my back, did a lot of shtick, but I also hired a high-level soprano to come on stage, do a little dialogue with me in appropriate accents, and had her perform Come Scoglio. Fantastic!
Wala ako naintindihan pero sobrang ganda ng boses at pagkakaawit. 👏👏🤘🇵🇭 "I did not understand a word but her voice is so gorgeous" Am so loving how she sings.. 😍😘
Sufficiently great :) Now I can book the tickets to listen to her here in Berlin the next month in this, or Don Giovanni. I only hope the staging and design art would not be so frightfully appalling.
@@Aurelia2147 The issue is not how 'cool' the artiste is, or how admirable (or otherwise) it is for her to display a tattoo to all and sundry on the stage of the Salzburg Festival. The question is, has she properly portrayed the character of Fiordiligi, a girl torn between her highly moral nature and the temptations of the 'Albanians'. Does the singer comport herself as Fiordiligi would have done? Has she gotten inside the mind of the character? Would Fiordiligi wear a tattoo? Or is this whole production a scandalous exaltation of the misplaced values of the XXIst century, rather than an honest and humble attempt to do justice to the masterpiece written by Mozart and da Ponte 231 years ago?
@@jasonhurd4379 Why do you believe someone who is of highly moral nature would not wear a tattoo? Why do you believe stories have to be interpreted and presented in one way just because they have been written 231 years ago? Just because this production is more modern than you would like it to be doesn't mean it is lacking. Perhaps to you it is but to me it isn't. There is no correct way to tell a story and some people may prefer a style over the other. That doesn't mean that one way is superior. Listen to the music! Just because Elsa Dreisig doesn't look as you want her to look doesn't mean she isn't good at potraying the character - on the contrary! She is fully emerged in the role and is simply brilliant
@@Aurelia2147 I bow to your knowledge and humbly accept your reprimand. My forty-four years of intense study of Così fan tutte appear to have taught me little. Many thanks for sharing your valuable and sophisticated observations.
Bullshit. There is a long history of different voice types and sizes singing Fiordiligi. You're just making your opinion the rule. The conducting is wretched.
I always find it interesting how people manifest their own preference as the ideal, I mean there is no such a thing as an exact determination (by Mozart) of the voice needed for this role
It's a completely valid way of singing it and she does it beautifully. No, her voice doesn't have to be any different maybe the way people listen should be were they interested in the flexibility the notes actually have for all different kinds of voices and personalities. She also brings out different emotions how unsettled this character can be rather than the standard hawkishness. I think it's refreshing.
Great performance. ♥
Fantastic soprano who can use chest voice, as well as sing coloraturas! Rare nowadays! Brava!
Probably the only way to sing this aria decently as a light lyric. If she were full lyric or spinto she'd probably use mixed voice
Brava! Excellent acting by all of the cast. Fiordiligi was very believable. Her internal struggle was real. Excellent singing!
My favorite soprano in this days 😘
Great singing of a great aria. It's hard to get excited about productions that are so minimalist that it's just a blank wall.
I'm a middle school teacher and 25 yrs ago for an assembly, I dressed up as Wolfgang, played the piano lying on the bench on my back, did a lot of shtick, but I also hired a high-level soprano to come on stage, do a little dialogue with me in appropriate accents, and had her perform Come Scoglio. Fantastic!
Very beautiful voice!
Simply beautiful …. both singing and acting .
Wala ako naintindihan pero sobrang ganda ng boses at pagkakaawit. 👏👏🤘🇵🇭
"I did not understand a word but her voice is so gorgeous" Am so loving how she sings.. 😍😘
Salgo gia del trono aurato by Callas sobrang worth it.
А мне все нравится, исполнение великолепное. Браво! 🙏👋👋👋💐💐💐💕
Bravissimo 😀
Excellent voice very nice
Magnificent!
Very nice! Brava
Eres lo máximo Elsa
Hate this production, but wow, she is on of my favorites. Love her!!
Soprano 🖤❤️🎵🎵🎵
Amazing.
Hard to believe this big, beautiful voice (and these chest tones) come out of such a petite frame. Impressive voice and performance.
💜💜💜💜💜
Brava. So pleasant
Você muito especial anjo 👼
👏👏
👏👏👏🤩🤩🤩
Sufficiently great :) Now I can book the tickets to listen to her here in Berlin the next month in this, or Don Giovanni. I only hope the staging and design art would not be so frightfully appalling.
great
it takes place in a psychiatric hospital ? ... well, it fits well with our times !
is that a tatoo? :D how times change :p
Ahahah 🤣
She also owns a motorcycle (according to her Instagram account). She is so cool!
@@Aurelia2147 The issue is not how 'cool' the artiste is, or how admirable (or otherwise) it is for her to display a tattoo to all and sundry on the stage of the Salzburg Festival. The question is, has she properly portrayed the character of Fiordiligi, a girl torn between her highly moral nature and the temptations of the 'Albanians'. Does the singer comport herself as Fiordiligi would have done? Has she gotten inside the mind of the character? Would Fiordiligi wear a tattoo? Or is this whole production a scandalous exaltation of the misplaced values of the XXIst century, rather than an honest and humble attempt to do justice to the masterpiece written by Mozart and da Ponte 231 years ago?
@@jasonhurd4379 Why do you believe someone who is of highly moral nature would not wear a tattoo? Why do you believe stories have to be interpreted and presented in one way just because they have been written 231 years ago?
Just because this production is more modern than you would like it to be doesn't mean it is lacking. Perhaps to you it is but to me it isn't. There is no correct way to tell a story and some people may prefer a style over the other. That doesn't mean that one way is superior.
Listen to the music! Just because Elsa Dreisig doesn't look as you want her to look doesn't mean she isn't good at potraying the character - on the contrary!
She is fully emerged in the role and is simply brilliant
@@Aurelia2147 I bow to your knowledge and humbly accept your reprimand. My forty-four years of intense study of Così fan tutte appear to have taught me little. Many thanks for sharing your valuable and sophisticated observations.
Her voice is way too light for Fiordiligi... Much more a Despina.
Yes needs more fire in the middle and chest voices
Bullshit. There is a long history of different voice types and sizes singing Fiordiligi. You're just making your opinion the rule.
The conducting is wretched.
I always find it interesting how people manifest their own preference as the ideal, I mean there is no such a thing as an exact determination (by Mozart) of the voice needed for this role
But it is a lovely voice, and she sings it beautifully -- and accurately. E.g. 3:33 .
It's a completely valid way of singing it and she does it beautifully. No, her voice doesn't have to be any different maybe the way people listen should be were they interested in the flexibility the notes actually have for all different kinds of voices and personalities. She also brings out different emotions how unsettled this character can be rather than the standard hawkishness. I think it's refreshing.
Bella voce ma quelle note di petto ... un po' sguaiate
Costumes ridicules….
super voice, but these shoes destroy the sound